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Robert Harron Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
RoRbeRr RtR HaRnHçHTH” Rµ eRåR½RbR± eHTRäR½HTH” R ¸RåR½RbR± R² RèHçRtHaR½HT¡ The One with the https://bg.listvote.com/lists/film/movies/the-one-with-the-routine-50403300/actors Routine With Friends Like https://bg.listvote.com/lists/film/movies/with-friends-like-these...-5780664/actors These... If Lucy Fell https://bg.listvote.com/lists/film/movies/if-lucy-fell-1514643/actors A Girl Thing https://bg.listvote.com/lists/film/movies/a-girl-thing-2826031/actors The One with the https://bg.listvote.com/lists/film/movies/the-one-with-the-apothecary-table-7755097/actors Apothecary Table The One with https://bg.listvote.com/lists/film/movies/the-one-with-ross%27s-teeth-50403297/actors Ross's Teeth South Kensington https://bg.listvote.com/lists/film/movies/south-kensington-3965518/actors The One with https://bg.listvote.com/lists/film/movies/the-one-with-joey%27s-interview-22907466/actors Joey's Interview Sirens https://bg.listvote.com/lists/film/movies/sirens-1542458/actors The One Where https://bg.listvote.com/lists/film/movies/the-one-where-phoebe-runs-50403296/actors Phoebe Runs Jane Eyre https://bg.listvote.com/lists/film/movies/jane-eyre-1682593/actors The One Where https://bg.listvote.com/lists/film/movies/the-one-where-ross-got-high-50403298/actors Ross Got High https://bg.listvote.com/lists/film/movies/682262/actors Батман и https://bg.listvote.com/lists/film/movies/%D0%B1%D0%B0%D1%82%D0%BC%D0%B0%D0%BD-%D0%B8- Робин %D1%80%D0%BE%D0%B1%D0%B8%D0%BD-276523/actors ОглеР´Ð°Ð»Ð¾Ñ‚о е https://bg.listvote.com/lists/film/movies/%D0%BE%D0%B3%D0%BB%D0%B5%D0%B4%D0%B0%D0%BB%D0%BE%D1%82%D0%BE- -
Everystudent Collection 2011
Everystudent A Collection of Allegorical Plays In the Style of the Medieval Morality Play “The Summoning of Everyman” By Students of the 2011-12 MYP 10 Drama Class Gyeonggi Suwon International School - 1 - Table of Contents Introduction by Daren Blanck .................................................................. page 3 Seven by Nick Lee and Lyle Lee .................................................................. page 4 Slayers by Mike Lee, Daniel Choi and Eric Cho ......................................... page 9 True Friendship by Yealim Lee and Hannah Seo .................................... page 12 Graduation by Judy Oh and Jaimie Park .................................................. page 16 FC society by JH Hyun and Jacob Son ...................................................... page 19 It’s Just Too Late by Jeeho Oh, Ryan Choi and Jee Eun Kim ................. page 22 The Freedom of Will by Eric Han and Bryan Ahn ................................. page 26 Everystudent Justine Yun, Rick Eum, and Seong Soo Son ...................... page 32 Everystudent by Lilly Kim, Seungyeon Rho, Erin Yoon .......................... page 37 Appendix: The Summoning of Everyman abridged by Leslie Noelani Laurio .... page 39 - 2 - Introduction An allegory is a narrative having a second meaning beneath the surface one - a story with two meanings, a literal meaning and a symbolic meaning. In an allegory objects, persons, and actions are metaphors or symbols for ideas that lie outside the text. Medieval drama was wrapped in the stories and doctrines of the medieval Christian church. Most plays could be classified as Mystery Plays - plays that told the stories of the Bible, Miracle Plays - plays that told the stories of saints and martyrs, and Morality plays - allegorical works that sought to convey a moral or some doctrine of the church. Everyman is perhaps the most famous of this last category. -
A Short History of Horror Films
