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Center for Engaged Learning & Teaching Ethics & International Film
Center for Engaged Learning & Teaching Faculty Development/Cross-Divisional Teaching Materials Ethics & International Film across the Curriculum Julie Levinson, Virginia Newhall Rademacher - Arts & Humanities Film Title: A Separation Country: Iran Director: Asghar Farhadi Year: 2011 Principal Characters: Simin (Leila Hatami), Nader (Peyman Moaadi), Termeh (Sarina Farhadi), Hojjat (Shahab Hosseini), Razieh (Sareh Bayat), Nader’s father (Ali Asghar Shahbazi) Summary: A married couple is faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease. As they interact with other Iranians and with state institutions, their personal situation becomes increasingly complicated and their marriage becomes strained to the breaking point. Beyond being compelling story about individual lives, A Separation is a rich and resonant contemplation of personal ethics and social power. Discussion Questions How do personal problems intersect with social institutions? How do civil law, religious law, and individual conscience collide in the film? How is social class presented in the film? What tensions are revealed between those of different classes and education levels? How is power vested in individuals and institutions? To what extent do these characters have power to decide their own fate? In what ways is their power to determine their lives limited by state power? How is the philosophical distinction between individual free will and social determinism conveyed? The film is full of delicate negotiations between individuals. Life seems to be a serial transaction. Cite some of the points of negotiation. How are these worked out (or not)? Is it possible to be fair to everyone in these negotiations? With whom do our dramatic sympathies lie? Does this shift during the film? This teaching note was prepared by Professor Julie Levinson and Assistant Professor Virginia Newhall Rademacher, both in the Arts and Humanities division at Babson College. -
Progfest2011.Pdf
O Americano, de Mathieu Demy Inquietos, TEM O PRAZER DE APRESENTAR de Gus Van Sant O Porto, de Aki Kaurismäki Contágio, GRANDE GALA DE ABERTURA de Steven Soderbergh A PELE QUE HABITO Suspiria, DE PEDRO ALMODOVAR de Dario Argento 6 DE OUTUBRO Terraferma, de Emanuele Crialese Paz, amor e muito mais, de Bruce Beresford GRANDE GALA DE ENCERRAMENTO RAUL - O INÍCIO, O FIM E O MEIO Sacríficio, DE WALTER CARVALHO de Chen Kaige Les Bien-Aimes, 17 DE OUTUBRO de Christophe Honoré 6 a 18 de outubro www.festivaldorio.com.br O Rio de Janeiro é a cidade brasileira mais conhecida E o circuito do Festival do Rio aumenta a cada ano, le- internacionalmente. vando a festa do cinema para outras regiões da cidade. “ O Mundo no Complexo do Alemão” vai levar – pela Não à toa, é também o destino eleito como paradisíaco primeira vez – ao Cine Carioca, dentro da UPP do Ale- por personagens em dezenas de filmes. Entre 2010 e mão, a festa de filmes do Festival do Rio, com filmes de 2011, a cidade foi o cenário de quase 100 produções vários países. Da mesma forma, o Cine Tela, projeto de estrangeiras, além de muitas outras nacionais, que não tenda de cinema, será montada em Realengo, aberta ao só valorizam nossas belezas naturais como também público que verá produções internacionais e nacionais. nossa cultura. Estes novos projetos se juntam ao já tradicional Cinema O Festival do Rio continua a honrar a cada edição o perfil Livre, que ocupa praças e locais em diversas comunida- de cidade cinematográfica, trazendo anualmente o que des com projeções públicas gratuitas. -
