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Pennsylvania History a journal of mid-atlantic studies PHvolume 79, number 2 · spring 2012 Articles “What Must Poor People Do?”: Economic Protest and Plebeian Culture in Philadelphia, 1682–1754 Daniel Johnson 117 James Wilson—His Scottish Background: Corrections and Additions Martin Clagett 154 The Public Interest of the Private City: The Pennsylvania Railroad, Urban Space, and Philadelphia’s Economic Elite, 1846–1877 Andrew Heath 177 Engaging the Trope of Redemptive Suffering: Inmate Voices in the Antebellum Prison Debates Jennifer Graber 209 review essAys The “Mighty Macs”: Women’s Basketball in Chester County Karen Guenther 234 Henry Ossawa Tanner: Modern Spirit Exhibition, Pennsylvania Academy of Fine Arts, Philadelphia Alexia I. Hudson 238 This content downloaded from 128.118.152.206 on Wed, 14 Mar 2018 15:38:31 UTC All use subject to http://about.jstor.org/terms PAH 79.2_FM.indd 1 18/04/12 1:01 AM book reviews John Fea. Was America Founded as a Christian Nation? A Historical Introduction Reviewed by Robert Shaffer 249 Beverly C. Tomek. Colonization and Its Discontents: Emancipation, Emigration, and Antislavery in Antebellum Pennsylvania Reviewed by Nicholas Wood 252 contributors 255 This content downloaded from 128.118.152.206 on Wed, 14 Mar 2018 15:38:31 UTC All use subject to http://about.jstor.org/terms PAH 79.2_FM.indd 2 18/04/12 1:01 AM submission information Pennsylvania History publishes documents previously unpublished and of interest to scholars of the Middle Atlantic region. The Journal also reviews books, exhibits, and other media dealing primarily with Pennsylvania history or that shed significant light on the state’s past. -
'Nothing but the Truth': Genre, Gender and Knowledge in the US
‘Nothing but the Truth’: Genre, Gender and Knowledge in the US Television Crime Drama 2005-2010 Hannah Ellison Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film, Television and Media Studies Submitted January 2014 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. 2 | Page Hannah Ellison Abstract Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave rise to new issues. Questions are raised about how knowledge is gained and who has the right to it. With the individual consultant spearheading criminal investigation, without official standing, the genre is re-inflected with issues around legitimacy and power. The genre also reengages with age-old questions about the role gender plays in the performance of investigation. With the aim of answering these questions one of the jobs of this thesis is to find a way of analysing genre that accounts for both its larger cyclical, shifting nature and its simultaneously rigid construction of particular conventions. -
The International Response to Conflict and Genocide:Lessom from the Rwanda Experience
The International Response to Conflict and Genocide: Lessons from the Rwanda Experience March 1996 Published by: Steering Committee of the Joint Evaluation of Emergency Assistance to Rwanda Editor: David Millwood Cover illustrations: Kiure F. Msangi Graphic design: Designgrafik, Copenhagen Prepress: Dansk Klich‚, Copenhagen Printing: Strandberg Grafisk, Odense ISBN: 87-7265-335-3 (Synthesis Report) ISBN: 87-7265-331-0 (1. Historical Perspective: Some Explanatory Factors) ISBN: 87-7265-332-9 (2. Early Warning and Conflict Management) ISBN: 87-7265-333-7 (3. Humanitarian Aid and Effects) ISBN: 87-7265-334-5 (4. Rebuilding Post-War Rwanda) This publication may be reproduced for free distribution and may be quoted provided the source - Joint Evaluation of Emergency Assistance to Rwanda - is mentioned. The report is printed on G-print Matt, a wood-free, medium-coated paper. G-print is manufactured without the use of chlorine and marked with the Nordic Swan, licence-no. 304 022. 2 The International Response to Conflict and Genocide: Lessons from the Rwanda Experience Study 2 Early Warning and Conflict Management by Howard Adelman York University Toronto, Canada Astri Suhrke Chr. Michelsen Institute Bergen, Norway with contributions by Bruce Jones London School of Economics, U.K. Joint Evaluation of Emergency Assistance to Rwanda 3 Contents Preface 5 Executive Summary 8 Acknowledgements 11 Introduction 12 Chapter 1: The Festering Refugee Problem 17 Chapter 2: Civil War, Civil Violence and International Response 20 (1 October 1990 - 4 August -
The Girl on the Fridge Stories Ebook, Epub
