John Milton Read by Samantha Bond and Derek Jacobi POETRY
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English Identity in the Writings of John Milton
The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Fall 12-2012 English Identity in the Writings of John Milton Hannah E. Ryan University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Arts and Humanities Commons Recommended Citation Ryan, Hannah E., "English Identity in the Writings of John Milton" (2012). Honors Theses. 102. https://aquila.usm.edu/honors_theses/102 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi English Identity in the Writings of John Milton by Hannah Elizabeth Ryan A Thesis Submitted to the Honors College of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in the Department of English November 2012 ii Approved by _____________________________ Jameela Lares Professor of English _____________________________ Eric Tribunella, Chair Department of English ________________________________ David R. Davies, Dean Honors College iii Abstract: John Milton is an essential writer to the English canon. Understanding his life and thought is necessary to understanding his corpus. This thesis will examine Milton’s nationalism in several major and minor poems as well as in some of Milton’s prose. It will argue that Milton’s nationalism is difficult to trace chronologically, but that education is always essential to Milton’s national vision of England. -
Edward Jones
Edward Jones Events in John Milton’s life Events in Milton’s time JM is born in Bread Street (Dec 9) 1608 Shakespeare’s Pericles debuts to and baptized in the church of All great acclaim. Hallows, London (Dec 20). Champlain founds a colony at Quebec. 1609 Shakespeare’s Cymbeline is performed late in the year or in the first months of 1610, most likely indoors at the Blackfriars Theatre. The British establish a colony in Bermuda. Moriscos (Christianized Muslims) are expelled from Spain. Galileo constructs his first telescope. The Dutch East India Company ships the first tea to Europe. A tax assessment (E179/146/470) 1610 Galileo discovers the four largest confirms the Miltons residing in moons of Jupiter (Jan 7). the parish of All Hallows, London Ellen Jeffrey, JM’s maternal 1611 Shakespeare’s The Winter’s Tale is grandmother, is buried in All performed at the Globe Theatre Hallows, London (Feb 26). (May). The Authorized Version (King James Bible) is published. Shakespeare’s The Tempest is performed at court (Nov 1). The Dutch begin trading with Japan. The First Presbyterian Congregation is established at Jamestown. JM’s sister Sara is baptized (Jul 15) 1612 Henry, Prince of Wales, dies. and buried in All Hallows, London Charles I becomes heir to the (Aug 6). throne. 1613 A fire breaks out during a performance of Shakespeare’s Henry VIII and destroys the Globe Theatre (Jun 29). 218 Select Chronology Events in John Milton’s life Events in Milton’s time JM’s sister Tabitha is baptized in 1614 Shakespeare’s Two Noble Kinsmen All Hallows, London (Jan 30). -
John Milton's Influence on Poets, Writers and Composers of His
John Milton’s Influence on Poets, Writers and Composers of His Period and Aftermath 1 Mehmet Recep TAŞ, Erdinç Durmuş INFO ABSTRACT ARTICLEAvailable Online September 2014 John Milton is doubtless one of the most important and influential poets Key words: nglish Language and Literature. He has always been a major Milton; influence in literature both during his lifetime and after his death. His Poetry; reputationin E among the readers and the poets is a known fact since it has Pamphlet; been proven that several writers and poets frequently wrote under the influence of this great epic poet. Milton was an artist who had written about various subjects, he was both a poet and a renowned prose writer. English Literature. As he had something to say about every field of life his admirers and followers were not necessarily from just one category. Many people, including politicians, poets, writers, composers found something valuable in Milton and his works. The purpose of this article is to reevaluate Milton’s controversial works and lay down the influence of Milton on the mentioned figures of the period and aftermath. " Milton! thou shouldst be living at this hour:, – Wordsworth- It is interesting that John Milton first bec England hath need of thee." However, this kind of reputation was not something to be envied of as he soon happened to be known a ame a famous figureattracted in Englanda great deal through of attenti his ondivorce at that pamphlets. time. It is known that Milton's reputation and influence was not as great in his lifetime as it was after his death. -
