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Jean Sibelius, 150 Años ENCUENTROS Mario Lavista ACTUALIDAD Albert Boadella DISCOS Séptima De Dvorák Antoni Wit La Voz De La Experiencia
REVISTA DE MÚSICA Año XXX - Nº 309 Julio/Agosto 2015 - 7’50 € Año XXX - Nº 309 Julio/Agosto 2015 DOSIER JEAN SIBELIUS, 150 AÑOS ENCUENTROS MARIO LAVISTA ACTUALIDAD ALBERT BOADELLA DISCOS SÉPTIMA DE DVORÁK ANTONI WIT LA VOZ DE LA EXPERIENCIA 309-Pliego 1_207-pliego 1 23/06/15 11:41 Página 1 AÑO XXX - Nº 309 - Julio-Agosto 2015 - 7,50 € 2 OPINIÓN Los silencios de un compositor CON NOMBRE Eduardo Pérez Maseda 72 PROPIO “El otro”, el lado de sombra 6 Albert Boadella Santiago Martín Bermúdez Juan Carlos Moreno 76 En torno al maestro 8 AGENDA Juan Manuel Viana 80 La relación con España 12 ACTUALIDAD Andrés Ruiz Tarazona 84 NACIONAL 34 ACTUALIDAD ENCUENTROS INTERNACIONAL Mario Lavista David Rodríguez Cerdán 88 42 ENTREVISTA Antoni Wit EDUCACIÓN Luis Suñén Joan-Albert Serra 92 46 Discos del mes JAZZ Pablo Sanz 94 47 SCHERZO DISCOS Sumario LA GUÍA 95 71 DOSIER CONTRAPUNTO Jean Sibelius Norman Lebrecht 96 Colaboran en este número: Julio Andrade Malde, Íñigo Arbiza, Emili Blasco, Alfredo Brotons Muñoz, Ismael G. Cabral, José Antonio Cantón, Jacobo Cortines, Patrick Dillon, David Durán Arufe, Pierre Elie Mamou, Fernando Fraga, Joaquín García, Manuel García Franco, José Antonio García y García, Juan García-Rico, Fernando Herrero, Bernard Hoppe, Paul Korenhof, Norman Lebrecht, Fiona Maddocks, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Blas Matamoro, Juan Carlos Moreno, Andrés Moreno Mengíbar, Antonio Muñoz Molina, Josep Pascual, Enrique Pérez Adrián, Eduardo Pérez Maseda, Javier Pérez Senz, Paolo Petazzi, Xavier Pujol, Elisa Rapado Jambrina, Arturo Reverter, Martín Reyes, David Rodríguez Cerdán, Justo Romero, Andrés Ruiz Tarazona, Urko Sangroniz, Pablo Sanz, Aurelio M. -
Boston Symphony Orchestra Concert Programs, Season 26,1906
MECHANICS HALL . WORCESTER Twenty-sixth Season, J906-J907 DR. KARL MUCK, Conductor Third and Last Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, APRIL 2 AT 8.15 PRECISELY PUBLISHED BY C. A. ELLIS, MANAGER " PIANOS " Without exception finest HAROLD BAUER the piano I have ever met with." " I have never before been so completely satisfied with any OSSIP GABRILOWITSCH piano as with the Mason & Hamlin." "Mason & Hamlin pianos HESS WILLY are matchless." " Truly artistic instruments of ARTHUR NIKISCH the very first rank." " Unsurpassed by any Ameri- GEORGE CHADWICK can orEuropean instruments. "One can sing expressively VINCENT D'INDY on your piano." "Great beauty- of tone and CH. M. LOEFFLER- unusual capacity for expres- siveness." " I congratulate you on the ANTOINETTE SZUMOWSKA perfection of your instru- ments." "Musical instrument of the KNEISEL FRANZ highest artistic stamp." " I believe the Mason & Ham- RUDOLPH GANZ lin piano matchless, an artis- tic ideal." " I congratulate you on these HEINRICH GEBHARD wonderful instruments." EMIL PAUR " Superb, ideal." " Unequalled in beauty of TIMOTHEE ADAMOWSKI tone, singing capacity, and perfection of mechanism." ' 'Pre-eminently sympathetic to WALLACE GOODRICH the player in both touch and tone." MASON & HAMLIN CO. 492-494 Boykon Street Opposite Institute of Technology Boston Symphony Orchestra PERSONNEL TWENTY-SIXTH SEASON, 1906-1907 Dr. KARL MUCK, Conductor Willy Hess, Concertmeister^ and the Members of the Orchestra in alphabetical order. Adamowski, J. Hampe, C. Moldauer, A. Adamowski, T. Heberlein, H. Mullaly, J. Akeroyd, J. Heindl, A. Miiller, F. Heindl, H. Bak, A. Helleberg, J. Nagel, R. Bareither, G. Hess, M. Nast, L. -
