Lesbophobia As a Barrier to Women in Coaching Tracy Keats
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Cultivating the Daughters of Bilitis Lesbian Identity, 1955-1975
“WHAT A GORGEOUS DYKE!”: CULTIVATING THE DAUGHTERS OF BILITIS LESBIAN IDENTITY, 1955-1975 By Mary S. DePeder A Thesis Submitted in Partial Fulfillment of the requirements for the Degree of Master of Arts in History Middle Tennessee State University December 2018 Thesis Committee: Dr. Susan Myers-Shirk, Chair Dr. Kelly A. Kolar ACKNOWLEDGMENTS I began my master’s program rigidly opposed to writing a thesis. Who in their right mind would put themselves through such insanity, I often wondered when speaking with fellow graduate students pursuing such a goal. I realize now, that to commit to such a task, is to succumb to a wild obsession. After completing the paper assignment for my Historical Research and Writing class, I was in far too deep to ever turn back. In this section, I would like to extend my deepest thanks to the following individuals who followed me through this obsession and made sure I came out on the other side. First, I need to thank fellow history graduate student, Ricky Pugh, for his remarkable sleuthing skills in tracking down invaluable issues of The Ladder and Sisters. His assistance saved this project in more ways than I can list. Thank-you to my second reader, Dr. Kelly Kolar, whose sharp humor and unyielding encouragement assisted me not only through this thesis process, but throughout my entire graduate school experience. To Dr. Susan Myers- Shirk, who painstakingly wielded this project from its earliest stage as a paper for her Historical Research and Writing class to the final product it is now, I am eternally grateful. -
Butch-Femme by Teresa Theophano
Butch-Femme by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com A butch-femme couple The concept of butch and femme identities have long been hotly debated within the participating in a group lesbian community, yet even achieving a consensus as to exactly what the terms wedding ceremony in "butch" and "femme" mean can be extraordinarily difficult. In recent years, these Taiwan. words have come to describe a wide spectrum of individuals and their relationships. It is easiest, then, to begin with an examination of butch-femme culture and meaning from a historical perspective. Butch and femme emerged in the early twentieth century as a set of sexual and emotional identities among lesbians. To give a general but oversimplified idea of what butch-femme entails, one might say that butches exhibit traditionally "masculine" traits while femmes embody "feminine" ones. Although oral histories have demonstrated that butch-femme couples were seen in America as far back as the turn of the twentieth century, and that they were particularly conspicuous in the 1930s, it is the mid-century working-class and bar culture that most clearly illustrate the archetypal butch-femme dynamic. Arguably, during the period of the 1940s through the early 1960s, butches and femmes were easiest to recognize and characterize: butches with their men's clothing, DA haircuts, and suave manners often found their more traditionally styled femme counterparts, wearing dresses, high heels, and makeup, in the gay bars. A highly visible and accepted way of living within the lesbian community, butch-femme was in fact considered the norm among lesbians during the 1950s. -
17. Dyke, Dyke, Dyke!
JENNIFER TURLEY 17. DYKE, DYKE, DYKE! How does it feel to have a child who is gay? I’ve been asked that several times. Believe me, I’d rather face that question than have that ugly, accusing glare from some small-minded person who is allowing themselves to believe that I “allowed my child to choose to be gay.” How can a person best describe the cross between trying to be a responsible and well-behaved adult, and wanting to choke the very last breath out of some ignoramus who stands within earshot saying despicable and hateful things about the child who you love more than your own life? By now, many people have either read or heard about the poem by Emily Perl Kingsley entitled, “Welcome to Holland.” The poem depicts the way a mother feels upon learning that her newborn child is disabled, after preparing herself for a “typical” child during her pregnancy. I believe that all mothers have certain expectations during pregnancy, and then we solidify certain expectations upon learning the sex of the baby. I suppose that could be my segue into what it’s like to have a daughter who is lesbian, yes? You hear the doctor pronounce to all in the room, “It’s a girl!” and you begin imagining her school dances and formals, and even a brief thought of her wedding, though it’s way down the road. You have certain expectations just because the child is born with a particular set of genitalia. It’s unfortunate that it all begins that way, but I know that it’s common, no matter how erroneous. -