Samson Agonistes Performed by Iain Glen and Cast 1 Introduction - on a Festival Day 8:55 2 Chorus 1: This, This Is He
POETRY UNABRIDGED John Milton Samson Agonistes Performed by Iain Glen and cast 1 Introduction - On a Festival Day 8:55 2 Chorus 1: This, this is he... 3:19 3 Samson: I hear the sound of words... 2:16 4 Chorus 1: Tax not divine disposal, wisest Men... 1:45 5 Samson: That fault I take not on me... 2:03 6 Chorus 1: Thy words to my remembrance bring... 2:33 7 Manoa: Brethren and men of Dan, for such ye seem... 3:11 8 Samson: Appoint not heavenly disposition, Father... 2:56 9 Manoa: I cannot praise thy Marriage choices, Son... 3:36 10 Manoa: With cause this hope relieves thee... 4:22 11 Chorus 1: Desire of wine and all delicious drink... 4:05 12 Samson: O that torment should not be confin’d... 2:45 13 Chorus 3: Many are the sayings of the wise... 3:07 14 Chorus 3: But who is this, what thing of Sea or Land? 1:14 15 Dalila: With doubtful feet and wavering resolution... 2:05 16 Dalila: Yet hear me Samson; not that I endeavour... 6:47 17 Samson: I thought where all thy circling wiles would end... 7:32 2 18 Chorus 1: She’s gone, a manifest Serpent by her sting... 3:24 19 Samson: Fair days have oft contracted wind and rain. 0:48 20 Harapha: I come not Samson, to condole thy chance... 7:15 21 Samson: Among the Daughters of the Philistines... 3:15 22 Chorus 1: His Giantship is gone somewhat crestfall’n.. -
Voice Training and the Royal National Theatre Rena Cook
Spring 1999 165 Voice Training and the Royal National Theatre Rena Cook I stepped off the double-decker bus at Waterloo Station with my map in hand, walked several blocks and found the Old Vic quite easily. But the Royal National Theatre Studio, where the orientation was to take place, was nowhere in sight. "Next to the Old Vic," I had been told. With address and directions in my pocket, I surveyed the area as my internal compass spun out of control. After a brief moment of panic, I went to the box office and asked for help. "Out this door, two steps to your left and through the iron gate." I had traveled to London to participate in a course entitled "International Voice Intensive" with Patsy Rodenburg. As I walked up the steps of the studio on that chilly Sunday afternoon, with jet lag hanging heavily on my limbs, I had little idea that in my two weeks study I was about to experience a Zeitgeist of contemporary London theatre, training and practice. The focus was, of course, the voice work under the tutelage of master teacher Patsy Rodenburg, who currently heads the voice departments at the Royal National Theatre and Guildhall School of Music and Drama. In addition, the course participants were exposed to and interacted with some of the finest artists working in Western theatre today, including Trevor Nunn, Richard Eyre, and Judi Dench. Following each exhaustive day of study, workshop, and discussion, we attended theatre, viewing five of the six productions currently in repertory at the National. -
March 2016 Conversation
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster. -
Milton's Christ, As Seen by the Critics of Paradise Lost and Paradise Regained Since 1900
Fort Hays State University FHSU Scholars Repository Master's Theses Graduate School Summer 1962 Milton's Christ, as Seen by the Critics of Paradise Lost and Paradise Regained Since 1900 Robert Granger Wright Fort Hays Kansas State College Follow this and additional works at: https://scholars.fhsu.edu/theses Part of the English Language and Literature Commons Recommended Citation Wright, Robert Granger, "Milton's Christ, as Seen by the Critics of Paradise Lost and Paradise Regained Since 1900" (1962). Master's Theses. 