BE SUBSTANTIALLY GREAT in THY SELF: Getting to Know C.E.W. Bean; Barrister, Judge’S Associate, Moral Philosopher
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Inaugural Speeches in the NSW Parliament Briefing Paper No 4/2013 by Gareth Griffith
Inaugural speeches in the NSW Parliament Briefing Paper No 4/2013 by Gareth Griffith ACKNOWLEDGEMENT The author would like to thank officers from both Houses for their comments on a draft of this paper, in particular Stephanie Hesford and Jonathan Elliott from the Legislative Assembly and Stephen Frappell and Samuel Griffith from the Legislative Council. Thanks, too, to Lenny Roth and Greig Tillotson for their comments and advice. Any errors are the author’s responsibility. ISSN 1325-5142 ISBN 978 0 7313 1900 8 May 2013 © 2013 Except to the extent of the uses permitted under the Copyright Act 1968, no part of this document may be reproduced or transmitted in any form or by any means including information storage and retrieval systems, without the prior consent from the Manager, NSW Parliamentary Research Service, other than by Members of the New South Wales Parliament in the course of their official duties. Inaugural speeches in the NSW Parliament by Gareth Griffith NSW PARLIAMENTARY LIBRARY RESEARCH SERVICE Gareth Griffith (BSc (Econ) (Hons), LLB (Hons), PhD), Manager, Politics & Government/Law .......................................... (02) 9230 2356 Lenny Roth (BCom, LLB), Acting Senior Research Officer, Law ............................................ (02) 9230 3085 Lynsey Blayden (BA, LLB (Hons)), Research Officer, Law ................................................................. (02) 9230 3085 Talina Drabsch (BA, LLB (Hons)), Research Officer, Social Issues/Law ........................................... (02) 9230 2484 Jack Finegan (BA (Hons), MSc), Research Officer, Environment/Planning..................................... (02) 9230 2906 Daniel Montoya (BEnvSc (Hons), PhD), Research Officer, Environment/Planning ..................................... (02) 9230 2003 John Wilkinson (MA, PhD), Research Officer, Economics ...................................................... (02) 9230 2006 Should Members or their staff require further information about this publication please contact the author. -
Miss Barbara West: a Lifelong Friend and Mentor Peter J. Hack Copyright
Miss Barbara West: A Lifelong Friend and Mentor Peter J. Hack Copyright © 2018 1 It is the 1930s. There is one city in China where women wear high heels and the latest Western hairstyles, and men dress in Western business suits. A city that celebrates all things modish and Western. Artists and architects, designers and decorators, dare to be modern. A city with nightclubs, where you might glimpse the actress Hu Die, the Butterfly. A city where art and culture burn bright. A city of glamour, but also a city of squalor and vice. A city with Western department stores established by Chinese-Australian merchants. This is Shanghai. For some, the Great Depression barely touches Shanghai. This is a place of riotous abundance. The rich and the famous continue to party in the Paris of the Orient. The buildings continue to rise. And the department stores continue to flourish on Nanking Road. And there is one store built in the latest art deco style that has the only escalators in China, has a rooftop garden, has air-conditioning on every floor and the largest porcelain department in Shanghai - the Sun Company department store. And one person who made this achievement possible is the Company Secretary, William Liu. Determined Reformers William Liu was born in Sydney in 1893, to a Chinese father and an English mother. At the age of seven in 1900, William was sent to China for a traditional Chinese education, returning to Australia in 1908. After eight years he needed to work on his English. At the age of seven, I and my younger brother Charlie went to Hong Kong, then inland China, to our father’s village, about a hundred miles1 south west of Hong Kong and Canton. -
Attitudes, Values, and Behaviour: Pastoralists, Land Use and Landscape Art in Western New South Wales
Attitudes, Values, and Behaviour: Pastoralists, land use and landscape art in Western New South Wales Guy Fitzhardinge February 2007 Revised February 2008 A thesis submitted for the degree of Doctor of Philosophy of the University of Western Sydney © Guy Fitzhardinge 2007 Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree in this or any other institution Guy Fitzhardinge ii Acknowledgements My appreciation of the support, encouragement, wise council and efforts of Robert Fisher is unbounded. I also wish to acknowledge the support and encouragement of Tom Griffiths and Libby Robin and Robert Mulley. To my editor, Lindsay Soutar, my sincere thanks for a job well done. Many people – too many to name, have helped me and supported my efforts in a variety of ways and have made an otherwise difficult job so much easier. To all those people I wish to express my gratitude and thanks. Finally, to my wife Mandy, my deepest thanks for the sacrifices she has made during the writing of this thesis. Without her support this thesis would have not been possible. iii Table of Contents Statement of Authentication................................................................................................ii Acknowledgements............................................................................................................iii Table of Contents ...............................................................................................................iv -
Robertson's Land Act - Success Or Failure?
