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"THE POSSIBLES WE DARE": ART AND IDENTITY IN THE POETRY OF THEODORE ROETHKE Item Type text; Dissertation-Reproduction (electronic) Authors Maselli, Sharon Ann Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 14:20:34 Link to Item http://hdl.handle.net/10150/290470 INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. -
The Fumarolic CO Output from Pico Do Fogo Volcano
Ital. J. Geosci., Vol. 139, No. 3 (2020), pp. 325-340, 9 figs., 3 tabs. (https://doi.org/10.3301/IJG.2020.03) © Società Geologica Italiana, Roma 2020 The fumarolic CO2 output from Pico do Fogo Volcano (Cape Verde) ALESSANDRO AIUPPA (1), MARCELLO BITETTO (1), ANDREA L. RIZZO (2), FATIMA VIVEIROS (3), PATRICK ALLARD (4), MARIA LUCE FREZZOTTI (5), VIRGINIA VALENTI (5) & VITTORIO ZANON (3, 4) ABSTRACT output started early back in the 1990s (e.g., GERLACH, 1991), The Pico do Fogo volcano, in the Cape Verde Archipelago off substantial budget refinements have only recently arisen the western coasts of Africa, has been the most active volcano in the from the 8-years (2011-2019) DECADE (Deep Earth Carbon Macaronesia region in the Central Atlantic, with at least 27 eruptions Degassing; https://deepcarboncycle.org/about-decade) during the last 500 years. Between eruptions fumarolic activity has research program of the Deep Carbon Observatory (https:// been persisting in its summit crater, but limited information exists for the chemistry and output of these gas emissions. Here, we use the deepcarbon.net/project/decade#Overview) (FISCHER, 2013; results acquired during a field survey in February 2019 to quantify FISCHER et alii, 2019). the quiescent summit fumaroles’ volatile output for the first time. By One key result of DECADE-funded research has been combining measurements of the fumarole compositions (using both a the recognition that the global CO2 output from subaerial portable Multi-GAS and direct sampling of the hottest fumarole) and volcanism is predominantly sourced from a relatively of the SO2 flux (using near-vent UV Camera recording), we quantify small number of strongly degassing volcanoes. -
Essay by Julian Pooley; University of Leicester, John Nichols and His
'A Copious Collection of Newspapers' John Nichols and his Collection of Newspapers, Pamphlets and News Sheets, 1760–1865 Julian Pooley, University of Leicester Introduction John Nichols (1745–1826) was a leading London printer who inherited the business of his former master and partner, William Bowyer the Younger, in 1777, and rose to be Master of the Stationers’ Company in 1804.1 He was also a prominent literary biographer and antiquary whose publications, including biographies of Hogarth and Swift, and a county history of Leicestershire, continue to inform and inspire scholarship today.2 Much of his research drew upon his vast collection of seventeenth- and eighteenth-century newspapers. This essay, based on my ongoing work on the surviving papers of the Nichols family, will trace the history of John Nichols’ newspaper collection. It will show how he acquired his newspapers, explore their influence upon his research and discuss the changing fortunes of his collection prior to its acquisition by the Bodleian Library in 1865. 1 For useful biographical studies of John Nichols, see Albert H. Smith, ‘John Nichols, Printer and 2 The first edition of John Nichols’ Anecdotes of Mr Hogarth (London, 1780) grew, with the assistance Publisher’ The Library Fifth Series 18.3 (September 1963), pp. 169–190; James M. Kuist, The Works of Isaac Reed and George Steevens, into The Works of William Hogarth from the Original Plates of John Nichols. An Introduction (New York, 1968), Alan Broadfield, ‘John Nichols as Historian restored by James Heath RA to which is prefixed a biographical essay on the genius and productions of and Friend. -
