O Xi. Um Bloco Quadrado, Situado Entre O Rio Hudson E a High Line

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O Xi. Um Bloco Quadrado, Situado Entre O Rio Hudson E a High Line O XI. UM BLOCO QUADRADO, SITUADO ENTRE O RIO HUDSON E A HIGH LINE. DOIS ÍCONES, QUE CRESCEM EM DIREÇÃO AO CÉU, A PARTIR DA DUALIDADE YING E YANG E DAS CONQUISTAS DE ENGENHARIA DE BJARKE INGELS, CRIAM-SE NOVOS PARALELOS ENTRE O PASSADO E O FUTURO, O AVANT-GARDE RESISTENTE AO TEMPO, O TRAVERTINO OBEDIENTE E A TECNOLOGIA DINÂMICA. UMA REFERÊNCIA NUMA NOVA ENCRUZILHADA, ONDE UM BAIRRO NOVA-IORQUINO HISTÓRICO SE ENCONTRA COM CAMINHOS AINDA POR TRAÇAR. TAMBÉM AÍ SE ENCONTRA O SIMBOLISMO EMBUTIDO NO SEU NOME: UM E DEZ UNIDOS PARA CRIAR UM NÚMERO ASSOCIADO A REVELAÇÕES, IDEALISMO, GÉNIO INOVADOR E REQUINTE APERFEIÇOADOS PARA CONTAR A HISTÓRIA DE UM LUGAR ÚNICO, O XI. A CONCRETIZAÇÃO DE UM ACORDO ARQUITETÓNICO O XI UMA REVIRAVOLTA INESPERADA. UM DESAFIO AO LINEAR. DOIS PILARES ELEGANTES E ICÓNICOS MARCAM A SUA PRESENÇA COM UMA DANÇA, AFASTANDO-SE UM DO OUTRO NUM ARCO QUE MARCA UMA CELEBRAÇÃO DINÂMICA DA CIDADE QUE OS RODEIA. 6 7 Os especialistas mais inovadores em arquitetura, design, arte, hotelaria e desenvolvimento uniram- se desde as suas várias áreas para criar uma celebração extraordinária. Um encontro das mentes mais visionárias do mundo deu origem ao novo pináculo das conquistas da engenharia. Na verdade, é uma colaboração que reflete Nova incorporada nas equipas escolhidas para tratar Iorque: um lugar onde as culturas se encontram, dos interiores: a Gabellini Sheppard Associates e a as ideias se cruzam e os recursos, incluindo a Gilles & Boissier. inspiração, são partilhados. Uma cidade cuja identidade se baseia num casamento único e belo Cada uma destas firmas de renome mundial entre água e aço, entre o natural e o artificial. Dita a recebeu a tarefa de trabalhar no design do interior lógica que um ponto de referência de Nova Iorque das torres. No que toca a talento e ideias, as duas deve ser concebido em virtude da fusão de mentes, equipas superaram-se: A Gabellini Sheppard, ideias e influências tão distintas. conhecida por uma pureza acolhedora, e a Gilles & Boissier por uma elegância artística, revelaram O local em si, na sua localização sem igual e escala ser companheiras estéticas brilhantes para a épica, com quase 93.000 metros quadrados arquitetura única de Bjarke Ingels. No final de entre o rio Hudson e a High Line, exige mentes contas, a seleção exigiu muito mais do que um olho visionárias. Um facto que não passou despercebido extraordinário. Cada equipa capturou algo emotivo ao grupo HFZ Capital quando decidiu desenvolver nas suas propostas: uma interação entre a luz, o este espaço, possivelmente uma das parcelas de rio e a cidade em si. Um sentimento de estar ao OS VISIONÁRIOS DO XI terreno mais desejadas de Nova Iorque. A ideia era mesmo tempo no centro do mundo e a anos-luz de criar mais do que um simples edifício. O objetivo distância. Um sentimento de bem-estar que nos foi sempre o de criar uma comunidade dentro de convida, envolve e inspira. uma comunidade, um coração dentro de um núcleo já vibrante só por si;transformar um bairro inteiro da Uma vez que este empreendimento