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I Sj~a a m v, -i 3 a 5 8 E1Zi: J· :I I~ ncD 09 O " ~g 3 3 n, 8 dr, -i--IPP~"~s 2 * " ~5~-rg .o~,·~ , qy ~ c ~ZnS a 3 I'3 ~j~5~f~ n ;r; W x -~E -·w ~· r~· I 3 v, 3 x o 3 ~:~Ye:i ·C de 5~;O~ h'l ::: ~oH iS~S~ ~V13 ~D n:i:::i:·z: ~V ~ j~ E· P,k< C) I ~ M oa ·i~" (D O n, t ~D e ~~ "s ~-aa s K "3 ;j' -- a Z K = C- -~· -- ~e ~ f S i- n~ ~i p~i r : F f t\ c ;j =: =- rr a x c; G 6 1: =j Ir~ =·o- ~ ~ - u- a I: W c; = r; b rv- 77~ = r; c. = C~C~ i= c. WQ WQAUTUMN 2002 THE WILSON QUARTERLY Published by the Woodrow Wilson International Center for Scholars WQ website: Wilsonquarterly.com 12 LOCKWOOD IN ’84 by Jill Norgren Belva Lockwood’s campaign for the presidency in 1884 may have been quixotic, but it was historic, too, and as spirited and principled as the candidate herself. 22 LAST WORDS OF WILLIAM GADDIS by Paul Maliszewski Gaddis was a great American novelist, who failed to attract a great American audience. Perhaps that’s to his credit. 31 GERMANY ADRIFT Martin Walker • Steven Bach • John Hooper Little more than a decade after reunification, Germans are feeling the sting of truth in the old saying that the real problems begin when you finally get what you’ve always wanted. 52 THE PHILOSOPHER OF MONEY by Jerry Z. Muller Nineteenth-century capitalism produced many harsh critics—and a penetrating thinker named Georg Simmel who saw how, for better and worse, modern capitalism was creating a new kind of human being. 61 TWO FACES OF GLOBALIZATION Amy Chua • Tyler Cowen Two friends of globalization take different views of the process—one warning that the current formula for universal free markets and democracy is spurring ethnic violence around the world, the other optimistic about a flowering of the world’s cultures. departments 2 EDITOR’S COMMENT 111 CURRENT BOOKS Richard A. Posner 4 CORRESPONDENCE on George Orwell 9 FINDINGS Tom Lewis on Philip Johnson Wedding Bell Blues? Calibrating Regret Reviews by Robert J. Samuelson, Furry Art Ken Adelman, Mark Kingwell, Jorge I. Domínguez, Ben Yagoda, Max 85 THE PERIODICAL OBSERVER McCoy, David J. Garrow, and others One Year Later The Postmodernism Debate 128 PORTRAIT: 1952 cover: Detail from Diego Rivera’s Garantías (Guarantees—Debris of Capitalism), a mural at the Secretaría de la Educación Pública, Mexico City. Reproduced by permission of the Banco de México Diego Rivera & Frida Kahlo Museums Trust. Design by David Herbick. The views expressed herein are not necessarily those of the Woodrow Wilson International Center for Scholars. USPS 346-670 | Volume XXVI, Number 4 | Printed in the U.S.A. Editor’s Comment or an intellectual, there’s an advantage in being something of an outsider. A degree of alienation may even be a requirement for the Fprofession. Without standing in some way outside the society one is examining, it’s almost impossible to gain a unique angle of vision. This small truth threads through several pieces in this issue. In The Periodical Observer, it colors the Chinese writer Gao Xingjian’s reflections on the unexpected benefits of exile. In Jerry Z. Muller’s profile of German thinker Georg Simmel, it emerges as a defining characteristic of Simmel the man and his intellectual legacy. Wealthy and well known throughout Europe at the turn of the 20th century, Simmel nonetheless stood apart because of his Jewish ancestry. In his penetrating analysis of capitalist soci- ety, Simmel also showed that it’s possible to combine