An Essay in Universal History

Total Page:16

File Type:pdf, Size:1020Kb

An Essay in Universal History AN ESSAY IN UNIVERSAL HISTORY From an Orthodox Christian Point of View VOLUME IV: THE AGE OF EMPIRE (1861-1914) PART 1: from 1861 to 1894 Vladimir Moss © Copyright: Vladimir Moss, 2017. All Rights Reserved. 1 When I consent to be a Republican, I do evil, knowing that's what I do... I say Long live Revolution! As I would say Long live Destruction! Long live Expiation! Long live Punishment! Long live Death! Charles Baudelaire (1866). European politics in the nineteenth century fed on the French Revolution. No idea, no dream, no fear, no conflict appeared which had not been worked through in that fateful decade: democracy and socialism, reaction, dictatorship, nationalism, imperialism, pacifism. Golo Mann, The History of Germany since 1789 (1996). The Jewish people has rejected Christ, the true Mediator and Messiah, and therefore has excluded itself from history. Instead the Germans have become God's chosen people. Constantin Frantz (1870s). [The Jews] are at the root of the revolutionary socialist movement and of regicide, they own the periodical press, they have in their hands the financial markets; the people as a whole fall into financial slavery to them; they even control the principles of contemporary science and strive to place it outside of Christianity. Konstantin Petrovich Pobedonostsev to Fyodor Mikhailovich Dostoyevsky (1879). This is the final struggle. Let us come together and tomorrow the International will be the human race. There are no supreme redeemers, no god, no Caesar, no tribune. Workers, let us make our own salvation. Eugène Pottier, L'Internationale. It is neither blindness nor ignorance that ruins nations and states. Not for long do they ignore where they are heading. But deep inside them is a force at work, favoured by nature and reinforced through habit, that drives them forward irresistibly as long as there is still any energy in them. Divine is he who controls himself. Most humans recognize their ruin, but they carry on regardless... Leopold von Ranke. The Lord and Master of the money markets of the world, and of course virtually Lord and Master of everything else. He literally held the revenues of Southern Italy in pawn, and Monarchs and Ministers of all countries courted his advice and were guided by his suggestions. Benjamin Disraeli, Former British Prime Minister, on Nathan Mayer Rothschild. When the missionaries arrived, the Africans had the land and the missionaries had the Bible. They taught us how to pray with our eyes closed. When we opened them, they had the land and we had the Bible. Jomo Kenyatta. The pope is not only the representative of Jesus Christ, but he is Jesus Christ Himself, hidden under the veil of the flesh. The future Pope Pius X (1895). 2 INTRODUCTION 5 I. THE WEST: THE MASTER RACES (1861-1894) 6 1. THE AMERICAN CIVIL WAR 7 2. BISMARCK AND THE UNIFICATION OF GERMANY 19 3. THE AUSTRO-HUNGARIAN EMPIRE 23 4. THE PARIS COMMUNE 28 5. THE SECOND REICH 35 6. THE RISORGIMENTO AND THE FALL OF THE PAPAL STATE 44 7. RELIGION IN AMERICA 53 8. WAGNER: (1) THE POLITICS OF CONSERVATISM 59 9. WAGNER: (2) THE RELIGION OF DEATH 70 10. NIETZSCHE AND THE NEW GERMANY 82 11. A JEWISH WORLD GOVERNMENT? 95 12. MOSES HESS AND THE PROTO-ZIONISTS 101 13. THE WESTERNIZATION OF JAPAN 113 14. CHRISTIANITY, COMMERCE AND CIVILIZATION 118 15. WELFARISM, SOCIALISM AND CHRISTIANITY 127 II. THE EAST: THE GOD-CHOSEN RACE (1861-1894) 141 16. “THE NEW MAN" 142 17. THE EMANCIPATION OF THE SERFS 146 18. THE REVOLUTIONARIES 156 19. DOSTOYEVSKY ON PAPISM AND SOCIALISM 165 20. PORTENTS OF THE ANTICHRIST 169 21. THE JEWS UNDER ALEXANDER II 175 22. THE EASTERN QUESTION, PAN-HELLENISM AND PAN-SLAVISM 183 23. THE GRECO-BULGARIAN SCHISM 194 24. AT THE GATES OF CONSTANTINOPLE 202 3 25. L'ALLIANCE ISRAELITE UNIVERSELLE 211 26. DOSTOYEVSKY ON RUSSIA 216 27. DOSTOYEVSKY, KATKOV AND LEONTIEV 224 28. THE TSAR AND THE CONSTITUTION 233 29. THE JEWS UNDER ALEXANDER III 239 30. RUSSIA AND THE BALKANS 246 31. VLADIMIR SOLOVIEV AND THE TEMPTATION OF CATHOLICISM 251 32. POBEDONOSTSEV ON CHURCH AND STATE 261 33. POBEDONOSTSEV ON DEMOCRACY 268 34. THE REIGN OF TSAR ALEXANDER III 272 35. TOLSTOY AND THE VOLGA FAMINE 277 4 INTRODUCTION This is the fourth volume in my series An Essay in Universal History, following volume 1: The Age of Faith (to 1453), volume 2: The Age of Reason (1453-1789), and volume 3: The Age of Revolution (1789-1861). This fourth volume, subtitled “The Age of Empire”, takes the story from the emergence of the world’s first modern empire in the American Civil War to the eve of the great cataclysm of imperialism – the First World War in 1914. It traces the great empires as they reached their zenith (in power, if not in