Iron Game History Volume 3 Number 4
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HOW STEVE REEVES TRAINED by John Grimek
IRON GAME HISTORY VOL.5No.4&VOL. 6 No. 1 IRON GAME HISTORY ATRON SUBSCRIBERS THE JOURNAL OF PHYSICAL CULTURE P Gordon Anderson Jack Lano VOL. 5 NO. 4 & VOL. 6 NO. 1 Joe Assirati James Lorimer SPECIAL DOUBL E I SSUE John Balik Walt Marcyan Vic Boff Dr. Spencer Maxcy TABLE OF CONTENTS Bill Brewer Don McEachren Bill Clark David Mills 1. John Grimek—The Man . Terry Todd Robert Conciatori Piedmont Design 6. lmmortalizing Grimek. .David Chapman Bruce Conner Terry Robinson 10. My Friend: John C. Grimek. Vic Boff Bob Delmontique Ulf Salvin 12. Our Memories . Pudgy & Les Stockton 4. I Meet The Champ . Siegmund Klein Michael Dennis Jim Sanders 17. The King is Dead . .Alton Eliason Mike D’Angelo Frederick Schutz 19. Life With John. Angela Grimek Lucio Doncel Harry Schwartz 21. Remembering Grimek . .Clarence Bass Dave Draper In Memory of Chuck 26. Ironclad. .Joe Roark 32. l Thought He Was lmmortal. Jim Murray Eifel Antiques Sipes 33. My Thoughts and Reflections. .Ken Rosa Salvatore Franchino Ed Stevens 36. My Visit to Desbonnet . .John Grimek Candy Gaudiani Pudgy & Les Stockton 38. Best of Them All . .Terry Robinson 39. The First Great Bodybuilder . Jim Lorimer Rob Gilbert Frank Stranahan 40. Tribute to a Titan . .Tom Minichiello Fairfax Hackley Al Thomas 42. Grapevine . Staff James Hammill Ted Thompson 48. How Steve Reeves Trained . .John Grimek 50. John Grimek: Master of the Dance. Al Thomas Odd E. Haugen Joe Weider 64. “The Man’s Just Too Strong for Words”. John Fair Norman Komich Harold Zinkin Zabo Koszewski Co-Editors . , . Jan & Terry Todd FELLOWSHIP SUBSCRIBERS Business Manager . -
'Freaky:' an Exploration of the Development of Dominant
From ‘Classical’ To ‘Freaky:’ an Exploration of the Development of Dominant, Organised, Male Bodybuilding Culture Dimitrios Liokaftos Department of Sociology, Goldsmiths, University of London Submitted for the Degree of PhD in Sociology February 2012 1 Declaration: The work presented in this thesis is my own. Dimitrios Liokaftos Signed, 2 Abstract Through a combination of historical and empirical research, the present thesis explores the development of dominant, organized bodybuilding culture across three periods: early (1880s-1930s), middle (1940s-1970s), and late (1980s-present). This periodization reflects the different paradigms in bodybuilding that the research identifies and examines at the level of body aesthetic, model of embodied practice, aesthetic of representation, formal spectacle, and prevalent meanings regarding the 'nature' of bodybuilding. Employing organized bodybuilding displays as the axis for the discussion, the project traces the gradual shift from an early bodybuilding model, represented in the ideal of the 'classical,' 'perfect' body, to a late-modern model celebrating the 'freaky,' 'monstrous' body. This development is shown to have entailed changes in notions of the 'good' body, moving from a 'restorative' model of 'all-around' development, health, and moderation whose horizon was a return to an unsurpassable standard of 'normality,' to a technologically-enhanced, performance- driven one where 'perfection' assumes the form of an open-ended project towards the 'impossible.' Central in this process is a shift in male identities, as the appearance of the body turns not only into a legitimate priority for bodybuilding practitioners but also into an instance of sport performance in bodybuilding competition. Equally central, and related to the above, is a shift from a model of amateur competition and non-instrumental practice to one of professional competition and extreme measures in search of the winning edge. -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
A Historical Analysis of the Use of Supportive Apparel in Powerlifting Jan Todd