THE GIRL ON THE FRIDGE STORIES PDF, EPUB, EBOOK Etgar Keret, Miriam Shlesinger, Sondra Silverston | 171 pages | 09 Aug 2008 | Farrar, Straus and Giroux | 9780374531058 | English | New York, NY, United Kingdom The Girl on the Fridge Stories PDF Book But the story is really about the protagonist's lack of self. Alvin Lila Kent Still, the heat between them won't be denied. Project Gutenberg 0 editions. They enjoy jousting about the evidence and sharing her bed 'without strings', until Booth warns her Stires is also the expert employed by the Costellos' defense. Trailers and Videos. She was from Oklahoma too, but she spoke like a Southern belle pretending to be British. Digitalt format. It brings families together for meals and new memories. A collection of 62 very short stories set in s California, particularly around the author's home town of San Francisco. Daniel Goodman. Edit Cast Episode complete credited cast: Emily Deschanel Shelve Azul. Brian Schilling. Added to Watchlist. Om Girl on the Fridge A birthday-party magician whose hat tricks end in horror and gore; a girl parented by a major household appliance; the possessor of the lowest IQ in the Mossad-such are the denizens of Etgar Keret's dark and fertile mind. Watch Live. External Reviews. Many of these dishes… More. Color: Color. French recorded a video of her singing with versions of herself singing back up about her fight with the fridge. Angela Montenegro. Related Topics Lists the golden girls. It is shared by many, from coast to… More. Sound Mix: Stereo. Director: Sanford Bookstaver. -
Read John Berlinski's American Lawyer Trailblazer Profile
2021 THE AMERICAN LAWYER WEST WINNER’S NAME HERE | COMPANY NAME John Berlinski Kasowitz Benson Torres What was the genesis of the path that has made you a trailblazer? After successfully defending numerous profit participation disputes as Senior Vice President, Head of West Coast Television Litigation for NBCUniversal, I was approached by representatives of the talent who brought those claims and asked to “switch sides” and represent their clients against other major Holly- wood studios. Shortly thereafter, I left to launch Kasowitz’s entertainment practice with the goal of leveling the playing field against the bigger and better financed studios. What sort of change has resulted from the concept? : We have succeeded in shining the light on the historically opaque practice of “Hollywood Accounting,” resulting in more favorable outcomes for our clients obtained through arbitration, litigation, and informal settlements. While most of these matters are confidential, it is public knowledge that we secured a landmark $179 million arbitration award—the largest ever issued in a profit participation dispute—for actors Emily Deschanel and David Boreanaz, and producer Kathleen Reichs in connection with their profit participation interests in the television series “Bones”. Studios have responded to that and our other successes by starting to replace profit participation deals with less valuable series bonuses in which talent earns a bonus when a series meets benchmarks such as completing a certain number of seasons. What bearing will this have on the future?: Recently, the “streaming wars” involving Netflix, Disney+, HBOMax, and others have created significant demand for premium content, including content involving legacy profit participants. -
Chrome Girl Press
TM 8 FREE FORMULA, CRUELTY FREE, MADE IN USA ABOUT MELISSA & JAIME You could say that they have “nailed” it. You’d be right. It was one sunny girls’ afternoon while painting their daughters nails in which they realized that the Longtime friends Jaime Boreanaz and Melissa Ravo first product they were so carefully applying on their realized their uncanny similarities years ago upon meeting in children’s nails would soon end up making its way into the their neighborhood, situated in the exclusive hills above Los little girls’ mouths – whether while eating, chewing on their Angeles. Both mothers – whose young daughters inciden- nails, or licking off cupcake frosting. A quick scan of the tally became fast friends as well – found that their interests ingredients of the polishes became a nauseating realiza- aligned perfectly. Both loved to travel the world, both were tion for the mothers. passionate about philanthropy, both indulged their daughters with fabulous and imaginative princess play-times that they In that moment, the idea behind Chrome Girl was born. would engage in together. A collaboration between Jaime and Melissa Chrome Girl was launched in February 2013 as a fashionable alterna- tive to the harsh and dangerous nail polishes currently on the market. It is a product that is 5-free, which means it is produced without formaldehyde, dibutyl phthalate (DBP), and toluene—plus formaldehyde resin and camphor, too. It is safe for even youngsters – but is on-trend, and ultra-cool. The debut collection boasts the hottest of colors – such as When In Chrome, Barely Legal, No Tan Lines, Shmexy and Pillow Talk, to name a few - and is intended for women of all ages, backgrounds and ethnicities. -
Joshua Nielson the Werewolf's Mate
