Rebellion in the "Suburbs Washington D.C
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THE INAUGURATION OF CLAYTON S. ROSE Fifteenth President of Bowdoin College Saturday, October 17, 2015 10:30 a.m. Farley Field House Bowdoin College Brunswick, Maine Bricks The pattern of brick used in these materials is derived from the brick of the terrace of the Walker Art Building, which houses the Bowdoin College Museum of Art. The Walker Art Building is an anchor of Bowdoin’s historic Quad, and it is a true architectural beauty. It is also a place full of life—on warm days, the terrace is the first place you will see students and others enjoying the sunshine—and it is standing on this brick that students both begin and end their time at Bowdoin. At the end of their orientation to the College, the incoming class gathers on the terrace for their first photo as a class, and at Commencement they walk across the terrace to shake the hand of Bowdoin’s president and receive their diplomas. Art by Nicole E. Faber ’16 ACADEMIC PROCESSION Bagpipes George Pulkkinen Pipe Major Grand Marshal Thomas E. Walsh Jr. ’83 President of the Alumni Council Student Marshal Bill De La Rosa ’16 Student Delegates Delegate Marshal Jennifer R. Scanlon Interim Dean for Academic Affairs and William R. Kenan Jr. Professor of the Humanities in Gender, Sexuality, and Women’s Studies Delegates College Marshal Jean M. Yarbrough Gary M. Pendy Sr. Professor of Social Sciences Faculty and Staff Trustee Marshal Gregory E. Kerr ’79 Vice Chair, Board of Trustees Board of Trustees Officers of Investiture President Clayton S. Rose The audience is asked to remain seated during the processional. -
The Preludes in Chinese Style
The Preludes in Chinese Style: Three Selected Piano Preludes from Ding Shan-de, Chen Ming-zhi and Zhang Shuai to Exemplify the Varieties of Chinese Piano Preludes D.M.A. DOCUMENT Presented in Partial Fulfilment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Jingbei Li, D.M.A. Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee: Professor Steven M. Glaser, Advisor Dr. Arved Ashby Dr. Edward Bak Copyrighted by Jingbei Li, D.M.A 2019 ABSTRACT The piano was first introduced to China in the early part of the twentieth century. Perhaps as a result of this short history, European-derived styles and techniques influenced Chinese composers in developing their own compositional styles for the piano by combining European compositional forms and techniques with Chinese materials and approaches. In this document, my focus is on Chinese piano preludes and their development. Having performed the complete Debussy Preludes Book II on my final doctoral recital, I became interested in comprehensively exploring the genre for it has been utilized by many Chinese composers. This document will take a close look in the way that three modern Chinese composers have adapted their own compositional styles to the genre. Composers Ding Shan-de, Chen Ming-zhi, and Zhang Shuai, while prominent in their homeland, are relatively unknown outside China. The Three Piano Preludes by Ding Shan-de, The Piano Preludes and Fugues by Chen Ming-zhi and The Three Preludes for Piano by Zhang Shuai are three popular works which exhibit Chinese musical idioms and demonstrate the variety of approaches to the genre of the piano prelude bridging the twentieth century. -
Quadrophonic News Issue 7