University of Wollongong Historical Journal Volume 1 Issue 1 Article 4 1975 Robertson's Land Act - success or failure? Ruby Makula University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/hj Recommended Citation Makula, Ruby, Robertson's Land Act - success or failure?, University of Wollongong Historical Journal, 1(1), 1975, 42-64. Available at:https://ro.uow.edu.au/hj/vol1/iss1/4 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Robertson's Land Act - success or failure? Abstract It is generally assumed that the Robertson Land Acts failed because they did not produce a closely settled rural population cf small farming freeholders. In this sense it is undoubtedly true that land reform in New South Wales "failed’', but this assumption presupposes that Robertson's Land Acts were formulated and passed primarily and fundamentally for the specific purpose which they failed to meet. It is suggest in this essay that behind the purported objective of 'unlocking the lands' for the benefit of the small farmer might be found aspects which alter the significance of the Land Acts, and give emphasis to the political, rather than social motivations of Sir John Robertson and his followers. This journal article is available in University of Wollongong Historical Journal: https://ro.uow.edu.au/hj/vol1/iss1/4 RCBEETSON' 3 LAITD ACTS - Success or Failure ? by Ruby Kakula It is generally assunad that the Robertson Land Acts failed because they did not produce a closely settled rural population cf scall fanr.ing freeholders. -
Low Culture in Sydney 1887-1914
Common Pleasures: Low Culture in Sydney 1887-1914 Susan Doyle Doctor of Philosophy 2006 CERTIFICATE OF AUTHORSHIP/ORIGINALITY I certify that the work in this thesis has not previously been submitted for degree, nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledge. In addition, I certify that all information sources and literature used are indicated in the thesis. Susan Doyle. Contents Preface and Acknowledgements ii Abstract vi Introduction 1 Part 1, The Pub 23 Chapter 1: The 1887 Intoxicating Drink Inquiry 24 Chapter 2: Lower-Class Drinking: Places and Practices 54 Chapter 3: Women and the Drink Question 82 Part 2, The Vaudeville Theatre 115 Chapter 4: 'Colour, Music, Light and Rhythm': Vaudeville in Sydney 116 Chapter 5: The Gallery Gods: 'Kicking up a Row in Olympus' 141 Chapter 6: “We’ve Got a Lodger and He’s Very Fond of Ma’: The Vaudeville Repertoire 162 Part 3, The Street 196 Chapter 7: Larrikin Days 197 Chapter 8: The Haymarket Swell: Larrikin Fashion 223 Chapter 9: Everyday Resistance: Larrikin Street Life 248 Conclusion 280 Bibliography 285 i Preface and Acknowledgements In Heterologies De Certeau writes: By a professional reflex, the historian refers any discourse to the socioeconomic or mental conditions that produced it. He needs to apply this kind of analysis to his own discourse in a manner that will make it pertinent to the elucidation of those forces that presently organise representations of the past. -
Australia's Second World War
Interpreting the war: Australia’s Second World War art The Australian War Memorial’s original purpose was to commemorate the 60,000 Australians who had fought and died overseas during the First World War; however, by the time the building opened on Armistice Day, 1941, the nation was involved in another world war, with official war artists already appointed and, indeed, at work in the Middle East. Both a shrine and a museum, the Memorial aimed to give people a better understanding of war through the display of “relics” such as uniforms or military artefacts, official and private records, photographs, and the commissioned works of art. The success of the First World War art program, based on the British and Canadian war art schemes, made it an appropriate model for the Second World War scheme. The new program eventually expanded to 35 artists, including for the first time three women. The scheme was originally run by the Department of the Interior, but in 1941 control of the scheme, including the appointment of artists, was transferred to the Memorial. The key figures in managing and shaping the art scheme were all veterans of the First World War: all had experiences in collecting relics and records and had been closely involved in the Memorial’s development. The Memorial’s Art Committee had three members: Charles Bean (the Australian official war historian); General Sir Harry Chauvel (the Australian commander in Egypt and Palestine during the First World War); and Louis McCubbin (an artist, who was also director of the Art Gallery of South Australia). -
Sir Joseph Carruthers in the History of Australian Liberalism
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2016 Sir Joseph Carruthers in the history of Australian liberalism Zachary Kevin Kearney Gorman University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Gorman, Zachary Kevin Kearney, Sir Joseph Carruthers in the history of Australian liberalism, Doctor of Philosophy thesis, School of Humanities and Social Inquiry, University of Wollongong, 2016. -
The Web Publishing of the Notebooks and Diaries of CEW Bean
Digital preservation: the problems and issues involved in publishing private records online: the web publishing of the notebooks and diaries of C.E.W. Bean Robyn van Dyk Senior Curator Published and Digitised Records Australian War Memorial [email protected] www.awm.gov.au Abstract: In 2003, the Australian War Memorial commenced a project to digitise the notebooks and diaries of C.E.W. Bean for preservation and with the intent to make the images publicly available via the website. The digitisation of the records was completed in 2004, but the project ground to a halt when the copyright of this material was examined more closely and the records were found be a complex mixture of copyright rather than Commonwealth copyright. For the Memorial, this project represents our first venture into publishing a large complex collection of private records online and also our pilot for publishing orphan works using s200AB of the Copyright Act. Digital preservation and web publishing The Australian War Memorial is an experienced leader in digitisation for preservation and access. The Memorial has a digital preservation program that has now been in place for over a decade. We have digitised over two million pages of archival records to preservation level and for some time pursued a program of publishing these documents on our website. This serves to preserve the original documents and decreases the amount of staff resources required to service public enquiries for the most commonly used items. Publication of such material on the web has had very positive stakeholder feedback and perhaps more importantly, has not attracted any contentious comments. -
