DOCSLIB.ORG

An Ethnography of China's Rural-Urban Divide by Lili

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
An Ethnography of China's Rural-Urban Divide by Lili Discerning the Cultural: An Ethnography of China’s Rural-Urban Divide by Lili Lai A dissertation submitted to the faculty of the University of North at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Anthropology. Chapel Hill 2008 Approved by: Judith Farquhar Christopher Nelson Dorothy Holland Peter Redfield Gang Yue © 2009 Lili Lai ALL RIGHTS RESERVED ii ABSTRACT Lili Lai, Discerning the Cultural: An Ethnography of China’s Rural-Urban Divide (Under the direction of Judith Farquhar) This dissertation seeks a better understanding of the lived quality of the spatial and class division known as China’s rural/urban divide through an ethnographic inspection of daily practice, attitudes (at domestic, community, and county government levels), policy history, and local memory in Henan, China. It shows how at every point a person’s (or place’s, or practice’s) “ruralness” or “urban sophistication” is an intimate, local quality. By focusing on everyday social practices which may give insight into forms of embodiment and local cultural worlds, my ethnography brings together questions concerning space, embodiment, everyday life, and peasant status. My dissertation has made it clear that there are indigenous cultural processes through which the meaning of rural and urban location is made. The political economic roots and social determinants of “dirty villages,” the strategies of inhabiting “villages with empty centers,” and the local and national projects of cultural production all reveal much about class and power in China today. Unlike other close ethnographies of small places in China, this reading of local culture is considered in the context of the national and global practices that maintain a deeply divisive rural-urban divide. I argue that substantive ethnographic attention to the specificities of village life in the contemporary Henan context can destabilize China’s chronic rural-urban divide and recover a unique and sophisticated voice for at least one group of silenced “peasants.” iii To my mentor, Judy Farquhar. iv Acknowledgements Every dissertation is more or less a remarkable point in its author’s life, I assume. I am grateful for having reached this “turning point”, after nine years of graduate study in the Anthropology Department at the University of North Carolina at Chapel Hill. First and formost, I thank my advisor Judith Farquhar, a great mentor as well as wonderful friend. Without her sparkling intellectual inspiration, empathetic understanding, encouragement to quality work, and moreover, tireless and enthusiastic reading, commenting upon, and laboring over each draft of my dissertation, I will have hardly made this “great leap forward” as a non-native English speaker without any previous training in humanities, not to say cultural anthropology. My four other committee members also play an indispensible role in guiding me through this journey. Dottie Holland, Chris Nelson, Peter Redfield, and Gang Yue, all as outstanding scholars and laoshi (teachers) have contributed to my intellectual development. Here I want to thank Dr. Nelson in particular, who kindly agreed to take up the role as my program chair after Judy had moved to University of Chicago in my last several years of graudate study. Especially after coming back from my fieldwork, I had been greatly benefited by his stimulating but also insightful comments and suggestions on my draft of each chapter, generously offered in my process of writing, as well as his unfailing encouragement and support as a dutiful chair. I can’t thank more all the protagonists in this dissertation. Without them my stories can’t go on. (However I am requested not to disclose them, therefore I am not to v bring up their names.) As a matter of fact, it was exactly their mundane yet savory life that had made me decide to shift my research topic from rural medical care to the urban/rural divide, out of my acute feeling of being ignorant of everyday realities of the countryside when I first arrived in their village. In particular, I thank my two host families, who kindly (and maybe bravely) took me in