Table of Contents Foreword and Acknowledgements XI Introduction 1 Part I The Minor Poetry Hugh WILSON Milton and Wordsworth: Reflections on “L’Allegro,” “Il Penseroso,” and “Tintern Abbey” 19 Jean PIRONON The Five Senses as Origin of Milton’s Poetic Idiom in the University Exercises and the Minor Poems (1626–1637) 35 Trevor Laurence JOCKIMS Pastoral Lost and Regained in “Lycidas” 47 David V. URBAN Talents and Laborers: Parabolic Tension in Milton’s Sonnet 19 61 Part II The Prose Matthew JORDAN The Bourgeois Utopianism of Milton’s Anti-Prelatical Tracts 75 James ROVIRA Milton’s Ontology of Books and Areopagitica 89 Antti TAHVANAINEN The Role of Rhetoric in the Political Thought of John Milton 97 Kemmer ANDERSON Those Tenured Tyrants: How Milton’s Tenure of Kings and Magistrates Influenced Jefferson’s Declaration of Independence 109 VIII Milton in France Danièle FRISON Droits et Libertés dans The Tenure of Kings and Magistrates de John Milton 117 Yuko Kanakubo NORO On Milton’s Proposal for a “Communitas Libera” Reconsidered – from Defensio Prima, through The Readie and Easie Way, to Paradise Lost 131 Georgi VASILEV Philosophie et figures dualistes dans les pamphlets de John Milton 141 Part III The Great Poems 1. Paradise Lost Matt DOLLOFF Urania, Antidote to Tyranny 155 T. Ross LEASURE Spenser’s Diabolical Orator and Milton’s “Man of Hell” 167 Martin DAWES Adam’s Co-creation of Eve: Taking Liberties with Milton’s Ironic God 177 Virginie ORTEGA-TILLIER Qualités plastiques de l’évocation poétique & caractéristiques des illustrations du Paradis perdu de Milton 189 Luis Fernando Ferreira SÁ Notes on a Postcolonial Fall in Milton’s Paradise 201 Charlotte CLUTTERBUCK The Sinner’s View of God in the Invocations and Book III of Paradise Lost 211 Margaret Justice DEAN Martyrdom Reconsidered: Adam’s Profit from Abdiel’s Example 227 Antonella PIAZZA Milton and Galileo: The Astronomical Diet of Paradise Lost 237 Table of Contents IX 2. Paradise Regained Daniele BORGOGNI “Real or Allegoric I Discern Not”: Paradise Regained and the Problem of Representation in Early Modern England 249 3. Samson Agonistes Suvi MÄKELÄ “[E]xiled from light”: Beauty, the Senses and Freedom in Samson Agonistes 267 Sherry Lutz ZIVLEY and Chase HAMBLIN The Prosody of Samson Agonistes 279 Part IV French Perspectives Nicole BERRY John Milton, ou l’aigle blessé 303 Miriam Andrade MANSUR Milton and Derrida: Deconstructing Milton’s Paradise Lost Through a “Darkness Visible” Perspective 317 Marie-Dominique GARNIER From Dagon to Deleuze and Derrida: Samson Agonistes and Particle Poetics 329 Part V Milton’s Influence in Non-Anglophone Cultures Luis Fernando Ferreira SÁ Enjoined By Fate: Private and Public Miltons in a Nineteenth-Century Portuguese Play 347 Chia-Yin HUANG The Miltonic Personality: Milton as a Model of Liberty in China 357 List of Abstracts 369 List of Contributors 377 .