Trinity University Digital Commons @ Trinity School of Business Faculty Research School of Business 11-2015 Shifting Gear: A Historical Analysis of the Use of Supportive Apparel in Powerlifting Jan Todd Dominic G. Morais Trinity University, [email protected] Ben Pollack Terry Todd Follow this and additional works at: https://digitalcommons.trinity.edu/busadmin_faculty Part of the Business Administration, Management, and Operations Commons Repository Citation Todd, J., Morais, D. G., Pollack, B., & Todd, T. (2015). Shifting gear: A historical analysis of the use of supportive apparel in powerlifting. Iron Game History, 13(2-3), 37-56. This Article is brought to you for free and open access by the School of Business at Digital Commons @ Trinity. It has been accepted for inclusion in School of Business Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. November/December 2015 Iron Game History SHIFTING GEAR: A HISTORICAL ANALYSIS OF THE USE OF SUPPORTIVE APPAREL IN POWERLIFTING Jan Todd, Dominic Gray Morais, Ben Pollack & Terry Todd The University of Texas at Austin & Trinity University, San Antonio, Texas In many ways, powerlifting is an odd sport. the sport into several dozen sporting federations, and the Competitors do not run or jump; no balls, bats, or rackets willingness of many of these national governing bodies are used; and only one competitor "plays" on the lifting to allow various levels of gear-assisted lifting in their platform at a time. Judging can be highly subjective; organizations. If sport philosopher Robert Simon is right three judges intently watch as the athlete lifts the loaded that, "sport" is nothing more than a group of rules that barbell nine separate times over the course of the com defme and delimit how the central contest of the sport is petition. -
CURRICULUM VITAE Name Birth Date and Place John D. Fair
CURRICULUM VITAE Name Birth Date and Place John D. Fair September 6, 1943 Waynesboro, Pennsylvania, U.S.A. Married Children Sarah Patterson Fair Jonathan Oliver Fair (b. 1982) Philip Alexander Fair (b. 1985) Address 759 Karlee Court, Auburn, AL 36830 (478) 986-9286 or [email protected] or The H. J. Lutcher Stark Center for Physical Culture & Sports, NEZ 5.700, 1 University Station, D3600, Austin, TX 78712 (512) 471-0995 [email protected]. Education B.A. Juniata College, Huntingdon, Pennsylvania, 1965 M.A. Wake Forest University, Winston-Salem, North Carolina, 1966 Thesis: "Women's Suffrage in Great Britain, 1913-1918" Ph.D. Duke University, Durham, North Carolina, 1970 Dissertation: "The Role of the Conference in British Politics, 1884-1918" Areas of Specialization British Political and Constitutional History Modern Irish History British Empire and Commonwealth Twentieth Century American (Physical Culture & Sport) History Southern History Teaching Experience Instructor of History, York College of Pennsylvania, York, Pennsylvania, 1967. Instructor of History, Millersville University of Pennsylvania, Millersville, Pennsylvania, 1968. Assistant Professor of History, Virginia Polytechnic Institute & State University, Blacksburg, Virginia, 1969-1971. Assistant Professor of History, Auburn University at Montgomery, Montgomery, Alabama, 1971-1975. Associate Professor of History, Auburn University at Montgomery, Montgomery, Alabama, 1975-1981. Visiting Professor of History, University of Maine at Orono, Orono, Maine, Summer, 1981. Professor of History, Auburn University at Montgomery, Montgomery, Alabama, 1981-1989, Professor and Head, 1989- 1995, Alumni Professor and Head, 1995-1997 Professor of History & Chair, Georgia College & State University, Milledgeville, Georgia, 1997-2002 Professor of History, Georgia College & State University, Milledgeville, Georgia, 2002-2012 Adjunct Professor of Kinesiology, University of Texas, Austin, 2012-. -
Copyright by Tolga Ozyurtcu 2014
Copyright by Tolga Ozyurtcu 2014 The Dissertation Committee for Tolga Ozyurtcu Certifies that this is the approved version of the following dissertation: Flex Marks the Spot: Histories of Muscle Beach Committee: Janice S. Todd, Supervisor Thomas M. Hunt Marlene A. Dixon Joan H. Neuberger Janet M. Davis Flex Marks the Spot: Histories of Muscle Beach by Tolga Ozyurtcu, B.A.; M.S. Kin. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2014 Dedication To memory of my mother, my first reader. To my father: nereden nereye. Acknowledgements If there is one person responsible for this project, it is my father, Huseyin Ozyurtcu. For over thirty years, he has been my biggest influence and my best friend. Together with my late my mother, he taught me to love knowledge, think independently, and trust my instincts. In his love and unwavering support, I have found the strength and confidence to be myself. I owe him everything. I am also very grateful for my stepmother Vanessa, my brother Marcos, and my sister Yasmin. It has been almost ten years since our families came together and I cannot imagine life without them—to be in their presence is to know how good life can be. I consider myself fortunate to have had the support of Dr. Jan Todd since I began my graduate education in 2008. As my dissertation advisor, Dr. Todd gave me the freedom, encouragement, and feedback necessary to complete a large and ambitious project. -
A Writer's Calendar
A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details THE FIELD AND THE STAGE PUGILISM, COMBAT PERFORMANCE AND PROFESSIONAL WRESTLING IN ENGLAND 1700 – 1980 BENJAMIN LITHERLAND SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF SUSSEX FEBRUARY 2014 1 I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another university for the award of any other degree. Signature:……………………………………… 2 UNIVERSITY OF SUSSEX BENJAMIN LITHERLAND SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY THE FIELD AND THE STAGE: PUGILISM, COMBAT PERFORMANCE AND PROFESSIONAL WRESTLING IN ENGLAND, 1700 – 1980 SUMMARY Speaking to a local radio station in the 1960s, with the glitz, glitter and glamour of televised professional wrestling at its height, one old, retired Cumbrian wrestler declared that ‘wrestling…was a game for the field not the stage’. This statement, condensed and potent as it is, could stand in for the questions this thesis asks and seeks to answer: why did wrestling develop as a professional, performed ‘sporting entertainment’? To answer this question, existing theories of social and sports history are combined with cultural studies methods and applied to Pierre Bourdieu’s notion of fields. -
Ed Jubinville–A Memorial
VOLUME 3 NUMBER 2 January 1994 ED JUBINVILLE–A MEMORIAL JOE ROARK Letter to me from Ed on 24 March 1990: “I go for a quad in 1938 and continued honing until his death, he kept a journal of bypass the 28th. Keep in touch.” all the public performances in which he demonstrated this nearly lost Ed’s doctor had predicted another seven years of life fol- art. To get an idea of Ed’s control, imagine flexing your right biceps, lowing that operation. Karyn, Ed’s younger daughter, had filed and then while keeping one biceps head flexed, alternately relax and that prediction and had hoped it was accurate. It would not prove to flex the other head. You can imagine that: Ed could do that. be. Perhaps Ed’s most masterful control was over his view- point on life: he loved every waking moment of it, and had you spied Year’s ago when my newslet- him sleeping, probably a smile would ter, Musclesearch, began, the first sub- be accompanying a snore. Even the scriber was Ed Jubinville, who sent me stroke which removed his speech in five times the required money and asked 1981 did not remove his muscle con- for a one year subscription and that I trol. His wife Betty worked with Ed on apply the excess money “for the cause.” regaining his speech and six months led That was my premier letter from Ed. to great improvement Within another During these past few years we have six months. full speech was his again, exchanged many letters, talked at length and he was able again to tell those won- on the phone, and eaten some meals derful stories with a flare that only those together at contest sites. -
The History of Bodybuilding: International and Hungarian Aspects
Művelődés-, Tudomány- és Orvostörténeti Folyóirat 2020. Vol. 10. No. 21. Journal of History of Culture, Science and Medicine e-ISSN: 2062-2597 DOI: 10.17107/KH.2020.21.165-178 The History of Bodybuilding: International and Hungarian Aspects A testépítés története: nemzetközi és magyar vonatkozások Petra Németh doctoral student dr. Andrea Gál docent Doctoral School of Sport Sciences, University of Physical Education [email protected], [email protected] Initially submitted Sept 2, 2020; accepted for publication Oct..20, 2020 Abstract Bodybuilding is a scarcely investigated cultural phenomenon in social sciences, and, in