An Essay in Universal History
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Investment in Production Development: Leading Industries
Yaroslavl region INVESTMENT IN PRODUCTION DEVELOPMENT: LEADING INDUSTRIES CONTENTS The Yaroslavl region 01 The Yaroslavl region: general information 5 02 The Yaroslavl region: economic potential 7 The Yaroslavl region: leading industries 8 03 Leading industries: prospective sectors for localization 04 and technology partnership in the region 11 Ship building and marine equipment 12 Power engineering, electrical and cable industries 16 Engine building 20 Chemical engineering complex 22 CLUSTERS Production of road building and municipal machinery 26 Personnel training and education 30 05 Investment in production development 35 06 Prepared investment projects 35 Investor supporting measures 40 The government of the Yaroslavl region provides facilities for development of real economy industry sectors and for implementation of investment projects focusing on improving industrial competitiveness and export potential. Strengthening cooperation with large state corporations ensures intensive development of high-tech manufacture, innovative ventures and region’s economic development. In recent years the Yaroslavl region has demonstrated a steady industrial production growth; in the first quarter of 2019 industrial production index was almost 123% (102% for Russia). Pharmaceutical cluster enterprises that constantly expand participating companies significantly contribute to the industrial development. Large projects are being implemented in the Yaroslavl region by Takeda Pharmaceuticals, R-Farm, NT Pharma, Vita Pharma and Teva companies. Drug quality test laboratory of the Federal Service for Surveillance in Healthcare is to be put in operation in 2019. Last year production of the Ninlaro innovative drug began, promoting Russian pharmaceutical industry to a fundamentally new development level. Previously such drugs were released into civil circulation only in five countries (Japan, France, USA, Germany, and Austria). -
The Rule of St Basil in Latin and English
The Rule of St Basil in Latin and English The Rule of St Basil in Latin and English A Revised Critical Edition Translated by Anna M. Silvas A Michael Glazier Book LITURGICAL PRESS Collegeville, Minnesota www.litpress.org A Michael Glazier Book published by Liturgical Press Cover design by Jodi Hendrickson. Cover image: Wikipedia. The Latin text of the Regula Basilii is keyed from Basili Regula—A Rufino Latine Versa, ed. Klaus Zelzer, Corpus Scriptorum Ecclesiasticorum Latinorum, vol. 86 (Vienna: Hoelder-Pichler-Tempsky, 1986). Used by permission of the Austrian Academy of Sciences. Scripture has been translated by the author directly from Rufinus’s text. © 2013 by Order of Saint Benedict, Collegeville, Minnesota. All rights reserved. No part of this book may be reproduced in any form, by print, microfilm, micro- fiche, mechanical recording, photocopying, translation, or by any other means, known or yet unknown, for any purpose except brief quotations in reviews, without the previous written permission of Liturgical Press, Saint John’s Abbey, PO Box 7500, Collegeville, Minnesota 56321-7500. Printed in the United States of America. 123456789 Library of Congress Cataloging-in-Publication Data Basil, Saint, Bishop of Caesarea, approximately 329–379. The Rule of St Basil in Latin and English : a revised critical edition / Anna M. Silvas. pages cm “A Michael Glazier book.” Includes bibliographical references. ISBN 978-0-8146-8212-8 — ISBN 978-0-8146-8237-1 (e-book) 1. Basil, Saint, Bishop of Caesarea, approximately 329–379. Regula. 2. Orthodox Eastern monasticism and religious orders—Rules. I. Silvas, Anna, translator. II. Title. III. Title: Rule of Basil. -
A Russian Eschatology: Theological Reflections on the Music of Dmitri Shostakovich
A Russian Eschatology: Theological Reflections on the Music of Dmitri Shostakovich Submitted by Anna Megan Davis to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Theology in December 2011 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. 