Written Out: How Sexuality Is Used to Attack Women's Organizing
REVISED AND UPDATED A Report of the and the International Gay and Lesbian Center for Women’s Human Rights Commission Global Leadership written out how sexuality is used to attack women’s organizing Written and researched by Cynthia Rothschild Edited and with contributions by Scott Long and Susana T. Fried A revised publication of the International Gay and Lesbian Human Rights Commission (IGLHRC) and the Center for Women's Global Leadership (CWGL) International Gay and Lesbian Human Rights Commission table of contents The mission of the International Gay and Lesbian Human Rights Commission (IGLHRC) is to secure the full enjoyment of the human rights of all people and communities subject to discrimination or abuse on the basis of sexual orientation or expression, gender identity or expression, and/or HIV sta- Preface to 2005 Edition . .1 tus. A US-based non-profit, non-governmental organization (NGO), IGLHRC effects this mission Introduction . .3 through advocacy, documentation, coalition building, public education, and technical assistance. I “How Can There Be Names For What Does Not Exist?” . .25 International Gay and Lesbian Human Rights Commission The Target: Women’s Organizing, Women’s Bodies . .25 350 Fifth Avenue, 34th Floor Sexual Rights . .35 New York, New York 10118 USA Tel: 212-216-1814 Basics of Baiting: Internationalizing Intolerance . .41 Fax: 212-216-1876 The Effects: Internalizing Fear . .53 [email protected] http://www.iglhrc.org II Women Make Cookies: Discrediting of Women Leaders . .65 III “We Would Have a Hard Time Going Home”: Fear of Sexuality in the International Sphere” . .83 Center for Women’s Global Leadership The Center for Women’s Global Leadership (Global Center) develops and facilitates women’s leader- Beijing: The Right Wing Takes on Human Rights . -
Guidance for Football Governing Bodies on Lgbt Inclusion and the Prevention of Discrimination and Violence Impressum
PRIDE IN SPORT Preventing and fighting homophobic violence and discriminations in sport GUIDANCE FOR FOOTBALL GOVERNING BODIES ON LGBT INCLUSION AND THE PREVENTION OF DISCRIMINATION AND VIOLENCE IMPRESSUM Guidance for Football Governing Bodies on LGBT Inclusion and the Prevention of Discrimination and Violence Publisher and Copyright: European Gay & Lesbian Sport Federation (EGLSF) Author: Megan Worthing-Davies Contributor: Juliette Jacques Design: Jen Watts Design Printed: 2013 in Ljubljana, Slovenia 150 copies Funded by: European Commission ISBN: 978-90-820842-0-7 This publication is free of charge. Disclaimer: The content of this publication does not reflect the official opinion of the European Union. Responsibility for the information and views expressed therein lies entirely with the authors. The content of this publication may be freely reproduced and modified for non-commercial purposes under Creative Commons Licence Attribution- NonCommercial 3.0 Unported (acknowledging the author and listing the source). More information: www.prideinsport.info CONTENTS 1 WHAT ARE THE ISSUES? (6) • What do the terms lesbian, gay, bisexual and trans or transgender mean? (7) • How many people are lesbian, gay, bisexual or transgender (LGBT)? (7) • What is homophobia, lesbophobia, biphobia and transphobia? (8) • How does discrimination affect LGBT people and their participation in sport? (9) • A framework for addressing homophobia, lesbophobia, biphobia and transphobia in football (11) 2 TAKING ACTION (20) • A framework for addressing homophobia, -
LGBT Rights: Frequently Asked Questions
FACT SHEET LGBT Rights: Frequently Asked Questions What does “LGBT” mean? but were classified as males when they were born. LGBT stands for “lesbian, gay, bisexual and transgender.” Transmen identify as men but were classified female While these terms have increasing global resonance, in when they were born. Some transgender people seek different cultures other terms may be used to describe surgery or take hormones to bring their body into people who form same-sex relationships and those who alignment with their gender identity; others do not. exhibit non-binary gender identities (such as hijra, meti, lala, skesana, motsoalle, mithli, kuchu, kawein, travesty, muxé, What is intersex? fa’afafine, fakaleiti, hamjensgara and Two-Spirit). In a human An intersex person is born with sexual anatomy, reproductive rights context, lesbian, gay, bisexual and transgender organs, and/or chromosome patterns that do not fit the people face both common and distinct challenges. Intersex typical definition of male or female. This may be apparent people (those born with atypical sex characteristics) suffer at birth or become so later in life. An intersex person may many of the same kinds of human rights violations as LGBT identify as male or female or as neither. Intersex status people, as indicated below. is not about sexual orientation or gender identity: intersex people experience the same range of sexual orientations What is “sexual orientation”? and gender identities as non-intersex people. Sexual orientation refers to a person’s physical, romantic and/or emotional attraction towards other people. Everyone What are homophobia and transphobia? has a sexual orientation, which is integral to a person’s Homophobia is an irrational fear of, hatred or aversion identity. -