A Short History of Horror Films Part I: 1896-1930 A Timeline of Horrors (-1950) 1910 1920 1930 1940 1950 European Tales American of Terror Monsters A Timeline of Horrors (1950-) 1950 1960 1970 1980 1990 2000 British Hollywood Video and Euro-Horror Horror Devilry Violence 1 Tales of Mystery and Imagination The Early Years (1896-1918) Thrills and Scares The Great Train Robbery, 1903 Arrival of a Train, 1895 Edwin S. Porter Lumière Brothers Fantasy The Palace of Arabian Knights , 1905 Haunted Curiosity Shop, 1901 George Méliès R. W. Paul 2 George Méliès (1861-1938) The Devil's Manor, 1896 Beelzebub's Daughters , 1903 The Devil's Laboratory, 1897 The Witch's Revenge, 1903 The Bewitched Inn , 1897 The Inn Where No Man Rests , 1903 Black Magic, 1898 Wandering Jew, 1904 Cave of the Demons, 1898 Black Devil, 1905 Bluebeard, 1901 The Legend of Rip Van Winkle , 1905 The Treasures of Satan , 1902 The Devilish Tenant , 1909 The Monster, 1903 The Doctor's Secret, 1910 Faust in Hell, 1903 Violence: Grand Guignol Frankenstein (1910) Charles Ogle as Frankeistein’s Monster in Frankenstein by J. Searle Dawley 3 D.W. Griffith, the Moralist The Sealed Room, 1909, based on Poe’s The Cask of Amontillado More Griffith The Avenging Conscience, 1914, based on Poe’s Tell-Tale Heart 80 mins Other Early Poe Movies Pit and the Pendulum Systeme du Docteur 1909, 1913 Goudron et du Professeur Plume 1912 Student of Prague (William Wilson) 1913 Murder in the Rue Morgue 1908, 1914 Masque of Red Death 1919 (Fritz Lang), 1923, 4 German Expressionism and Hollywood’s Discovery of Horror The Early Classics (1918-1930) The Cabinet of Dr. -
Proquest Dissertations
Early Cinema and the Supernatural by Murray Leeder B.A. (Honours) English, University of Calgary, M.A. Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations © Murray Leeder September 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-83208-0 Our file Notre reference ISBN: 978-0-494-83208-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Comparison of the Two Plays
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Eliška Poláčková Everyman and Homulus: analysis of their genetic relation Bachelor’s Diploma Thesis Supervisor: Mgr. Pavel Drábek, Ph.D. 2010 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Eliška Poláčková Acknowledgement I would like to thank my supervisor Mgr. Pavel Drábek, Ph.D. for his patient and kind help, Prof. PhDr. Eva Stehlíková for useful advice, and Mgr. Markéta Polochová for unprecedented helpfulness and support. Table of Contents Introduction ....................................................................................................................... 1 1 Morality Play and Its Representatives ........................................................................... 3 1.1 Morality Play .......................................................................................................... 3 1.2 Everyman ................................................................................................................ 5 1.3 Homulus .................................................................................................................. 7 2 Concept of Translation in The Middle Ages ................................................................. 9 3 Comparison of Everyman and Homulus ...................................................................... 11 3.1 Composition ......................................................................................................... -
Cinefiles Document #5962