Picturing France
Picturing France Classroom Guide VISUAL ARTS PHOTOGRAPHY ORIENTATION ART APPRECIATION STUDIO Traveling around France SOCIAL STUDIES Seeing Time and Pl ace Introduction to Color CULTURE / HISTORY PARIS GEOGRAPHY PaintingStyles GOVERNMENT / CIVICS Paris by Night Private Inve stigation LITERATURELANGUAGE / CRITICISM ARTS Casual and Formal Composition Modernizing Paris SPEAKING / WRITING Department Stores FRENCH LANGUAGE Haute Couture FONTAINEBLEAU Focus and Mo vement Painters, Politics, an d Parks MUSIC / DANCENATURAL / DRAMA SCIENCE I y Fontainebleau MATH Into the Forest ATreebyAnyOther Nam e Photograph or Painting, M. Pa scal? ÎLE-DE-FRANCE A Fore st Outing Think L ike a Salon Juror Form Your Own Ava nt-Garde The Flo ating Studio AUVERGNE/ On the River FRANCHE-COMTÉ Stream of Con sciousness Cheese! Mountains of Fra nce Volcanoes in France? NORMANDY “I Cannot Pain tan Angel” Writing en Plein Air Culture Clash Do-It-Yourself Pointillist Painting BRITTANY Comparing Two Studie s Wish You W ere Here Synthétisme Creating a Moo d Celtic Culture PROVENCE Dressing the Part Regional Still Life Color and Emo tion Expressive Marks Color Collectio n Japanese Prin ts Legend o f the Château Noir The Mistral REVIEW Winds Worldwide Poster Puzzle Travelby Clue Picturing France Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON page ii This Classroom Guide is a component of the Picturing France teaching packet. © 2008 Board of Trustees of the National Gallery of Art, Washington Prepared by the Division of Education, with contributions by Robyn Asleson, Elsa Bénard, Carla Brenner, Sarah Diallo, Rachel Goldberg, Leo Kasun, Amy Lewis, Donna Mann, Marjorie McMahon, Lisa Meyerowitz, Barbara Moore, Rachel Richards, Jennifer Riddell, and Paige Simpson. -
GREAT Day 2007 Program
Welcome to SUNY Geneseo’s First Annual G.R.E.A.T. Day! Geneseo Recognizing Excellence, Achievement & Talent Day is a college-wide symposium celebrating the creative and scholarly endeavors of our students. In addition to recognizing the achievements of our students, the purpose of G.R.E.A.T. Day is to help foster academic excellence, encourage professional development, and build connections within the community. The G.R.E.A.T. Day Planning Committee: Doug Anderson, School of the Arts Anne Baldwin, Sponsored Research Joan Ballard, Department of Psychology Anne Eisenberg, Department of Sociology Charlie Freeman, Department of Physics & Astronomy Tom Greenfield, Department of English Anthony Gu, School of Business Koomi Kim, School of Education Andrea Klein, Scheduling and Special Events The Planning Committee would like to thank: Stacie Anekstein, Ed Antkoviak, Brian Bennett, Cassie Brown, Michael Caputo, Sue Chichester, Betsy Colon, Laura Cook, Ann Crandall, Joe Dolce, Tammy Farrell, Carlo Filice, Richard Finkelstein, Karie Frisiras, Ginny Geer-Mentry, Becky Glass, Dave Gordon, Corey Ha, John Haley, Doug Harke, Gregg Hartvigsen, Tony Hoppa, Paul Jackson, Ellen Kintz, Nancy Johncox, Enrico Johnson, Ken Kallio, Jo Kirk, Sue Mallaber, Mary McCrank, Nancy Newcomb, Elizabeth Otero, Tracy Paradis, Jennifer Perry, Jewel Reardon, Ed Rivenburgh, Linda Shepard, Bonnie Swoger, Helen Thomas, Pam Thomas, and Taryn Thompson. Thank you to President Christopher Dahl and Provost Katherine Conway-Turner for their support of G.R.E.A.T. Day. Thank you to Lynn Weber for delivering our inaugural keynote address. The G.R.E.A.T. Day name was suggested by Elizabeth Otero, a senior Philosophy major. -
The Tennessee Meteorite Impact Sites and Changing Perspectives on Impact Cratering
