A Life in the Shadow of the Bomb
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The Vietnam War in the American Mind, 1975-1985 Mark W
University of Richmond UR Scholarship Repository Master's Theses Student Research 8-1989 Half a memory : the Vietnam War in the American mind, 1975-1985 Mark W. Jackley Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Jackley, Mark W., "Half a memory : the Vietnam War in the American mind, 1975-1985" (1989). Master's Theses. Paper 520. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Half A Memory: The Vietnam War In The American Mind, 1975 - 1985 Mark W. Jackley Submitted for the Degree of Master of Arts in History University of Richmond, 1989 Dr. Barry Westin, Thesis Director This study attempts to show how Americans in general remembered the Vietnam War from 1975 to 1985, the decade after it ended. A kind of social history, the study concentrates on the war as remembered in the popular realm, examining novels as well as nonfiction, poetry, plays, movies, articles in political journals, songs, memorials, public opinion polls and more. Most everything but academic history is discussed. The study notes how the war's political historY. was not much remembered; the warrior, not the war, became the focus of national memory. The study argues that personal memory predominated over political memory for a number of reasons, the most important being the relative unimportance of the nation of Vietnam to most Americans. -
Downloads of Technical Information
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Nuclear Spaces: Simulations of Nuclear Warfare in Film, by the Numbers, and on the Atomic Battlefield Donald J. Kinney Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES NUCLEAR SPACES: SIMULATIONS OF NUCLEAR WARFARE IN FILM, BY THE NUMBERS, AND ON THE ATOMIC BATTLEFIELD By DONALD J KINNEY A Dissertation submitted to the Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 Donald J. Kinney defended this dissertation on October 15, 2018. The members of the supervisory committee were: Ronald E. Doel Professor Directing Dissertation Joseph R. Hellweg University Representative Jonathan A. Grant Committee Member Kristine C. Harper Committee Member Guenter Kurt Piehler Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For Morgan, Nala, Sebastian, Eliza, John, James, and Annette, who all took their turns on watch as I worked. iii ACKNOWLEDGMENTS I would like to thank the members of my committee, Kris Harper, Jonathan Grant, Kurt Piehler, and Joseph Hellweg. I would especially like to thank Ron Doel, without whom none of this would have been possible. It has been a very long road since that afternoon in Powell's City of Books, but Ron made certain that I did not despair. Thank you. iv TABLE OF CONTENTS Abstract..............................................................................................................................................................vii 1. -
In My Lifetime - the Film’S Mission
1 In My Lifetime - The Film’s Mission http://thenuclearworld.org/category/in-my-lifetime/ This film is meant to be a wakeup call for humanity, to help develop an understanding of the realities of the nuclear weapon, to explore ways of presenting the answers for “a way beyond” and to facilitate a dialogue moving towards resolution of this Gordian knot of nuclear weapons gripping the world. The documentary’s characters are the narrative voices, interwoven with highly visual sequences of archival and contemporary footage and animation. The story is a morality play, telling the struggle waged over the past six and half decades with the last act yet to be determined, of trying to find what is “the way beyond?” Director’s Statement “In My Lifetime” takes on the complex realities of “the nuclear world”, and searches internationally for an answer to the question is there a Way Beyond? This documentary is part wake up call, part challenge for people to engage with the issue of ridding the world of the most destructive weapon ever invented. In February 2008, I began a journey to film and report on the story of the inner workings of the nuclear world. There has been a re-emergence of the realization that a world with nuclear weapons, including a proliferation of fissile nuclear materials, is a very dangerous place. Of course this realization has been known since the creation of the atomic bomb. It continues to be a struggle which has not been resolved. 2 This is a very complex issue with many voices, speaking from many perspectives, representing the forces and entrenched institutions in the nuclear states, not to speak of the rest of the world’s nations some of them with nuclear power capable of producing their own fissile materials and now there is the danger of so called “non-state actors”, who want to get their hands on the nuclear fissile materials necessary to create nuclear weapons. -
Did America Learn to Stop Worrying and Love the Bomb? An