sympathy and critical distance. Amy Chua brings those same qualities to her cautionary essay on glob- alization, which is drawn from her forthcoming book World on Fire: How Exporting Free Market Democracy Breeds Ethnic Hatred and Global Instability. Chua’s is a more modern story than most. She was born in America to immigrant parents, but her take on globalization is strongly informed by her being the child of other regions of the world. As a young girl visiting her parents’ native Philippines, and later as an American student studying in China, her family’s ancestral home, she says she had an acute sense of being both an insider and an outsider. Seeing the world in this way has helped Chua to spot something that seems to have escaped other observers of globalization: the crucial but potentially explosive role of economically successful ethnic minorities and their antagonists. Her views are those of a critic and a friend, and they are likely to spark lively debate. Editor: Steven Lagerfeld The Wilson Quarterly (ISSN-0363-3276) is published in Managing Editor: James H. Carman January (Winter), April (Spring), July (Summer), and October Senior Editors: Robert K. Landers, (Autumn) by the Woodrow Wilson International Center for James M. Morris Scholars at One Woodrow Wilson Plaza, 1300 Pennsylvania Literary Editor: Stephen Bates Avenue, N.W., Washington, D.C. 20004–3027. Complete Editors at Large: Ann Hulbert, Jay Tolson article index available online at www.wilsonquarterly.com. Copy Editor: Vincent Ercolano Subscriptions: one year, $24; two years, $43. Air mail outside Contributing Editors: Martha Bayles, U.S.: one year, $39; two years, $73. Single copies mailed Linda Colley, Denis Donoghue, Max Holland, upon request: $7; outside U.S. and possessions, $8; selected Stephen Miller, Jeffery Paine, Walter Reich, back issues: $7, including postage and handling; outside Alan Ryan, Edward Tenner, Charles U.S., $8. Periodical postage paid at Washington, D.C., and additional mailing offices. All unsolicited manuscripts Townshend, Alan Wolfe, Bertram Wyatt-Brown should be accompanied by a self-addressed stamped enve- Researchers: Jeffrey M. Bergman, lope. Members: Send changes of address and all subscrip- Alexa L. Danner, Devadatta Gandhi, Laura tion correspondence with Wilson Quarterly mailing label to Freschi, Christopher R. Moore Subscriber Service, The Wilson Quarterly, P.O. Box 420406, Editorial Advisers: K. Anthony Appiah, Palm Coast, FL 32142–0406. (Subscriber hot line: Robert Darnton, Nathan Glazer, Harry Harding, 1-800-829-5108.) Postmaster: Send all address changes to Robert Hathaway, Elizabeth Johns, The Wilson Quarterly, P.O. Box 420406, Palm Coast, FL Jackson Lears, Seymour Martin Lipset, 2142–0406. Microfilm copies are available from Bell & Robert Litwak, Wilfred M. McClay, Howell Information and Learning, 300 North Zeeb Road, Richard Rorty, Blair Ruble, Martin Sletzinger, Ann Arbor, Michigan 48106. U.S. newsstand distribution by S. Frederick Starr, Philippa Strum, Ingram Periodicals, Inc. (for information, call 1-800-627- Joseph Tulchin, Martin Walker 6247, ext. 33660). Advertising: Suzanne Napper, Founding Editor: Peter Braestrup (1929–1997) Tel.: (202) 691-4021, Fax: (202) 691-4036. Publisher/Mail Business Manager: Suzanne Napper Order: Kalish, Quigley & Rosen, Tel.: (212) 399-9500, Circulation: Cary Zel, ProCirc, Miami, Fla. Fax: (212) 265-0986. 2 Wilson Quarterly 'i: .