Essay by Julian Pooley; University of Leicester, John Nichols and His
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This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Joseph Ritson and the Publication of Early English Literature Genevieve Theodora McNutt PhD in English Literature University of Edinburgh 2018 1 Declaration This is to certify that that the work contained within has been composed by me and is entirely my own work. No part of this thesis has been submitted for any other degree or professional qualification. Portions of the final chapter have been published, in a condensed form, as a journal article: ‘“Dignified sensibility and friendly exertion”: Joseph Ritson and George Ellis’s Metrical Romance(ë)s.’ Romantik: Journal for the Study of Romanticisms 5.1 (2016): 87-109. DOI:http://dx.doi.org/10.7146/rom.v5i1.26422. Genevieve Theodora McNutt 2 3 Abstract This thesis examines the work of antiquary and scholar Joseph Ritson (1752-1803) in publishing significant and influential collections of early English and Scottish literature, including the first collection of medieval romance, by going beyond the biographical approaches to Ritson’s work typical of nineteenth- and twentieth- century accounts, incorporating an analysis of Ritson’s contributions to specific fields into a study of the context which made his work possible. -
Square Pegges and Round Robins: Some Mid-Eighteenth Century Numismatic Disputes
SQUARE PEGGES AND ROUND ROBINS: SOME MID-EIGHTEENTH CENTURY NUMISMATIC DISPUTES H.E. MANVILLE BRITISH Numismatics as a science may fairly be said to have come of age in the mid-eighteenth century with early discussions among antiquarians groping toward solu- tions to some of the more vexatious questions: Who struck the ancient British coins dug up throughout southern England and what was the meaning of the brief inscriptions on some of them? Did the Anglo-Saxons coin any gold? Where were the coins of Richard I and King John? How could one differentiate the coins of William I and II; Henry II and III; Edwards I to III; and Henry IV to the early issue of Henry VII? The debates over these and other problems ranged well into the next century but gradually the path toward historical solutions grew clearer - although not without false turns and dead ends. We shall take a brief look at two of these questions and another that sprang full-blown from a flan split on a single coin and the over-fertile imagination of several mid-century antiquaries. Numismatic studies in the first quarter of the eighteenth century attempted to sort out some of the earliest English issues, as in the Numismata Anglo-Saxonica et Anglo-Danica illustrata of Sir Andrew Fountaine, printed in the Thesaurus of Dr George Hickes in 1705;1 and in Notae in Anglo-Saxonum nummos, published anonymously by Edward Thwaites in 1708.2 A chapter in Ducatus Leodiensis by Ralph Thoresby, first published in 1715, discussed coins in his private collection and was frequently referred to by other writers.3 With the Historical Account of English Money by Stephen Martin Leake, first published anonymously in 1726, a handbook solely on the coins from the Conquest became available.4 Although its original eight octavo plates illustrate fewer than seventy coins to the Restoration, Leake's work lasted through the century - later editions of 1745 and 1793 bringing it up-to-date and including additional plates. -
Pdf\Preparatory\Charles Wesley Book Catalogue Pub.Wpd
Proceedings of the Charles Wesley Society 14 (2010): 73–103. (This .pdf version reproduces pagination of printed form) Charles Wesley’s Personal Library, ca. 1765 Randy L. Maddox John Wesley made a regular practice of recording in his diary the books that he was reading, which has been a significant resource for scholars in considering influences on his thought.1 If Charles Wesley kept such diary records, they have been lost to us. However, he provides another resource among his surviving manuscript materials that helps significantly in this regard. On at least four occasions Charles compiled manuscript catalogues of books that he owned, providing a fairly complete sense of his personal library around the year 1765. Indeed, these lists give us better records for Charles Wesley’s personal library than we have for the library of brother John.2 The earliest of Charles Wesley’s catalogues is found in MS Richmond Tracts.3 While this list is undated, several of the manuscript hymns that Wesley included in the volume focus on 1746, providing a likely time that he started compiling the list. Changes in the color of ink and size of pen make clear that this was a “growing” list, with additions being made into the early 1750s. The other three catalogues are grouped together in an untitled manuscript notebook containing an assortment of financial records and other materials related to Charles Wesley and his family.4 The first of these three lists is titled “Catalogue of Books, 1 Jan 1757.”5 Like the earlier list, this date indicates when the initial entries were made; both the publication date of some books on the list and Wesley’s inscriptions in surviving volumes make clear that he continued to add to the list over the next few years. -
