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Quand Tu Descendras Du Ciel
Quand tu descendras du ciel Deutscher Titel: Vom Himmel hoch Kinostart in Frankreich: 2003 Kinostart in Belgien: 2003 Kinostart in Deutschland: 2004 Land: Frankreich/Belgien Regie, Buch: Éric Guirado Darsteller/innen: Benoît Giros, Serge Riaboukine, Ludmila Ruoso, Jean-François Gallotte Kamera: Thierry Godefroy Schnitt: Ludo Troch, Christian Cuilleron Ton: Philippe Mouisset Musik: Philippe Poirier, Sylvain Freyermuth Produktion: BFC Productions, Canal+, Harpo Films, Need Productions, Rhône-Alpes Cinéma Produzenten: Jean-Fabrice Barnault, Victorien Vaney, Christophe di Sabatino Deutscher Verleih: Kairos Filmverleih Länge: 100 Minuten Format: 35 mm Genre: Drama Preise: Filmfest Braunschweig 2003 (Publikumspreis), Filmfest Angers 2003 (Publikumspreis) Synopsis Jérôme verlässt kurz vor Weihnachten den hochverschuldeten Bauernhof seiner Eltern, um in der Großstadt Arbeit zu suchen. Er freundet sich mit dem stolzen und exzentrischen Stadtstreicher „La Chignole“ an, der den ganzen Tag vor einem Fernsehgeschäft sitzt und sich ‚Stummfilme‛ ansieht. Bald findet Jérôme auch eine Arbeit, die ihm Spaß macht: Er schmückt Weihnachtsbäume in der Stadt. Doch dann kommt eine Anweisung von oben – Bettler werden nicht mehr vor den weihnachtlichen Schaufenstern geduldet. Nun müssen Jérôme und sein Kollege Lucien Obdachlose einsammeln und sie gegen ihren Willen irgendwo auf freiem Feld aussetzen. Als sich Jérôme auch noch in die junge Journalistin Marthe verliebt, die von den skandalösen Praktiken der Stadtverwaltung Wind bekommen hat, gerät er zwischen alle Fronten: Wie soll er zwischen Arbeit, Freundschaft und Liebe entscheiden? Vom Himmel hoch verbindet die Kritik an der Gesellschaft mit Witz, Poesie und Lebensfreude. Regisseur: Éric Guirado Éric Guirado wurde am 16. September 1968 in Lyon geboren. Er arbeitete zunächst als Journalist und dann als Regisseur und Drehbuchautor von Dokumentar- und Kurzfilmen. -
Les Confessions Du Docteur Sachs Réjouissantes Considérations Sur L’Humanité La Maladie De Sachs, France 1999, 107 Minutes Philippe Théophanidis
Document généré le 30 sept. 2021 09:42 Séquences La revue de cinéma Les confessions du docteur Sachs Réjouissantes considérations sur l’humanité La Maladie de Sachs, France 1999, 107 minutes Philippe Théophanidis Numéro 211, janvier–février 2001 URI : https://id.erudit.org/iderudit/59226ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Théophanidis, P. (2001). Compte rendu de [Les confessions du docteur Sachs : réjouissantes considérations sur l’humanité / La Maladie de Sachs, France 1999, 107 minutes]. Séquences, (211), 41–41. Tous droits réservés © La revue Séquences Inc., 2000 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ LESFI LES CONFESSIONS DU DOCTEUR SACHS tomes, parler des défaillances de l'appareil humain, des maladies Réjouissantes considérations sur l'humanité qu'il soigne. Ce sont ces confessions (ces « réjouissantes consi dérations sur l'humanité »), griffonnées dans de petits cahiers ou Jest un bel échantillon d'humanité -
Maniac-Presskit-English.Pdf
