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THE DON... FLOWS QUIETLY Synergetic Novel
М. V. Golitsyna THE DON... FLOWS QUIETLY Synergetic novel 1 Dedicated to my father, Vasiliy Ivanovich Golitsyn, and all defenders of the Fatherland 2 «...The land, with which you were starving together - you can’t ever forget! » All Right! V. Mayakovsky "We are marching through a storm of bullets, making sure that at death we’ll be reincarnated as steamboats, written lines, and other things that never fade." To comrade Nette, a steamboat and a man. V. Mayakovsky 3 III level of consciousness (thoughts): It’s the Tikhiy Don fast sleeper train, and no wonder, there are no tickets… OK, what about other trains?! Well, Moscow... "is the nastiest little hole of all the towns of Russia. I was all but starved there, to say nothing of having a narrow escape of being..." and so on through the text.., bу and large, as my father liked to quote... II level of consciousness (feelings): My father... Won’t I fulfill his last request?! Or maybe I continue doing stupid things?! - But I have already learned... and now I know for sure that I'd rather regret the things I've done than regret the things I haven't done! III level of consciousness (thoughts): Most likely, I will be able to get the earth... But will I be able to return home? After all, the border may be closed any moment during the holidays... For them, 1 May is not a holiday, to say nothing about Victory Day, the holiday... of the "invaders"... And it was not only my father who used to tell.. -
Auction of Art & Antiques
antiques trade gazette User: IVAN Issue No: 2169 Issue Date: 06/12/14 File Name: NE01-03 PROOFED: Issue 2169 | 6th December 2014 UK £2.25 – USA $6.50 – Europe €3.95 SYMBOLS OF GOOD FORTUNE Thangka brings Nantwich auctioneers Peter Wilson set a new house record on November 27 with this large Qianlong (1736-95) mark-and-period doucai ‘lotus and bats’ jar and cover. Auctioneer Robert Stones brought down the new HK$310m gavel at £350,000 (£420,000 including the 20% buyer’s premium) after almost nine minutes of bidding. Four phone bidders from Mainland China and London competed against a lady Asian art high sitting in the saleroom who had flown from China to attend in person. She left empty-handed when ■ After an intense bidding battle on it sold to a bidder on the Yongle textile shows ten-fold the phones which lasted 22 minutes, telephone. increase in value over 12 years the thangka (pictured on page 3) was The jar was offered for knocked down to Liu Yiqian, the well- sale by the Shropshire Gabriel Berner known Chinese collector who was bidding descendant of a reports via the phone of Jinqing Cai, president Liverpool shipping of Christie’s China. After the sale, Mr Liu merchant who had AMONG the most important said he had purchased it for his recently brought it back from opened Long Museum in Shanghai. China. Admired for Asian works of art to come The large 11ft x 7ft (3.35 x 2.13m) its 18in (46cm) body to market in the modern thangka – recently on view in London’s decorated in doucai collecting era, an Imperial King Street – was created over five enamels outlined in gilt with centuries ago during the reign of the foliate lotus scrolls and iron Ming dynasty embroidered Ming dynasty’s third ruler, the Yongle red bats in flight – respectively silk thangka sold for HK$310m emperor who was in power from symbols of enlightenment and (£27m) at a Christie’s Chinese 1402-24. -
Cold War Introductory Work Welcome to the Summer Work for History a Level
Cold War Introductory Work Welcome to the summer work for History A Level. This sheet will guide you on how you can complete your summer work and where you can create your notes. If you find this a successful place to create your notes you can continue to work here during your A level and have it all in one place! SWAY LINK: This link will take you to all the work and allow you to scroll through information on your phone and click links taking you to articles, videos and readings https://sway.office.com/HG9aPBB1thInas6O?ref=Link This sheet will guide you on setting up a Notebook online and creating tabs. In each tab we would like you to complete some research to help develop your background understanding to the course. If you cannot access/create a Onenote book then feel free to use Word or PPT and then transfer the notes across when you start. All resources will be available in the appendix at the end of this document Organising your work on Onenote Firstly, create a new Onenote notebook by opening the program and then click Create THREE New Sections and rename them KEY WORDS, FACTFILES, KEY DATES Create FOUR more New Sections and change the tab colour to yellow and rename them INTRODUCTION, 1 – ORIGINS OF THE COLD WAR, 2 – WIDENING THE COLD WAR and 3 – GLOBAL WAR Secondly, under the KEY DATES tab for the first page change the title to Before 1945. You will use this page to create a timeline of events including images. -
“We're Nostalgic but We're Not Crazy”: Retrofitting the Past in Russia