UNIVERSITY OF SOUTHERN QUEENSLAND THE TENNESSEE METEORITE IMPACT SITES AND CHANGING PERSPECTIVES ON IMPACT CRATERING A dissertation submitted by Janaruth Harling Ford B.A. Cum Laude (Vanderbilt University), M. Astron. (University of Western Sydney) For the award of Doctor of Philosophy 2015 ABSTRACT Terrestrial impact structures offer astronomers and geologists opportunities to study the impact cratering process. Tennessee has four structures of interest. Information gained over the last century and a half concerning these sites is scattered throughout astronomical, geological and other specialized scientific journals, books, and literature, some of which are elusive. Gathering and compiling this widely- spread information into one historical document benefits the scientific community in general. The Wells Creek Structure is a proven impact site, and has been referred to as the ‘syntype’ cryptoexplosion structure for the United State. It was the first impact structure in the United States in which shatter cones were identified and was probably the subject of the first detailed geological report on a cryptoexplosive structure in the United States. The Wells Creek Structure displays bilateral symmetry, and three smaller ‘craters’ lie to the north of the main Wells Creek structure along its axis of symmetry. The question remains as to whether or not these structures have a common origin with the Wells Creek structure. The Flynn Creek Structure, another proven impact site, was first mentioned as a site of disturbance in Safford’s 1869 report on the geology of Tennessee. It has been noted as the terrestrial feature that bears the closest resemblance to a typical lunar crater, even though it is the probable result of a shallow marine impact. -
Large Impact Basins on Mercury: Global Distribution, Characteristics, and Modification History from MESSENGER Orbital Data Caleb I
JOURNAL OF GEOPHYSICAL RESEARCH, VOL. 117, E00L08, doi:10.1029/2012JE004154, 2012 Large impact basins on Mercury: Global distribution, characteristics, and modification history from MESSENGER orbital data Caleb I. Fassett,1 James W. Head,2 David M. H. Baker,2 Maria T. Zuber,3 David E. Smith,3,4 Gregory A. Neumann,4 Sean C. Solomon,5,6 Christian Klimczak,5 Robert G. Strom,7 Clark R. Chapman,8 Louise M. Prockter,9 Roger J. Phillips,8 Jürgen Oberst,10 and Frank Preusker10 Received 6 June 2012; revised 31 August 2012; accepted 5 September 2012; published 27 October 2012. [1] The formation of large impact basins (diameter D ≥ 300 km) was an important process in the early geological evolution of Mercury and influenced the planet’s topography, stratigraphy, and crustal structure. We catalog and characterize this basin population on Mercury from global observations by the MESSENGER spacecraft, and we use the new data to evaluate basins suggested on the basis of the Mariner 10 flybys. Forty-six certain or probable impact basins are recognized; a few additional basins that may have been degraded to the point of ambiguity are plausible on the basis of new data but are classified as uncertain. The spatial density of large basins (D ≥ 500 km) on Mercury is lower than that on the Moon. Morphological characteristics of basins on Mercury suggest that on average they are more degraded than lunar basins. These observations are consistent with more efficient modification, degradation, and obliteration of the largest basins on Mercury than on the Moon. This distinction may be a result of differences in the basin formation process (producing fewer rings), relaxation of topography after basin formation (subduing relief), or rates of volcanism (burying basin rings and interiors) during the period of heavy bombardment on Mercury from those on the Moon. -
First Results of the Piton De La Fournaise STRAP 2015 Experiment: Multidisciplinary Tracking of a Volcanic Gas and Aerosol Plume