extent). Empires have existed since ancient times, but the term “imperialism” came into vogue only in the 1860s. The word acquired an increasingly negative connotation as it was deemed to clash with the values of other modern belief-systems. In this volume, considerable attention is devoted to now the major new belief-systems of Socialism, Nationalism, Darwinism, Freemasonry, Freudianism and Nietzscheanism interacted with each other, with Imperialism, and with that unique kind of empire, the Orthodox Autocracy in its Russian incarnation. The major theme is the undermining of the old belief-system of the Orthodox Autocracy by the new ones coming from the West before the huge catastrophe of 1914. My debts are very many, and are detailed in the footnotes. Especially important to me have been the writings of the Russian Orthodox monarchists: St. Philaret of Moscow, St. Ignaty (Brianchaninov), St. Theophan the Recluse, the holy Elders of Optina, Lev Alexandrovich Tikhomirov, St. John of Kronstadt, St. John Maximovich, Archbishop Averky of Jordanville and Archpriest Lev Lebedev. Among western historians I have particularly benefited from the writings of A.N. Wilson, Philip Bobbitt, Bernard Simms, Paul Johnson, Niall Ferguson, Norman Davies, Sir Isaiah Berlin, Sir Geoffrey Hosking, Misha Glenny, Miranda Carter, Dominic Lieven, Christopher Clark, Henry Kissinger and Noel Malcolm. Through the prayers of our Holy Fathers, Lord Jesus Christ, our God, have mercy on us! Amen. February 17/ March 2, 2017. 5 I. THE WEST: THE MASTER RACES (1861-1894) 6 1. THE AMERICAN CIVIL WAR The Age of Empire was a racist age, when theories of a master-race - White or Aryan – were developed in order to justify European imperialism over the Asian and African races. However, it began with a war that was in part a war against racism, the American Civil War. This war was not unexpected. As early as 1787 Alexander Hamilton "had made a prediction: The newly created federal government would either 'triumph altogether over the state governments and reduce them to an entire subordination,' he surmised, or 'in the course of a few years the contests about the boundaries of power between the particular governments and the general government will produce a dissolution of the Union.'"1 "Each side," writes J.M. Roberts, "accused the other of revolutionary designs and behaviour. It is very difficult not to agree with both of them. The heart of the Northern position, as Lincoln saw, was that democracy should prevail, a claim assuredly of potentially limitless revolutionary implication. In the end, what the North achieved was indeed a social revolution in the South. On the other side, what the South was asserting in 1861 (and three more states joined the Confederacy after the first shots were fired) was that it had the same right to organize its life as had, say, revolutionary Poles or Italians in Europe."2 The war arose because of a quarrel over the status of the new western states: should they be allowed to have slaves or not. Ian Rimmer writes: “After the war with Mexico ended in 1848, the borders of the American Republic became finalized. Expansion into the new territories to the west began, but disputes about whether they should become free or slave were fierce, and at times violent. Various compromises and short-term fixes gave some stability but the ultimate problem was crystallised by a speech on 16 June 1858 in Springfield, Illinois. It was given by the newly formed Republican Party’s candidate for the Illinois senate seat. He argued: ‘A house divided against itself cannot stand. I believe this government cannot endure permanently, half slave and half free. I do not expect the Union to be dissolved. I do not expect this house to fall. But I do expect it will ceased to be divided.’ The candidate’s name was Abraham Lincoln.”3 According to Rimmer, in 1862, Lincoln, now President, “seized the opportunity to confront the issue of slavery. At war’s onset he had maintained its purpose was to save the Union and pledged to leave the institution of slavery unaffected in the Southern States. Lincoln believed he wasn’t able to challenge state-sanctioned 1 Joseph J. Ellis, Founding Brothers, New York: Vintage Books, 2002, p. 77. 2 Roberts, History of the World, Oxford: Helicon, 1992, p. 620. 3 Rimmer, “Lincoln’s Civil War”, All About History, p. 28. 7 servitude under the Constitution, which kept the important border slave states of Missouri, Kentucky, Maryland and Delaware loyal to the Union. “However, as the war unfolded, slavery’s effects couldn’t be ignored, as they were damaging the Union campaign. Slaves were used to construct defences for the Confederate armies, while slave work on farms and plantations kept the South’s economy going, allowing more of the white population to fight.