~" 3' -r P .iC r i, ·~ -3 ~ ~ ~ ·i~fE;~'n r; r: i ~d ' ~a· 5 ~ i;=.33 ~C·~ LII oG: iBfi:1~i9·P~ . = c" = " "-'" O"U~ s 8 a ii C 8 Swg'~~~alL; ~ ~ tt OP ·Ji- o; c: 3 iI .1Y r =5 + o O r .Y c~ o = X r ~ _p=~b~ 5 "-- cq ·~" ~ S o~i·e ~ ·s5· ~_E 5 ·n .5 E jl ~.3~ ~j g Y]· w a-~ i:i 6 k i, ·~ ~ 3: B ·- c a -i aelB-?i=c^T ·- I E c i; =; 5f·~ 1; i; r P 3 -,3 ~y L Ec~- O F: c" O S P~g I - It ~·~3 -,d E S~i?~-"~-Xs~ " I S::ri i .9 " ~q·= " XJ c ~ "' '·; = ·-·sd i· ~-~~~ R ; ~, p3P-; ""PI ~~-s~ $3~~1·33 7 II : ~ ~ E = ' MI ~~I = X -" ~ 5 in k 3 '~`=S a S ~ r B 3 t- 2 X ~ O ~.C_n T ii ~,g o - ," e-3I5-, E .· x ii :%- 3 = = .5c.· M i 13j -----------~-;.--~~ MP=b· Y"",·s~C~u ·r " ·3 ~-i- I 5 I FII ~ssg( - "p; 3~C~-2~S~ ~- ItiIXli " 9 h j ~ O u 6P~- " "h~ t ~.C"-~~ ~l."n~;?B 8 c I pg Z-,-~" i Z : %~_164 i 3 U·~ ~ F ~ ;I; " d ii O~j·:- ."·~ ~Y~ ~·O "·~·Ia.i 55;= ~W f =~ r E 3 *~==· b i k " a ~ ~ e ·: ~a ~ ~-.2i;S ~~.= ~j " CE t·f~·l)3 d LO I~:%lr ~- I! - x 2 o wro-EE O I 0~:"S 3 ~d - L- B ~ %~i;+-== X = ~ 5'UJ ~~ ~ E = ~ F f i; -~ i: I~ ·a~ w .· z 9 -· ·:i 186~ .· - a a r:o r _s:8'-:-&·= g ti- ~~~ tU r;y, ~dam) c ~ c. 3 -h O r: r k P 00 "" w ~f -3 ~4 o ~-r·w hct _ IDC·j-. (e; Y3~C ·Ed~ e O I`; =,e c c =, z = ·e r: n j ·Tlt O e .5 o r` L~ bD "8 ,P r. v 3 if: .3c~1 i fi Q O B E"O ~b) ·i~~2 = UYEs · · w o s~ ~81 k = '- ~r.mr 2P·~ .eE: e M ~" 2; s: c! , ·, I W k ~"e~~P~~·-· E.o .. " "6~ e% cr; ~" I: t a~ h 4 c r~a ~ bTi,,r , e F C 1 , ," r cl W O nCCo, O 7·'B i: s."~.~·" c;"s % I j ii I i I Q~~3 ~j : .e .Er Ec 9 = ~3. S "u~5~ dr B a ~··1 U s" y ·i.a C3 - = ~ -S~s CorrespondenceCorrespondence Letters may be mailed to One Woodrow Wilson Plaza, 1300 Pennsylvania Avenue, N.W., Washington, D.C.
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  • View to More General Losses and the Attempts by the Subjects and the Poet to Navigate Those Events

    View to More General Losses and the Attempts by the Subjects and the Poet to Navigate Those Events

    UNIVERSITY OF CINCINNATI DATE: May 12, 2003 I, Cynthia Nitz Ris , hereby submit this as part of the requirements for the degree of: Doctor of Philosophy (Ph.D.) in: English It is entitled: Imagined Lives Approved by: Don Bogen, Ph.D. John Drury Jim Cummins IMAGINED LIVES A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements of the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of English Composition and Comparative Literature of the College of Arts and Sciences 2003 by Cynthia Nitz Ris B.A., Texas A&M University, 1978 J.D., University of Michigan, 1982 M.A., University of Cincinnati, 1998 Committee Chair: Don Bogen, Ph.D. ABSTRACT This dissertation consists of a collection of original poetry by Cynthia Nitz Ris and a critical essay regarding William Gaddis’s novel A Frolic of His Own. Both sections are united by reflecting the difficulties of utilizing past experiences to produce a fixed understanding of lives or provide predictability for the future; all lives and events are in flux and in need of continual reimagining or recharting to provide meaning. The poetry includes a variety of forms, including free verse, sonnets, blank verse, sapphics, rhymed couplets, stanzaic forms including mad-song stanzas and rhymed tercets, variations on regular forms, and nonce forms. Poems are predominantly lyrical expressions, though many employ narrative strategies to a greater or lesser degree. The first of four units begins with a long-poem sequence which serves as prologue by examining general issues of loss through a Freudian lens.