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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Dos Films Recientes Descubren a Ettore Scola, Un Veterano
personalidades ( i). Dos films recientes descubren a Ettore Scola, un veterano Ha hecho trece películas como director y algunas más como libretista, es uno de los profesionales italianos con mayor experiencia, pero sólo ahora se sabe que Ettore Scola puede ser un nombre importante. El estreno de Un día muy especial repitió el alerta y éste quizá sea el momento de iniciar la revisión de Scola: para saber que ha hecho mucha película menor, frívola y poco creativa para llegar ahora a una primera culminación Si no fuera porque Nos habíamos amado tanto y Un día muy especial han obligado a la atención pública, ia personalidad de Ettore Scola (47 años, trece films como director, una larga lista de libretos) permanecería desco nocida para casi toda la crítica. En rigor es todavía un desconoci do, en parte porque no existe hasta ahora ningún análisis del conjunto de su obra, en parte porque sus propios films no descubren una actitud nítida y permanente ante el mundo o ante el propio medio expresivo. Aunque su talento más notorio parece ser satírico o farsesco (libretos para Dino Risi y Pietrangeli, sus primeros films como director), los dos títulos más Importan tes de su carrera parecen más serios Un momento histórico muy particular que las múltiples comedias previas. cas y la idea se apoya en un efecto de algunos rasgos comunes en ideas, des Sin embargo detrás de Un día muy es libreto (la permanente, monótona, pre arrollos y diálogos, parte de esas ca pecial, un film sombrío, asoma lo que sencia de la trasmisión radial invadien racterísticas eran también las de otros alguien llamó una comedia trágica, don do el adificio de apartamentos romano films italianos de la época: el amargo de Marcello Mastroianni baila una rum donde quedan solos Sophia Loren y cierre de Adua y sus amigas (ex-prosti- ba melancólica y donde los diálogos Marcello Mastroianni). -
Philosophy Goes to the Movies
PHILOSOPHY GOES TO THE MOVIES ‘Philosophy Goes to the Movies is very clearly and engagingly written. It has a particular claim on the attention of those preparing students for a systematic study of philosophy, one that distinguishes it from any other introductory book I know of.’ Stephen Mulhall, University of Oxford ‘I think this is an excellent text. Falzon is in control of his material. He writes clearly and at a level that undergraduates can understand. He seems as comfortable describing films as he is explaining the nature of a philosophical problem. It will make an outstanding text to use in introductory philosophy classes.’ Thomas Wartenburg, Mount Holyoke College, USA Philosophy Goes to the Movies is a new kind of introduction to philosophy that makes use of film to help us understand philosophical ideas and positions. Drawing on art- house movies like Cinema Paradiso and Hollywood blockbusters such as The Matrix, Christopher Falzon introduces and discusses central areas of philosophical concern, including: • the theory of knowledge • the self and personal identity • ethics • social and political philosophy • science and technology • critical thinking. Falzon draws from the ideas of a diverse selection of thinkers, from Plato and Descartes to Marcuse and Foucault. Ideal for the beginner, this book guides the student through philosophy using lively and illuminating cinematic examples including Total Recall, Crimes and Misdemeanors, Monty Python and the Holy Grail, Antz and Wings of Desire. It will also appeal to anyone interested in the philosophical dimensions of cinema. Christopher Falzon is Lecturer in Philosophy at Newcastle University, Australia. He is the author of Foucault and Social Dialogue (Routledge, 1998). -