Monash and Chauvel
Two Great Australians who helped bring WW1 to an end - Monash and Chauvel 1918 finally saw the end of four long years of War in Europe and the Middle East. It had cost hundreds of thousands of lives including 60,000 Australians. Two of the chief army generals that helped bring about the final outcome were Sir John Monash and Sir Harry Chauvel – both Australians. Monash’s brilliant strategies brought the final victory on the Western Front and Chauvel led five brigades of Light Horse troops to carry out Allenby’s breakthrough plan and end the Ottoman Empire in the Middle East. General Sir John Monash – GCMG, KCB Monash was born on June 27, 1865 in West Melbourne. His father had migrated from Prussia in 1854. The family was Jewish and had changed the spelling of their name from Monasch to Monash. After his father’s business suffered great loss, the family moved to Jerilderie in New South Wales. John attended school there and displayed a high intellect and an extraordinary talent for mathematics. His family returned to Melbourne where he attended Scotch College in Glenferrie and became equal dux of the school, excelling in mathematics, before going on to study engineering, arts and law at Melbourne University. He was not a good student in his first year, being distracted by the things of the world, bored in lectures and he preferred to study at the State Library himself and attend the theatre. He failed his first year but then put his mind to it and flew through with honours. -
John Lucas and His Contemporaries in the Fourth Parliament, 1860 - 1864
University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2018 Independent Voices: John Lucas and his contemporaries in the Fourth Parliament, 1860 - 1864 Kate Nielsen Matthew Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Research Online is the open access institutional -
The Evolution of Australian Official War Histories David Horner
7 The Evolution of Australian Official War Histories David Horner Robert O’Neill was the third of Australia’s six official war historians, and directly or indirectly had a major influence on at least four of the official history series — his own and the three succeeding official histories. When O’Neill was appointed official historian for the Korean War in 1969, Australia had already had two official historians — Charles Bean and Gavin Long. O’Neill would need to draw on the experiences of his two successors, but also make his own decisions about what was needed for this new history. The two previous official histories provided much guidance. The first official historian, Charles Bean, was general editor and principal author of the Official History of Australia in the War of 1914– 1918, published between 1921 and 1942 in 15 volumes. This official history set the benchmark for later Australian official histories. Bean believed that his history had at least six objectives. First, it was largely a memorial to the men who had served and died. Second, he needed to record in detail what the Australians had done, in the belief that no other nation would do so. Third, the narrative needed to provide sufficient evidence to sustain the arguments presented in it. Fourth, as the war had been ‘a plain trial of national character, it was necessary to show how the Australian citizen reacted to it’. This meant that Bean needed to bring to life the experiences of the men in the front line. 73 WAR, StrategY AND HISTORY Fifth, Bean hoped that his history might ‘furnish a fund of information from which military and other students, if they desired, could draw’. -
Museums and History
Understanding Museums: Australian museums and museology Des Griffin and Leon Paroissien (eds) Museums and history In the years following World War II, history in Australian schools, universities and museums generally continued a long-standing focus on the country’s British heritage and on Australia’s involvement in war. However, by the 1970s Australia’s history and cultural development had begun to take a more important place in literature, in school curricula, and in universities, where specialised courses were providing training for future historians and museum curators. The essays in this section recount the way museums in Australia have dealt with crucial issues of the formation of national memory and identity. Contents Museums and history: Introduction, Leon Paroissien and Des Griffin War and Australia's museums, Peter Stanley History in the new millennium or problems with history?, Tim Sullivan Museums, history and the creation of memory, 1970–2008, Margaret Anderson Redeveloping ports, rejuvenating heritage: Australian maritime museums, Kevin Jones Museums and multiculturalism: too vague to understand, too important to ignore, Viv Szekeres Online version: http://nma.gov.au/research/understanding-museums/Museums_history.html Image credit: Ludwig Leichhardt nameplate, discovered attached to a partly burnt firearm in a bottle tree (boab) near Sturt Creek, between the Tanami and Great Sandy Deserts in Western Australia. Photo: Dragi Markovic. http://www.nma.gov.au/collections/highlights/the-leichhardt-nameplate Understanding Museums - Museums and history 1 http://nma.gov.au/research/understanding-museums/Museums_history.html National Museum of Australia Copyright and use © Copyright National Museum of Australia Copyright Material on this website is copyright and is intended for your general use and information.