2 3 Abstract Theological reflection on music commonly adopts a metaphysical approach, according to which the proportions of musical harmony are interpreted as ontologies of divine order, mirrored in the created world. Attempts to engage theologically with music’s expressivity have been largely rejected on the grounds of a distrust of sensuality, accusations that they endorse a ‘religion of aestheticism’ and concern that they prioritise human emotion at the expense of the divine. This thesis, however, argues that understanding music as expressive is both essential to a proper appreciation of the art form and of value to the theological task, and aims to defend and substantiate this claim in relation to the music of twentieth-century Russian composer Dmitri Shostakovich. Analysing a selection of his works with reference to culture, iconography, interiority and comedy, it seeks both to address the theological criticisms of musical expressivism and to carve out a positive theological engagement with the subject, arguing that the distinctive contribution of Shostakovich’s music to theological endeavour lies in relation to a theology of hope, articulated through the possibilities of the creative act. -
Cultural Heritage, Cinema, and Identity by Kiun H
Title Page Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity by Kiun Hwang Undergraduate degree, Yonsei University, 2005 Master degree, Yonsei University, 2008 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kiun Hwang It was defended on November 8, 2019 and approved by David Birnbaum, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Mrinalini Rajagopalan, Associate Professor, University of Pittsburgh, Department of History of Art & Architecture Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Dissertation Advisor: Nancy Condee, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures ii Copyright © by Kiun Hwang 2019 Abstract iii Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity Kiun Hwang, PhD University of Pittsburgh, 2019 St. Petersburg’s image and identity have long been determined by its geographical location and socio-cultural foreignness. But St. Petersburg’s three centuries have matured its material authenticity, recognizable tableaux and unique urban narratives, chiefly the Petersburg Text. The three of these, intertwined in their formation and development, created a distinctive place-identity. The aura arising from this distinctiveness functioned as a marketable code not only for St. Petersburg’s heritage industry, but also for a future-oriented engagement with post-Soviet hypercapitalism. Reflecting on both up-to-date scholarship and the actual cityscapes themselves, my dissertation will focus on the imaginative landscapes in the historic center of St. -
Innovators: Filmmakers
NBER WORKING PAPER SERIES INNOVATORS: FILMMAKERS David W. Galenson Working Paper 15930 http://www.nber.org/papers/w15930 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 April 2010 The views expressed herein are those of the author and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2010 by David W. Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Filmmakers David W. Galenson NBER Working Paper No. 15930 April 2010 JEL No. Z11 ABSTRACT John Ford and Alfred Hitchcock were experimental filmmakers: both believed images were more important to movies than words, and considered movies a form of entertainment. Their styles developed gradually over long careers, and both made the films that are generally considered their greatest during their late 50s and 60s. In contrast, Orson Welles and Jean-Luc Godard were conceptual filmmakers: both believed words were more important to their films than images, and both wanted to use film to educate their audiences. Their greatest innovations came in their first films, as Welles made the revolutionary Citizen Kane when he was 26, and Godard made the equally revolutionary Breathless when he was 30. Film thus provides yet another example of an art in which the most important practitioners have had radically different goals and methods, and have followed sharply contrasting life cycles of creativity. -
Folklore and the Construction of National Identity in Nineteenth Century Russian Literature
Folklore and the Construction of National Identity in Nineteenth Century Russian Literature Jessika Aguilar Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy In the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Jessika Aguilar All rights reserved Table of Contents 1. Introduction……………………………………………………………………………..…..1 2. Alexander Pushkin: Folklore without the Folk……………………………….20 3. Nikolai Gogol: Folklore and the Fragmentation of Authorship……….54 4. Vladimir Dahl: The Folk Speak………………………………………………..........84 5. Conclusion……………………………………………………………………………........116 6. Bibliography………………………………………………………………………………122 i Introduction In his “Literary Reveries” of 1834 Vissarion Belinsky proclaimed, “we have no literature” (Belinskii PSS I:22). Belinsky was in good company with his assessment. Such sentiments are rife in the critical essays and articles of the first third of the nineteenth century. A decade earlier, Aleksandr Bestuzhev had declared that, “we have a criticism but no literature” (Leighton, Romantic Criticism 67). Several years before that, Pyotr Vyazemsky voiced a similar opinion in his article on Pushkin’s Captive of the Caucasus : “A Russian language exists, but a literature, the worthy expression of a mighty and virile people, does not yet exist!” (Leighton, Romantic Criticism 48). These histrionic claims are evidence of Russian intellectuals’ growing apprehension that there was nothing Russian about the literature produced in Russia. There was a prevailing belief that -