Did America learn to stop worrying and love the bomb? An examination of the American publics response to nuclear war in newspapers and popular culture, from the Cuban Missile Crisis to The Day After Rory McGlynn [email protected] Erasmus School of History, Communications and Culture First Reader: Dr Martijn Lak Second Reader: Professor Ferry de Goey Rory McGlynn – Did America Learn to Stop Worrying and Love the Bomb? 1 Acknowledgements Firstly, I would like to thank Dr. Martijn Lak for his support and advice throughout the year, it has been very helpful. Secondly, I would like to thank my fellow members of the research workshop War and Peace, for their helpful advice throughout the process. And lastly, I would like to thank my family for their advice and support with proof reading among other things. And also thank you to the Goats for absolutely nothing. Rory McGlynn – Did America Learn to Stop Worrying and Love the Bomb? 2 Table of Contents Introduction .................................................................................................................. 3 Methodology ......................................................................................................................... 4 Nature of Sources ................................................................................................................. 6 Structure of the Thesis ......................................................................................................... 8 Literature Report ........................................................................................................ -
Mabou Mines╎ Dead End Kids and Performing Artists for Nuclear
City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2020 Mabou Mines’ Dead End Kids and Performing Artists for Nuclear Disarmament Hillary Miller Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/451 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Side by Side: Collaborative Artistic Practices in 1. THOMAS J. LAX 2. GWYNETH SHANKS 3. ROSS ELFLINE 4. ALLIE TEPPER 5. WENDY PERRON the United States, 1960s–1980s Preface Introduction: Being With, Thoughts on the Common Ground: Haus-Rucker-Co’s Food Individual Collective: A Conversation with How Grand Union Found a Home Outside of Collective City I and Collaborative Design Practice Senga Nengudi SoHo at the Walker LIVING COLLECTIONS CATALOGUE VOLUME III. SIDE BY SIDE Mabou Mines’ Dead End Kids & Performing Artists for Nuclear Disarmament By Hillary Miller Mabou Mines performers in Dead End Kids: A History of Nuclear Power presented by the Walker Art Center at the University of Minnesota’s Coffman Union Great Hall, Minneapolis, March 1982. Walker Art Center Archives. ABSTRACT CITATION Performance studies scholar and theater historian Hillary Miller offers a new study of the 1980 production of Dead End Kids: A History of Nuclear Power by the New York-based avant-garde theater collective, Mabou Mines. Through a close reading of the play, Miller explores the relationship between this production and the little researched organization, Performing Artists for Nuclear Disarmament (PAND), revealing the correlations between collaboratively-generated theater practices and concurrent protest movements. -
Antinuclear Politics, Atomic Culture, and Reagan Era Foreign Policy
Selling the Second Cold War: Antinuclear Cultural Activism and Reagan Era Foreign Policy A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy William M. Knoblauch March 2012 © 2012 William M. Knoblauch. All Rights Reserved. 2 This dissertation titled Selling the Second Cold War: Antinuclear Cultural Activism and Reagan Era Foreign Policy by WILLIAM M. KNOBLAUCH has been approved for the Department of History and the College of Arts and Sciences by __________________________________ Chester J. Pach Associate Professor of History __________________________________ Howard Dewald Dean, College of Arts and Sciences 3 ABSTRACT KNOBLAUCH, WILLIAM M., Ph.D., March 2012, History Selling the Second Cold War: Antinuclear Cultural Activism and Reagan Era Foreign Policy Director of Dissertation: Chester J. Pach This dissertation examines how 1980s antinuclear activists utilized popular culture to criticize the Reagan administration’s arms buildup. The 1970s and the era of détente marked a decade-long nadir for American antinuclear activism. Ronald Reagan’s rise to the presidency in 1981 helped to usher in the “Second Cold War,” a period of reignited Cold War animosities that rekindled atomic anxiety. As the arms race escalated, antinuclear activism surged. Alongside grassroots movements, such as the nuclear freeze campaign, a unique group of antinuclear activists—including publishers, authors, directors, musicians, scientists, and celebrities—challenged Reagan’s military buildup in American mass media and popular culture. These activists included Fate of the Earth author Jonathan Schell, Day After director Nicholas Meyer, and “nuclear winter” scientific-spokesperson Carl Sagan. -