as part of their family without really knowing me, a complete stranger who claimed to be a researcher but apparently was more interested in sitting around chatting. I also thank my friends in the county’s Chinese medicine hospital, especially “Dajie” Kou Rongyu. It was she who took me to the township office and helped to arrange my stay in the village. Later on, it was also she who secured a room for me to live in the hospital’s clinic building while conducting the archival research in the county. I thank Ms. Li who not only let me sit in the county archive, day after day, to read through almost every single document concerning local medical policy, but also photocopied many materials for me. And Mr. Qu, “Qu Lao”, an enthuthiastic medical historian in the county, who not only had taught me much of the local history, whose book manuscript that was generously given to me had proven to be an invaluable material for me to draw on. My fieldwork was funded by the Social Science Research Council and The Wenner- Gren Foundation. I acknowledge their support to my dissertation research. I should also acknowledge Mr. Wu Gang, vice director of the State Administration of Traditional Chinese Medicine. Thanks to his introductory note to the prefectural office, I was able to go “down” smoothly all the way from Beijing to the Henan village, as if sliding down a slopping channel (or a laundry chute). Along the same line, Ma Chunhua and Hu Gang at the Institute of Sociology of Chinese Academy of Social Sciences (CASS) helped me vi obtain an introduction letter issued by the Institute, so that I was able to use it to assure the local authority of the legitimacy of my research. I am grateful to their facilitation. I am fortunate to be among a goup of remarkable graduate students at Chapel Hill. My first two years of graduate study were rough; they would have been even unbearable without the warm encouragement and at the same time stimulating intellectual exchange from my cohorts, Ana Araujo, Katheleen Martin, and Eduardo Resptrepo in particular. And I am greatly thankful to my dear friend Eric Karchmer, a sturdy backbone since I knew him in Beijing when I was trying to apply to a graduate program in anthropology, even before my coming to study in Chapel Hill. I believe Eric had read almost all the drafts of my papers for my first two year’s course works. He is essential in my gradual adaptation to the anthropological writing and, inevitably, thinking. My two writing groups have provided tremendous support and stimulus for me to finally reach the finishing line. My local writing group at Chapel Hill with my cohorts Ana and Kacie, and Vinci Daro and Kim Allen, had been wonderful in encouraging everyone to keep writing, and meanwhile providing pragmatic suggestions based upon close readings of each other’s drafts. My China-research writing group with Teresa Kuan, Jason Ingersol, and John Osberg, excellent peers in University of Sourthern California and University of Chicago, has been extremely benefial for me to sharpen my arguments and tidy up my structures of writing. I am greatly indebted to both writing groups. Finally, I hope that this dissertation may account for my long journey away from home, as an answer to the unconditional support of my parents, Lai Guoquan and Tong Wuqin, and my sister Lai Lilin, to their demanding daughter and sister. vii Table of Contents List of Figures………………………..………………………………………………….viii Introduction……………………………………………………………………………......1 I. The mobile rural-urban divide……………………… ………………………..3 II. Seeing like a state …………………………………………………………….9 III. The discourse of “three-nong question” ………………………………….18 IV. “Peasants” in anthropology …………………………………………………22 V. Recent ethnographies of rural China …………………………………… …30 VI. Discerning the cultural ……….……………………………………………...35 VII. Writing the cultural ………………………………………………………40 An Overview of Shang Village ………………………………………………………..44 Chapter One: Habitus and Dirt: Everyday Hygiene ……………………………….