“We’re nostalgic but we’re not crazy”: Retrofitting the Past in Russia SERGUEI ALEX. OUSHAKINE As far as my memory’s concerned, I know a particular word exists, except that it has lost meaning. I don’t understand it as I did before I was wounded. ... So I have to limit myself to words that “feel” familiar to me, that have some definite meaning for me. These are the only ones that I bother with when I try to think or talk to people. Lev Zasetsky, a patient suffering from aphasia. On New Year’s Eve, we’ll sit in front of a Sony TV, drinking Absolut vodka as we watch Russian films and sing Russian songs. ... Of course, the film is a remake shot in 35-millimeter Kodak and cost millions of American dollars. We’re nostalgic but we’re not crazy. Leonid Parfyonov, a TV producer (1995). In the scholarship on cultural changes in postsocialist countries it has become a cliché to single out nostalgia as an increasingly prominent symbolic practice through which the legacy of the previous period makes itself visible. Scholars from the Balkans are talking about Yugonostalgia and its fascination with “the successes of the golden Yugoslav national teams and clubs, personalities and elements of political life.”1 In a similar fashion, cultural critics of the (former) German Democratic Republic draw attention to the phenomenon of Ostalgia centered on Ostprodukte, the items of daily consumption from the socialist time, that are available again in the eastern part of Germany.2 Often perceived as a reaction to the recent I want to thank Kim Lane Scheppele, Clemena Antonova, Dmitry Bychkov, Elena Gapova, Helena Goscilo, Nadezhda Mishustina, Maya Nadkarni, Stephen Norris, Kevin Platt, Nancy Ries, and the two anonymous reviewers from The Russian Review for their helpful comments and suggestions on earlier drafts of this article. -
And Post-Soviet Literature and Culture
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Russia Eternal: Recalling The Imperial Era In Late- And Post-Soviet Literature And Culture Pavel Khazanov University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Eastern European Studies Commons, English Language and Literature Commons, European History Commons, and the European Languages and Societies Commons Recommended Citation Khazanov, Pavel, "Russia Eternal: Recalling The Imperial Era In Late- And Post-Soviet Literature And Culture" (2017). Publicly Accessible Penn Dissertations. 2894. https://repository.upenn.edu/edissertations/2894 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2894 For more information, please contact [email protected]. Russia Eternal: Recalling The Imperial Era In Late- And Post-Soviet Literature And Culture Abstract The return of Tsarist buildings, narratives and symbols has been a prominent facet of social life in post- Soviet Russia. My dissertation aims to explain this phenomenon and its meaning by tracking contemporary Russia’s cultural memory of the Imperial era. By close-reading both popular and influential cultural texts, as well as analyzing their conditions of production and reception, I show how three generations of Russian cultural elites from the 1950s until today have used Russia’s past to fight present- day political battles, and outline how the cultural memory of the Imperial epoch continues to inform post- Soviet Russian leaders and their mainstream detractors. Chapters One and Two situate the origin of Russian culture’s current engagement with the pre-Revolutionary era in the social dynamic following Stalin’s death in 1953. -
It's Gift Season!
1-800-531-1037 www.FromRussia.com (English) www.RusKniga.com (Russian) FREE CATALOG • winter–2014 It’s Gift Season! Free Shipping on Orders over $75 Бесплатная доставка по США при заказе от $75 1 Dear Friends! The perfect holiday gift is easy to find when you know where to look for it. Our assortment of the finest items will bring warm memories to you, your family and friends. According to the Chinese zodiac, 2014 is going to be the Year of the Horse. The Horse is energetic, warm-hearted, intelligent and able. The spirit of the horse is recognized to be the modern person’s ethos – making unremitting efforts to improve themselves. We at St-Petersburg Global Trade House believe in hard work and bright spirit – precisely the characteristics of the Horse. Natalia Orlova Happy Holidays! President, St-Petersburg Global Trade House TO PLACE AN ORDER: By phone/Fax: call toll-free 1-800-531-1037 or fax: 1-718-368-2231 Online: visit www.FromRussia.com (English), www.RusKniga.com (Russian). By mail: please mail your order (item name, number, price, and quantity), along with your check or money order made out to Books For U, Inc. to: Books For U, Inc., 7 Brighton 1st Road, Brooklyn, NY 11235 Please, do not forget to include your complete name, mailing address, and telephone number. We strongly advise calling prior to mailing your order to check the availability of the items you would like to order (1-800-531-1037). SHIPPING COST: FREE – if your order total is more than $75.00 N R (within the continental United States). -