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Introduction to the 1645 Volume: Poems of Mr. John Milton
C01.qxd 8/18/08 14:44 Page 1 Introduction to the 1645 Volume: Poems of Mr. John Milton In 1645, Milton published most but not all of the poems he had composed by that date. The publisher Humphrey Moseley had been bringing out volumes of lyric poetry by royalist poets such as Edmund Waller, and it was likely, as he claims in the intro- duction to the volume, that he approached Milton and encouraged him to publish his verse. Moseley also arranged for the engraved portrait of Milton by William Marshall (see Figure 1), beneath which Milton, who considered the engraving unﬂattering, placed a witty Greek epigram ridiculing it in a language neither Marshall nor Moseley under- stood. Unlike most contemporary poets, Milton neither wrote a preface, solicited commendatory poems, nor acknowledged a patron. He organized his volume more or less chronologically, thus displaying his poetic development, but also carefully grouped together poems of similar themes and genres. With the Latin tag from Virgil’s Eclogues on the title page (“Baccare frontem / Cingite, ne vati noceat mala lingua futuro” – “Bind my forehead with foxglove, lest evil tongues harm the future Bard”), he promises future poems on even greater themes. In the Latin ode sent with a replacement copy of the volume to John Rouse, librar- ian of the Bodleian Library at Oxford, Milton describes the 1645 volume as a “twin book, rejoicing in a single cover, but with a double title page.” The ﬁrst section of the volume presents his vernacular poems (mostly in English, but also including a mini-sonnet sequence in Italian), and concludes with A MASK Presented At LUDLOW- Castle.
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L'allegro, Il Penseroso, Comus, and Lycidas
L'Allegro, Il Penseroso, Comus, and Lycidas John Milton Project Gutenberg Etext of L'Allegro, Il Penseroso, Comus, and Lycidas, by John Milton Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. L'Allegro, Il Penseroso, Comus, and Lycidas by John Milton January 1995 [Etext #397] *****Project Gutenberg Etext of Four Poems by John Milton***** *****This file should be named miltp10.txt or miltp10.zip***** Corrected EDITIONS of our etexts get a new NUMBER, miltp11.txt VERSIONS based on separate sources get new LETTER, miltp10a.txt Scanned by Edward A. Malone We are now trying to release all our books one month in advance of the official release dates, for time for better editing. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month.
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An Evaluation of the Autobiographical Interpretation of Samson Agonistes Edward P
University of Richmond UR Scholarship Repository Master's Theses Student Research Summer 1966 An evaluation of the autobiographical interpretation of Samson Agonistes Edward P. Crockett Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Crockett, Edward P., "An evaluation of the autobiographical interpretation of Samson Agonistes" (1966). Master's Theses. Paper 242. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. An Evaluation of the J.utobiogrnphioal Interpretation ot Samson /;Sonistes By FA:lward, P. Crockett A Thesis ·Presented to· the Faculty. of the Department-of Engtish of' the University or Hlehtnond 'in Partial Ful.fillme.nt of the Requirements for the Master or Arts Degi;ee Richmond, Virginia August l, 1968 .·-,, .. .,. - .... • J • ·~ I .... ~ .Approved for the Gradua~.• School and the Department of English by . 1 Dean of .the Graduat$ School ~~ · ~ a?:ase -< Chairman of the English Department . I conceived my self. to be nQw .not as .m,ine . own person, but as a member incorporate into tha:t truth whereof I was .persuaded, and whereof I h8.d declare-d .o·penly t'o be a partaker. (Milton, :ll!!. Apology: fo~ Smectymnuus) T.. 4.BLE OF CON1'1t~NTS Preface • Chapter It Fos.sible Sources tor Samso11 Agort1.stes. Page l Chapter II: A Summary of Representative Scholar ship Concerning the.Autobiographical Inter~ pretationof the Drama ·and Its Date of Com position.
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An Analysis of the Objective-Subjective Elements in John Milton's Dramatic Poem Samson Agonistes
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1947 An Analysis of the Objective-Subjective Elements in John Milton's Dramatic Poem Samson Agonistes Louis S. Kaluzsa Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Literature in English, British Isles Commons Recommended Citation Kaluzsa, Louis S., "An Analysis of the Objective-Subjective Elements in John Milton's Dramatic Poem Samson Agonistes" (1947). Master's Theses. 635. https://ecommons.luc.edu/luc_theses/635 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1947 Louis S. Kaluzsa AN ANALYSIS OF THE OBJECTIVE-SUBJECTIVE ELEMENTS IN JOHN MILTON'S DRAMATIC POEM SAMSON AGONISTES BY LOUIS S. KALUZSA, S.J. A THESIS SUBMITTED IN PARTIAL FULF'ILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LOYOLA UNIVERSITY JUNE 1947 VITA AUCTORIS Louis s. Kaluzsa, S.J., was born in Cleve land, Ohio, October 13, 1916. He was graduated from Cathedral Latin High School, Cleveland, Ohio, June, 1934. He entered John Carroll University, Cleveland, Ohio, in Septemb~r, 1934. After completing two years there, he entered the Milford Novitiate of the Society of Jesus in 1936 and waB enrolled at St. Xavier University, Cincinnati, Ohio, whence he received his Litt.
