8 Obituaries  @Guardianobits

Total Page:16

File Type:pdf, Size:1020Kb

8 Obituaries  @Guardianobits Section:GDN 1J PaGe:8 Edition Date:191101 Edition:01 Zone: Sent at 31/10/2019 17:49 cYanmaGentaYellowbl • The Guardian Friday 1 November 2019 [email protected] 8 Obituaries @guardianobits Birthdays want any “costume crap”. In the same anthology format – the fi rst featuring sci-fi stories – she created Rick Allen, rock Out of This World (1962). drummer, 56; Newman took Shubik with him Mark Austin, to the BBC in 1963 and she was story broadcaster, 61 ; editor on Story Parade (1964-65), Susanna Clarke, dramatisations of modern novels author, 60; Toni for the newly launched BBC2. In Collette, actor, 47; 1965, with Out of the Unknown, she Tim Cook, chief became a producer, and she stayed executive, Apple, in that role for Thirteen Against Fate 59; Sharron (1966), Hugh Leonard ’s adaptations Davies, Olympic of Georges Simenon stories. swimmer and Before switching to ITV, Shubik broadcaster, 57; worked on the BBC2 anthology Lou Donaldson, series Playhouse (1973 -76). Her alto saxophonist, commissions included half a 93; Lord (Bruce) dozen original dramas about the Grocott, Labour paranormal from writers such as politician, 79 ; Brian Hayles and Trevor. Mark Hughes, She left Granada before The Jewel football manager, in the Crown went into production 56; Jeremy Hunt, because she was asked by Columbia Conservative MP Pictures to work on the screenplay of and former health The Girl in a Swing (1988), based on seemed to “sabotage” the potential secretary, 53 ; Richard Adams ’s novel. However, it of Edna, the Inebriate Woman to Roger Kellaway, did not go beyond a fi rst draft. Irene Shubik have a similar impact on the public. composer and In 1991 Shubik was embroiled After launching Rumpole of the pianist, 80; in industry controversy when she Bailey on ITV, Shubik focused on Anthony Kiedis, chaired the Bafta TV Awards jury. TV drama producer who historical drama. Her suggestion to singer and She declared Prime Suspect to be the channel that it should turn Paul songwriter, 57; best drama serial, but the seven Scott’s The Raj Quartet into a series Andrew Knight, judges publicly stated that four of enjoyed a popular hit with was met with the idea of trying media executive, them had voted for GBH. The ballot out his later work, Staying On, as a 80; Lyle Lovett, papers no longer existed and no pilot. Julian Mitchell’s adaptation, singer and blame was attached, but the aff air Rumpole of the Bailey produced by Granada and screened songwriter, 62 ; became known as Baftagate. as a single play in 1980, starred Daljit Nagra, poet Shubik had a 10-year relationship Trevor Howard and Celia Johnson and broadcaster, with Andrew Dickson, a Telegraph in a moving portrait of old colonials 53 ; Nick Owen, journalist, who died in 2004. She rene Shubik, who has died Leo McKern as She was similarly a guiding light determined not to return to Britain . broadcaster, is survived by her nieces, Claire aged 89, was a television Rumpole, with for Wessex Tales (1973), adapted Shubik then revisited The Raj 72; Gary Player, and Anna. Her brothers, Martin and drama producer whose work Martin Jarvis, from six short stories by Thomas Quartet to devise The Jewel in the golfer, 84; Philippe, predeceased her. ranged from sci-fi to socially left, as the Rev Hardy. She stamped her mark on it by Crown (1984), working on scripts Aishwarya Anthony Hayward relevant modern stories for Timothy Donkin insisting that each would begin and with the writer, Ken Taylor , and Rai, actor, 46; the BBC’s The Wednesday in a 1988 episode end with a long shot of Wessex, the researching locations for this 13-part Gerald Ratner, Irene Shubik, TV producer, born 26 I Play and its successor, Play of Rumpole of the characters dwarfed by the landscape . high point of TV drama that was put businessman, 70 ; December 1929; died 26 September 2019 for Today, and adaptations Bailey. Shubik, From 1967, as a producer of on a pedestal alongside Granada’s Jim Steinman, of 19th- and 20th-century literature. below right, The Wednesday Play, Shubik’s production of Brideshead Revisited. songwriter and Her greatest legacy was Rumpole of produced the successes included The Last Train Shubik was born in London, the composer, 72 ; Announcements the Bailey , which she commissioned show’s fi rst run Through the Harecastle Tunnel daughter of Jewish immigrants, Sara Jessica Valenti, as a 1975 Play for Today. She was for ITV in 1978 (1969), Peter Terson’s story of a (n ee Soloveychik), from France, feminist writer, instrumental in changing the name RONALD GRANT; trainspotter discovering repressed and Joseph Shubik, who came 41; Prof Paul of John Mortimer ’s liberal defence UNITED NEWS/GETTY homosexuality, dysfunctional from Russia and traded in the fl ax Wellings, IMAGES/POPPERFOTO barrister from Horace Rumbold and marriages and suggestions of market. Shortly after the outbreak ecologist, 66 ; casting Leo McKern in the role, while paedophilia among the strangers he of the second world war, she was Bill Woodrow, the writer wanted Michael Hordern. meets, and Chariot of Fire (1970), Tony evacuated to Canada . On her return, sculptor, 71. When BBC bureaucracy made it Parker’s exploration of the mind of a Shubik gained a master’s in English diffi cult to get a series of Rumpole sex off ender facing release from jail. literature from University College off the ground, Shubik left and However, her commitment to London and, after being turned down took the six scripts she had already the radicalism of The Wednesday by the BBC, emigrated to the US and commissioned to ITV. She produced Play and Play for Today was more began her career as a documentary the fi rst run, in 1978, setting up a questionable. While lauding the scriptwriter for Encyclopaedia much loved drama series. work of Parker, David Mercer and Britannica Films in New York. Earlier, Shubik had made a key Clive Exton , she was less supportive In 1960, after coming back to contribution to TV sci-fi as story of those writing political dramas. Britain, she was appointed as story editor and producer of Out of the Ironically, Edna, the Inebriate editor on the ITV drama series Unknown , a BBC anthology series Woman (1971), Jeremy Sandford ’s Armchair Theatre – and told by featuring adaptations of published tale of a down-and-out played by Sydney Newman, the Canadian- works, along with new ones from Patricia Hayes – the most celebrated born producer, that he did not writers such as William Trevor and Play for Today work commissioned Terry Nation. The Machine Stops , by Shubik and the winner of two adapted from EM Forster’s short Society of Film and Television Arts story, won fi rst prize at the 1967 awards – was one that Shubik herself International Science Fiction fi lm expended much space on criticising She was festival. Shubik was always looking in her 1975 book, Play for Today: The for suitable stories to put on screen Evolution of Television Drama. embroiled and, although she left after the fi rst Sandford rebutted claims she in what two series (1965-67) of Out of the made about the factual accuracy became Unknown to join The Wednesday of both that and his classic 1966 Play, she commissioned most of the play about homelessness, Cathy known as subsequent 1969 run. Come Home . He added that she had ‘Baftagate’.
Recommended publications
  • Scotland's 'Forgotten' Contribution to the History of the Prime-Time BBC1 Contemporary Single TV Play Slot Cook, John R
    'A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime-time BBC1 contemporary single TV play slot Cook, John R. Published in: Visual Culture in Britain DOI: 10.1080/14714787.2017.1396913 Publication date: 2018 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2018, ''A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime- time BBC1 contemporary single TV play slot', Visual Culture in Britain, vol. 18, no. 3, pp. 325-341. https://doi.org/10.1080/14714787.2017.1396913 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 26. Sep. 2021 1 Cover page Prof. John R. Cook Professor of Media Department of Social Sciences, Media and Journalism Glasgow Caledonian University 70 Cowcaddens Road Glasgow Scotland, United Kingdom G4 0BA Tel.: (00 44) 141 331 3845 Email: [email protected] Biographical note John R. Cook is Professor of Media at Glasgow Caledonian University, Scotland. He has researched and published extensively in the field of British television drama with specialisms in the works of Dennis Potter, Peter Watkins, British TV science fiction and The Wednesday Play.