De Luis Bunuel Avec Georges Marchal, Lucia Bose
"CELA S’APPELLE L’AURORE" (1956) de Luis Bunuel avec Georges Marchal, 1 70/100 Lucia Bose. Affiche de Jean Mascii. Les Films Marceau. "UN MILLION D'ANNÉES AVANT J.C." (1966) de Don Chaffey avec Raquel Welch, John 40/80 2 Richardson. Affichette. Seven Arts Hammer. 20th Century Fox. "APOCALYPSE NOW" (1979) de Francis Ford Coppola avec Marlon Brando, 3 Affiche de B. Peak. Palme d’or festival de Cannes. 40/80 "LA GRANDE PARADE DU RIRE" (1967) Film de montage de Robert Youngson 50/90 4 Période burlesque américain. Affiche. MGM. "LES FRUITS DE LA PASSION" (1981) de Shuji Terayama avec Klaus Kinski, 5 Arielle 30/70 Dombasle. Affiche dessinée par Roland Topor. "GUET-APENS" (1980) de Sam Peckinpah avec Steve Mac Queen, et Ali Mac Graw. 40/90 6 Affiche. Film Warner Columbia. "PEAU D’ANE" (1970) de Jacques Demy avec Catherine Deneuve, Jean Marais. 70/100 7 Affiche de Jim Leon. Films Paramount. "LE SPECTRE DU PROFESSEUR HICHCOCK" (1963) de Robert Hampton (Riccardo Freda) avec Barbara Steele, Peter 70/120 8 Baldwin. Afiche de C. Belinsky. "PLAYTIME" (1967) de et, avec Jacques Tati. 9 Affichette de Baudin. Dessin de Ferracci 40/90 "BOULEVARD DE PARIS" (1955) de Mitchell Leisen avec Anne Baxter, Steve Forest, 200/300 10 Raymond Bussières. Affiche entoilée. Dessin de Roger Soubie. "LA FILLE DANS LA VITRINE" (1961) de Luciano Emmer avec Lino Ventura, 100/150 11 Marina Vlady. Affiche de Jean Mascii. Discifilm. "ASTÉRIX CHEZ LES BRETONS" (1986) d’après l’album de Goscinny et, Uderzo. 40/80 40/80 12 Affiche. -
Through FILMS 70 Years of European History Through Films Is a Product in Erasmus+ Project „70 Years of European History 1945-2015”
through FILMS 70 years of European History through films is a product in Erasmus+ project „70 years of European History 1945-2015”. It was prepared by the teachers and students involved in the project – from: Greece, Czech Republic, Italy, Poland, Portugal, Romania, Spain, Turkey. It’ll be a teaching aid and the source of information about the recent European history. A DANGEROUS METHOD (2011) Director: David Cronenberg Writers: Christopher Hampton, Christopher Hampton Stars: Michael Fassbender, Keira Knightley, Viggo Mortensen Country: UK | GE | Canada | CH Genres: Biography | Drama | Romance | Thriller Trailer In the early twentieth century, Zurich-based Carl Jung is a follower in the new theories of psychoanalysis of Vienna-based Sigmund Freud, who states that all psychological problems are rooted in sex. Jung uses those theories for the first time as part of his treatment of Sabina Spielrein, a young Russian woman bro- ught to his care. She is obviously troubled despite her assertions that she is not crazy. Jung is able to uncover the reasons for Sa- bina’s psychological problems, she who is an aspiring physician herself. In this latter role, Jung employs her to work in his own research, which often includes him and his wife Emma as test subjects. Jung is eventually able to meet Freud himself, they, ba- sed on their enthusiasm, who develop a friendship driven by the- ir lengthy philosophical discussions on psychoanalysis. Actions by Jung based on his discussions with another patient, a fellow psychoanalyst named Otto Gross, lead to fundamental chan- ges in Jung’s relationships with Freud, Sabina and Emma. -