6 X 10 Long.P65
Cambridge University Press 978-0-521-84633-2 - Rome’s Gothic Wars: From the Third Century to Alaric Michael Kulikowski Index More information Index iii Ablabius, 54 Ariaric, 84–85 Abrittus, 18, 28 Ariminum. See Rimini Adrianople: battle of, 139–143; curia of, Arinthaeus, 117 135–136; siege of, 146 Arius, 107–108 Ad Salices, battle of, 137 Armenia, 129, 137, 167, 168 Aequitius, 143 Arminius, 47 Africa, grain supply of, 6, 168, 175–176 army, Roman: as basis of imperial power, 26; Alamanni,59, 81, 105;origins of,39–40, 67, 71 barbarians in, 35–37, 82, 156; Goths in, 79, Alanoviamuth, 49 82, 103, 106, 156–157; losses of, at Alans, 124–128, 171, 183 Adrianople, 150 Alaric: 1–11, 157–177, 183–184; and Attalus, 9, Arpulas, 121 174–176; and Eutropius, 166–168; and Arrian, 125 Rufinus, 165; death of, 180; early career of, Ascholius, 118 161–162; first revolt of, 164–166; demands Asia Minor: Goths killed in, 146–147, 154; of, 1–2, 165, 172–174; followers, 1–2, 4–5, 6, Gothic revolt in, 168–169 157, 165 Athanaric, 101; ancestry of, 85; death of, 155; Alatheus, 126–127, 131–132, 152;at defeated by Huns, 126–128, 131–132; Adrianople, 141–142 persecutes Christians, 117–118, 120–122; Alavivus, 128–130, 132–133 Roman wars of, 116–118 Aleksandrovka, 92 Atharidus, 120 Alexander Severus, 28 Athaulf, 10, 158, 175, 177, 180–182 alphabet, Gothic, 110 Athens, 19 Amal dynasty, 50, 53, 161 Attalus, Priscus, 9, 174–176, 182–183 Ambrose of Milan, 160 Attica, 19 Ammianus Marcellinus, 103–105; Res Gestae Attila, 157 of, 104–105; on Adrianople, 140–141, 144, Augustae, 31 146–147; on Huns, 124–125 Augustine, 178–179 Antioch, 117, 129 Augustus, 22, 40 Antonine Constitution, 25, 34 Aurelian (emperor), 8, 20–21, 29–30 Antoninus Pius, 23 Aurelian (praetorian prefect), 169 Apamea, 19 Aureolus, 20, 29 Aquitaine, 158, 183 Aurelius Victor, 30 Arabs, 146 Auxentius, 107 Arbogast, 151, 162–163 Auxonius, 115 Arcadius, 163, 165, 172 archaeology. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Tales of Russianness: Post-Soviet identity formation in popular film and television Souch, I.S. Publication date 2015 Document Version Final published version Link to publication Citation for published version (APA): Souch, I. S. (2015). Tales of Russianness: Post-Soviet identity formation in popular film and television. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:29 Sep 2021 TALES OF RUSSIANNESS POST-SOVIET IDENTITY FORMATION IN POPULAR FILM AND TELEVISION IRINA SOUCH UNIVERSITY OF AMSTERDAM 2015 Tales of Russianness: Post-Soviet Identity Formation in Popular Film and Television ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr. -
Remembering Exile
Chapter Six 6 Remembering Exile The ecclesiastical historians of the fifth century complicated the process of remem- bering clerical exile as they attempted to define the nature and purpose of Chris- tian flight in a post-Constantinian context. A fleeing bishop was hard to define, let alone defend. Eusebius of Nicomedia, whom we examined in some depth in the last chapter, must be (re)placed in the city from which he was exiled to condemn his flight and label him a heretic, while Athanasius of Alexandria was transferred to a recognizably orthodox space to confirm and defend his status as an ortho- dox hero. Our last case study turns to yet another man in flight, and one we have encountered before, by way of John Chrysostom. Meletius of Antioch is a par- ticularly difficult figure to define precisely because his status as an exile continues to slip beyond pro- or anti-Nicene categories of orthodoxy. He exists in a liminal space within the ecclesiastical histories of the fifth century. This almost-but-not- quite-orthodox figure therefore demonstrates how exile further destabilizes the orthodox project. In this final chapter, we will explore once again how the discourse of exile was used to remember and shape Nicene orthodoxy. And yet, this final bishop in flight had a conflicted legacy. We will then begin where we left off in the previous chap- ter and, here, examine Theodoret’s reconstruction of the Antiochene landscape. In this examination, however, we will pay attention not to the invading bishop, but to Antioch’s thrice-ousted bishop, Meletius. -