Atmos. Chem. Phys., 17, 5355–5378, 2017 www.atmos-chem-phys.net/17/5355/2017/ doi:10.5194/acp-17-5355-2017 © Author(s) 2017. CC Attribution 3.0 License. First results of the Piton de la Fournaise STRAP 2015 experiment: multidisciplinary tracking of a volcanic gas and aerosol plume Pierre Tulet1, Andréa Di Muro2, Aurélie Colomb3, Cyrielle Denjean4, Valentin Duflot1, Santiago Arellano5, Brice Foucart1,3, Jérome Brioude1, Karine Sellegri3, Aline Peltier2, Alessandro Aiuppa6,7, Christelle Barthe1, Chatrapatty Bhugwant8, Soline Bielli1, Patrice Boissier2, Guillaume Boudoire2, Thierry Bourrianne4, Christophe Brunet2, Fréderic Burnet4, Jean-Pierre Cammas1,9, Franck Gabarrot9, Bo Galle5, Gaetano Giudice7, Christian Guadagno8, Fréderic Jeamblu1, Philippe Kowalski2, Jimmy Leclair de Bellevue1, Nicolas Marquestaut9, Dominique Mékies1, Jean-Marc Metzger9, Joris Pianezze1, Thierry Portafaix1, Jean Sciare10, Arnaud Tournigand8, and Nicolas Villeneuve2 1LACy, Laboratoire de l’Atmosphère et des Cyclones, UMR8105 CNRS, Université de La Réunion, Météo-France, Saint-Denis de La Réunion, France 2OVPF, Institut de Physique du Globe de Paris, UMR7154, CNRS, Université Sorbonne Paris-Cité, Université Paris Diderot, Bourg-Murat, La Réunion, France 3LaMP, Laboratoire de Météorologie Physique, UMR6016, CNRS, Université Blaise Pascal, Clermont-Ferrand, France 4CNRM, Centre National de la Recherche Météorologique, UMR3589, CNRS, Météo-France, Toulouse, France 5DESS, Department of Earth and Space Sciences, Chalmers University of Technology, Gothenburg, Sweden 6Dipartimento -
9/11 and the Visual Culture of Disaster Indiana University Press Bloomington & Indianapolis 9
9/11 and the Visual Culture of Disaster Indiana University Press Bloomington & Indianapolis 9/ and the Visual Culture of Disaster THOMAS STUBBLEFIELD This book is a publication of ∞ The paper used in this publication meets the minimum requirements of Indiana University Press the American National Standard for Office of Scholarly Publishing Information Sciences–Permanence of Herman B Wells Library 350 Paper for Printed Library Materials, 1320 East 10th Street ANSI Z39.48–1992. Bloomington, Indiana 47405 USA Manufactured in the iupress.indiana.edu United States of America Telephone 800-842-6796 Library of Congress Fax 812-855-7931 Cataloging-in-Publication Data © 2015 by Thomas Stubblefield Stubblefield, Thomas. 9/11 and the visual culture of disaster / All rights reserved Thomas Stubblefield. pages cm No part of this book may be repro- Includes bibliographical references and duced or utilized in any form or by index. any means, electronic or mechanical, ISBN 978-0-253-01549-5 (cloth : alk. including photocopying and recording, paper) – ISBN 978-0-253-01556-3 (pbk. : or by any information storage and alk. paper) – ISBN 978-0-253-01563-1 retrieval system, without permission (ebook) 1. September 11 Terrorist in writing from the publisher. The Attacks, 2001 – Influence. 2. September 11 Association of American University Terrorist Attacks, 2001, in mass media. 3. Presses’ Resolution on Permissions September 11 Terrorist Attacks, 2001, in constitutes the only exception to this art. 4. Emptiness (Philosophy) I. Title. prohibition. HV6432.7.S78 2014 973.931 – dc23 2014029044 1 2 3 4 5 20 19 18 17 16 15 For C. D. -
Geology of the Caloris Basin, Mercury: Ysis and Spectral Ratios Were Used to Highlight the Most Important Trends in the Data (17)