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Milton's Attitude Toward Women
The Woman's College of The University of North Carolina LIBRARY no. 3?0 COLLEGE COLLECTION Gift of Marianne Sewell Aiken MILTON'S ATTITUDE TOWARD WOMEN by Marianne Sewell Aiken A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro May, I965 Approved by 6, Director APPROVAL SHEET This thesis has been approved by the following committee of the Faculty of the Graduate School of the University of North Carolina, Greensboro, North Carolina. Thesis Director Oral Examination Committee Members t> Date of Examination AIKEN. MARIAN ! 3EWELL. Milton's Attitude Toward Women.(1965) Directed by Dr. Jean E. Gagen. pp. 66. Milton lived in a period of transition affectin^ many as- pects of life, among them the status of wonen. Age-old conserva- tive beliefs were still alive and had a temporary resurgence un- der the Puritan hegemony, but liberal forces were also at work* The poet had the misfortune to be involved in a partic- ularly unhappy marriage. After a youth spent largely in study, with little contact with young women, he hastily married an im- mature Royalist bride, Mary Powell. Her refusal to return to Milton after she had left him in the early months of the mar- riage to visit her family suggests that Hilton and Mary Powell were incompatible from the start. Though there was a reconcil- iation later, Hilton's relationship with her, her whole -family, and, after her death, her children as well, was replete with friction and bitterness.
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The Role of Italy in Milton's Early Poetic Development
Italia Conquistata: The Role of Italy in Milton’s Early Poetic Development Submitted by Paul Slade to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English in December 2017 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. Abstract My thesis explores the way in which the Italian language and literary culture contributed to John Milton’s early development as a poet (over the period up to 1639 and the composition of Epitaphium Damonis). I begin by investigating the nature of the cultural relationship between England and Italy in the late medieval and early modern periods. I then examine how Milton’s own engagement with the Italian language and its literature evolved in the context of his family background, his personal contacts with the London Italian community and modern language teaching in the early seventeenth century as he grew to become a ‘multilingual’ poet. My study then turns to his first published collection of verse, Poems 1645. Here, I reconsider the Italian elements in Milton’s early poetry, beginning with the six poems he wrote in Italian, identifying their place and significance in the overall structure of the volume, and their status and place within the Italian Petrarchan verse tradition.
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Milton's Christ, As Seen by the Critics of Paradise Lost and Paradise Regained Since 1900
Fort Hays State University FHSU Scholars Repository Master's Theses Graduate School Summer 1962 Milton's Christ, as Seen by the Critics of Paradise Lost and Paradise Regained Since 1900 Robert Granger Wright Fort Hays Kansas State College Follow this and additional works at: https://scholars.fhsu.edu/theses Part of the English Language and Literature Commons Recommended Citation Wright, Robert Granger, "Milton's Christ, as Seen by the Critics of Paradise Lost and Paradise Regained Since 1900" (1962). Master's Theses. 743. https://scholars.fhsu.edu/theses/743 This Thesis is brought to you for free and open access by the Graduate School at FHSU Scholars Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of FHSU Scholars Repository. MILTON'S CHRIST, AS SEEN BY THE CRITICS OF PARADISE LOST AND PARADIS E REGAI NED SINCE 1900 being A Thesis Presented to the Graduate Faculty I of the Fort Hays Kans as State Col lege i n Partial Fulfillment of the Requirements for the Degree of Master of Arts by . Robert Granger Wright, A.B. Fort Hays Kansas State Col lege Approved<;J? C , Major Pro1·essor PREFACE My idea for this thesj_s grew out of a term paper written for Dr. Roberta Stout1 s Milton Seminaro The idea developed into a thesis which has an over-all purpose of presenting the primary investigations and cormnentaries of the twentieth century critics upon }1ilton1 s Christ and to arrive at conclusions which pertain to these critical findings o Difficulties encountered in the writing of this paper cen- tered around the fact that almost all of the research material was gathered through interlibrary loans.