    [Show full text]
  • 468 KB Adobe Acrobat Document, Opens in A
    Campden & District Historical and Archæological Society Regd. Charity No. 1034379 NOTES & QUERIES NOTES & QUERIES Volume VI: No. 1 Gratis Autumn 2008 ISSN 1351-2153 Contents Page From the Editor 1 Letters to the Editor 2 Maye E. Bruce Andrew Davenport 3 Lion Cottage, Broad Campden Olivia Amphlett 6 Sir Thomas Phillipps 1792-1872: Bibliophile David Cotterell 7 Rutland & Chipping Campden: an unexplained connection Tim Clough 9 Putting their hands to the Plough, part II Margaret Fisher 13 & Pearl Mitchell Before The Guild: Rennie Mackintosh Jill Wilson 15 ‘The Finest Street Left In England’ Carol Jackson 16 Christopher Whitfield 1902-1967 John Taplin 18 From The Editor As I start to edit this issue, I have just heard of the sad and unexpected death on 26th July after a very short illness, of Felicity Ashbee, aged 95, a daughter of Charles and Janet Ashbee. Her funeral was held on 6th August and there is to be a Memorial Tribute to her on 2nd October at the Art Workers Guild in London. Felicity has been the authority on her parents’ lives for many years now and her Obituary in the Independent described her as ‘probably the last close link with the inner circle of extraordinary creative talents fostered or inspired by William Morris’ … her death ‘marks its [the Arts & Crafts movement] formal and final passing’. This first issue of Volume Number VI is a bumper issue full of connections. John Taplin, Andrew Davenport and Tim Clough (Editor of Rutland Local History & Record Society), after their initial queries to the Archive Room, all sent articles on their researches; the pieces on Maye Bruce and Thomas Phillipps are connected with new publications; there is an ‘earthy’ connection between with the Plough, Rutland and Bruce researches and the Phillipps and Whitfield articles both have Shakespeare connections.
    [Show full text]
  • Ull History Centre: Papers of Alan Plater
    Hull History Centre: Papers of Alan Plater U DPR Papers of Alan Plater 1936-2012 Accession number: 1999/16, 2004/23, 2013/07, 2013/08, 2015/13 Biographical Background: Alan Frederick Plater was born in Jarrow in April 1935, the son of Herbert and Isabella Plater. He grew up in the Hull area, and was educated at Pickering Road Junior School and Kingston High School, Hull. He then studied architecture at King's College, Newcastle upon Tyne, becoming an Associate of the Royal Institute of British Architects in 1959 (since lapsed). He worked for a short time in the profession, before becoming a full-time writer in 1960. His subsequent career has been extremely wide-ranging and remarkably successful, both in terms of his own original work, and his adaptations of literary works. He has written extensively for radio, television, films and the theatre, and for the daily and weekly press, including The Guardian, Punch, Listener, and New Statesman. His writing credits exceed 250 in number, and include: - Theatre: 'A Smashing Day'; 'Close the Coalhouse Door'; 'Trinity Tales'; 'The Fosdyke Saga' - Film: 'The Virgin and the Gypsy'; 'It Shouldn't Happen to a Vet'; 'Priest of Love' - Television: 'Z Cars'; 'The Beiderbecke Affair'; 'Barchester Chronicles'; 'The Fortunes of War'; 'A Very British Coup'; and, 'Campion' - Radio: 'Ted's Cathedral'; 'Tolpuddle'; 'The Journal of Vasilije Bogdanovic' - Books: 'The Beiderbecke Trilogy'; 'Misterioso'; 'Doggin' Around' He received numerous awards, most notably the BAFTA Writer's Award in 1988. He was made an Honorary D.Litt. of the University of Hull in 1985, and was made a Fellow of the Royal Society of Literature in 1985.
