2010Year-In-Review
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HOW STEVE REEVES TRAINED by John Grimek
IRON GAME HISTORY VOL.5No.4&VOL. 6 No. 1 IRON GAME HISTORY ATRON SUBSCRIBERS THE JOURNAL OF PHYSICAL CULTURE P Gordon Anderson Jack Lano VOL. 5 NO. 4 & VOL. 6 NO. 1 Joe Assirati James Lorimer SPECIAL DOUBL E I SSUE John Balik Walt Marcyan Vic Boff Dr. Spencer Maxcy TABLE OF CONTENTS Bill Brewer Don McEachren Bill Clark David Mills 1. John Grimek—The Man . Terry Todd Robert Conciatori Piedmont Design 6. lmmortalizing Grimek. .David Chapman Bruce Conner Terry Robinson 10. My Friend: John C. Grimek. Vic Boff Bob Delmontique Ulf Salvin 12. Our Memories . Pudgy & Les Stockton 4. I Meet The Champ . Siegmund Klein Michael Dennis Jim Sanders 17. The King is Dead . .Alton Eliason Mike D’Angelo Frederick Schutz 19. Life With John. Angela Grimek Lucio Doncel Harry Schwartz 21. Remembering Grimek . .Clarence Bass Dave Draper In Memory of Chuck 26. Ironclad. .Joe Roark 32. l Thought He Was lmmortal. Jim Murray Eifel Antiques Sipes 33. My Thoughts and Reflections. .Ken Rosa Salvatore Franchino Ed Stevens 36. My Visit to Desbonnet . .John Grimek Candy Gaudiani Pudgy & Les Stockton 38. Best of Them All . .Terry Robinson 39. The First Great Bodybuilder . Jim Lorimer Rob Gilbert Frank Stranahan 40. Tribute to a Titan . .Tom Minichiello Fairfax Hackley Al Thomas 42. Grapevine . Staff James Hammill Ted Thompson 48. How Steve Reeves Trained . .John Grimek 50. John Grimek: Master of the Dance. Al Thomas Odd E. Haugen Joe Weider 64. “The Man’s Just Too Strong for Words”. John Fair Norman Komich Harold Zinkin Zabo Koszewski Co-Editors . , . Jan & Terry Todd FELLOWSHIP SUBSCRIBERS Business Manager . -
Circus Friends Association Collection Finding Aid
Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G. -
George Hackenschmidt Vs. Frank Gotch Media Representations and the World Wrestling Title of 1908 Kim Beckwith & Jan Todd the University of Texas
Iron Game History Volume 11 Number 2 George Hackenschmidt vs. Frank Gotch Media Representations and the World Wrestling Title of 1908 Kim Beckwith & Jan Todd The University of Texas International wrestling star, George Hacken- stories about and a constituent of that world, an element schmidt, widely known as "The Russian Lion," met the of the story." The reporter, they argue, "not only relates American champion, Frank Gotch, at Chicago's Dexter stories but makes them."2 Similarly, pop culture analyst Park Amphitheater on April 3, 1908, in a wrestling title Carlin Romano contends that journalism is not a "minor bout that was labeled "The Athletic Contest of the Cen- placed before reality," but a "coherent nanative of the tmy" on the cover of the match program.' After three world that serves a particular purpose."3 Thinking about preliminary bouts, the much anticipated World's Heavy- journalism in light of this definition makes it easier to weight Wrestling Championships in the catch-as-catch- understand how in the days following the historic Gotch can style began at approximately 10:30 P.M. More than Hackenschmidt bout such different tales would be told two hours later, reporters ...-------------------. by various journalists even scrambled to file their stories in though all of them had watched the early hours of the morning SOUVENIR PROGRAM the same spmting event. Like and share their ringside intelli- 'f the characters in John Godfrey gence with an anxiously await- The Athletic Contest of Saxes's poem, "The Blind Men ing nation and world. The news the Century and the Elephant," almost all they sent out from Chicago, _ For •h• _ of the reporters who pe1111ed however, was totally unexpect- WORLD'S WRESTLING their reports from Chicago had ed. -
'Freaky:' an Exploration of the Development of Dominant