Colorado Northwestern Community College Waving Hands Review Literature and the Arts of Northwest Colorado Volume 1, Issue 1, 2009 EDITOR ART EDITOR Joe Wiley Elizabeth Robinson EDITORIAL STAFF PRODUCTION/DESIGN Joshua Nielsen Denise Wade Jasmine DeFreitas ACKNOWLEDGEMENTS The staff of Waving Hands Review thanks the following people for their assistance in the production of this magazine: -John Boyd -Derek Mogensen -Sam Torno -Faculty of CNCC for encouraging submissions -All students, faculty, and staff who submitted work Waving Hands Review, the literature and arts magazine of Colorado Northwestern Community College, seeks to publish exemplary works by emerging and established writers and artists of northwestern Colorado. Submissions in poetry, fiction, non-fiction, drama, photography, and art remain anonymous until a quality-based selection is made. Unsolicited submissions are welcome between September 1 and March 1. We accept online submissions only. Please visit the Waving Hands Review website at www.cncc.edu/waving_hands/ for detailed submission guidelines, or go to the CNCC homepage and click on the Waving Hands Review logo. Waving Hands Review is staffed by students of Creative Writing II. All works Copyright 2009 by individual authors and artists. Waving Hands Review Volume 1, Issue 1, 2009 Table of Contents Artwork Charlie Hickman Cover Gray House Gathering Sue Beachman 17 Beetle Juice Kathleen Martynowicz 18 Garden Lady Elizabeth Robinson 19 Vase, 2008, Porcelain Audrey Decker, Jeff 20 Pinch Pots Boyle, Jennifer McArdle Sue Beachman -
Representations of Bisexual Women in Twenty-First Century Popular Culture
Straddling (In)Visibility: Representations of Bisexual Women in Twenty-First Century Popular Culture Sasha Cocarla A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate of Philosophy in Women's Studies Institute of Feminist and Gender Studies Faculty of Social Sciences University of Ottawa © Sasha Cocarla, Ottawa, Canada 2016 Abstract Throughout the first decade of the 2000s, LGBTQ+ visibility has steadily increased in North American popular culture, allowing for not only more LGBTQ+ characters/figures to surface, but also establishing more diverse and nuanced representations and storylines. Bisexuality, while being part of the increasingly popular phrase of inclusivity (LGBTQ+), however, is one sexuality that not only continues to be overlooked within popular culture but that also continues to be represented in limited ways. In this doctoral thesis I examine how bisexual women are represented within mainstream popular culture, in particular on American television, focusing on two, popular programs (The L Word and the Shot At Love series). These texts have been chosen for popularity and visibility in mainstream media and culture, as well as for how bisexual women are unprecedentedly made central to many of the storylines (The L Word) and the series as a whole (Shot At Love). This analysis provides not only a detailed historical account of bisexual visibility but also discusses bisexuality thematically, highlighting commonalities across bisexual representations as well as shared themes between and with other identities. By examining key examples of bisexuality in popular culture from the first decade of the twenty- first century, my research investigates how representations of bisexuality are often portrayed in conversation with hegemonic understandings of gender and sexuality, specifically highlighting the mainstream "gay rights" movement's narrative of "normality" and "just like you" politics. -
Firefly Season 2” Is the Only Work of Fan Fiction I’Ve Ever Written, and I Wouldn’T Be Surprised If It’S the Only One I Ever Write
Firefly 201 + script bible 30th January 2016 revision Mike Le Page Author’s notes: The act of creating art is something I hold sacred, and I have no interest in shitting on someone else’s work, especially someone I respect as much as Joss Whedon. The following spec script for “Firefly season 2” is the only work of fan fiction I’ve ever written, and I wouldn’t be surprised if it’s the only one I ever write. I only wrote it because I had a waking dream that provided a neat way to tie up several loose ends from the series/movie as well as a way to bring Wash back that performs a critical plot function and isn’t just fan-service. This was written with longer-format episodes in mind. The crazy idea I had was that Firefly would be the ideal property with which to trial a kind of in-cinema, once-a-month mini-movie format which would promote the community of fans gathering at cinemas and allow studios to recoup the costs of shooting more expensive “TV” shows – much the same way that iMAX cinemas sold out for showings of Game of Thrones episodes. The idea was a second season of 8x 80-90 minute minimovies of Firefly, shot in a LOTR style shoot and released once a month over a single calendar year. This idea is in no way necessary for this script to work, but it perhaps goes some way to explain the length of this script. What you’ll notice is that I’ve erred on the side of changing things considerably from the first season/movie, separating the crew and mothballing Serenity for reasons to be explained: I don’t think it’s plausible that we could come back to the crew 10+ years later and have it be exactly the same. -