…....52 I. House, home, and family ……………………………………………………..58 II. Everyday hygiene …………………………………………………………….76 III. A bodily concern of hygiene ………………………………………………...87 IV. New house …………………………………………………………………..92 V. The uncanny trash …………………………………………………………103 VI. Uncanny modernization ……………………………………………………111 Chapter Two: Immanent Sociality: Open-ended Belonging…………………………...124 I. The “Xiaogang Village Paradox” ……………………………………………131 II. A society of familiars ……………………………………………………….139 III. Everyday sociality ………………………………………………………….145 IV. Art of social relations ………………………………………………………162 V. Migration – a general background ………………………………………….167 VI. Migrant life – reproducing belonging ……………………………………..175 VII. New families, new village ………………………………………………...192 Chapter Three: Wenhua Guangchang, the Culture Plaza ........................................…...207 I. A new socialist countryside ………………...………….…………………….211 II. Building the Wenhua Guangchang .........................................................…...217 III. Planting poplars to develop the economy ……………….…………………234 IV. Interpreting the “scriptures” from above ……………….………………….246 V. “Culture” in the village …………………………………………………….254 VI. Everyday life and travels of “culture” ……………………………………..269 Conclusion……………………………………………………………………………277 Bibliography ……………………………………………………………………...........291 viii List of Figures Figure 1: The location of Zhaozhou
Load more

Recommended publications
  • Title of Thesis Or Dissertation, Worded
    “USING THE PEAK OF THE FIVE ELDERS AS A BRUSH”: A CALLIGRAPHIC SCREEN BY JUNG HYUN-BOK (1909-1973) by HAN ZHU A THESIS Presented to the Department of Art History and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2012 THESIS APPROVAL PAGE Student: Han Zhu Title: “Using the Peak of the Five Elders as a Brush”: A Calligraphic Screen by Jung Hyun-bok (1909-1973) This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of Art History by: Charles Lachman Chairperson Akiko Walley Member Yugen Wang Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2012 Han Zhu iii THESIS ABSTRACT Han Zhu Master of Arts Department of Art History June 2012 Title: “Using the Peak of the Five Elders as a Brush”: A Calligraphic Screen by Jung Hyun-bok (1909-1973) Korean calligraphy went through tremendous changes during the twentieth century, and Jung Hyun-bok (1909-1973), a gifted calligrapher, played an important role in bringing about these changes. This thesis focuses on one of Jung’s most mature and refined works, “Using the Peak of the Five Elders as a Brush,” owned by the Jordan Schnitzer Museum of Art. In addition to translating and explicating the poems on the screen, through a close examination of both the form and content of the work I explore how it reflects Jung’s values, intentions, and background.
    [Show full text]
  • Download File
    On the Periphery of a Great “Empire”: Secondary Formation of States and Their Material Basis in the Shandong Peninsula during the Late Bronze Age, ca. 1000-500 B.C.E Minna Wu Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMIBIA UNIVERSITY 2013 @2013 Minna Wu All rights reserved ABSTRACT On the Periphery of a Great “Empire”: Secondary Formation of States and Their Material Basis in the Shandong Peninsula during the Late Bronze-Age, ca. 1000-500 B.C.E. Minna Wu The Shandong region has been of considerable interest to the study of ancient China due to its location in the eastern periphery of the central culture. For the Western Zhou state, Shandong was the “Far East” and it was a vast region of diverse landscape and complex cultural traditions during the Late Bronze-Age (1000-500 BCE). In this research, the developmental trajectories of three different types of secondary states are examined. The first type is the regional states established by the Zhou court; the second type is the indigenous Non-Zhou states with Dong Yi origins; the third type is the states that may have been formerly Shang polities and accepted Zhou rule after the Zhou conquest of Shang. On the one hand, this dissertation examines the dynamic social and cultural process in the eastern periphery in relation to the expansion and colonization of the Western Zhou state; on the other hand, it emphasizes the agency of the periphery during the formation of secondary states by examining how the polities in the periphery responded to the advances of the Western Zhou state and how local traditions impacted the composition of the local material assemblage which lay the foundation for the future prosperity of the regional culture.