From ‘Classical’ To ‘Freaky:’ an Exploration of the Development of Dominant, Organised, Male Bodybuilding Culture Dimitrios Liokaftos Department of Sociology, Goldsmiths, University of London Submitted for the Degree of PhD in Sociology February 2012 1 Declaration: The work presented in this thesis is my own. Dimitrios Liokaftos Signed, 2 Abstract Through a combination of historical and empirical research, the present thesis explores the development of dominant, organized bodybuilding culture across three periods: early (1880s-1930s), middle (1940s-1970s), and late (1980s-present). This periodization reflects the different paradigms in bodybuilding that the research identifies and examines at the level of body aesthetic, model of embodied practice, aesthetic of representation, formal spectacle, and prevalent meanings regarding the 'nature' of bodybuilding. Employing organized bodybuilding displays as the axis for the discussion, the project traces the gradual shift from an early bodybuilding model, represented in the ideal of the 'classical,' 'perfect' body, to a late-modern model celebrating the 'freaky,' 'monstrous' body. This development is shown to have entailed changes in notions of the 'good' body, moving from a 'restorative' model of 'all-around' development, health, and moderation whose horizon was a return to an unsurpassable standard of 'normality,' to a technologically-enhanced, performance- driven one where 'perfection' assumes the form of an open-ended project towards the 'impossible.' Central in this process is a shift in male identities, as the appearance of the body turns not only into a legitimate priority for bodybuilding practitioners but also into an instance of sport performance in bodybuilding competition. Equally central, and related to the above, is a shift from a model of amateur competition and non-instrumental practice to one of professional competition and extreme measures in search of the winning edge. -
Diplomová Práce Kulturismus a Revoluce
Univerzita Karlova v Praze Filozofická fakulta Ústav hospodářských a sociálních dějin Diplomová práce Bc. Jiří Šabek Kulturismus a revoluce: K otázce sociálních dějin tělesnosti v Československu (The Bodybuilding Movement and Revolution: The Social History of Physicality in Czechoslovakia) Praha 2016 Vedoucí práce: Doc. PhDr. et JUDr. Jakub Rákosník, Ph.D. Rád bych tímto zde poděkoval v první řadě svému vedoucímu práce, panu docentu PhDr. et JUDr. Jakub Rákosníkovi, PhD., za veškerou odbornou pomoc v mém studiu. Dále bych rád poděkoval za pomoc i radu panu Josefu Švubovi, „kronikáři síly“ časopisu Muscle&Fitness, Ing. Martinu Jebasovi, předsedovi Svazu kulturistiky a fitness České republiky, a Ing. Josefu Paulíkovi, readaktorovi stránek Ronnie.cz. Mé velké díky patří bezesporu také mé rodině, zejména nekonečně trpělivé sestře, stejně jako všem mým přátelům, kteří mě po celou dobu studia podporovali. J. Š. Prohlašuji, že jsem svou diplomovou práci vypracoval samostatně, že jsem řádně citoval všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. V Praze dne………… podpis Abstrakt: Diplomová práce se snaží zpracovat téma fenoménu kulturistiky v širším kontextu utváření ideálního těla v moderní době. Kulturistika je chápána jako specifický socio-kulturní fenomén pevně spjatý s moderní společností a jejím historickým vývojem. Kromě samotné kulturistiky se tak práce zaobírá rozborem soudobé sociální teorie těla se zaměřením na domácí diskurs a v dalším kroku také analýzou diskursivního vytváření moderní tělesnosti od osvícenství do 20. století. Zde je kladen hlavní důraz na chápání charakteristických změn moderní společnosti v kontextu kontinuity celého modernizačního projektu. Hlavním cílem práce je popsat obecné dějin kulturistiky v rámci nastíněného procesu modernizace, stejně jako porovnání ruzných alternativních pojetí ideální tělesnosti v období tzv. -
Iron Game History Volume 3 Number 4
