Durham E-Theses
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Evaluation of the Autobiographical Interpretation of Samson Agonistes Edward P
University of Richmond UR Scholarship Repository Master's Theses Student Research Summer 1966 An evaluation of the autobiographical interpretation of Samson Agonistes Edward P. Crockett Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Crockett, Edward P., "An evaluation of the autobiographical interpretation of Samson Agonistes" (1966). Master's Theses. Paper 242. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. An Evaluation of the J.utobiogrnphioal Interpretation ot Samson /;Sonistes By FA:lward, P. Crockett A Thesis ·Presented to· the Faculty. of the Department-of Engtish of' the University or Hlehtnond 'in Partial Ful.fillme.nt of the Requirements for the Master or Arts Degi;ee Richmond, Virginia August l, 1968 .·-,, .. .,. - .... • J • ·~ I .... ~ .Approved for the Gradua~.• School and the Department of English by . 1 Dean of .the Graduat$ School ~~ · ~ a?:ase -< Chairman of the English Department . I conceived my self. to be nQw .not as .m,ine . own person, but as a member incorporate into tha:t truth whereof I was .persuaded, and whereof I h8.d declare-d .o·penly t'o be a partaker. (Milton, :ll!!. Apology: fo~ Smectymnuus) T.. 4.BLE OF CON1'1t~NTS Preface • Chapter It Fos.sible Sources tor Samso11 Agort1.stes. Page l Chapter II: A Summary of Representative Scholar ship Concerning the.Autobiographical Inter~ pretationof the Drama ·and Its Date of Com position. -
An Analysis of the Objective-Subjective Elements in John Milton's Dramatic Poem Samson Agonistes
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1947 An Analysis of the Objective-Subjective Elements in John Milton's Dramatic Poem Samson Agonistes Louis S. Kaluzsa Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Literature in English, British Isles Commons Recommended Citation Kaluzsa, Louis S., "An Analysis of the Objective-Subjective Elements in John Milton's Dramatic Poem Samson Agonistes" (1947). Master's Theses. 635. https://ecommons.luc.edu/luc_theses/635 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1947 Louis S. Kaluzsa AN ANALYSIS OF THE OBJECTIVE-SUBJECTIVE ELEMENTS IN JOHN MILTON'S DRAMATIC POEM SAMSON AGONISTES BY LOUIS S. KALUZSA, S.J. A THESIS SUBMITTED IN PARTIAL FULF'ILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LOYOLA UNIVERSITY JUNE 1947 VITA AUCTORIS Louis s. Kaluzsa, S.J., was born in Cleve land, Ohio, October 13, 1916. He was graduated from Cathedral Latin High School, Cleveland, Ohio, June, 1934. He entered John Carroll University, Cleveland, Ohio, in Septemb~r, 1934. After completing two years there, he entered the Milford Novitiate of the Society of Jesus in 1936 and waB enrolled at St. Xavier University, Cincinnati, Ohio, whence he received his Litt. -
Milton's Attitude Toward Women
The Woman's College of The University of North Carolina LIBRARY no. 3?0 COLLEGE COLLECTION Gift of Marianne Sewell Aiken MILTON'S ATTITUDE TOWARD WOMEN by Marianne Sewell Aiken A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro May, I965 Approved by 6, Director APPROVAL SHEET This thesis has been approved by the following committee of the Faculty of the Graduate School of the University of North Carolina, Greensboro, North Carolina. Thesis Director Oral Examination Committee Members t> Date of Examination AIKEN. MARIAN ! 3EWELL. Milton's Attitude Toward Women.(1965) Directed by Dr. Jean E. Gagen. pp. 66. Milton lived in a period of transition affectin^ many as- pects of life, among them the status of wonen. Age-old conserva- tive beliefs were still alive and had a temporary resurgence un- der the Puritan hegemony, but liberal forces were also at work* The poet had the misfortune to be involved in a partic- ularly unhappy marriage. After a youth spent largely in study, with little contact with young women, he hastily married an im- mature Royalist bride, Mary Powell. Her refusal to return to Milton after she had left him in the early months of the mar- riage to visit her family suggests that Hilton and Mary Powell were incompatible from the start. Though there was a reconcil- iation later, Hilton's relationship with her, her whole -family, and, after her death, her children as well, was replete with friction and bitterness. -