743. https://scholars.fhsu.edu/theses/743 This Thesis is brought to you for free and open access by the Graduate School at FHSU Scholars Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of FHSU Scholars Repository. MILTON'S CHRIST, AS SEEN BY THE CRITICS OF PARADISE LOST AND PARADIS E REGAI NED SINCE 1900 being A Thesis Presented to the Graduate Faculty I of the Fort Hays Kans as State Col lege i n Partial Fulfillment of the Requirements for the Degree of Master of Arts by . Robert Granger Wright, A.B. Fort Hays Kansas State Col lege Approved<;J? C , Major Pro1·essor PREFACE My idea for this thesj_s grew out of a term paper written for Dr. Roberta Stout1 s Milton Seminaro The idea developed into a thesis which has an over-all purpose of presenting the primary investigations and cormnentaries of the twentieth century critics upon }1ilton1 s Christ and to arrive at conclusions which pertain to these critical findings o Difficulties encountered in the writing of this paper cen- tered around the fact that almost all of the research material was gathered through interlibrary loans. -
The Senses and Human Nature in a Political Reading of Paradise Lost
Chapter 8 The Senses and Human Nature in a Political Reading of Paradise Lost Jens Martin Gurr Milton, so far as I know, is the first to turn to the story of the Fall to explain the failure of a revolution.1 Introduction Let us begin with what seems a politically inconspicuous passage on the five senses. Here is Adam, lecturing Eve on reason, fancy and the senses: But know that in the soul Are many lesser faculties that serve Reason as chief; among these fancy next Her office holds; of all external things, Which the five watchful senses represent, She forms imaginations, airy shapes, Which reason joining or disjoining, frames All what we affirm or what deny, and call Our knowledge or opinion [. .].2 What we find here is a rather standard early modern understanding of the relationship between reason, fancy and the senses.3 But what is illuminating is the way in which this discussion is metaphorically politicized by means of the body politic analogy: the relations among the inner faculties, as so often in Milton, are rendered in the political terminology of rule, domination and 1 Hill Ch., Milton and the English Revolution (London: 1977) 352. 2 Milton John, Paradise Lost, ed. Fowler A., 2nd ed. (London: 1998) V, 100–108. Further refer- ences by book and verse will be to this edition. 3 For this as ‘a fairly straightforward account of Aristotelian faculty psychology’, cf. Moshenska J., “ ‘Transported Touch’: The Sense of Feeling in Milton’s Eden”, English Literary History 79, 1 (2012) 1–31, 24, n. -
John Milton, Areopagitica (1644)1
1 Primary Source 10.3 – Milton JOHN MILTON, AREOPAGITICA (1644)1 John Milton (1608–74) is widely considered the greatest writer in English after Shakespeare. A private tutor, an excellent school in London, seven years at Cambridge University, and six years of self-directed study made him an extraordinarily learned man with fluency in Latin, Greek, Hebrew, French, Spanish, and Italian; vast knowledge of modern writing; and intimate familiarity with the literature and thought of ancient Greece and Rome, of late antiquity, and of the Middle Ages. From an early age, he believed himself destined to contribute a great creative work, something that would do credit to the gifts with which the Lord had endowed him. A deeply believing Christian and an unwavering advocate of religious, civil, and political liberty, he devoted those gifts for twenty years to the service of the Puritan and Republican causes. During this era, he penned Areopagitica, probably the greatest polemical defense of the freedom of the press ever written. Following the restoration of the Stuart monarchy in 1660, Milton had to withdraw from political life. Seven years later, he published his masterwork, Paradise Lost, an epic poem recounting the Biblical story of the Fall of Man in over 10,000 lines of blank verse. In Areopagitica, Milton deploys impassioned arguments, vast historical knowledge, extraordinary erudition, and powerful logic to demand the abrogation of a law of 1643 authorizing twenty licensors, or censors, in England to approve or reject book and pamphlet manuscripts before publication, a general policy (not always strictly enforced) dating to the mid-1500s but abolished in 1641 by the Long Parliament. -
John Milton and the Spirit of Capitalism Eliot Davila University of Maryland College Park, Maryland