Major Album Releases In The Fourth Quarter, 2013: Reflektor -Arcade Fire October 29th, 2013 Artpop -Lady Gaga November 11th, 2013 Live on the BBC Vol. 2 -The Beatles November 11th, 2013 •New -Paul McCartney •Beyoncé -Beyoncé •Matangl -M.I.A. •Because The Internet QUADROPHONIC NEWS •Shangri La -Jake Bugg -Childish Gambino Quadrophonic News December 2013 Issue 7 Female Artists: A Reflection In This Month’s Issue: There's a lot to be said for any vocalist with a truly amazing • Album Reviews: Reflektor, Yeezus, Centipede Hz, voice, but there's undeniably something special about a woman with a MMLP2, Live Through This, Bleach, Night Time, powerful voice and monumental skill in writing. So in this article I hope My Time to pay tribute to some of the best female vocalists/song writers out there. It's a big category so, unfortunately I won't be able to get to every one • Insight On Famous Female Artists I’d like to, but I hope to cover three of my favorites. • December/January Music Event Calendar First up is Patty Griffin. Patty is a powerful song writer from Old Town, Maine. her musical style is hard to pin down but it lands somewhere between folk and rock. Her voice is one of incredible range, Arcade Fire’s Reflektor Review her voice can convey every emotion you can imagine, softly or loudly, Achtung Baby. OK Computer. Sound of Silver. sweetly or harshly, and this amazing voice is accompanied by her Elephant. All of these albums are special. You remember indomitable talent for song writing. -
Violin Concerto of Samuel Coleridge-Taylor
ERASING THE COLOR LINE: THE VIOLIN CONCERTO OF SAMUEL COLERIDGE-TAYLOR BY HANGYUL KIM Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2016 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Ayana Smith, Research Director ______________________________________ Mimi Zweig, Chair ______________________________________ Stanley Ritchie ______________________________________ Peter Stumpf 22 September 2016 ii Copyright © 2016 Hangyul Kim iii To my parents iv Acknowledgements I am grateful to my late violin professor, Ik-Hwan Bae, for his guidance during my studies at Indiana University, as well as his family Sung-Mi Im and Subin Bae. I am also grateful to my brother, Hanearl Kim, for always helping me through difficult times and to my parents for their support and encouragement throughout my academic studies. I would also like to thank my committee for seeing me through the final stages of my degree, especially Dr. Ayana Smith, who took the time to patiently proofread my document. Lastly, I am grateful to my partner, Carolyn Gan, for her patience and dedication and love. This paper would never have come into fruition without my experiences at the East Rock Global Magnet Studies School, and I would like to extend my well-wishes to my colleagues and their children, as they forge onwards through a turbulent world. v Preface Samuel Coleridge-Taylor’s mixed-black heritage, which easily could have remained a social handicap in 19th century Victorian England, may arguably have boosted his career during a time when African-heritage music and artists became fashionable amongst the European and American public. -
Baixar Baixar
1 9 8 4 - PerCursos 7 2 4 6 It’s just a reflector: Orfeu, o fantasma e a era especular em Reflektor da banda Arcade Fire Resumo O texto trabalha a apropriação do mito de Orfeu e Eurídice no aparato visual Francisco das Chagas Fernandes (notadamente os vídeos) de Reflektor, quarto álbum da banda musical Santiago Júnior canadense Arcade Fire, com objetivo de localizar o momento no qual o mito Doutor em História pela clássico encontrou a reflexão sobre a era das imagens na cultura global Universidade Federal Fluminense atual. A partir de uma análise iconológica, será investigado o uso de – UFF. Professor da Universidade conceitos visuais, especialmente os temas do fantasma, do espelho e da reflexão nas obras audiovisuais produzidas para o álbum da banda, os quais Federal da Universidade Federal tiveram ampla divulgação na internet. do Rio Grande do Norte - UFRN. Brasil Palavras-chave: Arcade Fire; Mito de Orfeu e Eurídice; Cultura visual global. [email protected] Para citar este artigo: SANTIAGO JÚNIOR, Francisco das Chagas Fernandes. It’s just a reflector: Orfeu, o fantasma e a era especular em Reflektor da banda Arcade Fire. Revista PerCursos, Florianópolis, v. 17, n.33, p. 55 – 93, jan./abr. 2016. DOI: 10.5965/1984724617332016055 http://dx.doi.org/10.5965/1984724617332016055 