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'Freaky:' an Exploration of the Development of Dominant
From ‘Classical’ To ‘Freaky:’ an Exploration of the Development of Dominant, Organised, Male Bodybuilding Culture Dimitrios Liokaftos Department of Sociology, Goldsmiths, University of London Submitted for the Degree of PhD in Sociology February 2012 1 Declaration: The work presented in this thesis is my own. Dimitrios Liokaftos Signed, 2 Abstract Through a combination of historical and empirical research, the present thesis explores the development of dominant, organized bodybuilding culture across three periods: early (1880s-1930s), middle (1940s-1970s), and late (1980s-present). This periodization reflects the different paradigms in bodybuilding that the research identifies and examines at the level of body aesthetic, model of embodied practice, aesthetic of representation, formal spectacle, and prevalent meanings regarding the 'nature' of bodybuilding. Employing organized bodybuilding displays as the axis for the discussion, the project traces the gradual shift from an early bodybuilding model, represented in the ideal of the 'classical,' 'perfect' body, to a late-modern model celebrating the 'freaky,' 'monstrous' body. This development is shown to have entailed changes in notions of the 'good' body, moving from a 'restorative' model of 'all-around' development, health, and moderation whose horizon was a return to an unsurpassable standard of 'normality,' to a technologically-enhanced, performance- driven one where 'perfection' assumes the form of an open-ended project towards the 'impossible.' Central in this process is a shift in male identities, as the appearance of the body turns not only into a legitimate priority for bodybuilding practitioners but also into an instance of sport performance in bodybuilding competition. Equally central, and related to the above, is a shift from a model of amateur competition and non-instrumental practice to one of professional competition and extreme measures in search of the winning edge. -
Iron Game History Volume 3 Number 4
VOLUME 3 NUMBER 4 August 1994 The first competition behind the Iron Curtain between ath- tition, and that no-one in the history of the sport had ever had the letes from the two superpowers after the Cold War began was held audacity to open with twenty pounds more than the listed world record. in 1955 in Moscow. The athletes were weightlifters. Ever since the But when the five foot nine inch, barrel-chested. three hundred and end of World War Two and the resumption of international meets forty pound Anderson chalked his hands and strode to the platform the American lifters had been dominant, and the soviets resented this the crowd got a good look at him and they became suddenly quiet. dominance and were jealous of it. The political leaders of the soviet And when he pulled the bar to his shoulders and pressed it easily over sports machine were very aware of the his head they were so stunned that for a propoganda value of athletic success, time they made no sound at all. But then and they badly wanted to be able to say they,leapt to their feet shouting, calling to the world that their political system him. “chudo priyody”—wonder of produced the strongest men. They were nature. obsessed by the idea of beating the U.S., This dramatic world record, particularly in the superheavyweight coupled with Paul’s unique appearance, class, the symbol of strength. Even then, caught the imagination of the public, almost 40 years ago, the top superheavy and he was able to parlay the attention was widely recognized—at least in the into a career as the most famous strong- media—as the strongest man in the man of the modern era. -
Scottsdale Art Auction Seeking Consignments for April 6 Western Art Sale SCOTTSDALE, ARIZ
THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY ANTIQUES AND THE ARTS WEEKLY ț 5 CHURCH HILL RD ț BOX 5503 ț NEWTOWN, CONNECTICUT, 06470 ț FALL 2018 2 — THE GALLERY October 12, 2018 — Antiques and The Arts Weekly THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY Tel. 203-426-8036 or 203-426-3141 or Fax 203-426-1394 www.AntiquesAndTheArts.com contact: Barb Ruscoe email - [email protected] Published by The Bee Publishing Company, Box 5503, Newtown Connecticut 06470 New Acquisitions & Brimming Fair Schedule Propel Edward T. Pollack Fine Arts BRUNSWICK, MAINE — Edward T. 1,” “Nudo 2” and “Nudo 3”; prints by Ynez Pollack Fine Arts has a busy fall and winter Johnston, Jacques Hnizdovsky; several im- season planned for 2018–19. Following a portant Whistler lithographs; and a brilliant successful show at the Brooklyn Book and example of the now rare