The Ill-Gotten Library of 'Honest' Tom Martin 1697-1771 Stoker, David
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aberystwyth Research Portal Aberystwyth University The ill-gotten library of 'Honest' Tom Martin 1697-1771 Stoker, David Published in: Property of a gentleman Publication date: 1991 Citation for published version (APA): Stoker, D. (1991). The ill-gotten library of 'Honest' Tom Martin 1697-1771. In R. Myers, & M. Harris (Eds.), Property of a gentleman: The formation, organisation and dispersal of the private library 1620-1920 (pp. 90-111). St Paul's Bibliographies. Document License Unspecified General rights Copyright and moral rights for the publications made accessible in the Aberystwyth Research Portal (the Institutional Repository) are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the Aberystwyth Research Portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the Aberystwyth Research Portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. tel: +44 1970 62 2400 email: [email protected] Download date: 09. Jul. 2020 The ill-gotten library of 'Honest Tom' Martin. The name of Thomas Martin is occasionally to be found in accounts of English book collectors of the eighteenth century, although often only as a footnote or passing reference.1 Such references usually note his unusual sobriquet, 'Honest Tom', and record that for forty years he had custody of the valuable Le Neve collection of manuscripts. -
Shakespeare Apocrypha” Peter Kirwan
The First Collected “Shakespeare Apocrypha” Peter Kirwan he disparate group of early modern plays still referred to by many Tcritics as the “Shakespeare Apocrypha” take their dubious attributions to Shakespeare from a variety of sources. Many of these attributions are external, such as the explicit references on the title pages of The London Prodigal (1605), A Yorkshire Tragedy (1608), 1 Sir John Oldcastle (1619), The Troublesome Raigne of King John (1622), The Birth of Merlin (1662), and (more ambiguously) the initials on the title pages of Locrine (1595), Thomas Lord Cromwell (1602), and The Puritan (1607). Others, including Edward III, Arden of Faversham, Sir Thomas More, and many more, have been attributed much later on the basis of internal evidence. The first collection of disputed plays under Shakespeare’s name is usually understood to be the second impression of the Third Folio in 1664, which “added seven Playes, never before Printed in Folio.”1 Yet there is some evidence of an interest in dubitanda before the Restoration. The case of the Pavier quar- tos, which included Oldcastle and Yorkshire Tragedy among authentic plays and variant quartos in 1619, has been amply discussed elsewhere as an early attempt to create a canon of texts that readers would have understood as “Shakespeare’s,” despite later critical division of these plays into categories of “authentic” and “spu- rious,” which was then supplanted by the canon presented in the 1623 Folio.2 I would like to attend, however, to a much more rarely examined early collection of plays—Mucedorus, Fair Em, and The Merry Devil of Edmonton, all included in C. -
Antiquaries in the Age of Romanticism: 1789-1851
Antiquaries in the Age of Romanticism: 1789-1851 Rosemary Hill Queen Mary, University of London Submitted for the degree of PhD March 2011 1 I confirm that the work presented in this thesis and submitted for the degree of PhD is my own. Rosemary Hill 2 Abstract The thesis concentrates on the work of fourteen antiquaries active in the period from the French Revolution to the Great Exhibition in England, Scotland and France. I have used a combination of the antiquaries’ published works, which cover, among other subjects, architecture, topography, costume history, Shakespeare and the history of furniture, alongside their private papers to develop an account of that lived engagement with the past which characterised the romantic period. It ends with the growing professionalistion and specialisation of historical studies in the mid-nineteenth century which left little room for the self-generating, essentially romantic antiquarian enterprise. In so far as this subject has been considered at all it has been in the context of what has come to be called ‘the invention of tradition’. It is true that the romantic engagement with history as narrative led to some elaboration of the facts, while the newness of the enterprise laid it open to mistakes. I have not ignored this. The restoration of the Bayeux Tapestry, the forged tartans of the Sobieski Stuarts and the creation of Shakespeare’s Birthplace are all considered. Overall, however, I have been concerned not to debunk but as it were to ‘rebunk’, to see the antiquaries in their historical context and, as far as possible, in their own terms. -
Modern Aids to Bibliographical Research