Juillet-Août 2019
juillet-août 2019 · FESTIVAL FANTASIA · EXPOSITION LES COMIQUES FONT LE MUR · COURTS D’UN SOIR · EXPOSITION ORATORIO – ALAIN PELLETIER DOCTEUR JERRY ET MISTER LOVE DOCTEUR JERRY CINEMATHEQUE.QC.CA RENSEIGNEMENTS DROITS D’ENTRÉE 1 HEURES D’OUVERTURE CINEMATHEQUE.QC.CA 11 $ / ADULTES BILLETTERIE : ou 514.842.9763 10 $ / AÎNÉ, ÉTUDIANT, ENFANT (5-16 ANS)2 LUNDI AU VENDREDI DÈS 10 h 20 $ / FAMILLE 3 PERSONNES SAMEDI ET DIMANCHE DÈS 14 h CINÉMATHÈQUE QUÉBÉCOISE 25 $ / FAMILLE 4 PERSONNES 335, BOUL. DE MAISONNEUVE EST MEMBRE3 : 130 $ / 1 AN EXPOSITIONS : MONTRÉAL (QUÉBEC) CANADA ABONNEMENT ÉTUDIANT3 : 99 $ / 1 AN LUNDI AU VENDREDI DE 10 h À 21 h H2X 1K1 CENTRE D’ART ET D’ESSAI : SAMEDI ET DIMANCHE DE 14 h À 21 h MÉTRO BERRI-UQAM 12 $ / TARIF RÉGULIER 10 $ / TARIF AINÉ ET ÉTUDIANT MÉDIATHÈQUE GUY-L.-COTÉ : Imprimé au Québec sur papier québécois 9 $ / TARIF MEMBRE ET ABONNÉ MARDI AU VENDREDI DE 9 h 30 À 17 h recyclé à 100 % (post-consommation) EXPOSITIONS : ENTRÉE LIBRE Distribué par Publicité sauvage 1. Taxes incluses. Le droit d’entrée peut différer dans le cas de certains programmes spéciaux. 2. Sur présentation d’une carte d’étudiant ou d’identité. La programmation peut être sujette à changement DESIGN : AGENCE CODE 3. Accès illimité à la programmation régulière. sans préavis. Un été de folie joyeuse A summer of glorious fun à la Cinémathèque at the Cinémathèque THE NAVIGATOR Comédies ! DOCTEUR JERRY ET MISTER LOVE DOCTEUR JERRY L’AILE OU LA CUISSE L’AILE : LE KING DES KINGS GRATTON ELVIS DANIELLE TATIE Nouveautés art et essai LA VERSION NOUVELLE DREAMS INSTANT Nostalgique du Polaroid, Instant Dreams nous plonge dans l’univers de ces photos satu rées et nous fait rencontrer des pas sion nés de la petite boite carrée – dès le 5 juillet. -
Movie Museum MAY 2011 COMING ATTRACTIONS
Movie Museum MAY 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! 2 Hawaii Premieres! BLACK SWAN Mother's Day 2 Hawaii Premieres! SUMO DO, SUMO DON'T LIKE TWO DROPS OF (2010) THE KING'S SPEECH THE ARMY OF CRIME aka Shiko funjatta WATER in widescreen (2010-UK/Australia/US) (2009-France) (1992-Japan) (1963-Netherlands) in widescreen in French/Grman w/ English in Dutch/German with in Japanese with English with Natalie Portman, with Colin Firth, Geoffrey subtitles & in widescreen subtitles & in widescreen English subtitles & widescreen with Simon Abkarian. Directed by Fons Rademakers. Mila Kunis, Vincent Cassel, Rush, Helena Bonham Carter, with Masahiro Motoki, Barbara Hershey, 12:30, 3 & 5:30pm only 12:30 & 3pm only Guy Pearce, Jennifer Ehle, ---------------------------------- Misa Shimizu, Naoto Winona Ryder. Michael Gambon, Derek Jacobi. Takenaka, Akira Emoto. ---------------------------------- LIKE TWO DROPS OF THE ARMY OF CRIME WATER Written and Directed by (2009-France) Directed by Directed by (1963-Netherlands) Masayuki Suo. in French/Grman w/ English Darren Aronofsky. Tom Hooper. in Dutch/German with subtitles & in widescreen English subtitles & widescreen 12:30, 2:30, 4:30, 6:30 with Simon Abkarian. 12:30, 2:30, 4:30, 6:30 12:15, 2:30, 4:45, 7:00 & Directed by Fons Rademakers. & 8:30pm 9:15pm 8pm only & 8:30pm 5 5:30 & 8pm only 6 7 8 9 2 Hawaii Premieres! THE MAGIC HOUR BLUE VALENTINE Hawaii Premiere! 2 Hawaii Premieres! KATALIN VARGA JE VOUS TROUVE (2008-Japan) (2010) THE TIGER BRIGADES TRÈS BEAU aka -