    [Show full text]
  • Squatting – the Real Story
    Squatters are usually portrayed as worthless scroungers hell-bent on disrupting society. Here at last is the inside story of the 250,000 people from all walks of life who have squatted in Britain over the past 12 years. The country is riddled with empty houses and there are thousands of homeless people. When squatters logically put the two together the result can be electrifying, amazing and occasionally disastrous. SQUATTING the real story is a unique and diverse account the real story of squatting. Written and produced by squatters, it covers all aspects of the subject: • The history of squatting • Famous squats • The politics of squatting • Squatting as a cultural challenge • The facts behind the myths • Squatting around the world and much, much more. Contains over 500 photographs plus illustrations, cartoons, poems, songs and 4 pages of posters and murals in colour. Squatting: a revolutionary force or just a bunch of hooligans doing their own thing? Read this book for the real story. Paperback £4.90 ISBN 0 9507259 1 9 Hardback £11.50 ISBN 0 9507259 0 0 i Electronic version (not revised or updated) of original 1980 edition in portable document format (pdf), 2005 Produced and distributed by Nick Wates Associates Community planning specialists 7 Tackleway Hastings TN34 3DE United Kingdom Tel: +44 (0)1424 447888 Fax: +44 (0)1424 441514 Email: [email protected] Web: www.nickwates.co.uk Digital layout by Mae Wates and Graphic Ideas the real story First published in December 1980 written by Nick Anning by Bay Leaf Books, PO Box 107, London E14 7HW Celia Brown Set in Century by Pat Sampson Piers Corbyn Andrew Friend Cover photo by Union Place Collective Mark Gimson Printed by Blackrose Press, 30 Clerkenwell Close, London EC1R 0AT (tel: 01 251 3043) Andrew Ingham Pat Moan Cover & colour printing by Morning Litho Printers Ltd.
    [Show full text]
  • British Television's Lost New Wave Moment: Single Drama and Race
    British Television’s Lost New Wave Moment: Single Drama and Race Eleni Liarou Abstract: The article argues that the working-class realism of post-WWII British television single drama is neither as English nor as white as is often implied. The surviving audiovisual material and written sources (reviews, publicity material, biographies of television writers and directors) reveal ITV’s dynamic role in offering a range of views and representations of Britain’s black population and their multi-layered relationship with white working-class cultures. By examining this neglected history of postwar British drama, this article argues for more inclusive historiographies of British television and sheds light on the dynamism and diversity of British television culture. Keywords: TV drama; working-class realism; new wave; representations of race and immigration; TV historiography; ITV history Television scholars have typically seen British television’s late- 1950s/early-1960s single drama, and particularly ITV’s Armchair Theatre strand, as a manifestation of the postwar new wave preoccupation with the English regional working class (Laing 1986; Cooke 2003; Rolinson 2011). This article argues that the working- class realism of this drama strand is neither as English nor as white as is often implied. The surviving audiovisual material and written sources – including programme listings, reviews, scripts, publicity material, biographies of television writers and directors – reveal ITV’s dynamic role in offering a range of representations of Britain’s black population and its relationship to white working-class cultures. More Journal of British Cinema and Television 9.4 (2012): 612–627 DOI: 10.3366/jbctv.2012.0108 © Edinburgh University Press www.eupjournals.com/jbctv 612 British Television’s Lost New Wave Moment particularly, the study of ITV’s single drama about black immigration in this period raises important questions which lie at the heart of postwar debates on commercial television’s lack of commitment to its public service remit.
    [Show full text]
  • From Real Time to Reel Time: the Films of John Schlesinger
    From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative.