Document Citation Title D.W. Griffith touring show Author(s) Tom Gunning Ron Mottram Source Museum of Modern Art (New York, N.Y.) Date 1975 Type program note Language English Pagination No. of Pages 40 Subjects Griffith, D. W. (1875-1948), LaGrange, Kentucky, United States Film Subjects The fugitive, Griffith, D. W., 1910 The white rose, Griffith, D. W., 1923 Intolerance, Griffith, D. W., 1916 Broken blossoms, Griffith, D. W., 1919 Orphans of the storm, Griffith, D. W., 1921 America, Griffith, D. W., 1924 A corner in wheat, Griffith, D. W., 1909 Hearts of the world, Griffith, D. W., 1918 The avenging conscience, Griffith, D. W., 1914 Isn't life wonderful, Griffith, D. W., 1924 WARNING: This material may be protected by copyright law (Title 17 U.S. Code) The birth of a nation, Griffith, D. W., 1915 The girl and her trust, Griffith, D. W., 1912 The girl who stayed at home, Griffith, D. W., 1919 Way down east, Griffith, D. W., 1920 What shall we do with our old?, Griffith, D. W., 1911 Those awful hats, Griffith, D. W., 1909 Enoch Arden, Griffith, D. W., 1911 The honor of his family, Griffith, D. W., 1910 The painted lady, Griffith, D. W., 1912 The lady and the mouse, Griffith, D. W., 1912 The musketeers of Pig Alley, Griffith, D. W., 1912 The unchanging sea, Griffith, D. W., 1910 True heart Susie, Griffith, D. W., 1919 The battle at Elderbush Gulch, Griffith, D. W., 1914 An unseen enemy, Griffith, D. W., 1912 The struggle, Griffith, D. W., 1931 The mothering heart, Griffith, D. -
Literature of the Low Countries
Literature of the Low Countries A Short History of Dutch Literature in the Netherlands and Belgium Reinder P. Meijer bron Reinder P. Meijer, Literature of the Low Countries. A short history of Dutch literature in the Netherlands and Belgium. Martinus Nijhoff, The Hague / Boston 1978 Zie voor verantwoording: http://www.dbnl.org/tekst/meij019lite01_01/colofon.htm © 2006 dbnl / erven Reinder P. Meijer ii For Edith Reinder P. Meijer, Literature of the Low Countries vii Preface In any definition of terms, Dutch literature must be taken to mean all literature written in Dutch, thus excluding literature in Frisian, even though Friesland is part of the Kingdom of the Netherlands, in the same way as literature in Welsh would be excluded from a history of English literature. Similarly, literature in Afrikaans (South African Dutch) falls outside the scope of this book, as Afrikaans from the moment of its birth out of seventeenth-century Dutch grew up independently and must be regarded as a language in its own right. Dutch literature, then, is the literature written in Dutch as spoken in the Kingdom of the Netherlands and the so-called Flemish part of the Kingdom of Belgium, that is the area north of the linguistic frontier which runs east-west through Belgium passing slightly south of Brussels. For the modern period this definition is clear anough, but for former times it needs some explanation. What do we mean, for example, when we use the term ‘Dutch’ for the medieval period? In the Middle Ages there was no standard Dutch language, and when the term ‘Dutch’ is used in a medieval context it is a kind of collective word indicating a number of different but closely related Frankish dialects. -
Time Travelers Camporee a Compilation of Resources
1 Time Travelers Camporee A Compilation of Resources Scouts, Ventures, Leaders & Parents…. This is a rather large file (over 80 pages). We have included a “Table of Contents” page to let you know the page numbers of each topic for quick reference. The purpose of this resources to aid the patrols, crews (& adults) in their selection of “Patrol Time Period” Themes. There are numerous amounts of valuable information that can be used to pinpoint a period of time or a specific theme /subject matter (or individual).Of course, ideas are endless, but we just hope that your unit can benefit from the resources below…… This file also goes along with the “Time Traveler” theme as it gives you all a look into a wide variety of subjects, people throughout history. The Scouts & Ventures could possibly use some of this information while working on some of their Think Tank entries. There are more events/topics that are not covered than covered in this file. However, due to time constraints & well, we had to get busy on the actual Camporee planning itself, we weren’t able to cover every event during time. Who knows ? You might just learn a thing or two ! 