Photos © La Petite Reine - Daniel McFadden - Lacey Terrell THOMAS LANGMANN & ALEXANDRE AJA present A film by FRANCK KHALFOUN Written by AlEXANDRE AJA & GREGORY LEVASSEUR Based on the movie MANIAC by WIllIAM LUSTIG with ElIJAH WOOD & NORA ARNEZEDER 2012 • France • english • 1h29M • color © 2012 - La Petite Reine - Studio 37 INTERNATIONAL SALES: Download press kit and photos from WWW.WILDBUNCH.BIZ/FILMS/MANIAC Synopsis Just when the streets seemed safe, a serial killer with a fetish for scalps is back and on the hunt. Frank is the withdrawn owner of a mannequin a 21st century Jack the ripper set in present- store, but his life changes when young artist day L.A. MANIAC is a re-boot of the cult Anna appears asking for his help with her film considered by many to be the most new exhibition. As their friendship develops suspenseful slasher movie ever made – and Frank’s obsession escalates, it becomes an intimate, visually daring, psychologically clear that she has unleashed a long-repressed complex and profoundly horrific trip into the compulsion to stalk and kill. downward spiralling nightmare of a killer and his victims. Q&A with FRANCK KHALFOUN Were you a big fan of the connect with and feel compassion for, as well original MANIAC? as, obviously, the violence and the gore. The original SFX were created by the legendary I was 12 when it came out so obviously I wasn’t Tom Savini so who better to do this version allowed to see it in a theatre and I had to wait than maestro greg nicotero who started off a while until it was released on VHS. -
The Felix Sexism Survey
“Keep the Cat Free” ISSUE 1519 FELIX 25.05.12 The student voice of Imperial College London since 1949 The Felix Sexism Survey: Results We’ve collected together the results of last term’s survey: Page 15 Life Sciences cuts at Silwood TECHNOLOGY Staff depart natural science campus as select courses are suspended Christian Richters Alexander Karapetian Concerns regarding staff shortages have risen as entry to postgraduate courses in the Department of Life Sciences has been suspended. Cours- Sexism in the realm es such as the Entomology MRes and MSc, Integrated Pest Management of technology MSc and Plant Science and Biotech- nology MSc, held in Silwood Park, Page 13 are marked on the postgraduate online course list as ‘’suspended for 2012- 2013 entry’’. An anonymous report alerted Felix to claims that an increasing amount of Life Sciences staff are beginning to FILM leave Imperial and take their courses elsewhere. The closures of courses taught by such staff will affect the reputation of Silwood Park, famous Academic campus Silwood Park is situated near Ascot for Applied Ecology, Pest Manage- ment, Forestry and Entomology, and Imperial as a whole. of my subjects are at stake”, and that the subject to continue to be taught in Sconce spoke to Felix and said “these A suite of closely related Masters regardless, “I’ve enjoyed my time at a healthy environment with the right Applied Ecology courses have been taught postgraduate courses run by Dr Silwood”. people, not for personal progression. held at here at Silwood for a long Simon Leather, including Entomolo- “I feel it’s my duty that when I re- Entomology is a subject which has time, we are seeing the end of a part gy MSc and Conservation and Forest tire”, he continued, “entomology is been taught at Silwood Park for more of Silwood Park and Imperial College Protection MSc have been suspended. -
Full Text of the Show Was Published in the Booklet of the Show