Revista PerCursos, Florianópolis, v. 17, n. 33, p. 55 – 93, jan./abr. 2016. p.55 Per It’s just a reflector: Orfeu, o fantasma e a era especular em Reflektor da banda Arcade Fire Francisco das Chagas Fernandes Santiago Júnior Cursos It’s just a reflector: Orpheus, the ghost and the specular age in Reflektor by Arcade Fire Abstract The text works the aspects of appropriation of the myth of Orpheus and Eurydice in visual apparatus (mainly the videos) of Reflektor, fourth album by Canadian band Arcade Fire, to meet the moment in which the classic myth merged with reflection about the images age in the actual global culture. -
Students to Vote on Fee Increase This Quarter
VOLUME 47, ISSUE 22 THURSDAY, JANUARY 9, 2014 WWW.UCSDGUARDIAN.ORG !"#$"%%$&'("#) ;=75?/A=;7;>A5 PROPOSED STATE $"*!+,-%.%/#0"%%%1 THE BEST OF BUDGET LEAKED 2013 Students to Vote on Fee A preliminary report for Gov. Jerry Brown’s 2014–15 budget shows increased funding for the UC system, Increase This Quarter but funding falls short of the UC Regents’ request. Here is the proposed budget, broken down by the numbers: $263.1 REQUESTED BY UC REGENTS $120.9 FUNDING SHORTFALL $142.2 FUNDS PROVIDED IN “The Wolf of Wall Street” BUDGET may not stand up against “Gravity.” Read up on the Guardian’s choices for best songs, albums and movies of 2013. ALL 2334356.%%%%/783%%%9 FIGURES IN MILLIONS 2:7;%%%23<=3%%%2>?:>58%%%@A= A&C%%%(,D"$%%%E,C%%!("%%%-"F%%%G"#C ,D+-+,-.%%%/#0"%%%J :AB3%%%?;756 $F+HH+-0%%%(,$!$%%%I#$!%%%H""! $D,C!$.%%%/#0"%%%KL PHOTO BY JOSEPH HO/GUARDIAN FILE A proposed $52 hike on student fees could help pay for FORECAST new transportation options and increase financial aid. 10.8% Increase in total proposed state fund- MN%%8#'C+"II#%%@I"+$*(H#-%%!"#$%&'!()**'+&$("& ing for Calif. higher education from 2013–14 to 2014–15 academic year .S. Council’s proposed transportation fee ref- ments in mass transit and alternative transportation, THURSDAY FRIDAY erendum, which would add a $52 quarterly while the other 29 percent will go to financial aid, as 11.6% H 63 L 44 H 73 L 49 student fee to cover transportation services mandated by a statewide return-to-aid policy. Awill finally be voted on by students Week 8 of Winter “We’ll be leading a big education campaign this Percentage of total proposed 2014–15 Quarter 2014. -
Bye, Bye, Miss American Pie? the Supply of New Recorded Music Since Napster
NBER WORKING PAPER SERIES BYE, BYE, MISS AMERICAN PIE? THE SUPPLY OF NEW RECORDED MUSIC SINCE NAPSTER Joel Waldfogel Working Paper 16882 http://www.nber.org/papers/w16882 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 March 2011 The title refers to Don McLean’s song, American Pie, which chronicled a catastrophic music supply shock, the 1959 crash of the plane carrying Buddly Holly, Richie Valens, and Jiles Perry “The Big Bopper” Richardson, Jr. The song’s lyrics include, “I saw Satan laughing with delight/The day the music died.” I am grateful to seminar participants at the Carlson School of Management and the WISE conference in St. Louis for questions and comments on a presentation related to an earlier version of this paper. The views expressed in this paper are my own and do not reflect the positions of the National Academy of Sciences’ Committee on the Impact of Copyright Policy on Innovation in the Digital Era or those of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2011 by Joel Waldfogel. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster Joel Waldfogel NBER Working Paper No. 16882 March 2011 JEL No. -
Leftwich Benjamin Francis-Info