exhibition poster Print Fair at the Brooklyn Expo in Green- for the famous 1985 exhibition of paintings point early September, Ed Pollack will by Warhol and Basquiat. exhibit at the New York Satellite Print Fair Recent sales have included books illus- at Mercantile Annex 37. The show is held trated and signed by Thomas Hart Benton October 25–28, the same dates as the In- and Keith Haring, a lithograph by Yasuo ternational Fine Print Dealers Association’s Kuniyoshi, several woodcuts by Carol Fine Art Print Fair, in a venue very close Summers, two watercolor drawings by the to the Javits Center. During January and Monhegan Island painter Lynne Drexler, an February, the firm participates in print fairs early and rare Stow Wengenroth lithograph in Portland, Ore., Los Angeles/Pasadena and of Eastport, Maine, a lithograph by Robert San Francisco/Berkeley, Calif. -
Aimoeilsillielve'rinee New Album
M&M Features Its Spring Jazz Special. Also, MTM Looks At The Sunshine Behind Eros Ramazzotti. See Pages 9-13 & 14. Europe's Music Radio Newsweekly . Volume 10 . Issue 20 . May 15, 1993 .2.95, US$ 5, ECU 4 Branson Discusses Virgin Bows With Exclusive Virgin Switch To FM Playlist UNITED KINGDOM Says Branson, "It is going to RichardBranson's 25 -year by Mike McGeever be much tougher for us [being on wish for a national rock station AM]. To me it seems strange that became reality at 12:15 on April Richard Branson is spearhead- a station playing such good music 30 with the launch of AOR Vir- inga campaignto move his is not able to do it on FM for lis- gin 1215 AM, the country's first recently launched AOR national teners who are used to hearing commercial rock network. "I've service Virgin 1215 AM to the music of the high quality sound been waiting for this moment FM band. Branson says he is to produced by CDs. We should for .25 years, along with many hold talks "in a few days" with have something like Radio 4's others," said Branson after he EUROPE JUMPS ON MUSIC VIDEO KARUSSELL - Music executives from BBC's director general John Birt [frequency].They havetalk officially launched thestation 10 countries got together in Hamburg recently to discuss setting up Karus about the possibility of swapping shows and don't need an FM fre- from one of his Virgin Megas- sell Musik & Video in their respective countries. Pictured OA are Poly - his station's AM slot with the cor- quency." tore record shops in Manch- Gram executives: Wolfgang Gramatke (Germany president), Werner poration'snews/talkRadio4 He contendsthatRadio 4 ester. -
CURRICULUM VITAE Name Birth Date and Place John D. Fair
CURRICULUM VITAE Name Birth Date and Place John D. Fair September 6, 1943 Waynesboro, Pennsylvania, U.S.A. Married Children Sarah Patterson Fair Jonathan Oliver Fair (b. 1982) Philip Alexander Fair (b. 1985) Address 759 Karlee Court, Auburn, AL 36830 (478) 986-9286 or [email protected] or The H. J. Lutcher Stark Center for Physical Culture & Sports, NEZ 5.700, 1 University Station, D3600, Austin, TX 78712 (512) 471-0995 [email protected]. Education B.A. Juniata College, Huntingdon, Pennsylvania, 1965 M.A. Wake Forest University, Winston-Salem, North Carolina, 1966 Thesis: "Women's Suffrage in Great Britain, 1913-1918" Ph.D. Duke University, Durham, North Carolina, 1970 Dissertation: "The Role of the Conference in British Politics, 1884-1918" Areas of Specialization British Political and Constitutional History Modern Irish History British Empire and Commonwealth Twentieth Century American (Physical Culture & Sport) History Southern History Teaching Experience Instructor of History, York College of Pennsylvania, York, Pennsylvania, 1967. Instructor of History, Millersville University of Pennsylvania, Millersville, Pennsylvania, 1968. Assistant Professor of History, Virginia Polytechnic Institute & State University, Blacksburg, Virginia, 1969-1971. Assistant Professor of History, Auburn University at Montgomery, Montgomery, Alabama, 1971-1975. Associate Professor of History, Auburn University at Montgomery, Montgomery, Alabama, 1975-1981. Visiting Professor of History, University of Maine at Orono, Orono, Maine, Summer, 1981. Professor of History, Auburn University at Montgomery, Montgomery, Alabama, 1981-1989, Professor and Head, 1989- 1995, Alumni Professor and Head, 1995-1997 Professor of History & Chair, Georgia College & State University, Milledgeville, Georgia, 1997-2002 Professor of History, Georgia College & State University, Milledgeville, Georgia, 2002-2012 Adjunct Professor of Kinesiology, University of Texas, Austin, 2012-. -
Varemerketidende-Nr01-2004.Pdf