VOLUME 3 NUMBER 4 August 1994 The first competition behind the Iron Curtain between ath- tition, and that no-one in the history of the sport had ever had the letes from the two superpowers after the Cold War began was held audacity to open with twenty pounds more than the listed world record. in 1955 in Moscow. The athletes were weightlifters. Ever since the But when the five foot nine inch, barrel-chested. three hundred and end of World War Two and the resumption of international meets forty pound Anderson chalked his hands and strode to the platform the American lifters had been dominant, and the soviets resented this the crowd got a good look at him and they became suddenly quiet. dominance and were jealous of it. The political leaders of the soviet And when he pulled the bar to his shoulders and pressed it easily over sports machine were very aware of the his head they were so stunned that for a propoganda value of athletic success, time they made no sound at all. But then and they badly wanted to be able to say they,leapt to their feet shouting, calling to the world that their political system him. “chudo priyody”—wonder of produced the strongest men. They were nature. obsessed by the idea of beating the U.S., This dramatic world record, particularly in the superheavyweight coupled with Paul’s unique appearance, class, the symbol of strength. Even then, caught the imagination of the public, almost 40 years ago, the top superheavy and he was able to parlay the attention was widely recognized—at least in the into a career as the most famous strong- media—as the strongest man in the man of the modern era. -
Powerlifter to Bodybuilder: Matt Kroc Mark Bell Sits Down with Kroc to Get the Story Behind His Amazing Physique and His Journey Toward Becoming a Pro Bodybuilder
240SEP12_001-033.qxp 8/16/12 7:36 AM Page 1 SEPTEMBER/OCTOBER 2012 SEP/OCT 2012 • VOL. 3, NO. 5 Content is copyright protected and provided for personal use only - not for reproduction or retransmission. For reprints please contact the Publisher. 240SEP12_001-033.qxp 8/16/12 7:36 AM Page 2 Content is copyright protected and provided for personal use only - not for reproduction or retransmission. For reprints please contact the Publisher. 240SEP12_001-033.qxp 8/16/12 7:36 AM Page 3 Content is copyright protected and provided for personal use only - not for reproduction or retransmission. For reprints please contact the Publisher. 240SEP12_001-033.qxp 8/16/12 7:36 AM Page 4 MAGAZINE VOLUME 3 • ISSUE 5 PUBLISHER Andee Bell POWER: YOUR WEAPON AGAINST WEAKNESS [email protected] EDITOR-AT-XTRA-LARGE ’m going to give myself a much needed pat on the back (if I can figure out how to reach it). Mark Bell • [email protected] For my wifey, the publisher, I’ll give her a much needed spank on the ass for yet another job Iwell done with Power. Yes, she gets spanked whether she’s good or bad. Also, not to brag, MANAGING EDITOR (OK here comes some bragging) but we are the only strength/powerlifting publication in the Heather Peavey world and we will continue to grow and expand. Power is devoted and honored to be your strength manual and your ultimate weapon against weakness! ASSOCIATE EDITOR I’d like to welcome a new addition to the Sling Shot family, Sam McDonald. -
Bench Press World Championships 2011 Arnold Sports Festival 2011 Interview with Bill Kazmaier News from Down Under Japan Recover