Catalogo-Festivaldorio-2015.Pdf
Sumário TABLE OF CONTENTS 012 APRESENTAÇÃO PRESENTATION 023 GALA DE ABERTURA OPENNING NIGHT GALA 025 GALA DE ENCERRAMENTO CLOSING NIGHT GALA 033 PREMIERE BRASIL PREMIERE BRASIL 079 PANORAMA GRANDES MESTRES PANORAMA: MASTERS 099 PANORAMA DO CINEMA MUNDIAL WORLD PANORAMA 2015 141 EXPECTATIVA 2015 EXPECTATIONS 2015 193 PREMIERE LATINA LATIN PREMIERE 213 MIDNIGHT MOVIES MIDNIGHT MOVIES 229 MIDNIGHT DOCS MIDNIGHT DOCS 245 FILME DOC FILM DOC 251 ITINERÁRIOS ÚNICOS UNIQUE ITINERARIES 267 FRONTEIRAS FRONTIERS 283 MEIO AMBIENTE THREATENED ENVIRONMENT 293 MOSTRA GERAÇÃO GENERATION 303 ORSON WELLS IN RIO ORSON WELLS IN RIO 317 STUDIO GHIBLI - A LOUCURA E OS SONHOS STUDIO GHIBLI - THE MADNESS AND THE DREAMS 329 LIÇÃO DE CINEMA COM HAL HARTLEY CINEMA LESSON WITH HAL HARTLEY 333 NOIR MEXICANO MEXICAN FILM NOIR 343 PERSONALIDADE FIPRESCI LATINO-AMERICANA DO ANO FIPRESCI’S LATIN AMERICAN PERSONALITY OF THE YEAR 349 PRÊMIO FELIX FELIX AWARD 357 HOMENAGEM A JYTTE JENSEN A TRIBUTE TO JYTTE JENSEN 361 FOX SEARCHLIGHT 20 ANOS FOX SEARCHLIGHT 20 YEARS 365 JÚRIS JURIES 369 CINE ENCONTRO CINE CHAT 373 RIOMARKET RIOMARKET 377 A ETERNA MAGIA DO CINEMA THE ETERNAL MAGIC OF CINEMA 383 PARCEIROS PARTNERS AND SUPPLIES 399 CRÉDITOS E AGRADECIMENTOS CREDITS AND AKNOWLEDGEMENTS 415 ÍNDICES INDEX CARIOCA DE CORPO E ALMA CARIOCA BODY AND SOUL Cidade que provoca encantamento ao olhar, o Rio Enchanting to look at, Rio de Janeiro will once de Janeiro estará mais uma vez no primeiro plano again take centre stage in world cinema do cinema mundial entre os dias 1º e 14 de ou- between the 1st and 14th of October. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
Filmart 2011
FILMART 2011 IN HONG KONG IFF NEW IN POST-PRODUCTION A SEPARATION HEADSHOT THE MONK by ASGHAR FARHADI by PEN-EK RATANARUANG by DOMINIK MOLL In post-production HI-SO THE WOMAN by ADITYA ASSARAT L’ENFANT D’EN HAUT IN THE FIFTH by URSULA MEIER by PAWEL PAWLIKOWSKI In pre-production SILENT SOULS SPONSORING by ALEKSEI FEDORCHENKO FOXFIRE by MALGORZATA by LAURENT CANTET SZUMOWSKA THINK GLOBAL In pre-production ACT RURAL FOR ELLEN by COLINE SERREAU by SO YONG KIM COMPLETED IN PRODUCTION TOP FLOOR HELLO DARKNESS LEFT WING by RICHARD GLATZER by ANGELO CIANCI & WASH WESTMORELAND LORE by CATE SHORTLAND IN HONG KONG IFF NADER & SIMIN A SEPARATION A film by Asghar Farhadi hen his wife leaves him, Nader hires a young woman to take care of his suffering father. But he doesn’t W know his new maid is not only pregnant, but also working without her unstable husband’s permission. Soon, Nader finds himself entangled in a web of lies, manipulation and public confrontations. BY THE DIRECTOR OF ABOUT ELLY (Silver Bear 2009, Best Director) WITH LEILA HATAMI, PEYMAN MOADI, SHAHAB HOSSEINI, SAREH BAYAT, SARINA FARHADI IRAN / 2011 / 117 MIN. “Audiences will be swept up in the audacity of the plot.” VARIETY “An unusual depth of characterization.” THE HOLLYWOOD REPORTER IN HONG KONG IFF HI-SO A film by Aditya Assarat nanda has returned home from studying abroad. Unsure of his career plans, he tries his hand acting in A a new movie for a famous director. During the filming in a small seaside town, Zoe, his girlfriend from University, arrives for a week-long visit. -