Milton and the Early Modern Culture of Devotion: Bodies at Prayer
reviews 121 Levellers’ writings and to examine them and Milton’s together, and of Williams’s capacity and integrity in making the attempt. I’m wary of reviewers’ frequent tendency to ask for a book different from the one an author undertook to write. Still, I did find Williams’s final two chapters, on Paradise Regained, especially with their (worthwhile) emphasis on Foxe’s “Book of Martyrs,” an awkward fit for the rest of this already very long volume. And its length is indeed an issue for any reader wishing to grasp the work’s thesis in a focused manner. I mentioned earlier the book’s main genre: that of documentary and historical presentation of materials that are then argued to be relevant to a reading of Milton. Yet much of this book verges into another valuable but demanding genre: the thematic reception history, most recently and impressively exemplified by John Leonard’s Faithful La- bourers (2013). For me, this aspect of Milton’s Leveller God occasioned something of a trial of patience, and I often felt that reference to the work of others—instead of being tackled repeatedly, sometimes rather severely, in the body of Williams’s text—could have been compacted and deposited decorously in his notes. Naya Tsentourou. Milton and the Early Modern Culture of Devotion: Bodies at Prayer. New York and London: Routledge, 2018. ix + 176 pp. $149.95. Review by David Ainsworth, University of Alabama. Milton and the Early Modern Culture of Devotion: Bodies at Prayer urges scholars to pay closer attention to the ways in which Milton connects bodies to faith, suggesting that the body at prayer both ex- presses internal devotion and produces and embodies that devotion itself. -
Could the Story of Samson Be True Or Is It Just a Myth
UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za anglistiko in amerikanistiko DIPLOMSKO DELO Marija Vodopivec Maribor, 2014 UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za anglistiko in amerikanistiko Diplomsko delo SAMSONOVA AGONIJA JOHNA MILTONA: KOMPARATIVNI PRISTOP K LIKU SAMSONU Graduation thesis MILTON’S SAMSON AGONISTES: A COMPARATIVE APPROACH TO THE CHARACTER OF SAMSON Mentor: izr. prof. dr. Michelle Gadpaille Kandidat: Marija Vodopivec Študijski program: Pedagogika in Angleški jezik s književnostjo Maribor, 2014 Lektor: Izr. Prof. Dr. Michelle Gadpaille AKNOWLEDGEMENTS I want to thank my mentor, Dr. Michelle Gadpaille for her guidance and her valuable advice during my writing. I want to thank my parents, Drago and Agata for always supporting me and encouraging me during my studies. I want to thank my sister Marta and her husband Nino for always being there for me when I needed the most. I want to thank my big brother Marko and his lovely Tea for encouraging me and believing in me. I also want to thank my dear Denis for encouraging me, making me happy and for not graduating before me. FILOZOFSKA FAKULTETA Koroška cesta 160 2000 Maribor, Slovenija www.ff.um.si IZJAVA Podpisani-a MARIJA VODOPIVEC rojen-a 31.07.1988 študent-ka Filozofske fakultete Univerze v Mariboru, smer ANGLEŠKI JEZIK S KNJIŽEVNOSTJO IN PEDAGOGIKA, izjavljam, da je diplomsko delo z naslovom SAMSONOVA AGONIJA JOHNA MILTONA: KOMPARATIVNI PRISTOP K LIKU SAMSONU / MILTON’S SAMSON AGONISTES: A COMPARATIVE APPROACH TO THE CHARACTER OF SAMSON pri mentorju-ici IZR. PROF. DR. MICHELLE GADPAILLE, avtorsko delo. V diplomskem delu so uporabljeni viri in literatura korektno navedeni; teksti niso prepisani brez navedbe avtorjev. -
Table of Contents