DRAMATICA 1/2013 STUDIA UNIVERSITATIS BABEŞ-BOLYAI DRAMATICA 1 / 2013 March STUDIA UNIVERSITATIS BABEȘ-BOLYAI DRAMATICA EDITORIAL OFFICE: 4th Kogălniceanu Street, Cluj-Napoca, RO, Phone: +40 264 590066, Web site: http://studia.ubbcluj.ro/serii/dramatica, Contact: [email protected] EDITOR-IN-CHIEF: Lect. dr. ȘTEFANA POP-CURȘEU, Babeș-Bolyai University, Cluj-Napoca, Romania EDITORIAL BOARD: Prof. dr. ION VARTIC, Babeș-Bolyai University, Cluj-Napoca, Romania Prof. dr. LIVIU MALIȚA, Babeș-Bolyai University, Cluj-Napoca, Romania Prof. dr. MIRUNA RUNCAN, Babeș-Bolyai University, Cluj-Napoca, Romania Conf. dr. ANCA MĂNIUȚIU, Babeș-Bolyai University, Cluj-Napoca, Romania Conf. dr. LAURA PAVEL, Babeș-Bolyai University, Cluj-Napoca, Romania Conf. dr. VISKY ANDRÁS, Babeș-Bolyai University, Cluj-Napoca, Romania Conf. dr. DORU POP, Babeș-Bolyai University, Cluj-Napoca, Romania Lect. dr. ANDREA TOMPA, Babeș-Bolyai University, Cluj-Napoca, Romania Prof. dr. PETER P. MÜLLER, University of Pécs, Hungary Prof. dr. TOM SELLAR, Editor of Theatre Journal, Duke University Press, Yale University, USA Lect. dr. IOAN POP-CURȘEU, Babeș-Bolyai University, Cluj-Napoca, Romania Lect. dr. ANCA HAȚIEGANU, Babeș-Bolyai University, Cluj-Napoca, Romania INTERNATIONAL REFEREES: Prof. dr. GEORGE BANU, Université Paris 3-Sorbonne Nouvelle Prof. dr. DOMNICA RĂDULESCU, Washington and Lee University, USA Prof. dr. JEAN-PIERRE SARRAZAC, Université Paris 3-Sorbonne Nouvelle Prof. dr. GILLES DECLERCQ, Université Paris 3-Sorbonne Nouvelle Prof. dr. MICHAEL PAGE, Calvin College, USA Prof. dr. PATRIZIA LOMBARDO, Geneva University ISSUE EDITOR (1/2013): Prof. dr. MIRUNA RUNCAN and Asist. dr. RALUCA SAS-MARINESCU, Babeș-Bolyai University, Cluj-Napoca, Romania SECRETARIES OF THE EDITORIAL BOARD: Asist. Drd. -
1 the Programme for the 56Th BFI London Film Festival in Partnership
The programme for the 56th BFI London Film Festival in partnership with American Express launched on Wednesday 5 September XQGHUWKHQHZFUHDWLYHOHDGHUVKLSRI%),¶V+HDGRI Exhibition and Festival Director, Clare Stewart, bringing a rich and diverse programme of international films and events from both established and upcoming talent over a 12 day celebration of cinema. The Festival will screen a total of 225 fiction and documentary features, including 12 World Premieres, 12 International Premieres and 35 European Premieres*. There will also be screenings of 111 live action and animated shorts. A stellar line-up of directors, cast and crew are expected to take part in career interviews, master classes, and other special events. The 56th BFI London Film Festival will run from 10-21 October 2012. 7KLV\HDUVHHVWKHLQWURGXFWLRQRIVHYHUDOFKDQJHVWRWKH)HVWLYDO¶VIRUPDW1RZWDNLQJ place over 12 days, the Festival expands further from its traditional Leicester Square cinemas ± Odeon West End, Vue West End, Odeon Leicester Square and Empire ± and the BFI Southbank to include four additional new venues ± Hackney Picturehouse, Renoir, Everyman Screen on the Green and Rich Mix, which join existing London venues the ICA, Curzon Mayfair, Ritzy Brixton and Ciné Lumière. GALAS 7KH)HVWLYDORSHQVZLWKWKH(XURSHDQ3UHPLHUHRI7LP%XUWRQ¶V'DQLPDWLRQ )5$1.(1:((1,(ZKLOVW0LNH1HZHOO¶VYLVXDOO\VWXQQLQJDGDSWDWLRQRI*5($7 EXPECTATIONS, starring Helena Bonham Carter and Ralph Fiennes will close the Festival, with key talent from both films expected to attend. Among the highly anticipated Galas is the American Express Gala World Premiere of CROSSFIRE HURRICANE, a documentary celebrating 50 years of rock legendsThe Rolling Stones who are also expected to attend the Festival. For the first time this year both the Opening Night Gala and the American Express Gala red carpet events and screenings will be screened simultaneously to cinemas across the UK. -