Contemporary Lesbian Genders: a Queer/Sociological Approach
Contemporary Lesbian Genders: A Queer/Sociological Approach Alison Jane Eves Submitted in accordance with the requirements for the degree of PhD The University of Leeds Department of Sociology and Social Policy March 2002 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. 'Contemporary Lesbian Genders: A Queer/Sociological Approach' Alison Eves: University of Leeds identity has been This thesis attempts to develop the insights of recent work on that influenced by poststructuralist theory, and in particular 'queer theory', through an I empirical study of the social construction of lesbian genders. examine sociological work Lesbian identities on sexuality, queer theory and feminist work on butch/femme. are constructed at the intersection of specific discourses, structures and conscious agency. There is a lack of sociological element in queer theory but I am interested in the potential for developing this despite the epistemological difficulties it raises. Queer theory has enabled a radically different way of theorising butch/femme as transgressive queer practice with the potential to reveal the constructed and contingent nature of all gender. The study has involved semi-structured interviews with 31 women who have various degrees of identification with either `butch' or `femme'. I identify particular `interpretative repertoires' in identity narratives and examine the ways in which these are socially located. These findings are used to contest the assertion that community is dominant understandings of identities differ radically from the constructionism that the theoretical paradigm. I outline the construction of specific contemporary butch and femme subject positions and the ways in which these are discursively located in relation to heteronormative discourses. -
CCGSD Queer Vocabulary
CCGSD Queer Vocabulary Note about Terminology It is important to acknowledge that due to the evolving nature of language and the personal meanings attributed by groups and individuals, these definitions are not rigid - they are mutable and ever changing, much like our community itself. When referring to an individual’s identity, the words and definitions that they use to describe themselves overrule and supercede the definitions in this glossary. AGENDER (adjective) A term meaning “without gender,” people who are agender do not identify anywhere on the gender spectrum, but rather see their gender as non existent.1 ALLOSEXUAL (adjective) A word to describe those who are not on the asexual spectrum. Other terms for this include zedsexual, zsexual, or non-ace, which are less sexological in nature.2 ANDROGYNOUS (adjective) Identity or umbrella term for a kind of non-binary gender implying some combination of conventionally masculine and feminine aspects.3 AROMANTIC (adjective) A term used to describe those who do not experience romantic attraction.4 ASEXUAL (adjective) A term used to describe a person who either: 1. Does not experience sexual attraction 2. Does not experience a desire for sex, or 3. Experiences these to a lesser degree than most 5 ASSIGNED SEX (noun) Assigned sex is the classification of a person as male, female or intersex based on biological characteristics, including chromosomes, hormones, external genitalia and reproductive organs, often at birth. We say assigned sex versus biological sex to acknowledge that sex is often a value assigned by medical professionals to newborns based on visual assessment of external genitalia. -
“Grisley L Business”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loughborough University Institutional Repository 10 ‘Grisley “L” business’1? Re-Valuing Female Masculinity and Butch Subjectivity in Tipping the Velvet and The Night Watch Claire O’Callaghan According to the lesbian cultural critic Emma Healey, the figure of the butch lesbian not only carries ‘the weight of nearly one hundred years of stereotyping on her shoulders’, but suffers homophobic ‘scorn and ridicule’ from heterosexist culture as well as ‘internalised lesbophobia’ within lesbian communities.2 As Gayle Rubin indicates, the term ‘butch’ is ‘the lesbian vernacular for women who are more comfortable with masculine gender codes, styles or identities than with feminine ones’ and ‘encompasses a variety of ways of and motivations for using masculine gender codes and preferences’.3 Butchness exists, therefore, as Jack Halberstam points out, on a varied continuum of female masculinities that signify ‘differently gendered bodies’ and female subjectivities.4 Boyish, masculine and/or butch women feature in nearly all of Sarah Waters’s novels. In Tipping the Velvet (1998), Nancy King’s foray into the world of music hall male impersonation and her investment in modes of female masculinity facilitate her discovery of lesbian desire and, as I will discuss later, are integral to her expression of gender and her sexual coming-of-age. Likewise, in Affinity (1999), domestic servant Ruth Vigers is able to pass as male spirit ‘Peter Quick’ in part because of her -