Pat Arrowsmith Interview After Hiroshima Project 28Th April 2015
Pat Arrowsmith Interview After Hiroshima Project 28th April 2015 Interviewee: Pat Arrowsmith (PA) born 02.03.1930 Interviewer(s): Katie Nairne & Ruth Dewa (Interviewer) (0.00) Interviewer: Um so my name is Katie Nairne, N-A-I-R-N-E, um and I'm interviewing, er could you say your name for the tape please? PA: Pat Arrowsmith. Interviewer: How's that spelt? PA: Well, Pat is P-A-T, it's not short for Patricia, I was christened Pat by two bishops, one of whom arrived late for the event, and Arrowsmith as, most inappropriate for a peace activist, 'arrow' as the arrows that you shoot, and 'smith' - all the same word, Arrowsmith. Interviewer: Thank you. And please could I get you to say your date of birth for the tape? PA: 2nd March, 1930. Interviewer: Thank you. Um and I'm interviewing Pat for the After Hiroshima Project, er for London Bubble Theatre Company. Um so Pat, just to start in 1945, um what are your memories of the Second World War? PA: Um I don't have any (1.00) very grisly memories, my father was a vicar who travelled around doing dif, different parishes, and happenstance in 1939 when World War Two broke out he was scheduled to go to Torquay anyway, so we moved from where we had been living er further up the coast at Weston-super-Mare to Torquay, in time to arrive there for the outbreak of er, fairly soon after we got there, World War Two, which er was er... Oh well no wait a moment, we got there in 1939, ‘40. -
View / Open Thesis Final-Dorland.Pdf
CREATIVE NONVIOLENT ACTION: LEVERAGING THE INTERSECTIONS OF ART, PROTEST, AND INFORMATION AND COMMUNICATIONS TECHNOLOGY FOR SOCIAL CHANGE by EMMA DORLAND A THESIS Presented to the Department of Spanish and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2015 Acknowledgements I would like to formally acknowledge and thank my Advisory Committee for their commitment to seeing me through this process. These professors have generously given of their time and expertise to facilitate my growth and my completion of this substantial project. Thank you to Professor Analisa Taylor, who has coached and guided me, consistently offering insightful critique of my work and challenging me to develop my thinking and express myself clearly. Her expertise in the humanities and in the writing process has made me a stronger writer and a more analytical scholar. Thank you to Professor Kiersten Muenchinger for lending her keen eye to this project and for helping me to build my capacity for creativity by extending her most perceptive feedback. Thank you to Professor Monique Balbuena for serving as a reliable resource and for urging me to develop a more amplified perspective and complex argument from the outset of this project through to its completion. I am incredibly appreciative of each of these professors for their words of encouragement and commitment to my success. In addition, I would like to thank Dianne Torres for her consistent support throughout my writing of this thesis and all of my college years. I am deeply grateful for her caring guidance each step of the way. -
Sheehan Rev, War Crimes NYTBR
Should We Have War Crimes Trials? By Neil Sheehan The New York Times Book Review March 28, 1971, pp. BR1 ff. AGAINST THE CRIME OF SILENCE ECOCIDE IN INDOCHINA Edited by John Duffet. By Barry Weisberg. 672 pp. New York: Simon & Schuster- Illustrated. 241 pp. New York: Clarion. Paper, $3:95. Canfield Press-Harper & Row. Paper, $3.95. AIR WAR -- VIETNAM By Frank Harvey. EFFICIENCY IN DEATH 192 pp. New York Bantam. Sponsored by The Council Paper, 75 cents. On Economic Priorities. Illustrated. 233 pp. New York: ATROCITIES EN VIETNAM Harper & Row. Paper, $1.50. By Edward S. Herman. Illustrated. 104 pp. Philadelphia: IN THE NAME OF AMERICA Pilgrim Press. Paper, $1.95. Research Director, Seymour Melman. 421 pp. New York: Clergy & Laymen AT WAR WITH ASIA Concerned About Vietnam, Room 547, By Noam Chomsky. 475 Riverside Drive, New York 10027. 314 pp. Now York: Pantheon. Cloth, $4.95. Paper, $2.95. Cloth, $7.95. Vintage. Paper, $1.95 THE INDOCHINA STORY CASUALTIES OF WAR By The Committee of Concerned By Daniel Lang. Asian Scholars. 123 pp. New York: McGraw-Hill. 348 pp. Now York: Pantheon. Cloth, $4.50. Paper, $1.50. Cloth, $8.95. Bantam. Paper, $1.25. CHEMICAL AND BIOLOGICAL MILITARISM, U.SA. WARFARE By Col. James A. Donovan. Hearings of the US. Senate 265 pp. New York: Charles Scribner‘s Committee on Foreign Relations. Sons. Cloth, $6.95. Paper, $2.95. Free from the Committee, U.S. Senate Office Building. THE MILITARY HALF Washington. By Jonathan Schell. 224 pp. New York: Alfred A. Knopf. CHEMICAL AND BIOLOGICAL Cloth, $4.95. -
A Memoir of Vietnam and the Pentagon Papers, Daniel Ellsberg R