Modern Aids to Bibliographical Research DAVID FOXON THE TITLE ASSIGNED to this article is an ample one and, of necessity, the author has concentrated on the general sub jects which seem to be the most significant. Those developments which affect particular periods are covered in preceding articles. In general, the modern aids discussed here are only developments of earlier tech niques. If R. B. McKerrow were to survey the bibliographical scene today he would see little that was not implicit in his own work. The Hinman collating machine must take first place, not only be cause it is the one piece of equipment developed purely for biblio graphical purposes (and a very impressive and rather expensive ma chine, too) but also because it was developed to study the text of Shakespeare, a study which has inspired much of the most brilliant bibliographical work in the English-speaking countries. In the early seventeenth century it was the practice when a form of type had been set up to pull a proof (and perhaps a revise), but it was often impossible in those small printing shops to keep type stand ing and pressmen idle while the proof was being read. Accordingly the pressmen started printing-off sheets while the proof was read, stopped while the necessary corrections were made, and then printed-off the remainder of the sheets. As a result, only some copies of the sheet would be correct, and since this could be true of many or all the gather ings, which were assembled at random into books, the likelihood of any copy containing all the text in its corrected state is small. -
David Mckitterick. a History of Cambridge University Press. Vol. I
179 Books in Review / Comptes rendus David McKitterick. A Historyof Cambridge University Press. Vol. I: Printing and the Book Trade in Cambridge, I534-£698. Cam- bridge: Cambridge University Press, 1992. xxiv, 500 pp.; £65 (cloth). IsBN o-521-308ol-I. This is the first volume of a projected three-volume history of the university press at Cambridge. Its author, David McKitterick, librarian of Trinity College and a leading scholar in the history of the book, takes the press from a very modest foundation in the sixteenth century to its thriving activity as a busy academic publisher by the end of the seventeenth century, just short of the age of Richard Bentley. A university press in England in the early modern period was quite a different thing from a university press today. The university's right to publish books was established by the charter of I534 (transcribed with slight inaccuracies on pp. 35-6, if figure I is indeed the original). Yet generally the university kept a distance from the day-to-day activities of those individuals who had been given the right to print and sell books within the community, but who in themselves were not really 'university publishers.' The work they produced ranged widely: academic pamphlets and Latin verse miscellanies, printed forms, manuals of logic, editions of the Bible, grammar texts, psalm books, books of English poetry (Herbert's Temple), even almanacs and other popular publications, and now and then what we would today call a scholarly publication, such as the splendidly produced Bede edited by Whelock. By the end of the period surveyed, the press had become very active with scholarly books, though the almanacs were still crucial for commer- cial survival. -
John Dunton's Will PRO PROB LI/657 , P. BZ
\-r John Dunton'sWill PROPROB LI/657 , p. BZ In the Name of God Amen. I John Dunton Citizen and Stationer of London and late of St Giles Cripplegate parish in the County of Middlesex being through merry of health of Body and mind Do make this my last will and Testament concerning all my Earthly pittance. For my Soul I bequeath it into the hands of Almighty God, and so hope through the meritts of jesus Christ that my Body after its Sleeping awhile in ]esus shall be committed unto my Soul that they may both be for ever with the Lord. Of what I shall leave behind me I make this following Disposall A11 my just debts being first paid (and by *y debts I mean whatever shall be provd to be soo after my decease or whatever my Executrix hereafter named can by diligent searching find out that I owe) I give to my Dear and adopted Child Mrs Isabella Edwards Widdow late of l)ean Street in Holbourn Parish three hundred pounds Sterlin [sic] (for the tender and matchless ffreindship she shewed both to rny Soul and body from our first Acquaintance in Ireland to the day of my death) to be paid to her by *y Executrix hereafter named as soon as she possibly can after my decease or in case the said Isabella Edwards sould dy" before me I give flfty pounds of the said three hundred pounds to Mr William Lutwich of London Goldsmith... I also give to my Adopted Child Mrs Isabella Edwards her own Picture in a Gilded fframe and also my Silver Spoon that Mr William Ashhurst sent to me that year I liv'd with him when he was Lord Mayor of the City of London - I also give to William Reading Nathaniel Reading and Thomas Reading my Cozens the Summ of thirty pounds Viz. -