BENJAMIN FRANCIS LEFTWICH The first thing you notice is the voice. Haunting and sublimely other-worldly, it stops you in your tracks with the gentlest of touches, proving that sometimes the intoxicating simplicity of a single voice is all you need to make an impact. With Benjamin Francis Leftwich, that hypnotic, breathy voice is the reason for it all. It exposes his soul before anyone even hears the lyrics, letting the listener in to Benjamin’s most intimate world in a way no interview or video ever could. It is the essence of his being, laid bare without regret for us to share. Not just your average singer-songwriter then. Indeed, there’s nothing ordinary about this startling new talent, who is just 21 and has yet to release his first album but who sounds like he already has a lifetime of experiences, hopes and shattered dreams invested in each song. He has, in fact, been waiting for this moment for years. At the age of 10, Yorkshire born Benjamin first stared playing guitar, ditching his teacher after just a couple of lessons and teaching himself from the records that inspired him instead. Growing up on a diet of Rolling Stones and Nina Simone, Benjamin discovered Bob Dylan and Elliot Smith in his teens and never looked back. By 15, he was writing songs and playing with a band on the York music scene, before starting work as a solo artist at 18 and beginning to write what now makes up his forthcoming debut album ‘Last Smoke Before The Snowstorm’. -
BMI Bulletin November/December 2008
November/December 2008 ® A Bi-Monthly News Update for Songwriters & Composers BR O ADCASTM M USIC , I NC . ® I Bulletinbmi.com Bryan Ferry Hank Williams, Jr. Receives Icon Tribute Honored at London Awards Taylor Swift, Casey Beathard, Sony/ATV Take Top Country Honors MI lauded U.K., he 56th Annual BMI Europe and Jamaica’s Country Awards cel- premier songwrit- ebrated the genre’s Bers, composers and music Telite Tuesday, November 11 publishers Oct. 7 at the 2008 at BMI’s Music Row offices BMI London Awards. The in Nashville. Hosted by BMI ceremony was hosted by President & CEO Del Bryant BMI President & CEO Del and BMI Vice President, Bryant, along with Executive Writer/Publisher Relations, Director, Writer/Publisher Nashville Jody Williams, the Relations Europe & Asia, black-tie ceremony toasted Brandon Bakshi. Staged the writers and publishers PHOTO: JOHN RUSSELL in the Grand Ballroom of of the past year’s 50 most- Pictured onstage at the BMI Country Awards are (l-r): Phil Graham, BMI London’s Dorchester Hotel, performed country songs in Sr. VP Writer/Publisher Relations; Troy Tomlinson, President & CEO of Sony/ATV Music Publishing Nashville, the Country Publisher of the Year; the event honored the past the BMI repertoire. Country Songwriter of the Year Casey Beathard; Icon honoree Hank year’s most-played songs Casey Beathard earned Williams, Jr.; Taylor Swift, writer of Country Song of the Year “Teardrops on U.S. radio and television, his second BMI Country on My Guitar”; BMI President & CEO Del Bryant; and BMI VP, Writer/ Publisher Relations, Nashville Jody Williams. saluting numerous U.K. -
My Recollections of the War of the Rebellion;
^- - J'^-'-^'^. ^^^.^... ^^. '^-o^ ^^•n*.. .* .V MY RECOLLECTIONS OF THH WAR OF THE REBELLION Bv WILLIAM B. LAPHAM, Bki-vet-Major U. S. Volunteers. ritlVATKLY I'l.MXTKl). AIGUSTA, MAINE: BITRLEIGII * FLYNT, IMUNTERS 1S9-2. — THE SOUTHERN BATTLE-FIELD. "Once this soft turf, this rivulet's snuds. Were trampled by a hurryiiio- crowd, And tiery hearts and armed hands Encountered in the battle-cloud. Xow all is calm and fresh and still; Aloue the chii-p of tlittiui;- bird, And talk of children on th(» hill. And l)ell of wandering' kinc are heard. No solemn host goes trailing by, The Idack-mouthed gun and stiiggcring \v;iiii Men start not at the battle cry. O, be it nevei- lieard agnin."" ^U BeMcation. ®a Pavy (Tynthia, §c» WiWum and JrancciSi §culah inscribed by 7"///.>- volume is affectionately dedicated and THE/R FATHER. PREFACE. ^\'lly do you not write some of your ixTsonal recollections of the War of the Ivebellion, and relate some of your })ersoual ex[)eriences tliereiu for the anuiseuient and editication of your children? The above ({uestion was propounded to me ])y the mother of the children, some fifteen or more years after the war closed, and so pertinent \\as it that it seemed stranue I had not thoujrht of it before. I am aware that my experience ^vas by no means an exceptional one, that there were very many whose army life ^vas much more replete with thril- ling adventure than 1 am able to relate, yet in a service somewhat varied and covering a period embracing the greater part of the war, there were circumstances that came und(>r my personal obser- vation which may be of interest to the })ersons for whom this record is especially made. -