    [Show full text]
  • Stylised Worlds: Colour Separation Overlay in BBC Television Plays of the 1970S
    Stylised Worlds: Colour Separation Overlay in BBC Television Plays of the 1970s Leah Panos Abstract This essay aims to understand and interrogate the use of Colour Separation Overlay (CSO) as a mode of experimental production and aesthetic innovation in television drama in the 1970s. It sets out to do this by describing, accounting for and evaluating CSO as a production technique, considering the role of key production personnel, and analysing four specific BBC productions. Deploying methodologies of archival research, practitioner interview, and close textual analysis, the essay also delivers a significant reassessment of the role of the producer and designer in the conceptualisation and realisation of small-screen dramatic fiction. Key words: studio, drama, single play, aesthetics, experimental, CSO, blue screen, designer The technique the BBC named Colour Separation Overlay (CSO), referred to as ‘Chromakey’ by ITV production companies and more commonly known as ‘blue screen’,1 was described by the author of a 1976 television writers’ training manual as ‘the biggest technological development in television in recent years’,2 and remains a principle underpinning contemporary special effects practice. This article will discuss the technique and identify some key figures within the TV industry who championed its use, whilst analysing a cycle of BBC dramas made during the 1970s and early 1980s that used CSO extensively. Although many programmes made during this period used this effect in some capacity, I will examine four aesthetically innovative, CSO-based BBC single plays which demonstrate two designers’ work with CSO: Eileen Diss designed the early CSO productions Candide (Play of the Month, TX: 16/02/73) and Alice Through the Looking Glass (TX: 25/12/73) and Stuart Walker subsequently developed a Critical Studies in Television, Volume 8, No.
    [Show full text]
  • Out of the Unknown Created by Irene Shubik
    Out of the Unknown Created by Irene Shubik BBC Television’s Out of the Unknown, the classic anthology science fiction series – broadcast between 1965 and 1971 – was daring, ambitious and inventive, drawing from writers of the calibre of John Wyndham, Isaac Asimov, J G Ballard, J G Priestley, Ray Bradbury, E M Forster and Troy Kennedy Martin. On 27 October 2014, as part of Sci-Fi: Days of Fear and Wonder, the BFI will release a comprehensive 7-disc DVD box set that brings together all 20 surviving episodes from the four original series, all digitally remastered from the best available materials. Created by Irene Shubik (The Wednesday Play, Rumpole of the Bailey), Out of the Unknown employed the cream of British talent to bring a variety of often chilling, sometimes darkly comic, and always thought-provoking science fiction tales to the small screen. Dramatists such as J B Priestley and Leon Griffiths, directors such as Philip Saville and Rudolph Cartier, visionary designers such as Ridley Scott, and actors of the calibre of Yvonne Mitchell, George Cole, Milo O’Shea and David Hemmings were brought together to produce one of the most prestigious science fiction series ever made. When plans to release this classic TV series for the very first time were originally announced, the BFI was inundated with letters and e-mails from private collectors and die-hard fans, all of whom generously offered their invaluable help. Collectively, they have ensured that the contents of this long-overdue release are as thorough and exciting as possible. The impressive range of extra features (produced by ‘professional fans’ in collaboration with the BFI) includes 4 episode reconstructions, an incomplete episode, 11 audio commentaries, extensive stills galleries, an interview with director James Cellan Jones, and a newly-created 42-minute documentary featuring interviews with original cast and crew members as well as rarely-seen clips from lost episodes.
    [Show full text]
  • Tom Stoppard
    Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English. Arrangement Due to size, this inventory has been divided into two separate units which can be accessed by clicking on the highlighted text below: Tom Stoppard Papers--Series descriptions and Series I. through Series II. [Part I] Tom Stoppard Papers--Series III. through Series V. and Indices [Part II] [This page] Stoppard, Tom Manuscript Collection MS-4062 Series III. Correspondence, 1954-2000, nd 19 boxes Subseries A: General Correspondence, 1954-2000, nd By Date 1968-2000, nd Container 124.1-5 1994, nd Container 66.7 "Miscellaneous," Aug. 1992-Nov. 1993 Container 53.4 Copies of outgoing letters, 1989-91 Container 125.3 Copies of outgoing
    [Show full text]
  • Read Ebook {PDF EPUB} up the Junction by Nell Dunn up the JUNCTION (1967) from the Collection of Short Stories 'Up the Junction' by Nell Dunn Published in 1963
    Read Ebook {PDF EPUB} Up the Junction by Nell Dunn UP THE JUNCTION (1967) From the collection of short stories 'Up the Junction' by Nell Dunn published in 1963. Nell Dunn was an upper-class woman who went 'slumming' in Battersea in 1959 and wrote a series of sketches (sketches being a much more appropriate term than short stories) which were published in 1963 (my copy has the cover on the left above) as 'Up the Junction'. Four of the pieces were published in The New Statesman. The stories mainly revolve around three working-class women, sisters Sylvie and Rube and an unnamed narrator. The first story, 'Out with the Girls', begins: We stand, the three of us, me, Sylvie and Rube, pressed up against the saloon door, brown ales clutched in our hands. Rube, neck stiff so as not to shake her beehive, stares sultrily round the packed pub. Sylvie eyes the boy hunched over the mike and shifts her gaze down to her breasts snug in her new pink jumper. 'Kiss! Kiss! Kiss!' he screams. Three blokes beckon us over to their table. Rube doubles up with laughter. 'Come on, then. They can buy us some beer.' 'Hey, look out, yer steppin' on me winkle!' Dignified, the three of us squeeze between tables and sit ourselves, knees tight together, daintily on the chairs. 'Three browns, please,' says Sylvie before we've been asked. The first version of 'Up the Junction' was of course Ken Loach and Tony Garnett's filming of the book for the Play for Today strand in 1965, with Carol White as Sylvie, Geraldine Sherman as Rube and Vickery Turner as Eileen, presumably the unnamed narrator of the book.