Salle Jean Carmet Bd Du Pilat - 69440 MORNANT Un Service De La Communauté De Communes La Culture Proche De Vous Cinéma Du 18 Mars Au 14 Avril 2020
Salle Jean Carmet Bd du Pilat - 69440 MORNANT Un service de la Communauté de Communes La culture proche de vous Cinéma du 18 mars au 14 avril 2020 Pour connaître l’âge recommandé d’un film pour le jeune public, voici notre sélection de sites : www.allofamille.fr - www.familiscope.fr - www.filmspourenfants.net Votre programme cinéma www.copamo.fr • 04 78 44 05 17 Classée Art & Essai www.allocine.fr •grac.asso.fr Label Jeune Public Répertoire - Patrimoine http://fb.me/prog.sallejcarmet Recherche - Découverte N° 304 du 18 mars au 24 mars 2020 Durée Mer. 18 Jeu. 19 Ven. 20 Sam. 21 Dim. 22 Lun. 23 Mar. 24 De Gaulle 1h48 15h 20h30 20h30 17h +CM La Toilette de la Tour Eiffel - 3'57 Conférence gesticulée La Communion - VO/Interdit - de 12 ans COUP DE 1h55 20h30 18h 19h30 18h CŒUR +CM Artem Silendi- 8'00 14h30 JEUNE En Avant - dès 6 ans 1h40 17h30 14h30 PUBLIC 16h30 Marche avec les loups 19h30 1h28 Inculture 18h30 Festi'vache Franck Les Siffleurs - VO 1h37 Lepage 20h30 Vox Populli - Avertissement du 25 mars au 31 mars 2020 Durée Mer. 25 Jeu. 26 Ven. 27 Sam. 28 Dim. 29 Lun. 30 Mar. 31 Printemps La Bonne épouse du cinéma Lecture 1h49 15h 20h30 20h30 16h15 +CM La Blanquette - 4'18 20h30 17h poétique JEUNE L'appel de la fôret -dès 7/8 ans 1h40 14h 14h30 PUBLIC COUP DE Un Divan à Tunis 1h28 18h30 19h30 UTA CŒUR 10h-12h 20h30 Il y aura la La Fête du court métrage jeunesse 1h27 18h30 Transsibérien Fais moi rire.. -
Fiction and Documentary) Films On/In Africa (In Alphabetical Order, by Film Title
Marie Gibert [email protected] (Fiction and Documentary) Films on/in Africa (in alphabetical order, by film title) J. Huston (1951), The African Queen, starring Humphrey Bogart, Katharine Hepburn, Robert Morley et al. A. Sissako (2006), Bamako, starring Aïssa Maïga, Tiécoura Traoré et al. C. Denis (1999), Beau Travail, starring Denis Lavant, Michel Subor, Grégoire Colin et al. R. Scott (2001), Black Hawk Down, starring Josh Hartnett, Eric Bana, Ewan McGregor et al. E. Zwick (2006), Blood Diamond, starring Leonardo DiCaprio, Jennifer Connelly, Djimon Hounsou et al. C. Denis (1988), Chocolat, starring François Cluzet, Isaach De Bankolé, Giulia Boschi et al. T. Michel (2005), Congo River, Beyond Darkness (documentary). F. Mereilles (2005), The Constant Gardener, starring Ralph Fiennes, Rachel Weisz, Hubert Koundé et al. B. Tavernier (1981), Coup de Torchon, starring Philippe Noiret, Isabelle Huppert, Jean-Pierre Marielle et al. R. Attenborough (1987), Cry Freedom, starring Denzel Washington, Kevin Kline, Penelope Wilton et al. S. Samura (2000), Cry Freetown (documentary). R. Bouchareb (2006), Days of Glory, starring Jamel Debbouze, Samy Naceri, Sami Bouajila et al. R. Stern and A. Sundberg (2007), The Devil Came on Horseback, starring Nicholas Kristof, Brian Steidle et al. S. Jacobs (2008), Disgrace, starring Eriq Ebouaney, Jessica Haines, John Malkovich et al. N. Blomkamp (2009), District Nine, starring Sharlto Copley, Jason Cope, David James et al. Z. Korda (1939), The Four Feathers, starring John Clements, June Duprez, Ralph Richardson et al. B. August (2007), Goodbye Bafana, starring Dennis Haysbert, Joseph Fiennes, Diane Kruger et al. T. George (2004), Hotel Rwanda, starring Don Cheadle, Sophie Okonedo, Joaquin Phoenix et al. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Company Profile Fenix Entertainment About Us