    [Show full text]
  • The Case and Treatment of Prominent Human Rights Lawyer Gao Zhisheng Hearing Congressional-Executive Commission on China
    THE CASE AND TREATMENT OF PROMINENT HUMAN RIGHTS LAWYER GAO ZHISHENG HEARING BEFORE THE CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ONE HUNDRED TWELFTH CONGRESS SECOND SESSION FEBRUARY 14, 2012 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov U.S. GOVERNMENT PRINTING OFFICE 74–543 PDF WASHINGTON : 2012 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA LEGISLATIVE BRANCH COMMISSIONERS House Senate CHRISTOPHER H. SMITH, New Jersey, SHERROD BROWN, Ohio, Cochairman Chairman MAX BAUCUS, Montana FRANK WOLF, Virginia CARL LEVIN, Michigan DONALD A. MANZULLO, Illinois DIANNE FEINSTEIN, California EDWARD R. ROYCE, California JEFF MERKLEY, Oregon TIM WALZ, Minnesota SUSAN COLLINS, Maine MARCY KAPTUR, Ohio JAMES RISCH, Idaho MICHAEL HONDA, California EXECUTIVE BRANCH COMMISSIONERS SETH D. HARRIS, Department of Labor MARIA OTERO, Department of State FRANCISCO J. SA´ NCHEZ, Department of Commerce KURT M. CAMPBELL, Department of State NISHA DESAI BISWAL, U.S. Agency for International Development PAUL B. PROTIC, Staff Director LAWRENCE T. LIU, Deputy Staff Director (II) CO N T E N T S Page Opening statement of Hon. Chris Smith, a U.S. Representative from New Jersey; Chairman, Congressional-Executive Commission on China ................ 1 Brown, Hon. Sherrod, a U.S. Senator from Ohio; Cochairman, Congressional- Executive Commission on China ........................................................................ 4 Wolf, Hon. Frank, a U.S. Representative from Virginia; Member, Congres- sional-Executive Commission on China ............................................................
    [Show full text]
  • (Shijing): on “Filling out the Missing Odes” by Shu Xi
    Righting, Riting, and Rewriting the Book of Odes (Shijing): On “Filling out the Missing Odes” by Shu Xi Thomas J. MAZANEC University of California, Santa Barbara1 A series of derivative verses from the late-third century has pride of place in one of the foundational collections of Chinese poetry. These verses, “Filling out the Missing Odes” by Shu Xi, can be found at the beginning of the lyric-poetry (shi 詩) section of the Wenxuan. This essay seeks to understand why such blatantly imitative pieces may have been held in such high regard. It examines how Shu Xi’s poems function in relation to the Book of Odes, especially their use of quotation, allusion, and other intertextual strategies. Rather than imitate, borrow, or forge, the “Missing Odes” seek to bring the idealized world of the Odes into reality by reconstructing canonical rites with cosmic implications. In so doing, they represent one person’s attempt to stabilize the chaotic political center of the Western Jin in the last decade of the third century. The “Missing Odes” reveal that writing, rewriting, ritualizing, and anthologizing are at the heart of early medieval Chinese ideas of cultural legitimation. Introduction If one were to open the Wenxuan 文選, the foundational sixth-century anthology compiled by Crown Prince Xiao Tong 蕭統 (501–531), and turn to the section on shi- poetry 詩 in hopes of understanding early medieval lyricism, the first pages would present one with a curious series of six poems, different in style and tone from the more famous works that follow. This set of tetrametric verses by Shu Xi 束皙 (ca.