White Movement Played an Important Role in the Russian History of the XX Century
ALEXANDER FEDOROV The White Movement Image in the Mirror of the Russian and Western Screen FEDOROV, A. THE WHITE MOVEMENT IMAGE IN THE MIRROR OF THE RUSSIAN AND WESTERN SCREEN. MOSCOW: ICO “INFORMATION FOR ALL”. 2016. 88 P. COPYRIGHT © 2016 BY ALEXANDER FEDOROV [email protected] ALL RIGHT RESERVED. 10 9 8 7 6 5 4 2 1 FEDOROV, ALEXANDER. 1954-. THE WHITE MOVEMENT IMAGE IN THE MIRROR OF THE RUSSIAN AND WESTERN SCREEN /ALEXANDER FEDOROV. INCLUDES BIBLIOGRAPHICAL REFERENCES. 1. WHITE MOVEMENT. 2. CIVIL WAR. 3. FILM STUDIES. 4. CINEMA. 5. FILM. 6. MASS MEDIA. 7. SCREEN. 8. IDEOLOGY. 9. ENEMY. 10. USSR. 11. RUSSIA. 12. MEDIA LITERACY. 13. MEDIA STUDIES. 14. FILM STUDY. 15. WESTERN CINEMA. What is the White Movement image in the mirror of the Soviet, Russian and Western screen? What about the main stereotypes? The author of this book tries to analyze the films’ trends and ideology. 2 Contents Introduction 4 1. The image of the White movement in the Soviet feature cinema 8 (1931-1991) 1.1. The image of the White movement in the Soviet films of 1931-1955 8 1.2 The image of the White movement in the Soviet cinema of 1956-1989 21 2. The image of the White movement in the Russian feature cinema 45 at the present stage (1992-2015) 2.1. The image of the White movement in the Russian cinema 45 of the 1990s - 2000s 3. The image of the White movement in the Western feature cinema 56 (1931-2015) 3.1. The image of the White movement in the Western feature cinema 56 of the 1930s - 1940s 3.2. -
National WWI Museum and Memorial 2018 Accessions Report January 1
National WWI Museum and Memorial 2018 Accessions Report January 1 to December 31, 2018 Doran Cart, Senior Curator Jonathan Casey, Archivist and Edward Jones Research Center Manager Stacie Petersen, Registrar 2018.1 – Purchase: All 1918 Russian Civil War uniforms: • Service dress tunic (bekesha) of Red Army cavalry commander of armored trolley; made of black wool with white fur trim; black linen lining; wooden buttons; sleeve insignia for armored trolley; sleeve insignia for commander (embroidered five-point star with two embroidered squares below on red fabric); • White Russian jacket for a subordinate officer (2nd lieutenant) of the Kornilov Regiment; black wool body with white piping on flap pockets; shock troops chevron on right sleeve; imperial shoulder boards for officer with script K in center, the shoulder buttons are metal with skull and cross bones for shock troops; front buttons are silver metal; left sleeve insignia with skull and crossbones; Imperial Russian colors on chevron; 2nd lieutenant bars on lower left sleeve; red cotton lining; • Red Army 3rd Bashkirian Muslim Cavalry Regiment pullover (gymnasterka); from the Republic of Bashkortostan (also Bashkiria) between the Volga and Ural Mountains, they were autonomous but allied with the Soviet Socialist Republic in March 1919; white linen cloth; wooden buttons; left sleeve insignia of purple diamond shape with embroidered star and crescent; commander rank insignia; white cotton lining; • Red Army section commander, military orchestra pullover (gymnasterka); white cotton fabric; -
Birštonas Municipality
ABIPUS NEMUNO ПО ОБЕ СТОРОНЫ РЕКИ НЕМАН ALONG BOTH SIDES OF THE NEMUNAS RIVER www.alytus-tourism.lt www.visitbirstonas.lt www.tourgrodno.by www.oshmiany.gov.by 2014 Project No. LLB-2-210 “The development of bicycle tourism and informational system on Lithuania-Belarus border region”. Latvia, Lithuania and Belarus Cross-border Cooperation Programme within the European Neighbourhood and Partnership Instrument. СYCLING GUIDE Vilnius Мiнск PARTNERS: Administration of Birštonas Municipality Alytus tourism information centre Grodno Regional Department of Social Organization “Republican Union of Tourism and Sport” Oshmiany district executive committee Grodno region executive committee sport and tourism TABLE OF CONTENTS Alytus Region – a nature’s pearl in South Lithuania 3 ALYTUS ROUTE 1. First acquaintance..........................................................................4 ROUTE 2. Spellbinding panorama of Alytus bank of the Nemunas.................................................................................6 ROUTE 3. Experienced...............................................................................8 ALYTUS REGION ROUTE 4. Visiting Simnas precinct.......................................................12 ROUTE 6. Olity-Orany route section...................................................15 ROUTE 7. The land of Duke Margiris....................................................19 BIRŠTONAS 21 ROUTE 1. Birštonas – Žvėrinčius oak tree – Škėvonys rock exposure.....................................................................23 -
Mediated Post-Soviet Nostalgia