2 TIME TRAVELERS CAMPOREE PATROL & VENTURE CREW TIME PERIOD SELECTION “RESOURCES” Page Contents 4 Chronological Timeline of A Short History of Earth 5-17 World Timeline (1492- Present) 18 Pre-Historic Times 18 Fall of the Roman Empire/ Fall of Rome 18 Middle Ages (5th-15th Century) 19 The Renaissance (14-17th Century) 19 Industrial Revolution (1760-1820/1840) 19 The American Revolutionary War (1775-1783) 19 Rocky Mountain Rendezvous (1825-1840) 20 American Civil War (1861-1865) 20 The Great Depression (1929-1939) 20 History of Scouting Timeline 20-23 World Scouting (Feb. -
Dw Griffith: American Film Master
he Museum of Modern Art 3/8/65 Vest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modemart PROGRAM D. W. GRIFFITH: AMERICAN FILM MASTER The films listed are all directed by Griffith, except where otherwise noted. PART. I \ April 25-28: 1907 RESCUE) FROM AN EAGSUB'S NEST, Edison, directed by Edwin S. Porter; with D. W. Griffith. 1909 THE LONELY VILLA, Biograph; with Mary Pickford, Marion Leonard. 1911 THE LONEDALE OPERATOR, Biograph; with Blanche Sweet, Wilfred Lucas• 1912 THE GIRL AND HER TRUST, Biograph; with Dorothy Bernard, Wilfred Lucas. 1913 OLAF - AN ATOM, Biograph; with Harry Carey (director unknown, but probably D. W. Griffith). Biograph films: April 29- 1909 A DRUNKARD'S REFORMATION, with Linda Arvidson, Arthur Johnson. May 1: 1909 A CORNER IN WHEAT, with Frank Powell, Henry Walthall. 1910 THE USURER, with Grace Henderson, George Nichols. 1911 THE MISER'S HEART, with Edward Dillon, Wilfred Lucas. 1912 THE MUSKETEERS OF PIG ALLEY, with Dorothy and Lillian Gish. May 2-5: 1912 MAN'S GENESIS, Biograph; with Mae Marsh, Robert Harron. 1913-lil- JUDITH OF BETHULIA, Biograph; with Blanche Sweet, Henry Walthall. May 6-8; 1911 ENOCH ARDEN, Biograph; with Linda Arvidson, Wilfred Lucas. 1911* HOME, SWEET HOME, Mutual; with Lillian Gish, Henry Walthall, Mae Marsh, Robert Harron, Blanche Sweet, Owen Moore. May 9-12: 1912 THE GODDESS OF SAGEBRUSH GULCH, Biograph; with Blanche Sweet, Dorothy Bernard, Charles West. 19114. THE AVENGING CONSCIENCE, Mutual; with Blanche Sweet, Henry Walthall, Spottiswoode Aiken. May I3-I5: 1915 THE BIRTH OF A NATION, Epoch; with Lillian Gish, Mae Marsh, Henry Walthall, Robert Harron, Elmer Clifton, Ralph Lewis. -
Downloaded from Brill.Com09/30/2021 11:31:09AM Via Free Access 92 Verena Demoed
CHAPTER FOUR THE MORALITY OF HYPOCRISY: GNAPHEUS’S LATIN PLAY HYPOCRISIS AND THE LUTHERAN REFORMATION Verena Demoed Introduction In drama, moral judgment is not uttered through words alone; it can also be expressed through non-verbal and seemingly subsid- iary things such as props, costumes and stage action.1 This paper will attempt to clarify how Gnapheus used his Latin plays, especially his Hypocrisis (‘Hypocrisy’, published in 1544 and 1564), in debates on religious matters. Gulielmus Gnapheus Hagiensis, or Willem de Volder (Fuller), or Van de Voldersgraft, of The Hague (1493–1568) is an example of a committed writer. He held outspoken views on the Protestant reformations, which he expounded in pamphlets and plays. Because of his commitment, his oeuvre is pre-eminently suitable as material in an investigation of the role literature played within public debate, and the effect it may have had on public opinion. Hypocrisis is his most outspoken play. It was written and produced in East Prussia, where Lutheranism was proclaimed as a state religion. This enabled the author (he may even have felt obliged) to expound his reforma- tional ideas in a more direct, explicit and uncompromising manner than he would have done in the Low Countries and West Prussia, where he lived before the 1540s, and which at that time still remained officially Catholic. Though even here, in Lutheran East Prussia, Gnapheus came into conflict with the ecclesiastical authorities: he was indicted for heresy by the Lutheran theologian Staphylus. 1 This paper was written within the scope of the Vidi-projectLatin and Vernacular Cultures: Theatre and Public Opinion in the Netherlands (ca. -