    [Show full text]
  • AKIKO WALLEY [email protected]
    Walley Curriculum Vitae AKIKO WALLEY [email protected] Employment Maude I. Kerns Associate Professor of Japanese Art 2016-present Maude I. Kerns Assistant Professor of Japanese Art 2009-2016 Department of the History of Art and Architecture College of Design University of Oregon Education PhD Harvard University (Cambridge, MA) 2009 Department: History of Art and Architecture Fields: Japanese and Chinese art history AM Harvard University (Cambridge, MA) 2004 Department: Regional Studies East Asia Fields: Japanese and Chinese culture MA Aoyama Gakuin University (Tokyo, Japan) 2001 Department: Art History Fields: Japanese and Chinese art history BA Aoyama Gakuin University (Tokyo, Japan) 1998 Department: History Fields: Japanese history, Japanese art history Publications (published or forthcoming) Peer-reviewed Monograph Constructing the Dharma King: The Hōryūji Shaka Triad and the Birth of the Prince Shōtoku Cult, Japanese Visual Culture Series, vol. 15 (Leiden: Brill, 2015). Museum Catalogues Evocative Shadows: The Mezzotints of Hamanishi Katsunori, co-edited with Anne Rose Kitagawa (Eugene, OR: Jordan Schnitzer Museum of Art, 2019). Expanding Frontiers: The Jack and Susy Wadsworth Collection of Postwar Japanese Prints, co- edited with Anne Rose Kitagawa (Eugene, OR: Jordan Schnitzer Museum of Art, 2015). Book Chapters/Essays for Exhibition Catalogues “Strike a Chord: The Principle of Resonance in Early East Asian Buddhist Reliquaries,” in Refiguring East Asian Religious Art: Buddhist Devotion and Funerary Practice, edited by Wu Hung and Paul Copp (Chicago: Center for the Art of East Asia, Department of Art History, University of Chicago; Art Media Resources, Inc, 2019), 21-51. 1 Walley Curriculum Vitae “Innovation and Resuscitation: A Short History of Mezzotint,” Evocative Shadows: The Mezzotints of Hamanishi Katsunori, edited by Anne Rose Kitagawa and Akiko Walley (Eugene, OR: Jordan Schnitzer Museum of Art, 2019), 13-19.
    [Show full text]
  • Transforming the Void
    iii Transforming the Void Embryological Discourse and Reproductive Imagery in East Asian Religions Edited by AnnaAndreevaandDominicSteavu LEIDEN |BOSTON For use by the Author only | © 2016 Koninklijke Brill NV ContentsContents v Contents Acknowledgements ix List of Figures and Tables xi Conventions and Abbreviations xiv List of Contributors xviii Introduction: Backdrops and Parallels to Embryological Discourse and Reproductive Imagery in East Asian Religions 1 Anna Andreeva and Dominic Steavu Part 1 China 1 Prenatal Infancy Regained: Great Peace (Taiping) Views on Procreation and Life Cycles 53 Grégoire Espesset 2 Conceiving the Embryo of Immortality: “Seed-People” and Sexual Rites in Early Taoism 87 Christine Mollier 3 Cosmos, Body, and Gestation in Taoist Meditation 111 Dominic Steavu 4 Symbolic Pregnancy and the Sexual Identity of Taoist Adepts 147 Catherine Despeux 5 Creation and Its Inversion: Cosmos, Human Being, and Elixir in the Cantong Qi (The Seal of the Unity of the Three) 186 Fabrizio Pregadio 6 On the Effectiveness of Symbols: Women’s Bodies as Mandalas 212 Brigitte Baptandier For use by the Author only | © 2016 Koninklijke Brill NV vi Contents Part 2 Japan 7 The Embryonic Generation of the Perfect Body: Ritual Embryology from Japanese Tantric Sources 253 Lucia Dolce 8 Buddhism Ab Ovo: Aspects of Embryological Discourse in Medieval Japanese Buddhism 311 Bernard Faure 9 “Human Yellow” and Magical Power in Japanese Medieval Tantrism and Culture 344 Nobumi Iyanaga 10 “Lost in the Womb”: Conception, Reproductive Imagery,
    [Show full text]
  • Modern Daoism 149 New Texts and Gods 150 Ritual Masters 152 Complete Perfection 154 Imperial Adaptations 157 an Expanded Pantheon 161