Table of Contents Foreword and Acknowledgements XI Introduction 1 Part I The Minor Poetry Hugh WILSON Milton and Wordsworth: Reflections on “L’Allegro,” “Il Penseroso,” and “Tintern Abbey” 19 Jean PIRONON The Five Senses as Origin of Milton’s Poetic Idiom in the University Exercises and the Minor Poems (1626–1637) 35 Trevor Laurence JOCKIMS Pastoral Lost and Regained in “Lycidas” 47 David V. URBAN Talents and Laborers: Parabolic Tension in Milton’s Sonnet 19 61 Part II The Prose Matthew JORDAN The Bourgeois Utopianism of Milton’s Anti-Prelatical Tracts 75 James ROVIRA Milton’s Ontology of Books and Areopagitica 89 Antti TAHVANAINEN The Role of Rhetoric in the Political Thought of John Milton 97 Kemmer ANDERSON Those Tenured Tyrants: How Milton’s Tenure of Kings and Magistrates Influenced Jefferson’s Declaration of Independence 109 VIII Milton in France Danièle FRISON Droits et Libertés dans The Tenure of Kings and Magistrates de John Milton 117 Yuko Kanakubo NORO On Milton’s Proposal for a “Communitas Libera” Reconsidered – from Defensio Prima, through The Readie and Easie Way, to Paradise Lost 131 Georgi VASILEV Philosophie et figures dualistes dans les pamphlets de John Milton 141 Part III The Great Poems 1. Paradise Lost Matt DOLLOFF Urania, Antidote to Tyranny 155 T. Ross LEASURE Spenser’s Diabolical Orator and Milton’s “Man of Hell” 167 Martin DAWES Adam’s Co-creation of Eve: Taking Liberties with Milton’s Ironic God 177 Virginie ORTEGA-TILLIER Qualités plastiques de l’évocation poétique & caractéristiques des illustrations du Paradis perdu de Milton 189 Luis Fernando Ferreira SÁ Notes on a Postcolonial Fall in Milton’s Paradise 201 Charlotte CLUTTERBUCK The Sinner’s View of God in the Invocations and Book III of Paradise Lost 211 Margaret Justice DEAN Martyrdom Reconsidered: Adam’s Profit from Abdiel’s Example 227 Antonella PIAZZA Milton and Galileo: The Astronomical Diet of Paradise Lost 237 Table of Contents IX 2. -
The Body Beyond: Corporeal Suffering and Space in John Milton's Samson Agonistes
Wenshan Review of Literature and Culture.Vol 6.1.December 2012.141-166. The Body Beyond: Corporeal Suffering and Space in John Milton’s Samson Agonistes Ying-chiao Lin ABSTRACT Samson Agonistes can be seen as expressing John Milton’s belief that corporeal suffering may have a divine purpose, and that the suffering self may be the site of a possible “resurrection.” Milton, like the Greek tragedians, shows us a basic fact of human existence: physical pain is more than pain; it paradoxically leads to self-regeneration. Both Samson’s corporeal disfigurement and bodily confinement account for his extreme interiority and immobility, characterized as “Prison within Prison.” In a sense the prison’s own dimensions become that of his self; he becomes the prison. It is only when he enters the open public space in the final temple scene, where he takes advantage of its spaciousness to stage his planned catastrophe, that he at last feels inwardly free and open. His body is transformed from a private to a public one, a body belonging to his people and his history and thus directly facing his and their enemy. In his physical act of pushing against the mighty pillars he seems to be moving outward, moving “outside himself” into a state of total exteriority which yet will be internalized, drawn inward, just as the phoenix’s flight out of the fire has a sense of both inward and outward transcendence. Although one could say that in the final offstage scene Samson uses his body like a page of Scripture, metaphorically rewriting his sacred script, his “letter” to the profane Philistines in his own blood, the value of his mutilated body is more dependent on, or defined by, suffering than by the ending ultimate violence. -
Milton's Samson Agonistes; with Introd., Notes, Glossary and Indexes