Recommended publications
  • A Russian Eschatology: Theological Reflections on the Music of Dmitri Shostakovich
    A Russian Eschatology: Theological Reflections on the Music of Dmitri Shostakovich Submitted by Anna Megan Davis to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Theology in December 2011 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. 2 3 Abstract Theological reflection on music commonly adopts a metaphysical approach, according to which the proportions of musical harmony are interpreted as ontologies of divine order, mirrored in the created world. Attempts to engage theologically with music’s expressivity have been largely rejected on the grounds of a distrust of sensuality, accusations that they endorse a ‘religion of aestheticism’ and concern that they prioritise human emotion at the expense of the divine. This thesis, however, argues that understanding music as expressive is both essential to a proper appreciation of the art form and of value to the theological task, and aims to defend and substantiate this claim in relation to the music of twentieth-century Russian composer Dmitri Shostakovich. Analysing a selection of his works with reference to culture, iconography, interiority and comedy, it seeks both to address the theological criticisms of musical expressivism and to carve out a positive theological engagement with the subject, arguing that the distinctive contribution of Shostakovich’s music to theological endeavour lies in relation to a theology of hope, articulated through the possibilities of the creative act.
    [Show full text]
  • Cultural Heritage, Cinema, and Identity by Kiun H
    Title Page Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity by Kiun Hwang Undergraduate degree, Yonsei University, 2005 Master degree, Yonsei University, 2008 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kiun Hwang It was defended on November 8, 2019 and approved by David Birnbaum, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Mrinalini Rajagopalan, Associate Professor, University of Pittsburgh, Department of History of Art & Architecture Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Dissertation Advisor: Nancy Condee, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures ii Copyright © by Kiun Hwang 2019 Abstract iii Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity Kiun Hwang, PhD University of Pittsburgh, 2019 St. Petersburg’s image and identity have long been determined by its geographical location and socio-cultural foreignness. But St. Petersburg’s three centuries have matured its material authenticity, recognizable tableaux and unique urban narratives, chiefly the Petersburg Text. The three of these, intertwined in their formation and development, created a distinctive place-identity. The aura arising from this distinctiveness functioned as a marketable code not only for St. Petersburg’s heritage industry, but also for a future-oriented engagement with post-Soviet hypercapitalism. Reflecting on both up-to-date scholarship and the actual cityscapes themselves, my dissertation will focus on the imaginative landscapes in the historic center of St.
    [Show full text]
  • Innovators: Filmmakers
    NBER WORKING PAPER SERIES INNOVATORS: FILMMAKERS David W. Galenson Working Paper 15930 http://www.nber.org/papers/w15930 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 April 2010 The views expressed herein are those of the author and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2010 by David W. Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Filmmakers David W. Galenson NBER Working Paper No. 15930 April 2010 JEL No. Z11 ABSTRACT John Ford and Alfred Hitchcock were experimental filmmakers: both believed images were more important to movies than words, and considered movies a form of entertainment. Their styles developed gradually over long careers, and both made the films that are generally considered their greatest during their late 50s and 60s. In contrast, Orson Welles and Jean-Luc Godard were conceptual filmmakers: both believed words were more important to their films than images, and both wanted to use film to educate their audiences. Their greatest innovations came in their first films, as Welles made the revolutionary Citizen Kane when he was 26, and Godard made the equally revolutionary Breathless when he was 30. Film thus provides yet another example of an art in which the most important practitioners have had radically different goals and methods, and have followed sharply contrasting life cycles of creativity.