Gender Constructions and Mentorship on CBS's Elementary
Regis University ePublications at Regis University All Regis University Theses Spring 2019 An Infinite Capacity for Co-consulting: Gender Constructions and Mentorship on CBS's Elementary Heather Hufford Regis University Follow this and additional works at: https://epublications.regis.edu/theses Recommended Citation Hufford, Heather, "An Infinite Capacity for Co-consulting: Gender Constructions and Mentorship on CBS's Elementary" (2019). All Regis University Theses. 929. https://epublications.regis.edu/theses/929 This Thesis - Open Access is brought to you for free and open access by ePublications at Regis University. It has been accepted for inclusion in All Regis University Theses by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. AN INFINITE CAPACITY FOR CO-CONSULTING: GENDER CONSTRUCTIONS AND MENTORSHIP ON CBS’S ELEMENTARY A thesis submitted to Regis College The Honors Program in partial fulfillment of the requirements for graduation with Honors by Heather Hufford May 2019 Thesis written by Heather Hufford Approved by Thesis Advisor Thesis Reader Accepted by Director, University Honors Program ii TABLE OF CONTENTS ACKNOWLEDGEMENTS iv I. INTRODUCTION: THE FRIENDS OF SHERLOCK HOLMES 1 II. READING ELEMENTARY AS AN ATTEMPT AT PORTRAYING 12 GENDER EQUALITY III. CONFLICTING PERMEABILITIES IN PATERNAL MENTORSHIPS 34 IN “RIP OFF” IV. INTERACTIONS BETWEEN GENDERED SPACE AND 52 MENTORSHIPS IN “TERRA PERICOLOSA” V. GENDERED CONFLICTS BETWEEN HARD-BOILED AND 75 PROCEDURAL TRADITIONS IN “THE ONE THAT GOT AWAY” WORKS CITED 110 iii ACKNOWLEDGEMENTS In the conclusion of “The Five Orange Pipz,” Elementary’s Sherlock Holmes remarks, “They say that genius is an infinite capacity for taking pains. -
Ebook Download David Boreanaz Ebook
DAVID BOREANAZ PDF, EPUB, EBOOK Chris Nickson | 153 pages | 14 Oct 1999 | St Martins Press | 9780312973612 | English | New York, United States David Boreanaz PDF Book Game over. Gallery Launch Gallery. Other popular celebrities Emily Deschanel. Latest Headlines U. Describing itself as a fake news program, The Daily Show draws its comedy and satire from recent news stories, political figures, media organizations, and often uses self-referential humor as well. The show's 13th season premiered on September 10, , and in the seventh season, the show became the last Harpo show in syndication to switch to HD with a revamped studio. In the years since Buffy the Vampire Slayer aired its series finale, Boreanaz has cultivated an acting career full of success, and earned a resume most would love to have. His film appearances since Buffy haven't been anything to write home about, appearing mostly in obscure indie or direct to video titles. David added, "It's clear that what we were saying all along was true: we were owed additional compensation for our work. Reruns of episodes from the series can be viewed in syndication on Comedy Central at various times. I felt as though I was being blackmailed or there was some sort of extortion. Data from Wikipedia. Officer Down When a cop's crooked past comes back to get him, can he do …. When the book is published, John can't help but take credit for the work of genius The show also stars bandleader Fred Armisen and the 8G Band, the show's house band. People's Choice Award. -
A Critical Discourse Analysis of Interracial Marriages in Television Sitcoms
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2014 Drawing the Primetime Color Line: A Critical Discourse Analysis of Interracial Marriages in Television Sitcoms Jodi Lynn Rightler-McDaniels University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Rightler-McDaniels, Jodi Lynn, "Drawing the Primetime Color Line: A Critical Discourse Analysis of Interracial Marriages in Television Sitcoms. " PhD diss., University of Tennessee, 2014. https://trace.tennessee.edu/utk_graddiss/2725 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Jodi Lynn Rightler-McDaniels entitled "Drawing the Primetime Color Line: A Critical Discourse Analysis of Interracial Marriages in Television Sitcoms." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Communication and Information. Catherine A. Luther, Major Professor We have read this dissertation and recommend its acceptance: Elizabeth Hendrickson, Lori Amber Roessner, Barbara Thayer-Bacon Accepted for the Council: Carolyn R.