PR 3566 n3V4 Pitt Press Series .r^^) ^ •/f MILTON'S SAMSON AGONISTES. CAMBRIDGE UNIVERSITY PR^iSS LONDON: Fetter I.ane New York The Macmillan Co. Bombay, Calcutta and Madras Ivlacmillan and Co., Ltd. Toronto The Macmillan Co. of Canada, Ltd. Tokyo Xlaruzen-Kabushiki-Kaisha All rights reserved MILTON'S SAMSON AGONISTES WITH INTRODUCTION, NOTES, GLOSSARY AND INDEXES BY A. W. VERITY, M.A. SOMETIME SCHOLAR OK TRINITY COLLEGE CAMBRIDGE AT THE UNIVERSITY PRESS 1925 Pli 3566 First Edition 1892. Rsprinted 1897, igo^, 1910, 1912, 1916, «9i9, 1922. 1925 1034?o8 PRINTED IX GKP:AT BRI'I'AIN NOTE. THE text of Samson Ago?itstes in this volume is based upon that of the first edition (1671), compared with the second edition (1680). Some Httle study of Milton has shown me that more errors than is generally supposed have crept into the text of his poems, and find a place even in editions of good repute. An instance in point is the blunder mentioned in the note on line 1096. It makes entire nonsense of the passage : but more than one edition in which it occurs might be cited. Often, too, the changes in the punctuation are not only unnecessary, but actually alter the sense; cf. the examples noted in 11. 1262 and 1264. My aim has been to keep as close as possible to the original. In accordance with the suesjestion of a reviewer of the first volume of this edition of Milton the philological ele- ment has, in the present case, been relegated, mainly, to a Glossary at the end. -
1: Milton's Vindication of Radical Theocracy in Paradise Regained And
“A JOY PRESUMPTUOUS TO BE THOUGHT”1: MILTON’S VINDICATION OF RADICAL THEOCRACY IN PARADISE REGAINED AND SAMSON AGONISTES MATTHEW MULLIN In a letter to Alexander Pope dated 15 June 1722, Francis Atterbury offers a rare commentary on Samson Agonistes, one of John Milton’s lesser-known works. He encourages Pope to make “a new Perusal of it . [hoping] you think as I do, that it is Written in the very Spirit of the Ancients.” Atterbury further urges Pope to “review, and polish” Milton’s work, which he believes “is capable of being improv’d, with little trouble, into a perfect Model and Standard of Tragic Poetry” (Shawcross 243), in the way that Atterbury and Pope considered Paradise Lost the standard of epic poetry.2 But Atterbury’s reactions to the play—specifically, that it is “Written in the very Spirit of the Ancients” but nonetheless could use some polishing and improvement to bring it to the standard of Milton’s other works—reflect the typical attitude of traditional Milton scholarship. Indeed, the vast majority of the Miltonic critical corpus centers on his prose and epic poems—Paradise Lost in particular but also Paradise Regained to a lesser extent—while Samson Agonistes receives vague praise but little in-depth critical analysis. That is, until recently. 1 Samson Agonistes 1531 2 An excellent argument in support of this statement appears in Kent Beyette’s influential 1976 article, “Milton and Pope’s The Rape of the Lock (cited below). He proves through intertextual critical analysis that Pope’s poem repeatedly borrows from Paradise Lost, and many since have used his argument in support of theirs. -
D. M. Rosenberg the "SPACIOUS THEATER" in SAMSON AGONISTES Several Months Before the Ordinance of the Lords and Common
D. M. Rosenberg THE "SPACIOUS THEATER" IN SAMSON AGONISTES Several months before the ordinance of the Lords and Commons closed the London theatres late in 1642, Milton had boldly proposed that "it were happy for the Commonwealth, if our magistrates would take into their care. the managing of our public sports and festival pastimes." Arguing that the people would profit from "wise and artful recreations," he considered whether divin ity itself could be taught not only in Pulpits, but after another persuasive method, at set and solemn Paneguries, in Theaters, porches, or what other place, or what may win most upon the people to receiv at once both recreation, & instruction. *- With the Restoration in 1660 the theatres in London were reopened, and eleven years after that, in 1671, Milton's Samson Agonistes was published. The restored theatres, because of their rapidly changing repertoires, constantly demanded new plays, and professional playwrights were active and productive, submitting their dramas to the playhouse for performance. Yet in the midst of this dramatic and theatrical activity, Milton announced in the preface to Samson Agonistes that his own play was "never intended" for the theatre. In the play itself, however, Milton's protagonist redeems himself in "a spacious Theater" (1.1605),2 and there fulfills God's providential plan. It is my concern here to discuss Milton's attitude toward the theatre and drama, and show the relationship between Milton's view of an ideal theatre, his refusal to write for the stage, and in his own play, Samson Agonistes, in which the protagonist redeems himself in a theatre as he destroys it. -