Crònica D'un Any 2013 Eudald Camps Jordi Camps Ramon Girona
Crònica d’un any 2013 Eudald Camps Jordi Camps Ramon Girona Christian G. Carlos Ingrid Guardiola Imma Merino Salvador Montalt Àngel Quintana Carles Ribas Jep Soler Marta Sureda Guillem Terribas 13 Paco Vilallonga CRÒNICA DEL TRETZÈ ANIVERSARI Company de fatigues La primera vegada que vaig posar l’ull darrere la càmera pensant en una ficció que tenia lloc a l’altre costat, la primera vegada que vaig rodar una escena, va ser al Cinema Truffaut. Era el meu primer curtmetratge, un homenatge a Nanni Moretti amb Guillem Terribas com a perfecte alter ego del director italià, un Carles Ribas interpretativament genial i l’aparició estel·lar de l’Eudald Camps. La idea sortia del mateix Cinema Truffaut i per mi va ser el començament del meu camí com a realitzador. Inexpert, anava a rodar sense pla de rodatge. Arribàvem al set de rodatge i decidíem sobre la marxa l’escena que filmaríem, però amb molt bona voluntat i passió, això sí. L’objectiu del curt era agermanar el Cinema Truffaut amb el cinema que Moretti té a Roma: el Nuovo Sacher. Malauradament l’agermanament mai no es va produir, però per mi va ser un gran aprenentatge. Per exemple, després d’un primer visionat, el curt quedava massa llarg i en Josep Mir, amb rostre sever, em va dir: «Talla. Talla sense pietat». Aquest ha estat sens dubte el millor consell de muntatge que m’han donat mai, tot i que he tardat anys a assimilar-lo i en saber-lo aplicar. A partir d’aquell moment, a través del Col·lectiu que Crítics, el Cinema Truffaut ha estat la casa de les meves pel·lícules. -
1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, A
1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men. 2. Title: 12 Angry Men ISBN: 5050070005172 Adapted from Reginald Rose's television play, this film marked the directorial debut of Sidney Lumet. At the end of a murder trial in New York City, the 12 jurors retire to consider their verdict. The man in the dock is a young Puerto Rican accused of killing his father, and eleven of the jurors do not hesitate in finding him guilty. However, one of the jurors (Henry Fonda), reluctant to send the youngster to his death without any debate, returns a vote of not guilty. From this single event, the jurors begin to re-evaluate the case, as they look at the murder - and themselves - in a fresh light. 3. Title: 12:08 East of Bucharest ISBN: n/a 12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution. But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company. -
The Felix Sexism Survey
“Keep the Cat Free” ISSUE 1519 FELIX 25.05.12 The student voice of Imperial College London since 1949 The Felix Sexism Survey: Results We’ve collected together the results of last term’s survey: Page 15 Life Sciences cuts at Silwood TECHNOLOGY Staff depart natural science campus as select courses are suspended Christian Richters Alexander Karapetian Concerns regarding staff shortages have risen as entry to postgraduate courses in the Department of Life Sciences has been suspended. Cours- Sexism in the realm es such as the Entomology MRes and MSc, Integrated Pest Management of technology MSc and Plant Science and Biotech- nology