Download Download
S K E N È Journal of Theatre and Drama Studies 3:1 2017 SKENÈ Journal of Theatre and Drama Studies Founded by Guido Avezzù, Silvia Bigliazzi, and Alessandro Serpieri. General Editors Guido Avezzù (Executive Editor), Silvia Bigliazzi. Editorial Board Simona Brunetti, Lisanna Calvi, Nicola Pasqualicchio, Gherardo Ugolini. Managing Editor Lisanna Calvi. Assistant Managing Editor Francesco Lupi. Copyeditors Francesco Dall’Olio, Marco Duranti, Antonietta Provenza, Carlo Vareschi. Layout Editor Alex Zanutto. Advisory Board Anna Maria Belardinelli, Anton Bierl, Enoch Brater, Jean-Christophe Cavallin, Marco De Marinis, Tobias Döring, Pavel Drábek, Paul Edmondson, Keir Douglas Elam, Ewan Fernie, Patrick Finglass, Enrico Giaccherini, Mark Griffith, Stephen Halliwell, Robert Henke, Pierre Judet de la Combe, Eric Nicholson, Guido Paduano, Franco Perrelli, Didier Plassard, Donna Shalev, Susanne Wofford. Copyright © 2017 SKENÈ All rights reserved. ISSN 2421-4353 No part of this book may be reproduced in any form or by any means without permission from the publisher. SKENÈ Theatre and Drama Studies http://www.skenejournal.it [email protected] Mandy Lowell Albert* The Play about Common Trade and Play about Empty Purse: Cornelis Everaert’s Prequels to Elckerlijc/Everyman? Abstract This paper proposes a possible link betweenElckerlijc , the Dutch-language allegorical play that provided the basis for the well-known English translation Everyman, and two plays by Cornelis Everaert, a sixteenth-century playwright from Bruges writing from within the amateur literary society Chambers of Rhetoric (rederijkerskamers). The two plays areThe Play about Common Trade (Spil van Ghemeene Neerrynghe), a serious play, and The Comedy about Empty Purse (Esbattement van Aerm in de Buerse), a lighter comic play. -
Chapter 1 - Imagining the Diaspora
Cover Page The handle http://hdl.handle.net/1887/25763 holds various files of this Leiden University dissertation Author: Müller, Johannes Title: Exile memories and the Dutch Revolt : the narrated diaspora, 1550 – 1750 Issue Date: 2014-05-14 Chapter 1 - Imagining the Diaspora The formation of diaspora narratives The Netherlandish diaspora networks that persisted for about two centuries relied on narratives that explained the reasons for their existence and provided commonly recognizable tales of origin. The discourses in which these narratives were developed emerged in the 1550s and were continued and modified by subsequent generations of migrants. Writings of the first generation of the diaspora set the tone for later chronicles and other historiographical works of the various stranger churches. This chapter describes the emergence of discourses that shaped the later diasporic networks and provided images with which individuals and groups could identify. Such processes of identification were necessary for the formation of the diaspora. Refugees from the Low Countries and their descendants saw their fate not as an individual experience but as one shared with a wider community of exiles with whom they remained connected, often over great distances. Historians and church historians have sometimes attributed the cultivation of a diasporic mentality and a pronounced theology of exile to specific branches of Western Protestantism, especially Calvinism. 68 We must, however, not forget that these religious diasporic discourses had their own development and were not initially and self-evidently part of the new confessional cultures that emerged in the sixteenth century. This chapter explores how these discourses came into being and how they were appropriated by groups and individuals within the refugee networks.