SPECIALSECTION photometrically corrected to normalized re- REPORT flectance at a standard geometry (30° incidence angle, 0° emission angle) and map-projected. From the 11-color data, principal component anal- Geology of the Caloris Basin, Mercury: ysis and spectral ratios were used to highlight the most important trends in the data (17). The first A View from MESSENGER principal component dominantly represents bright- ness variations, whereas the second principal com- Scott L. Murchie,1 Thomas R. Watters,2 Mark S. Robinson,3 James W. Head,4 Robert G. Strom,5 ponent (PC2) isolates the dominant color variation: Clark R. Chapman,6 Sean C. Solomon,7 William E. McClintock,8 Louise M. Prockter,1 the slope of the spectral continuum. Several higher Deborah L. Domingue,1 David T. Blewett1 components isolate fresh craters; a simple color ratio combines these and highlights all fresh The Caloris basin, the youngest known large impact basin on Mercury, is revealed in MESSENGER craters. PC2 and a 480-nm/1000-nm color ratio images to be modified by volcanism and deformation in a manner distinct from that of lunar thus represent the major observed spectral var- impact basins. The morphology and spatial distribution of basin materials themselves closely match iations (Fig. 1B). lunar counterparts. Evidence for a volcanic origin of the basin's interior plains includes embayed The images show that basin exterior materials, craters on the basin floor and diffuse deposits surrounding rimless depressions interpreted to be including the Caloris Montes, Nervo, and von of pyroclastic origin. Unlike lunar maria, the volcanic plains in Caloris are higher in albedo than Eyck Formations, all share similar color proper- surrounding basin materials and lack spectral evidence for ferrous iron-bearing silicates. -
La Atmósfera.Pdf
La atmósfera. De lo pictórico al arte multidisciplinar. Tesis doctoral realizada por: Marta Díaz Villoslada dirigida por: Ignacio Barcia Rodríguez Departamento de Escultura Facultade de Belas Artes de Pontevedra Universidade de Vigo Septiembre 2013 A mi padre “Hé aquí La Atmósfera, el aire luminoso, la primera divinidad amada y temida sobre la tierra; el Dyauss del Sanscrito, el Zeus de los griegos de Atenas, el Dies y el Deus de los latinos; el padre de los mismos dioses, el Zeus-pater! El AIRE, en fin, en que todo vive y todo respira. La Atmósfera rodea á nuestro planeta de un fluido vivificador.(…) El globo que acabamos de considerar circundando en el espacio en alas de la gravitación universal, está cubierto de una capa gaseosa que se adhiere á toda su superficie esférica. Esta capa fluida se encuentra uniformemente repartida alrededor del globo que la circunda por todas partes.” Camille Flammarion, La Atmósfera (págs. XV y 10) La atmósfera. De lo pictórico al arte multidisciplinar. 9 INTRODUCCIÓN 23 I. ESPACIO · VUELO LOS FONDOS DORADOS · LUZ COMO SIMBOLOGÍA DE LO ESPIRITUAL ESCULPIR LA LUZ UN ARTE INVISIBLE DISTANCIA 105 II. INFINITO · LÍMITE REPRESENTACIÓN PLÁSTICA DEL INFINITO LO SUBLIME EL AIRE ES LO QUE SE INTERPONE 133 III. TIEMPO Y ÉTER CAMINO HACIA LA ABSTRACCIÓN 169 IV. LO OCULTO · LO VELADO FOTOGRAFÍA Y HALO LO PICTÓRICO EN EL CINE 201 V. NUEVAS PERSPECTIVAS DEL TIEMPO Y EL ESPACIO · LA ERA DIGITAL VIDEOARTE. PERCEPCIONES ATMOSFÉRICAS NUEVOS REGISTROS DE LO PICTÓRICO ALGUNAS MANIFESTACIONES DEL AIRE 243 CONCLUSIONES 255 BIBLIOGRAFÍA 9 INTRODUCCIÓN La existencia de lo que se podría denominar lo atmosférico en la obra de arte, es decir, la preocupación por la presencia del aire que todo lo envuelve y circunda, o que provoca un ambiente determinado en una obra, es el punto de partida de este trabajo. -
Annual Report 2005
NATIONAL GALLERY BOARD OF TRUSTEES (as of 30 September 2005) Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. Berry John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke Victoria P. Sant Barney A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow Eric H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Ruth Carter Stevenson Leonard A. Lauder Alexander M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel David O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Chief Justice of the Victoria P. Sant United States President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A.