MSc, held in Silwood Park, Page 13 are marked on the postgraduate online course list as ‘’suspended for 2012- 2013 entry’’. An anonymous report alerted Felix to claims that an increasing amount of Life Sciences staff are beginning to FILM leave Imperial and take their courses elsewhere. The closures of courses taught by such staff will affect the reputation of Silwood Park, famous Academic campus Silwood Park is situated near Ascot for Applied Ecology, Pest Manage- ment, Forestry and Entomology, and Imperial as a whole. of my subjects are at stake”, and that the subject to continue to be taught in Sconce spoke to Felix and said “these A suite of closely related Masters regardless, “I’ve enjoyed my time at a healthy environment with the right Applied Ecology courses have been taught postgraduate courses run by Dr Silwood”. people, not for personal progression. held at here at Silwood for a long Simon Leather, including Entomolo- “I feel it’s my duty that when I re- Entomology is a subject which has time, we are seeing the end of a part gy MSc and Conservation and Forest tire”, he continued, “entomology is been taught at Silwood Park for more of Silwood Park and Imperial College Protection MSc have been suspended. -
Full Text of the Show Was Published in the Booklet of the Show
DRAMATICA 1/2013 STUDIA UNIVERSITATIS BABEŞ-BOLYAI DRAMATICA 1 / 2013 March STUDIA UNIVERSITATIS BABEȘ-BOLYAI DRAMATICA EDITORIAL OFFICE: 4th Kogălniceanu Street, Cluj-Napoca, RO, Phone: +40 264 590066, Web site: http://studia.ubbcluj.ro/serii/dramatica, Contact: [email protected] EDITOR-IN-CHIEF: Lect. dr. ȘTEFANA POP-CURȘEU, Babeș-Bolyai University, Cluj-Napoca, Romania EDITORIAL BOARD: Prof. dr. ION VARTIC, Babeș-Bolyai University, Cluj-Napoca, Romania Prof. dr. LIVIU MALIȚA, Babeș-Bolyai University, Cluj-Napoca, Romania Prof. dr. MIRUNA RUNCAN, Babeș-Bolyai University, Cluj-Napoca, Romania Conf. dr. ANCA MĂNIUȚIU, Babeș-Bolyai University, Cluj-Napoca, Romania Conf. dr. LAURA PAVEL, Babeș-Bolyai University, Cluj-Napoca, Romania Conf. dr. VISKY ANDRÁS, Babeș-Bolyai University, Cluj-Napoca, Romania Conf. dr. DORU POP, Babeș-Bolyai University, Cluj-Napoca, Romania Lect. dr. ANDREA TOMPA, Babeș-Bolyai University, Cluj-Napoca, Romania Prof. dr. PETER P. MÜLLER, University of Pécs, Hungary Prof. dr. TOM SELLAR, Editor of Theatre Journal, Duke University Press, Yale University, USA Lect. dr. IOAN POP-CURȘEU, Babeș-Bolyai University, Cluj-Napoca, Romania Lect. dr. ANCA HAȚIEGANU, Babeș-Bolyai University, Cluj-Napoca, Romania INTERNATIONAL REFEREES: Prof. dr. GEORGE BANU, Université Paris 3-Sorbonne Nouvelle Prof. dr. DOMNICA RĂDULESCU, Washington and Lee University, USA Prof. dr. JEAN-PIERRE SARRAZAC, Université Paris 3-Sorbonne Nouvelle Prof. dr. GILLES DECLERCQ, Université Paris 3-Sorbonne Nouvelle Prof. dr. MICHAEL PAGE, Calvin College, USA Prof. dr. PATRIZIA LOMBARDO, Geneva University ISSUE EDITOR (1/2013): Prof. dr. MIRUNA RUNCAN and Asist. dr. RALUCA SAS-MARINESCU, Babeș-Bolyai University, Cluj-Napoca, Romania SECRETARIES OF THE EDITORIAL BOARD: Asist. Drd. -
1 the Programme for the 56Th BFI London Film Festival in Partnership