    [Show full text]
  • Folklore and the Construction of National Identity in Nineteenth Century Russian Literature
    Folklore and the Construction of National Identity in Nineteenth Century Russian Literature Jessika Aguilar Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy In the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Jessika Aguilar All rights reserved Table of Contents 1. Introduction……………………………………………………………………………..…..1 2. Alexander Pushkin: Folklore without the Folk……………………………….20 3. Nikolai Gogol: Folklore and the Fragmentation of Authorship……….54 4. Vladimir Dahl: The Folk Speak………………………………………………..........84 5. Conclusion……………………………………………………………………………........116 6. Bibliography………………………………………………………………………………122 i Introduction In his “Literary Reveries” of 1834 Vissarion Belinsky proclaimed, “we have no literature” (Belinskii PSS I:22). Belinsky was in good company with his assessment. Such sentiments are rife in the critical essays and articles of the first third of the nineteenth century. A decade earlier, Aleksandr Bestuzhev had declared that, “we have a criticism but no literature” (Leighton, Romantic Criticism 67). Several years before that, Pyotr Vyazemsky voiced a similar opinion in his article on Pushkin’s Captive of the Caucasus : “A Russian language exists, but a literature, the worthy expression of a mighty and virile people, does not yet exist!” (Leighton, Romantic Criticism 48). These histrionic claims are evidence of Russian intellectuals’ growing apprehension that there was nothing Russian about the literature produced in Russia. There was a prevailing belief that
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) Tales of Russianness: Post-Soviet identity formation in popular film and television Souch, I.S. Publication date 2015 Document Version Final published version Link to publication Citation for published version (APA): Souch, I. S. (2015). Tales of Russianness: Post-Soviet identity formation in popular film and television. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:29 Sep 2021 TALES OF RUSSIANNESS POST-SOVIET IDENTITY FORMATION IN POPULAR FILM AND TELEVISION IRINA SOUCH UNIVERSITY OF AMSTERDAM 2015 Tales of Russianness: Post-Soviet Identity Formation in Popular Film and Television ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr.
    [Show full text]
  • Adaptations of Hamlet in Different Cultural Contexts: Globalisation, Postmodernism, and Altermodernism
    University of Huddersfield Repository Partovi Tazeh Kand, Parviz Adaptations of Hamlet in Different Cultural Contexts: Globalisation, Postmodernism, and Altermodernism Original Citation Partovi Tazeh Kand, Parviz (2013) Adaptations of Hamlet in Different Cultural Contexts: Globalisation, Postmodernism, and Altermodernism. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/19264/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ ADAPTATIONS OF HAMLET IN DIFFERENT CULTURAL CONTEXTS: GLOBALISATION, POSTMODERNISM, AND ALTERMODERNISM PARVIZ PARTOVI TAZEH KAND A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Doctor of Philosophy January 2013 2 ABSTRACT Although there has traditionally been a resistance to the study of adaptations, adaptation studies as a subsection of ‗intertextuality‘ currently has a significant place in academic debates.
    [Show full text]
  • An Essay in Universal History
    AN ESSAY IN UNIVERSAL HISTORY From an Orthodox Christian Point of View VOLUME IV: THE AGE OF EMPIRE (1861-1914) PART 1: from 1861 to 1894 Vladimir Moss © Copyright: Vladimir Moss, 2018. All Rights Reserved 1 The pope is not only the representative of Jesus Christ, but he is Jesus Christ Himself, hidden under the veil of the flesh. The future Pope Pius X (1895). When I consent to be a Republican, I do evil, knowing that's what I do... I say Long live Revolution! As I would say Long live Destruction! Long live Expiation! Long live Punishment! Long live Death! Charles Baudelaire (1866). European politics in the nineteenth century fed on the French Revolution. No idea, no dream, no fear, no conflict appeared which had not been worked through in that fateful decade: democracy and socialism, reaction, dictatorship, nationalism, imperialism, pacifism. Golo Mann, The History of Germany since 1789 (1996). The Messianism of the new era must arise and develop; the Jerusalem of the New World Order, which is established in holiness between the East and Asia, must occupy the place of two forces: the kings and the popes... Nationality must disappear. Religion must cease to exist. Only Israel will not cease to exist, since this little people is chosen by God. Albert Crémieux (1861). The Lord and Master of the money markets of the world, and of course virtually Lord and Master of everything else. He literally held the revenues of Southern Italy in pawn, and Monarchs and Ministers of all countries courted his advice and were guided by his suggestions.