    Contents Illustrations v Map of China vii Dynastic Chart viii Pronunciation Guide x Background to Daoism 1 Shang Ancestors and Divination 2 The Yijing 4 Ancient Philosophical Schools 8 Confucianism 10 Part I: Foundations 15 The Daoism That Can’t Be Told 16 The Text of the Daode Jing 17 The Dao 20 Creation and Decline 22 The Sage 23 Interpreting the Daode Jing 25 Lord Lao 28 Ritual Application 30 At Ease in Perfect Happiness 35 The Zhuangzi 36 The World of ZHuang ZHou 38 The Ideal Life 41 Poetic Adaptations 43 The Zen Connection 46 From Health to Immortality 50 i Body Energetics 51 Qi Cultivation 52 Healing Exercises 54 Magical Practitioners and Immortals 59 Major Schools of the Middle Ages 64 Celestial Masters 65 Highest Clarity 66 Numinous Treasure 68 The Theocracy 70 The Three Caverns 71 State Religion 74 Cosmos, Gods, and Governance 80 Yin and Yang 81 The Five Phases 82 The Chinese Calendar 85 Deities, Demons, and Divine Rulers 87 The Ideal of Great Peace 92 Cosmic Cycles 94 Part II: Development 96 Ethics and the Community 97 The Celestial Connection 98 Millenarian Structures 100 Self-Cultivation Groups 103 Lay Organizations 105 The Monastic Life 108 Creation and the Pantheon 114 Creation 115 Spells, Charts, and Talismans 118 Heavens and Hells 122 ii Gods, Ancestors, and Immortals 125 Religious Practices 130 Longevity Techniques 131 Breath and Sex 134 Forms of Meditation 136 Body Transformation 140 Ritual Activation 143 Part III: Modernity 148 Modern Daoism 149 New Texts and Gods 150 Ritual Masters 152 Complete Perfection 154 Imperial
    [Show full text]
  • The-Way-Of-Highest-Clarity-By-James
    Copyright (C) James Miller 2008. All rights reserved. Visit www.jamesmiller.ca !e Way of Highest Clarity Copyright (C) James Miller 2008. All rights reserved. Visit www.jamesmiller.ca !e Way of Highest Clarity 上 清 道 Nature, Vision and Revelation in Medieval China !ree Pines Press Magdalena, NM Copyright (C) James Miller 2008. All rights reserved. Visit www.jamesmiller.ca !ree Pines Press P.O. Box 207 Magdalena, NM 87825 © 2008 by James Miller All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. 9 8 7 6 5 4 3 2 1 Printed in the United States of America. !is edition is printed on acid-free paper that meets the American National Standard Institute Z39.48 Standard. Distributed in the United States by !ree Pines Press. __________________________________________ Library of Congress Cataloging-in-Publication Data Miller, James, 1968- !e way of highest clarity : nature, vision and revelation in medieval China / James Miller. p. cm. Includes bibliographical references and index. ISBN 978-1-931483-09-4 (alk. paper) 1. Taoism--China. 2. Taoists--China. I. Title. II. Title: Nature, vision and revelation in medieval China. BL1910.M56 2008 299.5'149--dc22 2008025354 Copyright (C) James Miller 2008. All rights reserved. Visit www.jamesmiller.ca To Anne M. Oppenheim & Michael J. Oppenheim Copyright (C) James Miller 2008. All rights reserved. Visit www.jamesmiller.ca !ere is in God (some say) A deep, but dazzling darkness; as men here Say it is late and dusky, because they See not all clear; O for that night! where I in him Might live invisible and dim.
    [Show full text]
  • To Be Or Not to Be…Christian: Explaining Chinese Immigrant Elders’ Christian Participation in the U.S
    Georgia State University ScholarWorks @ Georgia State University Sociology Theses Department of Sociology 1-12-2006 To Be or Not To Be…Christian: Explaining Chinese Immigrant Elders’ Christian Participation in the U.S. Gehui Zhang Follow this and additional works at: https://scholarworks.gsu.edu/sociology_theses Part of the Sociology Commons Recommended Citation Zhang, Gehui, "To Be or Not To Be…Christian: Explaining Chinese Immigrant Elders’ Christian Participation in the U.S.." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/sociology_theses/4 This Thesis is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TO BE OR NOT TO BE…CHRISTIAN: EXPLAINING CHINESE IMMIGRANT ELDERS’ CHRISTRIAN PARTICIPATION IN THE U.S. ABSTRACT In recent years, growing numbers of Mainland Chinese elders are participating in Christian congregations during short visits or extended stays in the U.S. This thesis explores social and cultural factors that explain these immigrant elders’ involvement with Christianity while in the U.S. Based on face-to-face interviews with 20 Mainland Chinese elders living in Atlanta as well as participant observation at a Chinese Christian church and with a Bible study group, this study finds that loneliness and social isolation in a foreign land are the main reasons for Mainland Chinese elders’ participation in Christian activities. Besides religious services, social service functions of churches and opportunities for fellowship are other factors explaining church involvement.