MEDIATED POST-SOVIET NOSTALGIA Ekaterina Kalinina MEDIATED POST-SOVIET NOSTALGIA Ekaterina Kalinina Södertörns högskola © Ekaterina Kalinina 2014 Södertörn University SE-141 89 Huddinge Cover Image: Olcay Yalçın Cover and content layout: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2014 Södertörn Doctoral Dissertations 98 ISSN 1652-7399 ISBN 978-91-87843-08-2 ISBN 978-91-87843-09-9 (digital) Abstract Post-Soviet nostalgia, generally understood as a sentimental longing for the Soviet past, has penetrated deep into many branches of Russian popular culture in the post-1989 period. The present study investigates how the Soviet past has been mediated in the period between 1991 and 2012 as one element of a prominent structure of feeling in present-day Russian culture. The Soviet past is represented through different mediating arenas – cultural domains and communicative platforms in which meanings are created and circulated. The mediating arenas examined in this study include television, the Internet, fashion, restaurants, museums and the- atre. The study of these arenas has identified common ingredients which are elements of a structure of feeling of the period in question. At the same time, the research shows that the representations of the past vary with the nature of the medium and the genre. The analysis of mediations of the Soviet past in Russian contemporary culture reveals that there has been a change in the representations of the Soviet past during the past twenty years, which roughly correspond to the two decades marked by the presidencies of Boris Yeltsin in the 1990s and of Vladimir Putin in the 2000s (including Dmitrii Medvedev’s term, 2008–2012). -
Lèxic Uniformològic Multilingüe
FERRAN LUPESCU LÈXIC UNIFORMOLÒGIC MULTILINGÜE CATALÀ-ENGLISH-ESPAÑOL-FRANÇAIS-ITALIANO-PORTUGUÊS AMB SUPLEMENTS ALEMANY, ROMANÈS I RUS SOCIETAT D’ESTUDIS MILITARS 2017 1 2 En homenatge al mestre Preben Kannik (1914-1967) (c) Ferran Lupescu, 2017 3 4 Sumari Introducció 7 Esquema de les entrades 9 1. Uniformologia general 11 2. Cascos 23 3. Lligadures (altres que cascos) 27 4. Peces superiors 47 5. Peces superiors: peces d’abrigar i antiintempèrie 59 6. Peces inferiors 63 7. Peces de cos sencer 69 8. Roba interior 71 9. Calçat i elements afins 73 10. Insígnies i ornaments 77 11. Equipament 83 Annex A: armes individuals 95 Annex B: estructura bàsica de les Forces Armades 101 Annex C: tipologia bàsica de militars segons branques i especialitats 107 Annex D: tipologia bàsica de militars segons categoria i graduació 113 Suplement I: petit glossari alemany 117 Suplement II: petit glossari romanès 129 Suplement III: petit glossari rus 137 5 6 INTRODUCCIÓ Tota llengua que aspira a la plena normalitat d'ús ha de tenir coberta la terminologia especialitzada de tots els camps de coneixement. Emperò, el català, avui per avui, a còpia de desús i desinterès, és deficitari en força camps de la terminologia militar, i, particularment, en el de la uniformologia. S’hi acumulen manta mancances greus, entre les quals la imprecisió (“gorra” per ‘casquet’, “jaqueta” per ‘guerrera’), el confusionisme (“xarretera” per ‘musclera’, “distintiu” per 'divisa' i per 'emblema') i els barbarismes innecessaris (en espanyol, francès o anglès); precarietats impròpies d'una llengua madura que, de fet, campen ufanoses per reglaments uniformològics de cossos policials catalans, per exemple. -
Communist Editorial Cartoons in the 1920S and the Issue of Race
Black and White and Red All Over: Communist Editorial Cartoons in the 1920s and the Issue of Race Alexander M. Dunphy Submitted in partial fulfillment of the requirements for the degree of Master of Arts In the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2016 Alexander M. Dunphy All rights reserved Abstract The U.S. Communist Party’s (CP) fight for racial justice is one of the most important and neglected chapters in the history of civil rights struggles in the United States. When it is studied the focus tends to be on the 1930s, however this conventional periodization ignores the dramatic growth in the Party’s understanding of race during the 1920s. A focus on this period forces a reexamination of the relationship between the CP and the Soviet–based Communist International (Comintern). Rather than dictated from Moscow, the CP’s understanding of the issues facing African Americans evolved through a dialogue between Communists of all races around the world. This challenges the assumptions of the “Cold War” historians, who paint the Party as puppets of Russia, as well as “revisionist” histories, which tend to ignore the Comintern by focusing on the Party’s grassroots. By neither denouncing nor ignoring the relationship between international and domestic Communists, I show how this exchange provided a catalyst to the CP’s changing position on race. This not only has implications for the historiography of the Communism, but also sheds light on current debates over the feasibility of the political left as a vehicle for addressing issues of race. In this thesis, I address this omission by analyzing previously unexamined editorial cartoons from Communist Party publications during the 1920s to highlight the CP’s changing views on race.