Bamcinématek Presents Indie 80S, a Comprehensive, 60+ Film Series Highlighting the Decade Between 70S New Hollywood and the 90S Indie Boom, Jul 17—Aug 27
BAMcinématek presents Indie 80s, a comprehensive, 60+ film series highlighting the decade between 70s New Hollywood and the 90s indie boom, Jul 17—Aug 27 Co-presented by Cinema Conservancy The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/June 11, 2015—From Friday, July 17 through Thursday, August 27, BAMcinématek and Cinema Conservancy present Indie 80s, a sweeping survey of nearly 70 films from the rough-and-tumble early days of modern American independent cinema. An aesthetic and political rebuke to the greed-is-good culture of bloated blockbusters and the trumped-up monoculture of Reagan-era America, Indie 80s showcases acclaimed works like Jim Jarmusch’s Stranger Than Paradise (1984—Jul 18), David Lynch’s Blue Velvet (1986—Aug 8), and Steven Soderbergh’s sex, lies, and videotape (1989—Aug 14) alongside many lesser- known but equally accomplished works that struggled to find proper distribution in the era before studio classics divisions. Filmmakers including Ross McElwee, William Lustig, Rob Nilsson, and more will appear in person to discuss their work. Like the returning expatriate’s odyssey in Robert Kramer’s four-hour road movie Route One/USA (1989—Aug 16), a sampling of 80s indie cinema comprises an expansive journey through the less-traveled byways of America. From the wintry Twin Cities of the improvised, hilariously profane road trip Patti Rocks (1988—Aug 25) to the psychopath’s stark Chicago hunting grounds in John McNaughton’s Henry: Portrait of a Serial Killer (1986—Jul 29) to the muggy Keys of Florida in filmmaker Victor Nuñez’s eco-thriller A Flash of Green (1984—Aug 12), regional filmmakers’ cameras canvassed an America largely invisible to Hollywood. -
Roman Polanski
(r.e.) Il Rossini, finalmente, che aprirà i battenti nella seconda decade di ottobre, con tre nuove sale cinematografiche, il cuore culturale di un complesso decisamente innovativo, nella tipolo - gia degli interni così come nella varietà delle destinazioni, pur nel rispetto dell’originaria strut - tura. Tre sale (la più grande, 300 posti, al primo piano, con la hall di biglietteria; le altre due gemelle, 110 posti ciascuna, al secondo) costituiscono la continuità con la tradizione di un cine - ma noto e celebrato ancor prima come teatro. Un pezzo di Venezia torna al suo posto, al servi - zio della città e dei suoi cittadini, per arricchire un’offerta cinematografica che ora non teme confronti, con otto schermi a disposizione. È anche il completamento di quell’opera di risana - mento promessa, avviata e perseguita con costante determinazione dal Comune di Venezia quando le sorti dell’esercizio cinematografico, nella città della Mostra e delle migliaia di film qui ambientati, sembravano volgere al peggio: nel 1999 il Giorgione, nel 2002 l’Astra, nel 2008 la Casa del Cinema, nel 2012 il Rossini. Chi ricorda la valanga di facili metafore, circa la scom - parsa delle sale quale testimonianza della morte di Venezia, può ora sorridere, anche se resterà sempre qualcuno propenso a ritenere che non sia mai abbastanza. O, al contrario, forse troppo. Due facce del medesimo spleen veneziano. Certo che bisognerà riempirle, quelle otto sale, pro - grammandole opportunamente, chiamando a raccolta un pubblico più vasto e confidando in un’infinità di altri fattori, primi dei quali la ripresa dei consumi e buoni film. Ai veneziani – vero grande capitale sociale del cinema in città – il compito di dare un senso agli otto schermi. -