WHAT IF DANIEL ELLSBERG HADN’T BOTHERED? HEIDI KITROSSER* INTRODUCTION In his book, Secrets: A Memoir of Vietnam and the Pentagon Papers, Daniel Ellsberg recounts the aftermath of a 1969 New York Times story regarding Ellsberg and five of his colleagues at the RAND Corporation.1 The six had sent a letter to the Times calling for complete withdrawal of U.S. forces from Vietnam. The result was a story headlined “six RAND experts support pullout: back unilateral step within one year in Vietnam.”2 The response within RAND to the letter’s signatories was almost entirely negative. In a series of inter-office memos, RAND employees lamented that the letter could jeopardize RAND’s longstanding “contractual and confidential relationship with the Defense Department.”3 One wrote to the signatories: “while you may feel strongly enough to lay your own jobs on the line, you do not have the right to lay mine there as well.”4 Another wrote that the signatories had “unleash[ed] a torpedo so unerringly as to strike at least glancing blows on your largest and most faithful clients, your employer, and your fellow researchers simultaneously.”5 While Ellsberg resigned from RAND before going on to leak the Pentagon Papers (“Pentagon Papers” or “Papers”), the other signatories had intended to stay on. However, due to blowback from the letter, one signatory was told to find another position while the others reportedly hung “‘on to [their] jobs by [their] fingernails.’”6 Of course, the professional and personal risks that the signatories took paled in comparison to those that Ellsberg went on to take in secretly photocopying and leaking—first to members of Congress and then to the New York Times and other members of the press—the Pentagon Papers, a classified history of the Vietnam War that the Defense Department had commissioned. -
At 55, the Peace Symbol Endures. Peace, Not So Much by Bill Berkowitz
At 55, The Peace Symbol Endures. Peace, Not So Much By Bill Berkowitz (Dedicated to my grandson Alton Theodore Berkowitz-Gosselin and to all the children who will be inheriting a world hungry for peace.) The peace symbol is arguably the world’s most widely recognized protest symbol. In 2008, on the occasion of its fiftieth birthday, BBC News noted that the peace symbol has been “adapted, attacked and commercialized.” At fifty-five, the peace symbol remains a cultural icon, but as it ages, is it more than that? Originally created as a symbol for the British anti-nuclear movement, it is now ubiquitous: appearing at thousands of anti-nuclear and anti-war protests; adorning posters, buttons, badges, and peace flags; becoming a fixture on postal stamps; and, decorating clothing, beach towels, jewelry, and people’s skin. “Walk through the halls of any elementary or junior high school and you'll see the peace sign all over in kids' fashion, young girls especially - t-shirts, shorts, shoes, backpacks, earrings, pendants,” Peace Talks radio pointed out on its website a while back. The peace symbol was first seen in public on Good Friday in 1958 when thousands of British anti-nuclear campaigners – organized by the Direct Action Committee Against Nuclear War (DAC) and the Campaign for Nuclear Disarmament (CND) -- marched 50 miles from London's Trafalgar Square to the weapons factory at Aldermaston. When Gerald Holtom, a British designer and former World War II conscientious objector, sat down at his drawing board fifty-five years ago, he was in almost total despair. -
Appearances (Selected)
PUBLIC APPEARANCES (SELECTED) Interview, NOW, MSNBC, w/Ari Melber, 12/27/12 Berkeley, CA "Torture and Zero Dark Thirty," North Gate Hall Studio. Seminar, “The US Elections and the Forever 11/9/12 Copenhagen, Denmark War,” Danish Institute for International Studies. Introduction, Mark Danner and Joshua 11/8/12 Copenhagen, Denmark Oppenheimer “The Act of Killing,” Copenhagen Documentary Festival. Panel, “Courthouse Dialogue on Film and 9/3/12 Tellruide, CO Injustice,” Joshua Oppenheimer, Peter Sellars and Mark Danner, The Courthouse, Telluride Film Festival. Introduction and Q&A, Dror Moreh, “The 9/2/12 Telluride, CO Gatekeepers,” The Sheridan Opera House, Telluride Film Festival. Talk, Ben Affleck, Dror Moreh, Michael 9/2/12 Telluride, CO Winterbottom, Ziad Doueiri, Joshua Oppenheimer and Mark Danner “Injustice, Reconciliation and Cinema,” Telluride Park, Telluride Film Festival. Q&A, “No,” Gael Garcia Bernal, Pablo 9/2/12 Telluride, CO Larrain, Chuck Jones Theatre, Telluride Film Festival. Q&A, “The Attack,” Ziad Doueiri and Mark 9/1/12 Telluride, CO Danner, The Mason’s Theatre, Telluride Film Festival. Q&A, “The Act of Killing,” Joshua 8/31/12 Telluride, CO Oppenheimer and Mark Danner, The Mason’s Theatre, Telluride Film Festival. Lecture, Helen Ingram Plummer Lecture, 4/19/12 Atlanta, GA “Living With the New Normal: Human Rights, US Foreign Policy and the 2012 Elections”, Georgia State University. Talk, Karen Malpede’s “Another Life”. 3/21/12 Brooklyn, NY Dialogue, Ray Bonner Dialogue, “Anatomy 3/15/12 Berkeley, CA of Injustice”, Boalt Hall, UC Berkeley Reading, Story Hour at Morrison Library, 3/8/12 Berkeley, CA UC Berkeley.