Durham E-Theses
Durham E-Theses The Meletian schism at antioch Barker, Celia B. How to cite: Barker, Celia B. (1974) The Meletian schism at antioch, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9969/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk THE MSLETIAN SCHISM AT ANTIOCH THE MELETIAN SCHISM AT ANTIOCH THESIS SUBMITTED TO THE UNIVERSITY OF DURHAM BY CELIA B. BARKER, B.A. (Dunelm) FOR THE DEGREE OF MASTER OF ARTS Department of Theology, Date: April,1974. University of Durham. (1) The object of this thesis is to examine the schism in the Church of Antioch during the Arian Controversy of the Fourth century, with a view to establishing what coherent order, if any, can be found in the course of events, and to show how the interaction of theological emphases and personal prejudices exacerbated and prolonged the Antiochene divisions. -
Russia's Imperial Encounter with Armenians, 1801-1894
CLAIMING THE CAUCASUS: RUSSIA’S IMPERIAL ENCOUNTER WITH ARMENIANS, 1801-1894 Stephen B. Riegg A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2016 Approved by: Louise McReynolds Donald J. Raleigh Chad Bryant Cemil Aydin Eren Tasar © 2016 Stephen B. Riegg ALL RIGHTS RESERVED ii ABSTRACT Stephen B. Riegg: Claiming the Caucasus: Russia’s Imperial Encounter with Armenians, 1801-1894 (Under the direction of Louise McReynolds) My dissertation questions the relationship between the Russian empire and the Armenian diaspora that populated Russia’s territorial fringes and navigated the tsarist state’s metropolitan centers. I argue that Russia harnessed the stateless and dispersed Armenian diaspora to build its empire in the Caucasus and beyond. Russia relied on the stature of the two most influential institutions of that diaspora, the merchantry and the clergy, to project diplomatic power from Constantinople to Copenhagen; to benefit economically from the transimperial trade networks of Armenian merchants in Russia, Persia, and Turkey; and to draw political advantage from the Armenian Church’s extensive authority within that nation. Moving away from traditional dichotomies of power and resistance, this dissertation examines how Russia relied on foreign-subject Armenian peasants and elites to colonize the South Caucasus, thereby rendering Armenians both agents and recipients of European imperialism. Religion represented a defining link in the Russo-Armenian encounter and therefore shapes the narrative of my project. Driven by a shared ecumenical identity as adherents of Orthodox Christianity, Armenians embraced Russian patronage in the early nineteenth century to escape social and political marginalization in the Persian and Ottoman empires. -
The Holy New Martyrs of Northern and Western Russia, Belorussia and the Baltic Introduction
THE HOLY NEW MARTYRS OF NORTHERN AND WESTERN RUSSIA, BELORUSSIA AND THE BALTIC INTRODUCTION ..............................................................................................................................3 1. HIEROMARTYR BARSANUPHIUS, BISHOP OF KIRILLOV ................................................5 2. HIEROMARTYR NICON, ARCHBISHOP OF VOLOGDA ....................................................9 3. HIEROMARTYR PLATO, BISHOP OF REVEL (TALLINN).................................................11 4. HIEROMARTYR EUGENE, BISHOP OF OLONETS .............................................................16 5. HIEROMARTYR BENJAMIN, METROPOLITAN OF PETROGRAD .................................17 6. HIEROMARTYR BARNABAS, ARCHBISHOP OF ARCHANGELSK ................................31 7. HIEROMARTYR JOSEPH, BISHOP OF VALDAI ..................................................................32 8. HIEROMARTYR HIEROTHEUS, BISHOP OF VELIKY USTIUG ........................................33 9. HIEROCONFESSOR EUTHYMIUS, BISHOP OF OLONETS ...............................................53 10. HIEROCONFESSOR NICHOLAS, BISHOP OF VELSK ......................................................54 11. HIEROMARTYR ANTHONY, ARCHBISHOP OF ARCHANGELSK..............................55 12. HIEROCONFESSOR MACARIUS, BISHOP OF CHEREPOVETS .....................................61 13. HIEROCONFESSOR BARSANUPHIUS, BISHOP OF KARGOPOL ..................................63 14. HIEROMARTYR JOHN, ARCHBISHOP OF RIGA..............................................................65