International Powerlifting Federation WWW.POWERLIFTING-IPF.COM ISSUE NO. 03/2011 BENCH PRESS WORLD CHAMPIONSHIPS 2011 ARNOLD SPORTS FESTIVAL 2011 INTERVIEW WITH BILL KAZMAIER NEWS FROM DOWN UNDER JAPAN RECOVERS FROM TSUNAMI THE REGIONS OF THE IPF EUROPE 33 Nations President: Arnulf Wahlstrøm NORTH AMERICA Sec. Gen.: Dietmar Wolf 18 Nations ASIA President: Larry Maille 19 Nations Sec. Gen.: Robert Keller President: Susumu Yoshida Sec. Gen.: Subrata Dutta AFRICA 13 Nations SOUTH AMERICA President: Alan Ferguson OCEANIA 8 Nations 11 Nations President: Julio Conrado President: Robert Wilks Sec. Gen.: Marcos Saul Sanchez Guerrero EXECUTIVE COMMITTEE OF THE IPF President: Detlev Albrings (Germany) Vicepresident: Johnny Graham (USA) Secretary General: Emanuel Scheiber (Austria) Treasurer: Gaston Parage (Luxembourg) Board Member for North America: Lawrence Maile (USA) Board Member for Asia: Susumu Yoshida (Japan) Board Member for Europe: Arnulf Wahlstrøm (Norway) Board Member for Africa: Alan Ferguson (South Africa) Board Member for Oceania: Robert Wilks (Australia) Board Member for South America: Julio Cesar Conrado (Brazil) Assistant Secretary: Sabine Al-Zobaidi (Austria) 11 COMMITTEES Anti-Doping Commission Law & Legislation Committee Appeal Committee Medical Committee Athletes Commission Non Executive Officers Coach Commission Technical Committee Disciplinary Committee Women´s Committee Doping Hearing Panel 2 THE IPF MAGAZINE MAGAZINE CONTENT 02 04 The structure of the IPF Message from the President 06 Classically Speaking...A report about -
Linguistic Variation of the American Circus
Abstract http://www.soa.ilstu.edu/anthropology/theses/burns/index.htm Through the "Front Door" to the "Backyard": Linguistic Variation of the American Circus Lisa Burns Illinois State University Anthropology Department Dr. James Stanlaw, Advisor May 1, 2003 Abstract The language of circus can be interpreted through two perspectives: the Traditional American Circus and the New American Circus. There is considerable anthropological importance and research within the study of spectacle and circus. However, there is a limited amount of academic literature pertaining to the linguistics and semiotics of circus. Through participant observation and interviewing, of both circus and non-circus individuals, data will be acquired and analyzed. Further research will provide background information of both types of circuses. Results indicate that an individual's preference can be determined based on the linguistic and semiotic terms used when describing the circus. Introduction Throughout my life, I have always been intrigued by the circus. As a result, I joined the Gamma Phi Circus, here at Illinois State University, in order to obtain a better understanding of circus in our culture. A brief explanation of the title is useful in understanding my paper. I chose the title "Through the 'Front Door' to the 'Backyard'" because "front door" is circus lingo for the doors that a person goes through on entering the tent. The word "backyard" refers to the area in which behind the tent where all the people in the production of the circus park their trailers. This title encompasses the range of information that I have gathered from performers, to directors, to audience members. -
“The Russian Lion”: Vladislav Von Krajewski's Bodybuilding of George Hachenschmidt Fae Brauer, Professor of Art A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UEL Research Repository at University of East London Making “The Russian Lion”: Vladislav von Krajewski’s Bodybuilding of George Hachenschmidt Fae Brauer, Professor of Art and Visual Culture University of East London Centre for Cultural Studies Research In their focus upon the rupture and transformation of Soviet physical culture in the 1930s, histories of Russian bodybuilding of the new man have tended to become disconnected from trajectories stretching back to the •Crimean War and the need to enhance military preparedness through modern sports and gymnastics inspired by the •German Turnen gymnastic societies. Valued for producing a disciplined subject in peacetime and a fearless fighter in war, these so-called “disciplinary exercises” were promoted in the •first gymnastics club of St. Petersburg from 1863, followed by the Pal’ma Gymnastics Society which quickly spread with branches in five cities. After the Moscow Gymnastics Society opened with meetings on Tsvetnoi Boulevard, in 1874, •Pyotr Lesgaft, the founder of Russian physical education introduced gymnastics into the army with gymnastic courses for army officers and civilians by 1896. Yet, as this paper will reveal, it was only through •Dr. V. F. Krajewski, founder of the •St. Petersburg Athletic and Cycling Club and physician to the •Tsar, that the St. Petersburg Amateur Weightlifting Society was opened in 1885. •It was only due to Dr Krajewski that a •gym for weightlifting opened with the first all-Russian weightlifting championship being held in April 1897 in St. Petersburg Mikhailovsky Manege. -