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English Volume 12 | Issue 1 Article 4 2010 John Milton and the Spirit of Capitalism Eliot Davila University of Maryland College Park, Maryland Follow this and additional works at: https://scholarcommons.sc.edu/tor Part of the Literature in English, Anglophone outside British Isles and North America Commons, and the Literature in English, British Isles Commons Recommended Citation Davila, Eliot (2010) "John Milton and the Spirit of Capitalism," The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English: Vol. 12 : Iss. 1 , Article 4. Available at: https://scholarcommons.sc.edu/tor/vol12/iss1/4 This Article is brought to you by the College of Humanities and Social Sciences at Scholar Commons. It has been accepted for inclusion in The sO wald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English by an authorized editor of Scholar Commons. For more information, please contact [email protected]. John Milton and the Spirit of Capitalism Keywords Capitalism, John Milton, British Literatue This article is available in The sO wald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English: https://scholarcommons.sc.edu/tor/vol12/iss1/4 21 John Milton and the Spirit of Capitalism Eliot Davila University of Maryland College Park, Maryland n The Protestant Ethic and the Spirit of Capitalism, Max IWeber assigns the following task to his readers: Consider, for example, the conclusion of the Divine Comedy, where the poet in Paradise is struck dumb as, all desires fulfilled, he contemplates the divine mysteries. -
Unit–1 Milton's: Lycidas
UNIT–1 MILTON’S: LYCIDAS Structure 1.0 Objectives 1.1 Introduction 1.2 His Works 1.3 The poem : Lycidas 1.4 Glossary 1.5 Notes 1.6 Critical Essays 1.6.1 ‘Lycidas’ as a Pastoral Elgy 1.6.2 Nature of Grief in ‘Lycidas’-Edward King as the Nominal Subject 1.6.3 The Autobiographical Element 1.6.4 Lycidas as a Work of Art-Diction and Versification 1.7 Let us Sum up 1.8 Review Questions 1.9 Bibliography 1.0 Objectives In this unit you are going to : Study one of the prominent poets of the puritan age : Milton. Understand the poem ‘Lycidas’ and its various features through a copious glossary and notes, 1.1 Introduction John Milton was born in London in 1608 (seven and a half years before the death of Shakespeare). His grandfather was a Roman Catholic who had disowned Milton’s father when the latter turned Protestant. The boy was sent to St Paul’s school, perhaps when twelve, perhaps earlier. From the beginning, Milton was an eager student (he tells us that from the time he was twelve, he seldom stopped reading before midnight), and he learned Latin, Greek, and Hebrew, and began to try to write verse. In 1625 he enrolled at Christ’s College, Cambridge, clashed with his tutor the following year and was suspended, returned and was given another tutor, and graduated on schedule. The University in those days still undertook to teach largely by rote memorization, and Milton thought his training was of little value. -
Paradise Regained and the Political Theology of Privacy
Swarthmore College Works English Literature Faculty Works English Literature Spring 2013 "Unspeakable Desire To See, And Know": Paradise Regained And The Political Theology Of Privacy Eric B. Song Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Eric B. Song. (2013). ""Unspeakable Desire To See, And Know": Paradise Regained And The Political Theology Of Privacy". Huntington Library Quarterly. Volume 76, Issue 1. 137-160. DOI: 10.1525/ hlq.2013.76.1.137 https://works.swarthmore.edu/fac-english-lit/181 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. “Unspeakable desire to see, and know”: Paradise Regained and the Political Theology of Privacy Eric B. Song abstract In this essay, Eric B. Song considers the artistic, religious, and politi- cal value of privacy in Paradise Regained. The topic of privacy condenses Milton’s thinking about gender and sexuality, domesticity, the fraught work of publishing intimate truths, and the relationship between Christian and Hebraic modes of religious polity. The depiction of privacy in Paradise Regained relates not only to Milton’s earlier poetry and prose but also to twentieth-century theories of private and public life that contrast classical and modern societies. The productive fric- tion between Milton’s religious convictions and his advocacy for personal liberty speaks to controversies that persist in present-day American politics.