COMPANY PROFILE FENIX ENTERTAINMENT ABOUT US Fenix Entertainment is a production company active also in the music industry, listed on the stock exchange since August 2020, best newcomer in Italy in the AIM-PRO segment of the AIM ITALIA price list managed by Borsa Italiana Spa. Its original, personalized and cutting-edge approach are its defining features. The company was founded towards the end of 2016 by entrepreneurs Riccardo di Pasquale, a former bank and asset manager and Matteo Di Pasquale formerly specializing in HR management and organization in collaboration with prominent film and television actress Roberta Giarrusso. A COMBINATION OF MANY SKILLS AT THE SERVICE OF ONE PASSION. MILESTONE 3 Listed on the stock exchange since 14 Produces the soundtrack of Ferzan Produces the film ‘’Burraco Fatale‘’. August 2020, best newcomer in Italy in Ozpetek's “Napoli Velata” the AIM-PRO segment of the AIM ITALIA price list managed by Borsa Italiana Spa First co-productions Produces the soundtrack "A Fenix Entertainment cinematographic mano disarmata" by Claudio Distribution is born Bonivento Acquisitions of the former Produces the television Produces the film works in the library series 'That’s Amore' “Ostaggi” Costitution Fenix Attend the Cannes Film Festival Co-produces the film ‘’Up & Produces the “DNA” International and the International Venice Film Down – Un Film Normale‘’ film ‘Dietro la product acquisition Festival notte‘’ 2016 2017 2018 2019 2020 “LA LUCIDA FOLLIA DI MARCO FERRERI” “UP&DOWN. UN FILM “NAPOLI VELATA” original “BEST REVELATION” for Fenix Entertainment • David di Donatello for Best Documentary NORMALE” Kineo award soundtrack Pasquale Catalano Anna Magnani Award to the production team • Nastro d’Argento for Best Film about Cinema for Best Social Docu-Film nominated: • David di Donatello for Best Musician • Best Soundtrack Nastri D’Argento “STIAMO TUTTI BENE” by Mirkoeilcane “DIVA!” Nastro D’Argento for the Best “UP&DOWN. -
Ciné-Mondial, N°44
par Pierre CHANLAINE C'est à coup sûr pour une raison de même ordre, qu'après l'apparition du cinéma parlant, il y a une dizaine d'années, le théâtre s'est transformé. Le décor a diminué d'importance. Souvent, il a été ramené à des apparences de synthèse, afin de mettre le public dans l'ambiance nécessaire. Mais, à l'instar de ce qui se passe chez les classiques, on l'a, la dernière On en est ainsi arrivé à un théâtre qui laisse volon- guerre, on avait, au dans la plupart des cas, supprimé. théâtre, à résoudre le tairement dans la pénombre tout ce qui se rapporte au problème de la mise en mouvement, au décor. A un théâtre qui néglige le côté °Pe.S c y scène et du décor. Je me extérieur de l'oeuvre, et met, au contraire, en relief l'évo- J"u °/? a . oui souviens du luxe avec lution psychologique des personnages, les conflits de lequel Coquelin aîné pré- caractère, beaucoup plus que les « situations » qui sont senta, à la Porte St-Martin, toujours un peu factices. En un mot, le côté intérieur, en 1895, — déjà près d'un C'est le théâtre des Jean Sarment, des Salacrou, des demi siècle ! — le « Dugues- humain, de l'oeuvre dramatique: clin » de Déroulède. le me Mais, si ce théâtre s'en tient à tout ce qui est souviens de « Fanfan la Tu- Stève Passeur et des Anouilh. lipe » qu'il avait monté, au intérieur, si, pour cela, il se résigne à renoncer au même théâtre.