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Milton and the Early Modern Culture of Devotion: Bodies at Prayer
reviews 121 Levellers’ writings and to examine them and Milton’s together, and of Williams’s capacity and integrity in making the attempt. I’m wary of reviewers’ frequent tendency to ask for a book different from the one an author undertook to write. Still, I did find Williams’s final two chapters, on Paradise Regained, especially with their (worthwhile) emphasis on Foxe’s “Book of Martyrs,” an awkward fit for the rest of this already very long volume. And its length is indeed an issue for any reader wishing to grasp the work’s thesis in a focused manner. I mentioned earlier the book’s main genre: that of documentary and historical presentation of materials that are then argued to be relevant to a reading of Milton. Yet much of this book verges into another valuable but demanding genre: the thematic reception history, most recently and impressively exemplified by John Leonard’s Faithful La- bourers (2013). For me, this aspect of Milton’s Leveller God occasioned something of a trial of patience, and I often felt that reference to the work of others—instead of being tackled repeatedly, sometimes rather severely, in the body of Williams’s text—could have been compacted and deposited decorously in his notes. Naya Tsentourou. Milton and the Early Modern Culture of Devotion: Bodies at Prayer. New York and London: Routledge, 2018. ix + 176 pp. $149.95. Review by David Ainsworth, University of Alabama. Milton and the Early Modern Culture of Devotion: Bodies at Prayer urges scholars to pay closer attention to the ways in which Milton connects bodies to faith, suggesting that the body at prayer both ex- presses internal devotion and produces and embodies that devotion itself.
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Could the Story of Samson Be True Or Is It Just a Myth
UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za anglistiko in amerikanistiko DIPLOMSKO DELO Marija Vodopivec Maribor, 2014 UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za anglistiko in amerikanistiko Diplomsko delo SAMSONOVA AGONIJA JOHNA MILTONA: KOMPARATIVNI PRISTOP K LIKU SAMSONU Graduation thesis MILTON’S SAMSON AGONISTES: A COMPARATIVE APPROACH TO THE CHARACTER OF SAMSON Mentor: izr. prof. dr. Michelle Gadpaille Kandidat: Marija Vodopivec Študijski program: Pedagogika in Angleški jezik s književnostjo Maribor, 2014 Lektor: Izr. Prof. Dr. Michelle Gadpaille AKNOWLEDGEMENTS I want to thank my mentor, Dr. Michelle Gadpaille for her guidance and her valuable advice during my writing. I want to thank my parents, Drago and Agata for always supporting me and encouraging me during my studies. I want to thank my sister Marta and her husband Nino for always being there for me when I needed the most. I want to thank my big brother Marko and his lovely Tea for encouraging me and believing in me. I also want to thank my dear Denis for encouraging me, making me happy and for not graduating before me. FILOZOFSKA FAKULTETA Koroška cesta 160 2000 Maribor, Slovenija www.ff.um.si IZJAVA Podpisani-a MARIJA VODOPIVEC rojen-a 31.07.1988 študent-ka Filozofske fakultete Univerze v Mariboru, smer ANGLEŠKI JEZIK S KNJIŽEVNOSTJO IN PEDAGOGIKA, izjavljam, da je diplomsko delo z naslovom SAMSONOVA AGONIJA JOHNA MILTONA: KOMPARATIVNI PRISTOP K LIKU SAMSONU / MILTON’S SAMSON AGONISTES: A COMPARATIVE APPROACH TO THE CHARACTER OF SAMSON pri mentorju-ici IZR. PROF. DR. MICHELLE GADPAILLE, avtorsko delo. V diplomskem delu so uporabljeni viri in literatura korektno navedeni; teksti niso prepisani brez navedbe avtorjev.