    [Show full text]
  • NOBODY's FOOL: a STUDY of the YRODIVY in BORIS GODUNOV Carol J. Pollard, B.M.E Thesis Prepared for the Degree of MASTER OF
    NOBODY’S FOOL: A STUDY OF THE YRODIVY IN BORIS GODUNOV Carol J. Pollard, B.M.E Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 1999 APPROVED: Lester Brothers, Major Professor and Chair Henry L. Eaton, Minor Professor J. Michael Cooper, Committee Member Will May, Interim Dean of the College of Music C. Neal Tate. Dean of the Robert B. Toulouse School of Graduate Studies Pollard, Carol J., Nobody’s Fool: A Study of the Yrodivy in Boris Godunov. Master of Arts (Musicology), December 1999, 69 pp., 2 figures, 2 musical examples, references, 39 titles, 5 scores. Modest Musorgsky completed two versions of his opera Boris Godunov between 1869 and 1874, with significant changes in the second version. The second version adds a concluding lament by the fool character that serves as a warning to the people of Russia beyond the scope of the opera. The use of a fool is significant in Russian history and this connection is made between the opera and other arts of nineteenth-century Russia. These changes are, musically, rather small, but historically and socially, significant. The importance of the people as a functioning character in the opera has precedence in art and literature in Russia in the second half of the nineteenth-century and is related to the Populist movement. Most importantly, the change in endings between the two versions alters the entire meaning of the composition. This study suggests that this is a political statement on the part of the composer. TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS .
    [Show full text]
  • The Mem Oirs of Soidmon Volkov
    THE MEM OIRS OF DMITRI HOSTAKOVICH "The tragic horror of a trapped genius."-Yehudi Menuhin SOIDMONas related to and edited VOLKOV by Translated from the Russian by Antonina W. Bouis AtShostakovichs Moscow apartment: (from the left) the composers wife Irina, his favorite student, Boris Tishchenko, Dmitri Shostakovich, Solomon Volkov. On the wall, a portrait of Shostakovichas a boy byBoris K ustodiev. The inscription on the photograph reads: "To dearSolomonMoiseyevich Volkov in fond remembrance. D. Shostakovich.13XI1974. A reminder of our conversations about Glazunov, Zoshchenko, Meyerhold. D.S." LIMELIGHT EDITIONS NEW YORK TESTIMONY The Memoirs of Dmitri Shostakovich as related to and edited by Solomon Volkov Translated from theRussianbyAntonina W. Bouis All photographs except where otherwisecredited are from thepersonal collection of Solomon Vol­ lr.ov. First Limelight Edition, October 1984 Copyright© 1979 by Solomon Volkov. English-language translation copyright© 1979 by Harper&: Row, Publishers, Inc. All rights reserved under International and Pan-American Copyright Conven­ tions. Published in the United States by Proscenium Publishers Inc., New York, and simultaneously in Canada by Fitzhenry &: Whiteside Limited, Toronto. Originally published by Harper&: Row, Publishers, Inc. ISBN 0-87910-021-4 Manufactured in the United States of America Designer: Gloria Ade/sun Library of Congress Cataloging in Publication Data Shostakovich, Dmitrii Dmitrievich, 1906-1975. Testimony: the memoirs o.f Dmitri Shostakovich. Includes index. I. Shostakovich,
    [Show full text]
  • “Superfluous Man” in Russian Literature by Christopher Henry
    The Redemption of the “Superfluous Man” in Russian Literature By Christopher Henry Carr B.B.A. University of Michigan, Ann Arbor, 1998 M.A. Middlebury College, 2004 M.A. Brown University, 2012 Dissertation Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Slavic Studies at Brown University PROVIDENCE, RHODE ISLAND May 2016 © Copyright 2016 by Christopher Henry Carr This dissertation by Christopher Henry Carr is accepted in its present form by the Department of Slavic Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_____________ _________________________________ Vladimir Golstein, Advisor Recommended to the Graduate Council Date_____________ _________________________________ Svetlana Evdokimova, Reader Date_____________ _________________________________ Alexander Levitsky, Reader Approved by the Graduate Council Date_____________ _________________________________ Peter M. Weber, Dean of the Graduate School iii VITA Christopher Henry Carr was born in Jackson Heights, New York in 1976. He received a B.B.A. from the University of Michigan in 1998, an M.A. in Russian from Middlebury College in 2004, an M.A. in Slavic Studies from Brown University in 2012, and a Ph.D. in Slavic Studies from Brown University in 2016. Prior to his doctoral studies, Christopher taught English composition and literature several colleges in New York City. During his time at Brown, he has taught the Russian language, served as a teaching assistant for Russian literature courses, and has taught writing courses at Providence College and in Brown’s summer pre-college program. Within the Department of Slavic Studies at Brown, Christopher has co-organized graduate student conferences and colloquia, one of which was funded by a grant from Brown’s Office of International Studies in 2010-11.