Viipuri Viipuri VIIPURIN SUOMALAISEN KIRJALLISUUSSEURAN TOIMITTEITA
Muuttuvien tulkintojen Muuttuvien tulkintojen Viipuri Viipuri tulkintojen Muuttuvien Viipuri VIIPURIN SUOMALAISEN KIRJALLISUUSSEURAN TOIMITTEITA 18 VSKS VIIPURIN SUOMALAISEN KIRJALLISUUSSEURAN TOIMITTEITA 18 Muuttuvien tulkintojen Viipuri TOIM. ANU KOSKIVIRTA PENTTI PAAVOLAINEN SANNA SUPPONEN Kansikuva: Osa Severin Falkmanin vuonna 1886 tekemästä öljymaalauksesta Kaarle Knuutinpoika Bonde lähdössä Viipurin linnasta Tukholmaan kuninkaanvaaliin 1448. Karl Knutson Bonde på väg från Viborgs slott till kungavalet i Stockholm 1448. Kansallisgalleria/Kirsi Halkola. Ateneumin taidemuseo. Viipurin Suomalaisen Kirjallisuusseuran Toimitteita osa 18 Muuttuvien tulkintojen Viipuri Toimittaneet: Anu Koskivirta (osan päätoimittaja), Pentti Paavolainen (sarjan päätoimittaja), Sanna Supponen (sarjan toimitussihteeri) Kuvatoimitus: Risto Marjomaa Graafinen suunnittelu & taitto: Eemeli Nieminen, www.eemelinieminen.fi ISBN: 978-952-67216-3-7 (Toimite 18, PDF) ISSN: 1236-4304 (Sarja) Painettu: 2016, Juvenes Print Painosmäärä: 200 kpl 2. korjattu painos. Julkaisija: Viipurin Suomalainen Kirjallisuusseura, Helsinki Sisällys 5 Viipuri – kulttuurin kaupunki 7 ANU KOSKIVIRTA, PENTTI PAAVOLAINEN, SANNA SUPPONEN Viipurin historiankirjoitus: politiikkaa, teemoja ja aukollisuuksia Kauppakaupungin kulttuuria 20 PETRI KARONEN Talouden ehdoilla: aineellisen ja henkisen kulttuurin vuorovaikutus Viipurissa 1500–1600-luvuilla 49 CHARLOTTA WOLFF Liike- ja kulttuurielämän väliset yhteydet 1800-luvun ja 1900-luvun alun Viipurissa 66 PENTTI PAAVOLAINEN Kielisuhteiden muutos -
Boston Symphony Orchestra Concert Programs, Season 25,1905-1906, Trip
INFANTRY HALL, PROVIDENCE. BostonSympIiQnu Dictiestra WILHELM GERICKE, Conductor. Twenty-fifth Season, 1905-1906. PROGRAMME OF THE FIRST CONCERT THURSDAY EVENING, NOVEMBER 2, AT 8.15. Hale. With Historical and Descriptive Notes by Philip Published by C. A. ELLIS, Manager, l A PIANO FOR THE MUSICALLY INTELLIGENT artists' pianos f| Pianos divide into two classes, and popular pianos. The proportion of the first class to the second class is precisely the proportion of cultivated music lovers to the rest of society. A piano, as much as a music library, is the index of the musical taste of its owner. are among the musically intelligent, the ^f If you PIANO is worth your study. You will appreciate the " theory and practice of its makers : Let us have an artist's piano ; therefore let us employ the sci- ence, secure the skill, use the materials, and de- vote the time necessary to this end. Then let us count the cost and regulate the -price" \ In this case hearing, not seeing, is believing. Let us send you a list of our branch houses and sales agents (located in all important cities), at whose warerooms our pianos may be heard. fllnsmt&ijermlh Boston, Mass., 492 Boylston Street New York, 139 Fifth Avenue Chicago, Wabash Avenue and Jackson Boulevard . Boston Symphony Orchestra. PERSONNEL. Twenty=fifth Season, 1905-1906. WILHELM GERICKE, Conductor First Violins. Hess, Willy, Concertmeister. Adamowski, T. Ondricek, K. Mahn, F Back, A. Roth, O. Krafft, W. Eichheim, H. Sokoloff, N. Kuntz, D. Hoffmann, J. Fiedler, E. Mullaly, J. Moldauer, A. Strube, G. Rissland, K. -
Toccata Classics TOCC0174 Notes