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Paradise Regained and the Political Theology of Privacy
Swarthmore College Works English Literature Faculty Works English Literature Spring 2013 "Unspeakable Desire To See, And Know": Paradise Regained And The Political Theology Of Privacy Eric B. Song Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Eric B. Song. (2013). ""Unspeakable Desire To See, And Know": Paradise Regained And The Political Theology Of Privacy". Huntington Library Quarterly. Volume 76, Issue 1. 137-160. DOI: 10.1525/ hlq.2013.76.1.137 https://works.swarthmore.edu/fac-english-lit/181 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. “Unspeakable desire to see, and know”: Paradise Regained and the Political Theology of Privacy Eric B. Song abstract In this essay, Eric B. Song considers the artistic, religious, and politi- cal value of privacy in Paradise Regained. The topic of privacy condenses Milton’s thinking about gender and sexuality, domesticity, the fraught work of publishing intimate truths, and the relationship between Christian and Hebraic modes of religious polity. The depiction of privacy in Paradise Regained relates not only to Milton’s earlier poetry and prose but also to twentieth-century theories of private and public life that contrast classical and modern societies. The productive fric- tion between Milton’s religious convictions and his advocacy for personal liberty speaks to controversies that persist in present-day American politics.
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Those Thoughts That Wander Through Eternity” Juliet Cummins
Cambridge University Press 978-0-521-81665-6 - Milton and The Ends of Time Edited by Juliet Cummins Excerpt More information Introduction: “Those thoughts that wander through eternity” Juliet Cummins John Milton’s intellectual and imaginative engagement with eschatolog- ical ideas is evident in his work from the beginning to the close of his career. Speculation about the end of time and the arrival of the great moment of the apocalypse was fueled by the momentous political and religious upheavals of his day and reached an extraordinary pitch of in- tensity in mid seventeenth-century England. In the Puritan parliament of 1654, Oliver Cromwell, having reminded his listeners of St. Paul’s warn- ing that “In the last days perilous times should come,” went on to say, “and surely it may be well feared these are our times.”1 Cromwell’s words re- ﬂected a widespread view that the world was in decline, and that human history was in its “perilous” closing phases. Dating of biblical events and prophesies suggested to many that the Second Coming would occur in the 1650sor1660s. Milton was at one with many others of his age in be- ing intensely interested in the last things. Eschatological themes appear throughout his poetry and prose, from his youthful anticipation in the 1620s of “at last” when “our bliss / Full and perfect is” (Nativity Ode, ll. 165–66) to his assertion that Christ’s “Kingdome is now at hand” in the 1640s(Animadversions, CP i: 707) and his politically charged allusion in the early 1670s to that kingdom which “shall to pieces dash / All Monarchies besides throughout the world” (PR 4.149–50).
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Forum: Milton's Christian Doctrine
SEL 32 (1992) ISSN 0039-3657 Forum: Milton's ChristianDoctrine William B. Hunter's essay, "The Provenance of the Christian Doctrine," was delivered 8 August 1991 to a session at the Fourth International Milton Symposium at the University of British Columbia, Vancouver, Canada. Dr. Gordon Campbell of the University of Leicester chaired the panel. Dr. Barbara Lewalski of Harvard University and Dr. John Shawcross of the University of Kentucky responded. Both respondents received advanced copies of the Hunter essay. The panel participants all agreed that the responses as well as a short reply from Dr. Hunter should appear in print with the original essay, already accepted for this issue of Studies in English Literature. Because of severe restrictions of time as the issue goes to press, no substantive changes have been made in any of the papers or in the initiating article. BARBARA K. LEWALSKI It is always salutary for scholars to rethink established verities; so my good friend William Hunter has contributed largely to our collective good by forcing us to reconsider the case for Milton's authorship of De Doctrina Christiana. His challenge centers on three issues: the alleged disparities and contradictions between the theological tract and Milton's other works, especially Paradise Lost; the state of the De Doctrina text and the names and initials inscribed on it; and the external evidence surrounding the document, notably the questionable probity of Daniel Skinner. Reviewing evidence collected by David Masson, William Riley Parker, Maurice Kelley, and others, I mean to argue here the case for Milton's authorship, which despite these challenges seems to me persuasive, indeed compelling.
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