CHRISTIE, Agatha
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Agatha Christie
LINGOTES DE ORO Agatha Christie http://www.librodot.com Librodot Lingotes de oro Agatha Christie 2 Estos relatos son contados por los miembros del Club de los Martes que se reúnen cada semana. En la cual cada uno de los miembros y por turno expone un problema o algún misterio que cada uno conozca personalmente y del que, desde luego sepa la solución. Para así el resto del grupo poder dar con la solución del problema o misterio. El grupo esta formado por seis personas: Miss Marple, Mujer ya mayor pero especialista en resolver cualquier tipo de misterio. Raymond West: Sobrino de Miss Marple y escritor. Sir Henry Clithering: Hombre de mundo y comisionado de Scotland Yard. Doctor Pender: Anciano clérigo de parroquia Mr. Petherick: Notable abogado Joyce Lempriére: Joven artista 2 Librodot Librodot Lingotes de oro Agatha Christie 3 No se si la historia que voy a contarles es aceptable -dijo Raymond West, porque no puedo brindarles la solución. No obstante, los hechos fueron tan interesantes y tan curiosos que me gustaría proponerla como problema y, tal vez entre todos, podamos llegar a alguna conclusión lógica. »Ocurrió hace dos años, cuando fui a pasar la Pascua de Pentecostés a Cornualles con un hombre llamado John Newman. -¿Cornualles? -preguntó Joyce Lemprire con viveza. -Sí. ¿Por qué? -Por nada, sólo que es curioso. Mi historia también ocurrió en cierto lugar de Cornualles, en un pueblecito pesquero llamado Rathole. No irá usted a decirme que el suyo es el mismo. -No, el mío se llama Polperran y está situado en la costa oeste de Cornualles, un lugar agreste y rocoso. -
Ull History Centre: Papers of Alan Plater
Hull History Centre: Papers of Alan Plater U DPR Papers of Alan Plater 1936-2012 Accession number: 1999/16, 2004/23, 2013/07, 2013/08, 2015/13 Biographical Background: Alan Frederick Plater was born in Jarrow in April 1935, the son of Herbert and Isabella Plater. He grew up in the Hull area, and was educated at Pickering Road Junior School and Kingston High School, Hull. He then studied architecture at King's College, Newcastle upon Tyne, becoming an Associate of the Royal Institute of British Architects in 1959 (since lapsed). He worked for a short time in the profession, before becoming a full-time writer in 1960. His subsequent career has been extremely wide-ranging and remarkably successful, both in terms of his own original work, and his adaptations of literary works. He has written extensively for radio, television, films and the theatre, and for the daily and weekly press, including The Guardian, Punch, Listener, and New Statesman. His writing credits exceed 250 in number, and include: - Theatre: 'A Smashing Day'; 'Close the Coalhouse Door'; 'Trinity Tales'; 'The Fosdyke Saga' - Film: 'The Virgin and the Gypsy'; 'It Shouldn't Happen to a Vet'; 'Priest of Love' - Television: 'Z Cars'; 'The Beiderbecke Affair'; 'Barchester Chronicles'; 'The Fortunes of War'; 'A Very British Coup'; and, 'Campion' - Radio: 'Ted's Cathedral'; 'Tolpuddle'; 'The Journal of Vasilije Bogdanovic' - Books: 'The Beiderbecke Trilogy'; 'Misterioso'; 'Doggin' Around' He received numerous awards, most notably the BAFTA Writer's Award in 1988. He was made an Honorary D.Litt. of the University of Hull in 1985, and was made a Fellow of the Royal Society of Literature in 1985. -
Female Detectives in Modern Detective Novels an Analysis Of
Female Detectives in Modern Detective Novels An Analysis of Miss Marple and V. I. Warshawski Writer: Sladana Marinkovic Supervisor: Dr Michal Anne Moskow Examination assignment 10 p, English 41-60 p 10 p Essay Department of Education and Humanities 03-02-04 1 TABLE OF CONTENTS: Page 1. INTRODUCTION……………………………………….….………………………....3 1.1 Background……………………………………………..……………………...…4 1.2 Summary of the Novels…………………………….…………………..…5 1.3 Literature Review……..…………………………………….….……………..7 1.4 Research Questions……………………………………………………….….9 1.5 Methods…………………………………….…………………………………….…9 2. LITERATURE AND CULTURE…………………………………………..10 2.1. The Women Detectives…...……….………………………..……………11 2.2. Working Conditions……………………….…………………….………....16 2.3. The Murderers and the Victims………………………………….….17 3. LANGUAGE AND CULTURE………………………...…………………...18 3.1. Gender and Language…………….……………………….……………….20 3.2. Swearing and Taboo……………………………………………..………….22 4. CONCLUSION………………………………………………………………………...24 5. BIBLIOGRAPHY………………………………………………………………...