Paying for Poetry at the Turn of the Eighteenth Century, with Particular Reference to Dryden, Pope, and Defoe
Paying for Poetry at the Turn of the Eighteenth Century, with Particular Reference to Dryden, Pope, and Defoe J. A. DOWNIE IT IS SOMETIMES insinuated that author-publisher relations changed once and for all as a consequence of Dryden’s contract with Jacob Tonson to publish a subscription edition of his translation of Virgil, and Pope’s subsequent agreement with Bernard Lintot to publish a translation of the Iliad. Both poets unquestionably made a lot of money out of these publications. Dryden should have received the proceeds of the 101 five-guinea subscriptions in their entirety, in accordance with his contract with Tonson, as well as an additional sum from the cheaper second subscription. In addition to agreeing to pay Dryden £200 in four instalments for the copyright of his translation of Virgil to encourage him to complete the project as speedily as possible, Tonson also paid the capital costs of the plates and alterations and the costs of the 101 copies for the first subscribers. He even made a contribution towards the costs of the copies of the second subscribers. John Barnard calculates that “in all Dryden received between £910 and £1,075 from Tonson and the subscribers, and probably £400 or £500 for his [three] dedications” (“Patrons” 177). Yet Dryden fell out with Tonson, and William Congreve and one Mr Aston were called in to mediate. “You always intended I shou[l]d get nothing by the Second Subscriptions,” Dryden complained to Tonson, “as I found from first to last” (Letters 77). After shopping around among other booksellers, however, Dryden came to think rather differently. -
Volume 16, Number 1
SHARP News Volume 16 | Number 1 Article 1 Winter 2007 Volume 16, Number 1 Follow this and additional works at: https://scholarworks.umass.edu/sharp_news Recommended Citation (2006) "Volume 16, Number 1," SHARP News: Vol. 16: No. 1. Available at: https://scholarworks.umass.edu/sharp_news/vol16/iss1/1 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in SHARP News by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. et al.: Volume 16, Number 1 A SHARPNEWS - Volume 16, Number 1 Winter 2007 SHARP CONSTITUTION7 SHARP MINNESOTA2007 t Cffcctive 1 January 2007, the Johns Proposed Revisions to the 1993 Open the Book Hopkins University Press will be handling our memberships and subscription SHARP Constitution Open the Mind fulfillment. The Executive Committee chose 11-15 July 2007 JH1JP after careful and lengthy research; the Submitted for SHARP merxlbership Unirjersity of Mnnesota, Mnneapolis, USA Press has an excellent record of serving approval in 2007 other organizations, similar to ours, in simi- It's still not to late to book your place at lar ways. We have become too large for ad- On pages 3-5 of this issue of SHARP the fifteenth annual SHARP conference. The ministrative services to be handled by a vol- Nem, you will find a copy of the proposed conference theme highlights how books unteer. Barbara Brannon has been that he- revisions to the 1993 SHARP Constitution. develop and extend minds and cultures, and roic and faithful volunteer for many years; In addition, we havc provided a ballot to also how they are opened to new media and now the hfembership Secretar): will be freed vote 'yes' in favour of the revisions or 'no' new purposes. -
Introduction
Notes Introduction 1. The Covent Garden Jester (London: J. Roach, 1780?), p. 6; The Festival of Wit (London: M. A. Holland, 1782), p. 7. 2. William Wordsworth, Poems, in Two Volumes (London: Longman, Hurst, Rees, & Orme, 1807), vol. 1, pp. 97–105. 3. See A. D. Harvey, ‘The Cult of Chatterton amongst English Poets c.1770– c.1820’, Zeitschrift für Anglistik und Amerikanistik 39 (1991), pp. 124–33; and John Goodridge, ‘Rowley’s Ghost: A Checklist of Creative Works Inspired by Thomas Chatterton’s Life and Writings’, Romantic Culture, pp. 262–92. 4. William Hazlitt, ‘On Swift, Young, Gray, Collins, &c.’, Lectures on the English Poets (London: Taylor and Hessey, 1818), pp. 206–44 (243). 5. Samuel Johnson, The Adventurer 115 (11 December 1753), in W. J. Bate, John M. Bullitt and L. F. Powell (eds), The Idler and The Adventurer (New Haven and London: Yale University Press, 1963), pp. 456–61. 6. Forger’s Shadow, p. 58. 7. Nick Groom, ‘Original Copies; Counterfeit Forgeries’, Critical Quarterly 43 (2001), pp. 6–18 (16). 8. Louise J. Kaplan, The Family Romance of the Imposter-Poet Thomas Chatterton (Berkeley and Los Angeles: University of California Press, 1987); and Esther P. Ellinger, Thomas Chatterton, The Marvelous Boy (Philadelphia: University of Pennsylvania Press, 1930). See also Al Alvarez, The Savage God: A Study of Suicide (New York and London: W. W. Norton & Company, 1990 [1971]), pp. 209–34. 9. Susan Stewart, Crimes of Writing: Problems in the Containment of Representation (Durham, NC, and London: Oxford University Press, 1994), pp. 120–3 and 148–55.