In 1642, Milton Wrote That to Enter Contemporary Debates About
A SHIPWRECK OF FAITH: HAZARDOUS VOYAGES AND CONTESTED REPRESENTATIONS IN MILTON’S SAMSON AGONISTES DYANI JOHNS TAFF In John Milton’s Samson Agonistes (1671), Samson compares the loss of his divine strength to a shipwreck and the Chorus compares Dalila to an alluring merchant ship as she approaches Samson. This essay argues that Milton uses maritime metaphors to represent contested gender, theology, and representation. The focus on these sites of contestation reveals that Milton invites readers to question his characters’ interpretive acts by presenting successive, competing interpretations of Dalila’s supposed betrayal and of the moral ambiguity of Samson’s death. Samson and Dalila compete –with each other and with other characters – for control over their metaphorical ships, and they risk shipwreck as they seek to represent their actions and choices favourably. Parallel to Milton’s characters, readers risk a kind of shipwreck as they navigate competing versions of the biblical story and encounter the conflict between wilful acts of interpretation and the desire to become a vessel for divine will. In 1642, Milton wrote that to enter contemporary debates about church government would be “to imbark in a troubl’d sea of noises and hoars disputes”.1 Milton saw the hazards of joining debates about right religious practice as akin to setting sail in a stormy sea; like Paul and other New Testament authors, he connects faith in religious truth – a truth about which one can rarely be certain – to the danger of the sea voyage, and considers himself (or his text) a vessel for divine will.2 Milton would continue to find maritime metaphors useful in 1 John Milton, The Reason of Church Government Urg’d against Prelaty, in Complete Prose Works of John Milton, ed. -
Waiting for God : John Milton's Poems of 1671
CHATTERTON LECTURE ON POETRY Waiting for God : John Milton’s Poems of 1671 MARGARET KEAN St Hilda’s College, Oxford I THE YOUNG JOHN MILTON concluded his poem Il Penseroso with a prayer for a peaceful old age, And may at last my weary age Find out the peaceful hermitage, The hairy gown and mossy cell, Where I may sit and rightly spell Of every star that heaven doth shew, And every herb that sips the dew; Till old experience do attain To something like prophetic strain. These pleasures Melancholy give, And I with thee will choose to live.1 The political realities of Milton’s last years were somewhat different to the situation anticipated in this early poem but the idea of forming experi- ence into prophetic stylistics remains highly relevant for Milton’s Read at the Academy 1 November 2000. 1 Il Penseroso, 167–76. Quotations from Milton’s poetry are taken from the Longman 2nd edn., John Milton: Complete Shorter Poems, ed. John Carey (Harlow, 1997); John Milton: Paradise Lost, ed. Alastair Fowler (Harlow, 1998), unless otherwise stated. All references to Milton’s prose are from Complete Prose Works of John Milton, ed. Don M. Wolfe, et al. (New Haven, 1953–82), 8 vols., hereafter, Yale Prose. The following abbreviations are used within the main text, Ode for On the Morning of Christ’s Nativity, PL for Paradise Lost, PRg for Paradise Regained, and SAg for Samson Agonistes. Proceedings of the British Academy, 111, 157–77. © The British Academy 2001. Copyright © The British Academy 2001 – all rights reserved 158 Margaret Kean Restoration publications.