…26 2 1. INTRODUCTION Ever since Edgar Allan Poe wrote what is today considered to be the very first detective short story, “The Murders in the Rue Morgue”(1841), detective novels have fascinated a lot of people. At first the authors entertained their audience by writing exciting stories where male detectives and spies played the lead part (Berger, 1992, 81). But since then, the murder mystery has evolved and been modified many times. For example, the appearance of the female detectives first emerges in Victorian literature. In this essay I will discuss two fictive women detectives, Christie’s Miss Marple and Paretsky’s V. I. Warshawski. These two detectives, and writers, belong to different times and cultures, but as readers, we must ask ourselves some basic questions before we start to compare them. Some of these questions I will consider later in section 1.4. -
El Club De Los Martes
EEll CClluubb ddee llooss MMaarrtteess AGATHA CHRISTIE Misterios sin resolver. Raymond West lanzó una bocanada de humo y repitió las palabras con una especie de deliberado y consciente placer. –Misterios sin resolver. Miró satisfecho a su alrededor. La habitación era antigua, con amplias vigas oscuras que cruzaban el techo, y estaba amueblada con muebles de buena calidad muy adecuados a ella. De ahí la mirada aprobadora de Raymond West. Era escritor de profesión y le gustaba que el ambiente fuera evocador. La casa de su tía Jane siempre le había parecido un marco muy adecuado para su personalidad. Miró a través de la habitación hacia donde se encontraba ella, sentada, muy tiesa, en un gran sillón de orejas. Miss Marple vestía un traje de brocado negro, de cuerpo muy ajustado en la cintura, con una pechera blanca de encaje holandés de Mechlin. Llevaba puestos mitones también de encaje negro y un gorrito de puntilla negra recogía sus sedosos cabellos blancos.Tejía algo blanco y suave, y sus claros ojos azules, amables y benevolentes,contemplaban con placer a su sobrino y los invitados de su sobrino. Se detuvieron primero en el propio Raymond, tan satisfecho de sí mismo.Luego en Joyce Lempriére, la artista, de espesos cabellos negros y extraños ojos verdosos, y en sir Henry Clithering, el gran hombre de mundo. Había otras dos personas más en la habitación: el doctor Pender, el anciano clérigo de la parroquia; y Mr. Petherick,abogado, un enjuto hombrecillo que usaba gafas, aunque miraba por encima y no a través de los cristales. Miss Marple dedicó un momento de atención a cada una de estas personas y luego volvió a su labor con una dulce sonrisa en los labios. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English. Arrangement Due to size, this inventory has been divided into two separate units which can be accessed by clicking on the highlighted text below: Tom Stoppard Papers--Series descriptions and Series I. through Series II. [Part I] Tom Stoppard Papers--Series III. through Series V. and Indices [Part II] [This page] Stoppard, Tom Manuscript Collection MS-4062 Series III. Correspondence, 1954-2000, nd 19 boxes Subseries A: General Correspondence, 1954-2000, nd By Date 1968-2000, nd Container 124.1-5 1994, nd Container 66.7 "Miscellaneous," Aug. 1992-Nov. 1993 Container 53.4 Copies of outgoing letters, 1989-91 Container 125.3 Copies of outgoing -
8 Obituaries @Guardianobits
Section:GDN 1J PaGe:8 Edition Date:191101 Edition:01 Zone: Sent at 31/10/2019 17:49 cYanmaGentaYellowbl • The Guardian Friday 1 November 2019 [email protected] 8 Obituaries @guardianobits Birthdays want any “costume crap”. In the same anthology format – the fi rst featuring sci-fi stories – she created Rick Allen, rock Out of This World (1962). drummer, 56; Newman took Shubik with him Mark Austin, to the BBC in 1963 and she was story broadcaster, 61 ; editor on Story Parade (1964-65), Susanna Clarke, dramatisations of modern novels author, 60; Toni for the newly launched BBC2. In Collette, actor, 47; 1965, with Out of the Unknown, she Tim Cook, chief became a producer, and she stayed executive, Apple, in that role for Thirteen Against Fate 59; Sharron (1966), Hugh Leonard ’s adaptations Davies, Olympic of Georges Simenon stories. swimmer and Before switching to ITV, Shubik broadcaster, 57; worked on the BBC2 anthology Lou Donaldson, series Playhouse (1973 -76). Her alto saxophonist, commissions included half a 93; Lord (Bruce) dozen original dramas about the Grocott, Labour paranormal from writers such as politician, 79 ; Brian Hayles and Trevor. Mark Hughes, She left Granada before The Jewel football manager, in the Crown went into production 56; Jeremy Hunt, because she was asked by Columbia Conservative MP Pictures to work on the screenplay of and former health The Girl in a Swing (1988), based on seemed to “sabotage” the potential secretary, 53 ; Richard Adams ’s novel. However, it of Edna, the Inebriate Woman to Roger Kellaway, did not go beyond a fi rst draft. -