    [Show full text]
  • Bibliography of Occult and Fantastic Beliefs Vol.4: S - Z
    Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs vol.4: S - Z © Neuss / Germany: Bruno Buike 2017 Buike Music and Science [email protected] BBWV E30 Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs - vol.4: S - Z Neuss: Bruno Buike 2017 CONTENT Vol. 1 A-D 273 p. Vol. 2 E-K 271 p. Vol. 3 L-R 263 p. Vol. 4 S-Z 239 p. Appr. 21.000 title entries - total 1046 p. ---xxx--- 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in Internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! Editor`s note – Vorwort des Herausgebers preface 1 ENGLISH SHORT PREFACE „Paul Smith“ is a FAKE-IDENTY behind which very probably is a COLLCETIVE of writers and researchers, using a more RATIONAL and SOBER approach towards the complex of Rennes-le-Chateau and to related complex of „Priory of Sion“ (Prieure de Sion of Pierre Plantard, Geradrd de Sede, Phlippe de Cherisey, Jean-Luc Chaumeil and others).
    [Show full text]
  • CLIVE EXTON TELEVISION [Produced] ROSEMARY and THYME
    CLIVE EXTON TELEVISION [Produced] ROSEMARY AND THYME - wrote three episodes of both the first and second series, and four episodes of the third series for Carnival Films/ITV. HG WELLS: wrote five episodes for Hallmark Entertainment: Brownlow’s Newspaper, The New Accelerator, The Stolen Baccilus, The Inexperienced Ghost and The Stolen Body. Producer Dyson Lovell. TX: USA Sept 2001 JEEVES AND WOOSTER: wrote four series adapted from PG Wodehouse novels for Carnival Films/Granada. Won Writers’ Guild Award for Best Dramatised Series. POIROT: written more than thirty hours for Carnival Films’ series. Most recently The Murder of Roger Ackroyd and Murder in Mesopotamia (TX May 2002) for Carnival Films/ ITV/A&E. [Developed] THE LONG RUN HOME – written two part drama for Carnival Films and TV for Channel 5. FROZEN ASSETS - adapted PG Wodehouse novel into two hour tv film. Carnival Films. CARNACKI - written first draft 90’ screenplay for Steve Lanning/ Jonathan Critchley. Valentine Productions. MARTHA GRIMES MURDER MYSTERIES: delivered second draft for Griffin Productions/ YTV/ A&E. CALLANDER SQUARE: adapted Anne Perry’s novel for Ardent/ YTV’s Inspector Pitt Mysteries. MONARCH OF THE GLEN: 75’ pilot for Ecosse Films/BBC from Compton Mackenzie novel. THE MAN FROM ST PETERSBURG: wrote first 90’ of two part Ken Follett adaptation for First Choice/Itel. SUNFLOWER: written film from Rebecca West novel for Carnival Films & TV . SOMETHING’S GOT TO GIVE: written two episodes of original series commissioned by Carnival Films & Television Other Original TV
    [Show full text]