A Historical Analysis of the Use of Supportive Apparel in Powerlifting Jan Todd
Trinity University Digital Commons @ Trinity School of Business Faculty Research School of Business 11-2015 Shifting Gear: A Historical Analysis of the Use of Supportive Apparel in Powerlifting Jan Todd Dominic G. Morais Trinity University, [email protected] Ben Pollack Terry Todd Follow this and additional works at: https://digitalcommons.trinity.edu/busadmin_faculty Part of the Business Administration, Management, and Operations Commons Repository Citation Todd, J., Morais, D. G., Pollack, B., & Todd, T. (2015). Shifting gear: A historical analysis of the use of supportive apparel in powerlifting. Iron Game History, 13(2-3), 37-56. This Article is brought to you for free and open access by the School of Business at Digital Commons @ Trinity. It has been accepted for inclusion in School of Business Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. November/December 2015 Iron Game History SHIFTING GEAR: A HISTORICAL ANALYSIS OF THE USE OF SUPPORTIVE APPAREL IN POWERLIFTING Jan Todd, Dominic Gray Morais, Ben Pollack & Terry Todd The University of Texas at Austin & Trinity University, San Antonio, Texas In many ways, powerlifting is an odd sport. the sport into several dozen sporting federations, and the Competitors do not run or jump; no balls, bats, or rackets willingness of many of these national governing bodies are used; and only one competitor "plays" on the lifting to allow various levels of gear-assisted lifting in their platform at a time. Judging can be highly subjective; organizations. If sport philosopher Robert Simon is right three judges intently watch as the athlete lifts the loaded that, "sport" is nothing more than a group of rules that barbell nine separate times over the course of the com defme and delimit how the central contest of the sport is petition. -
Faust Und Geist. Literatur Und Boxen Zwischen Den Weltkriegen
Wolfgang Paterno FAUST UND GEIST Literatur und Boxen zwischen den Weltkriegen 2018 BÖHLAU VERLAG WIEN KÖLN WEIMAR Veröffentlicht mit Unterstützung des Austrian Science Fund ( FWF ): PUB 458-G30 Open Access: Wo nicht anders festgehalten, ist diese Publikation lizenziert unter der Creative-Commons-Lizenz Namensnennung 4.0; siehe http://creativecommons.org/ licenses/by/4.0/ Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://portal.dnb.de abrufbar. Umschlagabbildung: Duell zwischen Jack Dempsey und Georges Carpentier in der Arena Boyle’s Thirty Acres, Jersey City, New Jersey, 2. Juli 192. (© Illustrated London News Ltd / Mary Evans / picturedesk.com) © 2018 by Böhlau Verlag GmbH & Co. KG Wien Köln Weimar Wiesingerstraße 1, A-1010 Wien, www.boehlau-verlag.com Lektorat: Katharina Krones, Wien Umschlaggestaltung: Michael Haderer, Wien Satz und Layout: Bettina Waringer, Wien Druck und Bindung: Hubert & Co GmbH & Co.KG, Robert-Bosch-Breite 6, D-37079 Göttingen Gedruckt auf chlor- und säurefreiem Papier Printed in the EU ISBN 978-3-205-20545-6 In Erinnerung an den alten Boxer Quido Paterno (1937–2016) Inhalt EINLEITUNG 9 ..................................... TEILI.ZEITZEICHENBOXEN Grundlagen..................................... 15 Kritikpunkte: Propagierungsmaschinerie .................... 21 Fokussierung: Recherchewege und Kapitelüberblick .............. 29 Vorstellung