The programme for the 56th BFI London Film Festival in partnership with American Express launched on Wednesday 5 September XQGHUWKHQHZFUHDWLYHOHDGHUVKLSRI%),¶V+HDGRI Exhibition and Festival Director, Clare Stewart, bringing a rich and diverse programme of international films and events from both established and upcoming talent over a 12 day celebration of cinema. The Festival will screen a total of 225 fiction and documentary features, including 12 World Premieres, 12 International Premieres and 35 European Premieres*. There will also be screenings of 111 live action and animated shorts. A stellar line-up of directors, cast and crew are expected to take part in career interviews, master classes, and other special events. The 56th BFI London Film Festival will run from 10-21 October 2012. 7KLV\HDUVHHVWKHLQWURGXFWLRQRIVHYHUDOFKDQJHVWRWKH)HVWLYDO¶VIRUPDW1RZWDNLQJ place over 12 days, the Festival expands further from its traditional Leicester Square cinemas ± Odeon West End, Vue West End, Odeon Leicester Square and Empire ± and the BFI Southbank to include four additional new venues ± Hackney Picturehouse, Renoir, Everyman Screen on the Green and Rich Mix, which join existing London venues the ICA, Curzon Mayfair, Ritzy Brixton and Ciné Lumière. GALAS 7KH)HVWLYDORSHQVZLWKWKH(XURSHDQ3UHPLHUHRI7LP%XUWRQ¶V'DQLPDWLRQ )5$1.(1:((1,(ZKLOVW0LNH1HZHOO¶VYLVXDOO\VWXQQLQJDGDSWDWLRQRI*5($7 EXPECTATIONS, starring Helena Bonham Carter and Ralph Fiennes will close the Festival, with key talent from both films expected to attend. Among the highly anticipated Galas is the American Express Gala World Premiere of CROSSFIRE HURRICANE, a documentary celebrating 50 years of rock legendsThe Rolling Stones who are also expected to attend the Festival. For the first time this year both the Opening Night Gala and the American Express Gala red carpet events and screenings will be screened simultaneously to cinemas across the UK. -
2012 Program PDF 6.48 MB
HUNT THE GE A M I L A FESTIV CIFF is now mobile! Download your FREE app to view your CIFF program on the move, brought to you by TransACT. Some of the great things you can do: t View movie times, trailers and flm info t Plan your CIFF schedule and share with friends t Search for your favourite flms by country, showing time or genre t Enter comps for your chance to win free CIFF tickets Available FREE for AndroidTM and Apple® devices Android and Google Play are trademarks of Google Inc. Use of these trademarks is subject to Google Permissions. Apple is a trademark of Apple Inc. 1 Canberra International Film Festival Inc. CONTENTS ABN 22 O55 774 493 GPO Box 2495 Canberra ACT 26O1 WELCOME MESSAGES MADNESS & MAYHEM RETRO TRIPLE-TREAT T O2 623O 5211 2 Katy Gallagher 21 Queen Freak 38 Hundra ACT Chief Minister 21 Sightseers 39 Maniac Cop 22 Turn Me on Goddammit 39 The Stuff President Nicole Mitchell 2 Nicole Mitchell CIFF President 22 Let My People Go! Vice President Virginia Haussegger 23 Paris-Manhattan FAR CORNERS 3 Ivan Slavich 23 Sex, Lies & Surgery Public Officer Shaun Creighton TransACT 41 ¡Vivan las Antipodas! Treasurer Cath Ingram Chief Executive Officer TALKING POINT 41 11 Flowers Member John Frohlich 3 Simon Weaving 42 Like Someone in Love CIFF Artistic Director 25 Step Up to the Plate 42 Naked Harbour Member Dianne Ireland 25 For the Love of Movies 43 No General Manager Paul Donohoe 26 The Imposter 43 Love Story Artistic Director Simon Weaving CIFF MEMBERSHIP 26 Chasing Ice 27 Room 237 Operations Katherine Morrell 1O CIFF Membership -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.