nr 01 - 2003.12.29 NO årgang 94 ISSN 1503-4925 Norsk varemerke tidende www.patentstyret.no Norsk varemerketidende er en publikasjon som inneholder kunngjøringer innenfor varemerkeområdet BESØKSADRESSE X Københavngaten 10 POSTADRESSE X Postboks 8160 Dep. 0033 Oslo E-POST X [email protected] TELEFON X 22 38 73 00 TELEFAKS X 22 38 73 01 INFOSENTERETS TELEFONTID X kl. 09.00 - 15.00 Telefon (+47) 22 38 73 33 Telefax (+47) 22 38 73 31 Norsk varemerketidende nr 01 - 2003.12.29 Innholdsfortegnelse Registrerte varemerker................................................................................................... side 3 Ansvarsmerker ............................................................................................................... » 28 Internasjonale registreringer ........................................................................................... » 29 Rettelser.......................................................................................................................... » 116 Endringer i varemerkeregisteret §§28 og 29................................................................... » 117 Fornyelser ....................................................................................................................... » 124 Slettelser ......................................................................................................................... » 125 Innsigelser ....................................................................................................................... » 126 Resultat -
April 1920) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1920 Volume 38, Number 04 (April 1920) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 38, Number 04 (April 1920)." , (1920). https://digitalcommons.gardner-webb.edu/etude/667 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Jlae Utiuiufi SPRING NUMBER 1MUUISZ5 LJEJNTS APRIL 1920 $ 2.00 A YEAR The Tonne daugrhter of the Into Tnrasn-Bonlba, a new opera by A Brrent Opera Trnst, according: to Colerldgre-Taylor is following a musical Marcel Sninuel-Houssenu, was recently report. Is being proposed in tlif« career, and has already a number of songs country, which would control all presenta¬ tions of opera, all singers, all opera houses, ■SS.rJE •! *£rS'.!Bf j" ' 1 CONTENTS FOR APRIL, 1920 sHSr!Sir'-s‘^“'s SV,s£S: APRIL 1920 Page THE ETUDE Page 218 APRIL 1920 THE Jane Novak in “The River’s End” Jane Novak is an emotional ac¬ PUPILS RECITALS AND PLEASED AUDIENCES tress of sincere power and dis¬ tinguished ability. -
Trends in Marketing for Books on Animal Rights
Portland State University PDXScholar Book Publishing Final Research Paper English 5-2017 Trends in Marketing for Books on Animal Rights Gloria H. Mulvihill Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/eng_bookpubpaper Part of the English Language and Literature Commons, and the Publishing Commons Let us know how access to this document benefits ou.y Recommended Citation Mulvihill, Gloria H., "Trends in Marketing for Books on Animal Rights" (2017). Book Publishing Final Research Paper. 26. https://pdxscholar.library.pdx.edu/eng_bookpubpaper/26 This Paper is brought to you for free and open access. It has been accepted for inclusion in Book Publishing Final Research Paper by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Mulvihill 1 Trends in Marketing for Books on Animal Rights Gloria H. Mulvihill MA in Book Publishing Thesis Spring 2017 Mulvihill 2 Abstract Though many of us have heard the mantra that we shouldn’t judge a book by its cover, marketers in book publishing bank on the fact that people do and will continue to buy and read books based not only on content, but its aesthetic appeal. This essay will examine the top four marketing trends that can be observed on the Amazon listings for books published on animal rights within the last ten years, specifically relating to titles, cover design, and the intended audience. From graphic adaptations of animals to traditional textbook approaches and animal photography, publishers are striving to evoke interest and investment in literature concerning a politically charged and inherently personal topic. -
The Brain of Buddha