![CLIVE EXTON TELEVISION [Produced] ROSEMARY and THYME](https://docslib.b-cdn.net/cover/9321/clive-exton-television-produced-rosemary-and-thyme-1739321.webp)
CLIVE EXTON TELEVISION [Produced] ROSEMARY and THYME
CLIVE EXTON TELEVISION [Produced] ROSEMARY AND THYME - wrote three episodes of both the first and second series, and four episodes of the third series for Carnival Films/ITV. HG WELLS: wrote five episodes for Hallmark Entertainment: Brownlow’s Newspaper, The New Accelerator, The Stolen Baccilus, The Inexperienced Ghost and The Stolen Body. Producer Dyson Lovell. TX: USA Sept 2001 JEEVES AND WOOSTER: wrote four series adapted from PG Wodehouse novels for Carnival Films/Granada. Won Writers’ Guild Award for Best Dramatised Series. POIROT: written more than thirty hours for Carnival Films’ series. Most recently The Murder of Roger Ackroyd and Murder in Mesopotamia (TX May 2002) for Carnival Films/ ITV/A&E. [Developed] THE LONG RUN HOME – written two part drama for Carnival Films and TV for Channel 5. FROZEN ASSETS - adapted PG Wodehouse novel into two hour tv film. Carnival Films. CARNACKI - written first draft 90’ screenplay for Steve Lanning/ Jonathan Critchley. Valentine Productions. MARTHA GRIMES MURDER MYSTERIES: delivered second draft for Griffin Productions/ YTV/ A&E. CALLANDER SQUARE: adapted Anne Perry’s novel for Ardent/ YTV’s Inspector Pitt Mysteries. MONARCH OF THE GLEN: 75’ pilot for Ecosse Films/BBC from Compton Mackenzie novel. THE MAN FROM ST PETERSBURG: wrote first 90’ of two part Ken Follett adaptation for First Choice/Itel. SUNFLOWER: written film from Rebecca West novel for Carnival Films & TV . SOMETHING’S GOT TO GIVE: written two episodes of original series commissioned by Carnival Films & Television Other Original TV -
A Caribbean Mystery: Complete & Unabridged Pdf, Epub, Ebook
A CARIBBEAN MYSTERY: COMPLETE & UNABRIDGED PDF, EPUB, EBOOK Agatha Christie,Joan Hickson | none | 22 Apr 2003 | HarperCollins Publishers | 9780007161072 | English | London, United Kingdom A Caribbean Mystery: Complete & Unabridged PDF Book Ett delat mysterium Sophie Hannah, Agatha Christie. Learn more about possible network issues or contact support for more help. If you receive an error message, please contact your library for help. But each page has excerpts from her writing, and often other tidbits such as highlighting dates that her plays opened etc. Add it now to start borrowing from the collection. I began maintaining a spreadsheet but it quickly became messy with all the variants. Need a card? The other is ornithologist James Bond Charlie Higson , who begins a lecture to his fellow guests by introducing himself as " Webb , formerly an assistant director at 20th Century Fox. Tim Kendal : A man in his thirties married to Molly Kendal, who marries her using false references and starts the hotel with her, using her money. Thank you so much for sharing those details — and you have definitely found an audience here with the same fascination for solving literary mysteries and finding all these little details! The last diary was printed in She has the LE version…….. Add a library card to your account to borrow titles, place holds, and add titles to your wish list. Tim put belladonna in Molly's cosmetics to make her appear mad to the others. A few minutes before twelve, he hears whistling from the garden, goes to the door, and narrowly misses a dagger being thrown at him. -
The Thirteen Problems