March 28-31, 2019
March 28-31, 2019 Most Beloved French Actor Thierry Lhermitte Leads Diverse Delegation of Filmmakers Eight Free Master Classes with actors, directors, authors, screenwriters, and cinematographers Exclusive Media Sponsor All films have English subtitles and are presented by their actors and directors. 27th annual • Byrd Theatre • Richmond, Va. • (804) 827-FILM • www.frenchfilmfestival.us Virginia Commonwealth University and the University of Richmond present Richmond,Virginia contents Film Schedule . p . 3 Lock in your pass for the Special Events . p . 4 28th French Film Festival Master Classes . pp . 7-15 with the 27th festival price 2019 Feature Films . pp . 16-32 Regular VIP Pass: $115 Libre . 16 Fait d’hiver . 17 Instructor VIP Pass: $105 Occurrence at Owl Creek Bridge . 17 Student VIP Pass: $65 A Dry White Season . 18 Official Reception Add-On: $25 En mille morceaux . 19 Make check payable to: French Film Festival Le Procès contre Mandela et les autres . 20 Méprises . 22 Mark your calendars! Rémi sans famille . 23 28th French Film Festival Abdel et la Comtesse . 24 March 26-29, 2020 La Finale . 25 Tueurs . 26 Offer available only during weekend Le Collier rouge . 27 of Festival – see “Will Call Table” Tout ce qu’il me reste de la révolution . 28 Et mon coeur transparent . 29 Co-academic Sponsors Virginia Commonwealth University and the University of Richmond present Les Chatouilles . 30 Richmond,Virginia March 22-25, 2018 March 30-April 2, 2017 L’Échange des princesses . 31 L’Ordre des médecins . 32 2019 Short Films . pp . 33-39 Saturday, March 30 Leur jeunesse . 33 All films have English subtitles Exclusive Media Sponsor Sans gravité . -
The Neon Demon a Film by Nicolas Winding Refn
69TH CANNES INTERNATIONAL FILM FESTIVAL - OFFICIAL SELECTION - COMPETITION GAUMONT, WILD BUNCH & NICOLAS WINDING REFN PRESENT A SPACE ROCKET PRODUCTION IN ASSOCIATION WITH VENDIAN ENTERTAINMENT LLC AND BOLD FILMS LLC THE NEON DEMON A FILM BY NICOLAS WINDING REFN STARRING ELLE FANNING / KARL GLUSMAN / JENA MALONE / BELLA HEATHCOTE / ABBEY LEE / DESMOND HARRINGTON WITH CHRISTINA HENDRICKS & KEANU REEVES USA, DENMARK & FRANCE - 117 MIN - COLOR - 2.39 - 5.1 INTERNATIONAL SALES: INTERNATIONAL PRESS: GAUMONT WILD BUNCH GAUMONT 30 avenue Charles de Gaulle - 92200 Neuilly sur Seine 65 rue de Dunkerque - 75009 Paris 30 avenue Charles de Gaulle - 92200 Neuilly sur Seine IN CANNES: IN CANNES: Contact: Sophie Bollotte / [email protected] 2 rue Bivouac Napoleon, 6th Floor 4 La Croisette, 1st Floor IN CANNES: Phone: +33 4 93 68 90 20 Phone: +33 4 93 30 17 00 2 rue Bivouac Napoleon, 6th Floor Phone: +33 4 93 68 90 20 THE STORY When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will use any means necessary to get what she has. FRAGMENTS BY NWR THE DEMON RISES “For a number of years, I’ve had this interest in making a film about beauty, because, in my life, I’m surrounded by it,” NWR says, referring to his wife, filmmaker LIV CORFIXEN (MY LIFE DIRECTED BY NICOLAS WINDING REFN), his two young daughters, and, presumably, the myriad actresses and models he’s encountered directing both feature films and fashion advertisements for brands like Gucci, YXL, H&M and Hennessey. “And I see a lot of female empowerment with beauty.” “The currency of beauty continues to rise and never falls. -