faz sentinela cidade tanto num epicentro como num refúgio: em nas margens do rio e fica rodeado por um dos última instância, um destino para atrair sonhadores espaços verdes mais inovadores de Manhattan, a BJARKE INGELS GROUP e executores de todos os cantos do mundo. High Line, a arquitetura paisagista teve um papel essencial na concretização da alma do projeto. O Reunir uma equipa tornou-se numa questão de premiado Enzo Enea foi escolhido para liderar esse GABELLINI SHEPPARD selecionar, não apenas os melhores, mais também esforço para o XI. Célebre pela sua capacidade de os mais visionários e progressistas. Eles são homens entrelaçar o interior e o exterior, a sua abordagem e mulheres dedicados à construção do futuro, a consistiu em integrar uma sensação do exterior e começar pelo arquiteto, Bjarke Ingels. Após chegar de elementos naturais ao ambiente dentro e à volta GILLES & BOISSIER à sua visão: dois edifícios que deixam criam espaço dos dois edifícios. Os resultados são sofisticados, entre eles numa dança ao ar livre, tornou-se claro espontâneos e surpreendentes. Para tirar partido que ele entregaria a dádiva indelével que a linha do da localização única do edifício e reforçar o espírito ENZO ENEA horizonte procurava. de ligação à comunidade, o XI também colaborou com a associação Friends of the High Line, numa "Não demoramos muito a perceber que ele seria parceia exclusiva que deu vida a uma parte do o melhor candidato para este projeto", disse Ziel próprio parque High Line, marcando o único local ES DEVLIN Feldman, o CEO do HFZ Capital Group. "Foi graças na sua extensão de 2,3 km onde a transição é feita à sua capacidade de trabalhar em parâmetros por a nível do solo. vezes adversos para criar ambientes nunca antes SIX SENSES NEW YORK vistos. E ele falava a língua de Chelsea. Falava a E, claro, um projeto no coração de WestChelsea não língua de Meatpacking. Falava a língua de West ficaria completo sem uma galeria. A Visionaries Side. Falava todas as línguas que a nossa localização Gallery apresenta uma série de obras de Ed Devlin engloba". que reflete o caráter do XI. Es é uma artista premiada e HFZ CAPITAL GROUP de renome mundial que cria que cria esculturas cinéticas À medida que a manifestação física do XI começava para a ópera, a dança, o teatro, a moda, a música e a tomar forma, criar uma parceria com o Six Senses também tem uma coleção extensa de trabalho a Hotels Resorts Spas, o provedor de algumas solo. O seu trabalho já foi apresentado no National das experiências hoteleiras mais cobiçadas do Theatre, na Royal Opera House, no La Scala, na The mundo, tornou-se a chave para conceber o Serpentine, e no V&A London. Ela é conhecida caráter. "A visão era muito clara. Na verdade, foi pelas suas colaborações com Beyoncé, Kanye West, essa visão que teve um impacto em nós, que Adele, U2, The Weeknd, Louis Vuitton e também nos fez querer tanto fazer parte disto", disse nas Cerimónias de Encerramento dos Jogos Olímpicos Neil Jacobs, CEO. "E depois o facto de ficar no e na Art Basel Miami. bairro mais vibrante de Manhattan, perto da água e na High Line. Sinceramente, essa localização não Equipas que representam o pináculo das suas áreas. podia ser mais relevante para