An introduction to The Thirteen Problems Mathew Prichard The Thirteen Problems introduces Miss Marple and the world of St. Mary Mead to crime fiction. It began life as a series of six stories written for ‘Sketch’ magazine in 1928 and was later expanded into the full thirteen and published in 1932. It centres on a group of people who meet once a week to discuss unsolved crimes drawn from their own past. Over the course of two mystery evenings, Miss Marple’s close circle of friends and neighbours’ are developed into the fully rounded characters, now so familiar to Christie readers. It is here that we meet the authoritative ex-commissioner Henry Clithering; respectable clergyman Dr Pender; local solicitor Mr Petherick; upright Colonel Bantry and his wife Dolly and Miss Marple’s nephew – Raymond West. I think that taken together, this collection of short stories encapsulates the quintessential Miss Marple mystery. Time and again, despite the learned intellect and worldly knowledge of the assembled party, it is the sweet old lady in the corner, seemingly absorbed in her knitting, who cuts to the core of every heinous crime, uncovering murderous intent with startling accuracy and apparent ease. It is a tantalising challenge to orthodox assumptions about cosy village life and harmless little old ladies. Like Agatha Christie herself, Miss Marple certainly defies all stereotypes. A gentle woman whose ‘faded blue eyes; benignant and kindly’ conceal a fierce intellect and powerful intuition. She never actually lays claim to any great detective powers herself, but possesses a fundamental understanding of people and their weaknesses. -
Jewel Theatre Audience Guide
Jewel Theatre Audience Guide directed by Kirsten Brandt by Susan Myer Silton, Dramaturg © 2019 ABOUT THE PLAY CHARACTERS (IN ORDER OF APPEARANCE) Mick Ross (Jeffrey (Geoff) Fiorito): Detective Sergeant, Wilmslow, England Alan Turing (David Arrow): an English computer scientist, mathematician, logician, cryptanalyst, philosopher and theoretical biologist Christopher Morcom (Matthew Kropschot): a friend of Alan Turing’s from Sherborne School Sara Turing (Emilie Talbot): Alan Turing’s mother Ron Miller (Wallace Bruce): Alan Turing’s lover John Smith (David Bryant): an “authoritative man’, possibly from the British Foreign Office Dillwyn Knox (Rolf Saxon): a British classics scholar and papyrologist at King's College, Cambridge, codebreaker and the chief cryptographer at GC&CS, the British Government Code and Cypher School at Bletchley Park Pat Green (Maryssa Wanlass): friend of Alan Turing and fellow member of the code-breaking team at Bletchley Park Nikos (Matthew Kropschot): Greek lover of Alan Turing Please see separate biographies of each characters as addendums to the Guide SYNOPSIS A staged biography of Alan Turing, based on the book, Alan Turing: The Enigma by Andrew Hodges, first published in 1983, the play intersperses flashbacks, scenes and events from Alan’s life with readings from his papers and letters, discussions of his ideas and theories, and court records from his trial for Gross Indecency. 1 SETTING The scenes of the play take place in Alan’s apartment in Wilmslow, England; the home of his youth in Guildford; Dillwyn Knox’s office in Bletchley Park; the police station in Wilmslow; Sherborne School in Sherborne, Dorset; Alan’s office at Bletchley; several places in Manchester; and Corfu, Greece. -
Autumn 2004 Wodehouse in America N His New Biography of P
The quarterly journal of The Wodehouse Society Volume 25 Number 3 Autumn 2004 Wodehouse in America n his new biography of P. G. Wodehouse, Robert IMcCrum writes: “On a strict calculation of the time Wodehouse eventually spent in the United States, and the lyrics, books, stories, plays and films he wrote there, to say nothing of his massive dollar income, he should be understood as an American and a British writer.” The biography Wodehouse: A Life will be published in the United States in November by W.W. Norton & Co., and will be reviewed in the next issue of Plum Lines. McCrum’s book presents the American side of Wodehouse’s life and career more fully than any previous work. So with the permission of W.W. Norton, we present some advance excerpts from the book concerning Plum’s long years in America. First trip Wodehouse sailed for New York on the SS St. Louis on 16 April 1904, sharing a second-class cabin with three others. He arrived in Manhattan on 25 April, staying on Fifth Avenue with a former colleague from the bank. Like many young Englishmen, before and since, he found it an intoxicating experience. To say that New York lived up to its advance billing would be the baldest of understatements. ‘Being there was like being in heaven,’ he wrote, ‘without going to all the bother and expense of dying.’ ‘This is the place to be’ Wodehouse later claimed that he did not intend to linger in America but, as in 1904, would just take a perhaps he had hoped to strike gold.