particular, historiography despite the fact that its popularity both in its competitive and leisure form has been on the rise, especially since the 1950s. Development periods of this sport are mainly identified with those iconic competitors, who were the most dominant in the given era, and held the ‘Mr. Olympia’ title as the best bodybuilders. Nevertheless, sources reflecting on the evolution of organizational background and the system of competitions are more difficult to identify. It is similarly challenging to investigate the history of female bodybuilding, which started in the 19th century, but its real beginning dates back to the 1970s. For analysing the history of international bodybuilding, mainly American sources can be relied on, but investigating the Hungarian aspects is hindered by the lack of background materials. Based on the available sources, the objective of this study is to discover the development -
The Big Scoop Shawn Perine, Writer-At-Large For
The Big Scoop Shawn Perine, writer-at-large for Flex magazine and creator of the informative and entertaining website, IronAge, requested a telephone interview for an upcoming article. We would set up a date for the conversation; Shawn would ask a series of exciting questions to which I would respond with equally exciting answers, all to be completed in 90 exciting minutes. Any sane person would have said, “Sure.” Not me. Instead, I sent the following letter. Dear Shawn, It’s a compliment to be interviewed and I appreciate the exposure and attention and the thought that someone might be interested in what I have to say. Truth is I’ve read too many over-the-phone taped dialogues in which I sound as provocative and enlightening and entertaining as an old plowhorse snortin’ in the barn. Try as I might, no expression or passion is conveyed without voice inflection, gestures or the use of the right words. Bright spontaneity is what you hope for and redundancy is what you get. “That’s what I said, yeah, but that’s not what I meant to say” is my agitated reaction to statements I throw out on tape. The truth hurts, I guess, and my on-the-spot articulation is for the birds. Plus, I am not fond of the phone and the anticipation of phone calls -- gives me hives, very itchy. Jeez, alright already, Bomber. With this in mind, let me mess with my keyboard instead. Hardcore muscle-builders are a strange lot. Excuse me, time to light the incense and chant.. -
Beyond the Hack Squat: George Hackenschmidt' S Forgotten Legacy As a Strength Training Pioneer
August 2013 Iron Game History Beyond the Hack Squat: George Hackenschmidt' s Forgotten Legacy as a Strength Training Pioneer FLORIAN HEMME AND JAN TODD* The University of Texas at Austin But, as will be seen, it has not been my design to confine myself to laying down a series ofmles for strong men and athletes only: my object in writing this book has been rather to lay before my read ers such data as may enable them to secure health as well as strength. Health can never be divorced from strength. The second is an inevitable sequel to the first. A man can only fortify himself against disease by strengthening his body in such manner as will enable it to defy the attacks of any mala dy.! -George Hackenschmidt in The Way to Live Born in Dorpat, Estonia on 2 August 1878, his unique training philosophy and "system. "2 In fact, George (originally Georg, sometimes spelled Georges) Hackenschmidt became a revered authority in the field Karl Julius Hackenschmidt was one of the most admired of physical culture and fitness, yet maintained a marked and successful Greco-Roman and Catch-as-Catch-Can ly different perspective from that of the two most wrestlers at the beginning of the twentieth century. Gift famous fitness entrepreneurs of the early twentieth cen ed with extraordinary physical capabilities that seemed tury-Eugen Sandow (1867-1925) and Bernarr Macfad to far exceed those of the average man, he rose to star den (1868-1955).3 The fact that Hackenschmidt's ideas dom in the early 1900s through a captivating mixture of on exercise were so different than those of Sandow and overwhelming ring presence, explosive power, sheer Macfadden-both of whom established magazines, strength, and admirable humility.