a nossa marca". Um projeto revolucionário. A colaboração é uma arte em si e encontra-se bem representada pelas Com as parcerias essenciais estabelecidas, mentes por trás do XI. Este foi um processo de começou a emergir uma ideologia partilhada que criatividade que gerou criatividade, de genialidade serviu como alicerce para todas as parcerias futuras que gerou genialidade e cada equipa inspirou- que seriam construídas: um compromisso para com se ao inspirar as restantes. À medida que cada a comunidade, o bem-estar, a arte e, em última contribuidor concedeu a sua pincelada única a este instância, a transcendência. É uma abordagem que quadro partilhado, o resultado que surgiu foi uma requer tanto uma criatividade sem limites e uma obra prima cujo destino é alterar a face da cidade atenção compulsiva ao detalhe: uma combinação e estabelecer novos parâmetros para a área do imobiliário em geral. 8 9 "EM NOVA IORQUE, A BELEZA MAIS ARREBATADORA NASCE DO PRÁTICO. É UMA CIDADE QUE SE DEFINE POR TRANSFORMAR O PRAGMÁTICO EM ALGO POÉTICO". BJARKE INGELS O ARQUITETO DO XI BJARKE INGELS GROUP 10 11 "CONCEBEMOS O DESIGN COMO UMA ESPÉCIE DE NOÇÃO HOLÍSTICA: AMBIENTES ARTESANAIS CRIADOS COM UM EQUILÍBRIO DO IMPERFEITO; ESPAÇOS QUE NÃO SÓ CRIAM UMA HARMONIA NO INTERIOR E NO EXTERIOR, MAS QUE TAMBÉM CRIAM AMBIENTES VITAIS PARA OS NOSSOS HABITANTES". MICHAEL GABELLINI N°I INTERIOR DESIGN GABELLINI SHEPPARD "QUEREMOS CRIAR ALGO QUE NÃO SEJA PRESCRITIVO, MAS ANTES QUE SEJA INDIVIDUALIZADO E QUE TENHA A SUA PRÓPRIA NARRATIVA... UM RIO QUE CORRE DE DIVISÃO EM DIVISÃO PARA CRIAR UM ASPETO MUITO PRECISO E ESPECIAL DO ESPAÇO E DA LUZ QUE REFORCE O LOCAL QUE SERVE". KIM SHEPPARD N°I INTERIOR DESIGN GABELLINI SHEPPARD 12 13 "O QUE REALMENTE QUEREMOS É CRIAR UMA EXPERIÊNCIA SENSORIAL. A PALAVRA 'EMOÇÃO' É A MAIS IMPORTANTE PARA NÓS... COMO PODEMOS CRIÁ-LA ATRAVÉS DO TOQUE, DO AROMA E DOS SONS. O DESIGN FOI CRIADO PARA AS PESSOAS QUE VIVEM LÁ, E QUANDO UM PROJETO É BOM, VEMOS A EMOÇÃO NOS SEUS OLHOS". DOROTHÉE BOISSIER N°X INTERIOR DESIGN GILLES & BOISSIER 14 15 "O NOSSO MAIOR INTERESSE É CRIAR UM ESPAÇO QUE SEJA PERMANENTE, QUE EVOLUA. COMO ARQUITETOS PAISAGISTAS, SOMOS UMA ESPÉCIE DE ENGENHEIROS... O NOSSO MAIOR OBJETIVO É CRIAR ALGO QUE PERDURE POR CEM ANOS OU MAIS". ENZO ENEA O DESIGN PAISAGISTA DO XI A ARQUITETURA PAISAGISTA DE ENEA 16 17 "PARA MIM, ESTE PROJETO FOI UMA VERDADEIRA REVELAÇÃO, DEVIDO À FORMA COMO A EQUIPA ESTÁ A PENSAR NA COMUNIDADE PARA QUE ESTAMOS A CONSTRUIR: A FORMA COMO ESTES EDIFÍCIOS E ESTE TERRENO SE VÃO INTEGRAR NA CIDADE, NA SUA HISTÓRIA, NA SUA POPULAÇÃO". ES DEVLIN A VISIONARIES GALLERY DO XI ARTISTA 18 19 "A SIX SENSES FOI CRIADA A PARTIR DE UM IMPULSO EMOTIVO. PARA NÓS, IT O OBJETIVO PRINCIPAL É UNIR A SUSTENTIBILIDADE E O BEM- ESTAR COM UMA LOCALIZAÇÃO FANTÁSTICA, UM DESIGN EXTRAORDINÁRIO E UMA EXPERIÊNCIA SEM COMPARAÇÃO". NEIL JACOBS DIRETOR EXECUTIVO SIX SENSES HOTELS RESORTS SPAS 20 21 "A NOSSA FILOSOFIA BASEIA-SE NA CELEBRAÇÃO DA VIDA... EM CRIAR UM AMBIENTE QUE NOS RODEIA, QUE FORNECE UMA EXPERIÊNCIA E ENVOLVE TUDO O ESTA CIDADE EM QUE VIVEMOS TEM DE MÁGICO E MARAVILHOSO, AO MESMO TEMPO QUE CRIAMOS UM REFÚGIO".
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