P THE GLORIOUS, TRAGIC CAREER OF ERNST MIELCK by Kimmo Korhonen In late spring 1899 the composer Ernst Mielck was struck with a serious bout of tuberculosis of the jugular gland. He underwent an operation, but the doctors did not give him much hope of recovery. By July of that year Mielck’s condition showed signs of improvement, and in the middle of August he moved to the shores of Lago di Maggiore in Locarno, Switzerland, where he was to spend the following winter. Yet in spite of the encouraging prognosis, his condition took a turn for the worse: the illness spread to his lungs and Mielck died on 22 October. He was buried in Locarno two days later – on what would have been his 22nd birthday. Mielck’s sudden death marked the premature end of a career that promised great things. He had come to prominence only a few years earlier, first as a pianist, then as a composer. In his few years of creativity he composed a body of works that, though small, nonetheless demonstrated his extraordinary talent. His output includes the first fully fledged Finnish symphony (1897), composed two years before the First Symphony of Jean Sibelius. Contemporary musical circles even viewed him as a significant challenger to Sibelius. Mielck’s career reached its zenith in December 1898, when he became the first Finnish composer to hold a concert of his own works with the Berlin Philharmonic. In spite of this success, Mielck has remained something of an outsider in the history of Finnish music. At a time when young Finnish composers were increasingly turning their attentions to national themes and a post-Wagnerian musical language, Mielck took inspiration from central-European Romanticism and the traditional compositional forms of Mendelssohn, Schumann and Brahms. -
Boston Symphony Orchestra Concert Programs, Season 24,1904
ACADEMY OF MUSIC, NORTHAMPTON. BostonSympftonij Orchestra Mr. WILHELM GERICKE, Conductor. | Twenty-fourth Season, J904-J905. PROGRAMME OF GRAND CONCERT WEDNESDAY EVENING, APRIL 19, AT 8.15 PRECISELY. With Historical and Descriptive Notes by Philip Hale. Published by C. A. ELLIS, Manager. l TAYLOR'S MUSIC HOUSE SOLE REPRESENTATIVE SPRINGFIELD BOStOn ACADEMY OF MUSIC, NORTHAMPTON. c , t ^ympnOfiy 2 Smith College,Department of Music . A Eighth Concert. ^^ j Ol*CHCS LV3l Twenty-fourth Season, J904-J905. Mr. WILHELM GERICKE, Conductor. GRAND CONCERT, WEDNESDAY EVENING, APRIL 19, AT 8. J 5 PRECISELY. PROGRAMME. " Goldmark . Overture, In Italy," Op. 49. First time in Northampton " " " Haydn . Aria, With Verdure Clad," from The Creation Frederick Chopin . Concerto in E minor, for Pianoforte and Orchestra, Op. 11 Allegro maestoso. Romance : Larghetto. Rondo : Vivace. " " Rossini . Aria, "Una Voce," from The Barber of Seville Beethoven ..... Symphony in C minor, No. 5, Op. 67 I. Allegro con brio. II. Andante con moto. III. Allegro. Trio. IV. Allegro. SOLOISTS: Mmc. BLAUVELT. Mme. SZUMOWSKA. The pianoforte is a Mason & Hamlin, There will be an intermission of ten minutes before the symphony. 3 — Opera Singers By QUSTAV KOBB^ A beautiful collection of photographs with biographical sketches of all tfoe grand opera stars, including the newer artists. Such favorites as Sembrkh, Nordica, Ternina, Melba,, E&ao>es, Calve, Plancon, and Caruso are represented In a variety of roles. One.- hundred and twenty-seven illustrations in all are given, twenty -nine of which are full-page portraits, forming the most interesting and complete collection of its kind ever published. The biographies are absolutely authentic,, $he facts beiag taken* down from the lips of the singers themselves. -