(consciousness redux) The Brain of Buddha An encounter with His Holiness the Dalai Lama and the scientific study of meditation BY CHRISTOF KOCH ) Knowledge can be communicat- tic community living in exile in India His Holiness the Dalai Lama listens to the author talking about the brain basis of con- ed, but not wisdom. One can find with modern science. About a dozen of meeting sciousness during a six-day encounter be- ( it, live it, do wonders through it, us—physicists, psychologists, brain sci- tween Tibetan Buddhism and science. but one cannot communicate and entists and clinicians, leavened by a teach it. French philosopher—introduced quan- INSTITUTE tum mechanics, neuroscience, con- circle—such as from his translator, Ti- IFE L THIS LINE FROM Herman Hesse’s 1922 sciousness and various clinical aspects of betan Jinpa Thupten, who has a doctor- ); AND novel Siddhartha came unbidden to me meditative practices to a few thousand ate in philosophy from the University of Koch during a recent weeklong visit to Dre- Buddhist monks and nuns. As we lec- Cambridge, and from the French monk MIND pung Monastery in southern India. His tured, we were quizzed, probed and gen- Matthieu Ricard, who holds a Ph.D. in Holiness the Dalai Lama had invited the tly made fun of by His Holiness, who sat molecular biology from the Pasteur Insti- U.S.-based Mind and Life Institute to beside us [see photograph above]. We tute in Paris—as they and their brethren HRISTOF KOCH ( KOCH HRISTOF OURTESY OF familiarize the Tibetan Buddhist monas- learned as much from him and his inner from us. -
Jhe Museum of Modern Art
HHHHHHHHH JHE MUSEUM OF MODERN ART ?1 WEST 53rd STREET KfEW YORK TELEPHONE: CIRCLE 5-8900 CABLES: MODERNART, NEW-YORK ARAH NEWMEYER, PUBLICITY DIRECTOR February 2, 1943. TO Art Editors City Editors Dear Sirs: You are invited to come or send a representative to PRESS PREVIEW &T AMERICANS 1943: Realists and Magic Realists, the second of a series of exhibitions inaugurated by the Museum last year to provide a continuing survey of the arts in the United States. Tuesday, February 9 2 to 6 P.M. at the Museum of Modern Art 11 West 53 Street. The exhibition will open to the public Wednesday, February 10. For further information please telephone me at Circle 5-8900. Sincerely yours, J>OA*JK /l^n^cj/^ Sarah Newmeyer Publicity Director P.S, Unfortunately, there was a shortage of printed invitations. One will be sent you later this week, however. This letter is being sent immediately so that you will receive the information in plenty of time. 43208 * 9 tj THE MUSEUM OF MODERN ART 11 WEST 53RD STREET, NEW YORK 11 FOR IMMEDIATE RELEASE . TELEPHONE: CIRCLE 5-8900 EXHIBITION OF AMERICAN REALISTS AND MAGIC REALISTS OPENS AT MUSEUM OF MODERN ART Americans 1945; Realists and Magic Realists, a large exhibi tion of paintings, drawings and prints by 43 artists, filling all the galleries on the second floor of the Museum of Modern Art, 11 West 53 Street, opens to the public Wednesday, February 10, and will remain on view through Sunday, March 21, after which it will be sent on a tour of other cities throughout the country. -
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue. -
Understanding the Links: the Exploration of Care Transitions Between Hospital and Continued Rehabilitation in the Home After Stroke
From the Department of Neurobiology, Care Sciences and Society Karolinska Institutet, Stockholm, Sweden UNDERSTANDING THE LINKS: THE EXPLORATION OF CARE TRANSITIONS BETWEEN HOSPITAL AND CONTINUED REHABILITATION IN THE HOME AFTER STROKE Sebastian Lindblom Stockholm 2021 All previously published papers were reproduced with permission from the publisher. Published by Karolinska Institutet. Printed by Universitetsservice US-AB © Sebastian Lindblom, 2021 ISBN 978-91-8016-037-7 UNDERSTANDING THE LINKS: THE EXPLORATION OF CARE TRANSITIONS BETWEEN HOSPITAL AND CONTINUED REHABILITATION IN THE HOME AFTER STROKE THESIS FOR DOCTORAL DEGREE (Ph.D.) By Sebastian Lindblom Principal Supervisor: Opponent: Associate Professor Charlotte Ytterberg, Professor Pernilla Åsenlöf Karolinska Institutet Uppsala University Department of Neurobiology, Department of Neuroscience Care Sciences and Society Physiotherapy Division of Physiotherapy Examination Board: Co-supervisor(s): Associate Professor Maria Hägglund Phd Maria Flink Uppsala University Karolinska Institutet Department of Women's and Children's Health Department of Neurobiology, Clinical Psychology in Healthcare Care Sciences and Society Division of Family Medicine and Primary Care Associate Professor Ingvar Krakau Karolinska Institutet Professor Marie Elf Department of Medicine Dalarna University Division of Clinical Epidemiology School of Health and Social Studies Society Division of Professor Christina Brogårdh Lund University Professor Lena Von Koch Department of Health Sciences Karolinska Institutet Physiotherapy Department of Neurobiology, Care Sciences and Society Division of Family Medicine and Primary Care Associate Professor Ann Charlotte Laska Karolinska Institutet Department of Clinical Sciences Danderyds Hospital Division of Medicine AKADEMISK AVHANDLING som för avläggande av medicine doktorsexamen vid Karolinska Institutet offentligen försvaras i hörsal 4V, Alfred Nobels allé 8, Huddinge, fredagen den 8 januari kl.