Southern Gothic: Macabre Heroes in Toole's Neon Bible and Mccarthy's Child of God
Jihočeská univerzita v Českých Budějovicích Pedagogická fakulta Katedra anglistiky Diplomová práce Southern Gothic: Macabre Heroes in Toole's Neon Bible and McCarthy's Child of God Jižanská Gotika: Hrůzní hrdinové v Tooleově Neonové Bibli and McCarthyho Dítěti Božím Vypracovala: Bc. Tereza Richtrová Vedoucí práce: Mgr. Linda Kocmichová České Budějovice 2016 Prohlášení Prohlašuji, že svoji diplomovou práci na téma Southern Gothic: Macabre Heroes in Toole's Neon Bible and McCarthy's Child of God jsem vypracovala samostatně pouze s použitím pramenů a literatury uvedených v seznamu citované literatury. Prohlašuji, že v souladu s § 47b zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své diplomové práce, a to v nezkrácené podobě elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejích internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněž souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikačních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem na odhalování plagiátů. V Českých Budějovicích 25. dubna 2016 _____________________________ Bc. Tereza Richtrová Acknowledgements I would like to express my gratitude and thanks to the supervisor of my diploma thesis, Mgr. Linda Kocmichová, for her special support, valuable advice, and inspiring comments. The thesis would not have been finished without her assistance, patience, and suggestions. Abstract The aim of this diploma thesis is to compare the protagonists of two novels which are classified as Southern gothic writings: Child of God by Cormac McCarthy, and The Neon Bible by John Kennedy Toole. -
Austin City Limits Hosts an Unforgettable Evening with Arcade Fire
Contact: Maury Sullivan, [email protected], 512-475-9087 Austin City Limits Hosts An Unforgettable Evening With Arcade Fire New Episode to Air January 14, 2012, on PBS Stations (check local listings) AUSTIN, Texas, Jan. 10, 2011-- Austin City Limits (ACL), the longest-running live music series in television history, continue to excite audiences during its 37th season on PBS stations nationwide this Saturday, Jan. 14, with a full episode dedicated to one of indie-rock's most beloved and influential bands: Arcade Fire. Montreal's Arcade Fire first captured the hearts of critics and fans alike with its 2004 debut album "Funeral", which propelled the multi-national ensemble to world-wide success with indelible anthems like "Wake Up" and "Rebellion (Lies)". 2007's "Neon Bible" continued this rise, while the group's most recent effort, "The Suburbs" became its first #1 album and ultimately earned them a 2010 Grammy Award for Album of the Year. "No band delivers a live show like Arcade Fire, and only one band could top that first show they did for us four years ago. You guessed it...Arcade Fire!" said Terry Lickona, ACL Executive Producer. "They out-do themselves every time they hit the stage, and they have no equal today when it comes to that combination of high energy, pure charisma and great music." During the taping, lead singer Win Butler echoed that excitement for returning to the show, saying that ACL was one of the very few things he dreamed about doing as a kid. The Arcade Fire's ACL set begins–appropriately enough–with the driving, determined "Ready To Start" from their recent Grammy-winning opus.