Bildning F R Alla.P65
BILDNING FÖR ALLA 1 ISBN 952-91-3442-8 (hft.) ISBN 952-91-3671-4 (PDF) ISSN 0489-0760 Oy NordPrint Ab, Helsingfors 2001 2 KARL-GUSTAV JOSSFOLK BILDNING FÖR ALLA En pedagogikhistorisk studie kring abnormskolornas tillkomst i Finland och deras pionjärer som medaktörer i bildningsprocessen 1846–1892 HELSINGFORS 2001 SVENSKA SKOLHISTORISKA FÖRENINGEN I FINLAND R.F. 3 Carl Oskar Malm – en banbrytare för dövundervisningen i Finland. En frisinnad filantrop och mångsysslare. Grundade den första abnormskolan, dövskolan i Borgå 1846. Lärare i Borgå 1846–1859. Lärare i statens dövskola i Åbo 1859–1863. 4 INNEHÅLL Förord 8 I INLEDNING 11 1.1. Syfte och avgränsningar 11 1.2. Vägen till ämnet 12 1.3. De fem perspektiven 15 1.4. Forskningsläget 17 1.5. Hermeneutisk humanvetenskap 24 1.6. Begreppsbildningen 34 1.7. Den svåra gränsdragningen 43 1.8. Precisering av syften 45 1.9. Dispositionen 46 II DISKURS I PEDAGOGIKHISTORIA 48 2.1. Autonomin och 1800-talets ståndssamhälle 48 2.2. Staten, kyrkan och fattigvården 52 2.3. Specialomsorgen och abnormundervisningen i lagstiftningen på 1800-talet i Finland 54 2.4. Den kyrkliga folkundervisningen 57 2.5. Föregångare och tidiga elementära skolor 58 2.6. Internationella strömningar 60 2.7. Abnormundervisningen etableras i Norden 69 2.7.1. Abraham Argillander – en föregångare i Finland 69 2.7.2 Blind- och dövundervisningen. J.A. Bierkén och P.A. Borg i Sverige 71 2.7.3.Anstalter för och undervisning av utvecklingsstörda 78 2.7.4. Anstalter för lytta och vanföra 79 2.7.5. Organiseringen av abnormskolorna i Finland 79 2.7.6. -
Toccata Classics Cds Are Also Available in the Shops and Can Be Ordered from Our Distributors Around the World, a List of Whom Can Be Found At
Recorded in the Uusi Paviljonki Hall, Kauniainen, Finland, on 27–28 October 2012 (Macbeth Overture, Dramatic Overture and Finnish Suite) and 23–24 February 2013 (Altböhmisches Weihnachtslied and Altgermanisches Julfest) Production, engineering and mastering: Tanel Klesment Assistant: Kaspar Karner Booklet essay: Kimmo Korhonen Translations: Korhonen text – David Hackston; sung texts translated into English by – Mari Ruef Hofer (Op. 5; 1912); Op. 7: Jarno Raukko (checked by Kendra Willson); Opp. 5 and 7: translated into Finnish by Sofia Schäfer Design and layout: Paul Brooks, Design and Print, Oxford Support from the Finnish Music Foundation (MES), the Finnish Cultural Foundation and Jenny and Antti Wihuri Foundation is gratefully acknowledged. Executive producer: Martin Anderson TOCC 0174 © 2013, Toccata Classics, London P 2013, Toccata Classics, London Toccata Classics CDs are also available in the shops and can be ordered from our distributors around the world, a list of whom can be found at www.toccataclassics.com. If we have no representation in your country, please contact: Toccata Classics, 16 Dalkeith Court, Vincent Street, London SW1P 4HH, UK Tel: +44/0 207 821 5020 E-mail: [email protected] Mistelinoksa seinälle ripustakaa ryhmyinen juhlahalko polttakaa. Sitten tuolinne juhla-aterialle tuokaa se on sopivaa Yulen pyhään aikaan. THE GLORIOUS, TRAGIC CAREER OF ERNST MIELCK Juhlikaa sitä kera tanssin ja loiston by Kimmo Korhonen kaksitoista päivää ja kaksitoista yötä. Ja juokaa ja herkutelkaa, herkutelkaa ja juokaa, In late spring 1899 the composer Ernst Mielck was struck with a serious bout of tuberculosis of the jugular sianpää ja oluttuoppi jo kutsuvat, gland. He underwent an operation, but the doctors did not give him much hope of recovery. -