Luglio Agosto
segue luglio... segue luglio... segue luglio... segue agosto... segue agosto... Anteprima Accadde domani luglio 22 The Artist 26 A Dangerous Method Festival di Cannes 2012 09 Molto forte, incredibilmente di Michel Hazanavicius di David Cronenberg 31 Scialla! (Stai sereno) 05 Un sapore di ruggine e ossa vicino DOM con Jean Dujardin, Bérénice Bejo, John GIO con Michael Fassbender, Keira Knightley, Viggo di Francesco Bruni di Jacques Audiard GIO di Stephen Daldry 18 Sister Goodman, James Cromwell, Penelope Ann Miller Mortensen, Vincent Cassel, Sarah Gadon MAR con Fabrizio Bentivoglio, Barbora DOM con Marion Cotillard, Matthias con Sandra Bullock, Tom Hanks, John di Ursula Meier Francia /2011, 100’ Gran Bretagna, Germania, Canada/2011, 99’ Bobulova, Filippo Scicchitano, Giuseppe Schoenaerts, Fabien Baïardi. Francia- Goodman, Thomas Horn MER con Léa Seydoux, Kacey Mottet Klein, Martin Premi Oscar per la miglior regia, miglior Guarino. Italia/2011, 95’ Belgio/2012, 120’ USA/2012, 129’ Compston, Gillian Anderson, Jean-François attore protagonista, migliori costumi, miglior David di Donatello come regista esordiente Vincitore del Golden Swann Stévenin. Francia-Svizzera/2012, 100’ colonna sonora. Premio per la miglior inter- 27 W. & E. - Edward & Wallis Versione originale con sottotitoli italiani pretazione maschile a Cannes 2011 di Madonna In collaborazione con Bim Distribuzione 10 Ciliegine VEN con Abbie Cornish, Andrea Riseborough, di Laura Morante Accadde domani James D’Arcy, Oscar Isaac, James Fox Anteprima VEN con Laura Morante, Pascal Elbé, -
Les Nouveautés Cinéma (Pdf)
Autriche CINÉMA EUROPÉEN Une Seconde femme (2011) CIN F Réalisé par Umut DAG Avec Begüm Akkaya, Vedat Erincin, Nihal Koldas DAG Allemagne Fatma vit à Vienne avec son mari, Mustafa, et leurs six enfants. Depuis toutes ces années, elle essaie de préserver les traditions et le prestige social CIN Bagdad café (2009) de leur famille d'immigrés turcs. Réalisé par Percy ADLON F Ayse, une jeune fille de 19 ans, Avec Marianne Sägebrecht, CCH Pounder, Jack ADL est choisie dans un village en Palance Turquie pour épouser leur fils et Après une scène de ménage, se joindre à la famille. La réalité Jasmin atterrit au Bagdad Café, est toute autre : en secret, parce que Fatma l'a motel minable entre Disney décidé, Ayse est promise au père, en tant que Land et Las Vegas. La patronne, seconde épouse. Dès lors, une relation de confiance Brenda, noire tapageuse et et de complicité va se développer entre les deux insatisfaite, règne sur tout un femmes. petit monde de routiers et de personnages énigmatiques. Peu à peu, Jasmin se fait apprécier de tous et remet même le café à flot grâce à Magic une boîte de magie avec laquelle elle monte des tours assistée de Brenda. Entre les deux femmes va naître une solide amitié. Plongez-vous dans ce film culte à Belgique la musique envoûtante et à l'atmosphère unique et inoubliable. Elle ne pleure pas, CIN F elle chante (2011) Pour lui (2011) CIN PIE Réalisé par Philippe de PIERPONT Réalisé par Andreas DRESEN F DRE Avec Erika Sainte, Marijke Pinoy Avec Steffi Kühnert, Milan Peschel, Talisa Lilli Lemke Son père dans le coma, Laura Frank, la quarantaine, en bonne ose enfin régler ses comptes santé, apprend une terrible avec celui qui a massacré son nouvelle qui va profondément enfance.