    [Show full text]
  • FILM ESSAYS and a Lecture by Sergei Eisenstein Sergei Eisenstein in 1934
    FILM ESSAYS and a Lecture by Sergei Eisenstein Sergei Eisenstein in 1934. Photograph by Jay Leyda FILM ESSAYS AND A LECTURE by SERGEI EISENSTEIN edited by JAY LEYDA Foreword by Grigori Kozintsev Princeton University Press Princeton, New Jersey English translation © 1968 by Dobson Books, Ltd.; © 1970 by Praeger Publishers, Inc. Preface and English translation of "The Prometheus of Mexican Painting" copyright © 1982 Princeton University Press Published by Princeton University Press, Princeton, New Jersey All Rights Reserved LCC: 81-47283 ISBN: 0-691-03970-4 ISBN: 0-691-00334-3 pbk. THIS COLLECTION OF TRANSLATIONS Is DEDICATED TO PERA ATASHEVA First Princeton Paperback printing, 1982 Dobson Books edition, 1968; Praeger Publishers, Inc. edition, 1970 Published by arrangement with Praeger Publishers, Inc. Printed in the United States of America by Princeton University Press, Princeton, New Jersey CONTENTS Preface 1 Foreword 7 A Personal Statement 13 The Method of Making Workers' Films 17 Soviet Cinema 20 The New Language of Cinema 32 Perspectives 35 The Dynamic Square 48 GTK-GIK-VGIK; Past—Present—Future 66 Lessons from Literature 77 The Embodiment of a Myth 84 More Thoughts on Structure 92 Charlie the Kid 108 Mr Lincoln by Mr Ford 139 A Close-Up View 150 Problems of Composition 155 Sources and Notes 184 Appendices A. The Published Writings (1922-1982) of Sergei Eisenstein with notes on their English translations 188 B. The Prometheus of Mexican Painting 222 Index 233 PREFACE Before I left Moscow in 1936 Eisenstein prepared a list of the publications in journals and newspapers that he would like drawn upon if some miracle made it possible to publish a collection of his essays in the United States.
    [Show full text]
  • THE COLLECTED TALES of NIKOLAI GOGOL Translated and Annotated by RICHARD PEVEAR and LARISSA VOLOKHONSKY FIRST VINTAGE CLASSICS EDITION, JULY 1999 ISBN: 0679430237
    THE COLLECTED TALES OF NIKOLAI GOGOL Translated and Annotated by RICHARD PEVEAR and LARISSA VOLOKHONSKY FIRST VINTAGE CLASSICS EDITION, JULY 1999 ISBN: 0679430237 1 Preface Art has the provinces in its blood. Art is provincial in principle, preserving for itself a naive, external, astonished and envious outlook. -Andrei Sinyavsky, In Gogol's Shadow Nikolai Vassilyevich Gogol was born on April 1, 1809, in the village of Sorochintsy, Mirgorod district, Poltava province, in the Ukraine, also known as Little Russia. His childhood was spent on Vassilyevka, a modest estate belonging to his mother. Nearby was the town of Dikanka, once the property of Kochubey, the most famous hetman of the independent Ukraine. In the church of Dikanka there was an icon of St. Nicholas the Wonderworker, for whom Gogol was named. In 1821 Gogol was sent to boarding school in Nezhin, near Kiev. He graduated seven years later, and in December 1828, at the age of nineteen, left his native province to try his fortunes in the Russian capital. There he fled from posts as a clerk in two government ministries, failed a tryout for the imperial theater (he had not been a brilliant student at school, but had shown unusual talent as a mimic and actor, and his late father had been an amateur playwright), printed at his own expense a long and very bad romantic poem, then bought back all the copies and burned them, and in 1830 published his first tale, "St. John's Eve," in the March issue of the magazine Fatherland Notes. There followed, in September 1831 and March 1832, the two volumes of Evenings on a Farm near Dikanka, each containing four tales on Ukrainian themes with a prologue by their supposed collector, the beekeeper Rusty Panko.
    [Show full text]