Suomen Kirkkohistoriallisen Seuran Julkaisut
SUOMEN KIRKKOHISTORIALLISEN SEURAN JULKAISUT Suomen kirkkohistoriallinen seura julkaisee kahta tieteellistä sarjaa: artikkeleita, katsauksia ja kirja- arvosteluja sisältävää vuosikirjaa sekä pääasiassa monografioita ja artikkelikokoomateoksia sisältävää toimitusten sarjaa. Seuran julkaisuja myy Tiedekirja Snellmaninkatu 13, 00170 Helsinki, www.tiedekirja.fi, p. (09) 635177, [email protected] Seura myöntää jäsenilleen Tiedekirjan kautta ostetuista julkaisuistaan 30 prosentin alennuksen ja sisarseurojensa jäsenille (ks. julkaisuluettelon lopussa oleva luettelo sisarseuroista) 25–30 prosentin alennuksen. Publikationsserien omfattar främst monografier och till en viss grad även artikelsamlingar och samlingar av kyrkohistoriskt källmaterial. Manuskript godkänns för publicering på basis av två utsedda granskares utlåtanden. Årsskriften består av artiklar, konferensrapporter och rapporter om aktuell forskning samt recensioner. Samfundets publikationer säljs av bokhandeln Tiedekirja Snellmansgatan 13, 00170 Helsingfors, www.tiedekirja.fi, tel. (09) 635 177, e-post [email protected] Medlemmar erhåller årsskriften gratis och de kan köpa övriga publikationer till rabatterat pris. The series of Publications (Toimituksia) consists mainly of monographs, and to some extent also of collections of sources and of collections of articles. The Yearbook (Vuosikirja) consists of articles, conference and research reports, annual reports of the Society, and literature, movie, exhibition and even game reviews. The publications of the FSCH are sold at the bookstore Tiedekirja Snellmaninkatu 13, 00170 Helsinki, www.tiedekirja.fi, tel. +358 9 635177, e-mail [email protected] Members of the FSCH receive the Yearbook for free and pay reduced prices for the publications. T O I M I T U S T E N S A R J A Toim. 1 Mm. K. G. Leinberg Det odelade finska biskopsstiftets herda-minne. – Helsinki, 1895. VI +197 s. -
THE Symphonies Lahti Symphony Orchestra
BIS-2076 OKKO KAMU THE SYMPHONIES Lahti Symphony Orchestra BIS-2076 Okko Kamu BIS-2076_f-b.indd 1 2015-05-21 13:15 Jean Sibelius (1865–1957) The Symphonies Lahti Symphony Orchestra (Sinfonia Lahti) Okko Kamu conductor TT: 4h 0m 13s 2 Disc 1 · Playing Time 77'21 Symphony No. 1 in E minor, Op. 39 (1898–99, rev. 1900) (Breitkopf & Härtel) 38'24 1 I. Andante, ma non troppo – Allegro energico Eeva Mäenluoma clarinet 10'35 2 II. Andante (ma non troppo lento) 9'14 3 III. Scherzo. Allegro 5'32 4 IV. Finale (Quasi una Fantasia). Andante – Allegro molto 12'42 Symphony No. 4 in A minor, Op. 63 (1909–11) (Breitkopf & Härtel) 38'07 5 I. Tempo molto moderato, quasi adagio Ilkka Pälli cello 11'16 6 II. Allegro molto vivace 4'50 7 III. Il tempo largo 11'46 8 IV. Allegro 9'51 3 Disc 2 · Playing Time 80'26 Symphony No. 2 in D major, Op. 43 (1901–02) (Breitkopf & Härtel) 44'56 1 I. Allegretto 9'41 2 II. Tempo Andante, ma rubato 14'26 3 III. Vivacissimo – attacca – 6'11 (20'34) 4 IV. Finale. Allegro moderato 14'23 Symphony No. 5 in E flat major, Op. 82 (Wilhelm Hansen) 34'42 (1914–15, rev. 1916 & 1919) 5 I. Tempo molto moderato – Allegro moderato 15'08 6 II. Andante mosso, quasi allegretto 9'29 7 III. Allegro molto – Largamente assai 9'48 4 Disc 3 · Playing Time 82'26 Symphony No. 3 in C major, Op. 52 (1904–07) (Lienau) 29'29 1 I. -
Rasmus Rasks Korrespondens Med Språkforskare I Finland