From Here to Queer: Radical Feminism, Postmodernism, and The
From Here to Queer: Radical Feminism, Postmodernism, and the Lesbian Menace (Or, Why Can't a Woman Be More like a Fag?) Author(s): Suzanna Danuta Walters Source: Signs, Vol. 21, No. 4, Feminist Theory and Practice (Summer, 1996), pp. 830-869 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/3175026 . Accessed: 24/06/2014 17:21 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Signs. http://www.jstor.org This content downloaded from 199.79.170.81 on Tue, 24 Jun 2014 17:21:49 PM All use subject to JSTOR Terms and Conditions FromHere to Queer: Radical Feminism,Postmodernism, and the Lesbian Menace (Or, WhyCan't a Woman Be More Like a Fag?) Suzanna Danuta Walters Queer defined (NOT!) A LREADY, IN THIS OPENING, I am treadingon thin ice: how to definethat which exclaims-with postmodern cool-its absoluteundefinability? We maybe here(and we may be queer and not going shopping),but we are certainlynot transparentor easily available to anyone outside the realm of homo cognoscenti.Yet definitions,even of the tentativesort, are importantif we are to push forwardthis new discourseand debate meaningfullyits parameters. -
Bi,Butch,And Bar Dyke:Pedagogical Performances of Class,Gender,And Sexuality
SEP-CCC1.QXD 8/11/00 8:57 AM Page 69 Michelle Gibson, Martha Marinara, and Deborah Meem Bi,Butch,and Bar Dyke:Pedagogical Performances of Class,Gender,and Sexuality Current theories of radical pedagogy stress the constant undermining, on the part of both professors and students, of fixed essential identities. This article examines the way three feminist, queer teachers of writing experience and perform their gender, class, and sexual identities. We critique both the academy’s tendency to neutralize the political aspects of identity performance and the essentialist identity politics that still inform many academic discussions. Current theories of radical pedagogy stress the constant undermining, on the part of both professors and students, of fixed essential identities. Trinh Minh-Ha, for example, describes an “Inappropriate/d Other who moves about with always at least two/four gestures: that of affirming ‘I am like you’ while pointing insistently to the difference; and that of reminding ‘I am different’ while unsettling every definition of otherness arrived at” (8). Elizabeth Ells- worth applies Minh-Ha’s idea to “classroom practices that facilitate such mov- ing about” and the nature of identity that obtains in such classrooms: Identity in this sense becomes a vehicle for multiplying and making more com- plex the subject positions possible, visible, and legitimate at any given historical CCC 52:1 / SEPTEMBER 2000 69 SEP-CCC1.QXD 8/11/00 8:57 AM Page 70 CCC 52:1 / SEPTEMBER 2000 moment, requiring disruptive changes in the way social technologies of gender, race, ability, and so on define Otherness and use it as a vehicle for subordination. -
Femalemasculi Ni Ty
FEMALE MASCULINITY © 1998 Duke University Press All rights reserved Printed in the United States of America on acid-free paper oo Designed by Amy Ruth Buchanan Frontispiece: Sadie Lee, Raging Bull (1994) Typeset in Scala by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. FOR GAYAT RI CONTENTS Illustrations ix Preface xi 1 An Introduction to Female Masculinity: Masculinity without Men r 2 Perverse Presentism: The Androgyne, the Tribade, the Female Husband, and Other Pre-Twentieth-Century Genders 45 3 "A Writer of Misfits": John Radclyffe Hall and the Discourse of Inversion 7 5 4 Lesbian Masculinity: Even Stone Butches Get the Blues nr 5 Transgender Butch: Butch/FTM Border Wars and the Masculine Continuum 141 6 Looking Butch: A Rough Guide to Butches on Film 175 7 Drag Kings: Masculinity and Performance 231 viii · Contents 8 Raging Bull (Dyke): New Masculinities 267 Notes 279 Bibliography 307 Filmography 319 Index 323 IL LUSTRATIONS 1 Julie Harris as Frankie Addams and Ethel Waters as Bernice in The Member of the Wedding (1953) 7 2 Queen Latifahas Cleo in Set It Off(19 97) 30 3 Drag king Mo B. Dick 31 4 Peggy Shaw's publicity poster (1995) 31 5 "Ingin," fromthe series "Being and Having," by Catherine Opie (1991) 32 6 "Whitey," fromthe series "Being and Having," by Catherine Opie (1991) 33 7 "Mike and Sky," by Catherine Opie (1993) 34 8 "Jack's Back II," by Del Grace (1994) 36 9 "Jackie II," by Del Grace (1994) 37 10 "Dyke," by Catherine Opie (1992) 39 11 "Self-