Rasmus Rasks korrespondens med språkforskare i Finland utgiven av Esko Häkli Helsingfors 2017 1 Innehåll Inledning 3 Källor och litteratur 27 Förteckning över breven 33 Breven 36 2 Inledning1 Den danske språkforskaren Rasmus Kristian Rask (1787–1832), ett av de stora namnen inom den jämförande indoeuropeiska språkforskningens historia, gav viktiga impulser även för forskningen i finskan och de finsk-ugriska språken. I hans livsverk utgjorde dessa språk visserligen endast ett sidospår vilket emellertid på inget sätt minskar betydelsen av hans inverkan på den forskning som då tog sina första steg i Finland. Rask lärde känna flera forskare och kulturpersonligheter i Finland och med några av dem upprätthöll han kontakt även per korrespondens. För hans finska kontakter finns det belägg även i hans dagbok och tryckta publikationer.2 Av Rasks korrespondens har 61 brev bevarats. 54 brev har skrivits till Rask och 7 är skrivna av Rask till hans finska adressater. Att döma av uppgifterna i de bevarade breven har korrespondensen tidvis, i synnerhet då Rask var på väg från S:t Petersburg till Indien, varit livligare än vad de bevarade breven låter förstå. Dels kom breven aldrig fram, dels har de inte bevarats. Detta gällde framför allt Rasks korrespondens med Hipping och Sjögren. En större förlust har emellertid förorsakats av att de finska mottagarnas efterlämnade papper endast i några få fall bevarats. Vi känner t.ex. inte till ett enda brev från Rask till Gustaf Renvall. Rasks efterlämnade papper förvaras på Det Kongelige Bibliotek i Köpenhamn. Breven som Rask erhållit från sina finska korrespondenter ingår i denna samling vars innehåll specificeras i bilagan B. -
Vorwort Zu PB 5358
PB 5358 Vorwort.qxp 15.10.2009 16:44 Seite III III Vorwort Anfang der 1890er Jahre geriet Jean Sibelius unter den Einfluss der Obwohl Sibelius sich schon einen Namen als Komponist von großen Or- „neudeutschen“ Schule. Nach dem Besuch von Wagner-Aufführungen chesterwerken gemacht hatte, vor allem durch Kullervo und Lemminkäi- während seiner Studienjahre 1889–1891 in Berlin und Wien plante er nen, wurde sein erster Auftritt als Symphoniker – und damit in der 1893/94 die Komposition einer Oper. Diese Oper mit dem Titel Veneen Nachfolge Beethovens – mit besonderem Nachdruck beachtet. luominen [Die Erschaffung des Bootes] sollte auf dem finnischen Natio- Anfang 1900 bereitete sich das Orchester der Philharmonischen Gesell- nalepos Kalevala basieren. Der Opernplan wurde nicht realisiert, Sibelius schaft Helsinki auf die Reise zur Pariser Weltausstellung vor, und verwendete aber daraus musikalisches Material in den vier Lemminkäi- Sibelius kam auf die Symphonie zurück. Den biografischen Quellen ist nen-Legenden op. 22 (1. Fassung 1895 abgeschlossen), dem groß ange- wenig über die Umarbeitung zu entnehmen, die Sibelius im Frühjahr legten Orchesterwerk, das der 1. Symphonie unmittelbar vorausging. 1900 vornahm. Das Autograph legt nahe, dass Sibelius bei verschiede- Die 1. Symphonie war das erste Orchesterwerk von Sibelius, das ohne nen Gelegenheiten daran arbeitete. Die vielen Unterschiede zwischen beschreibenden oder programmatischen Titel veröffentlicht wurde. Autograph und Erstausgabe lassen vermuten, dass die endgültige Fas- Dennoch plante Sibelius wohl noch Anfang 1898 eine Programmsym- sung möglicherweise erst nach den Aufführungen in Paris und vor oder phonie. In einem Skizzenbuch befinden sich Stichworte (in Schwedisch) während der Druckvorbereitungen entstand. zu den programmatischen Vorstellungen einer Symphonie in drei oder Vor der Reise nach Paris spielte das Orchester am 1.