    [Show full text]
  • Copyrighted Material
    JWST592-IND JWST592-Powers Printer: Yet to Come September 8, 2015 10:31 Trim: 244mm × 170mm Index References to figures are in italic Above the Wall and on Horseback Album of Calligraphy and Analysis of Xiaoqing (Xiaoqing (Qiangtou mashang), 520 Paintings from Ten Bamboo zhi fenxi), 434 Academy of Calligraphy, 505 Studio (Shizhuzhai Anatomy of Love (Qingshi), 88 Achaemenid Palace Persepolis, shuhuapu), 80 ancestor portraits, 43, 147–149 380 Album of Paintings by Famous ancestor spirits, 16, 164–166, Achilles Tatius, 412 Masters throughout the Ages 171, 239 achu (painting, ritual act), 119 (Lidai minggong huapu), ancestor worship, 148–149, Admonitions of the Court 80, 81 159, 238–239, 248 Instructress, 15, 53, 115, Album of Tang Poetry and Confucian rituals, 238–239 141, 152, 171, 172, 393, Paintings, An (Tangshi and construction of tombs 398, 461, 462 huapu), 80, 81 and shrines, 165 fans, 393 albums of paintings, 79–84, 120 family altars, 206 lessons from, 116–120 readerships, 82 imperial, 149–150, 164–166 scroll acquired by British alchemy, 166, 169, 220 Anderson, Benedict, 352 Museum, 121 physiological, 219–220, 225 animals, symbolism of, 508 significance of rebuffal scene, time and, 220–221 animals in tombs, 98 119–120 Alsop, Joseph, 47, 48 Annals of LuBuwei,The¨ , 215 toilette scene, 117–118 on copies and forgeries, 63 Anthology of Discourses on Adventures of Leucippe and Ames, Roger, 237 Chinese Painting Clitophon, The, 412 Amitabha Buddha, 162 (Zhongguo hualun leibian), advertisement Amoghavajra, 142 121 and art, 436 COPYRIGHTEDAn Lushan rebellion, 511 MATERIALAnthology of Literature (Wen and art photography, 431, An Qi, 469 xuan), 269 442–447 Analects, 36, 461, 481 see also antiques and antique dealers, and female nudity, 446–447 Confucius 104, 265 historicity of advertising art, Analysis of Characters as an collecting, 385–386 437–442 Explanation of Writing, The Anyang (Shang capital), 98, nature of, 434 (Shouwen jiezi), 36, 198, 245, 377 afterlife, depictions of, 169 199, 237, 294, 300, 312 apsarases, 167 A Companion to Chinese Art, First Edition.
    [Show full text]
  • Social Organization in South China, 1911-1949
    THE UNIVERSITY OF MICHIGAN CENTER FOR CHINESE STUDIES MICHIGAN MONOGRAPHS IN CHINESE STUDIES NO. 48 Social Organization in South China, 1911-1949 The Case of the Kuan Lineage in K'ai-p'ing County by Yuen-fong Woon Ann Arbor Center for Chinese Studies The University of Michigan 1984 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Copyright ©1984 by Center for Chinese Studies The University of Michigan Library of Congress Cataloging in Publication Data Woon, Yuen-fong, 1943- (Michigan monographs in Chinese studies; no. 48) Bibliography; p. 1. KTai-pTing hsien (Kwangtung Province, China- Social conditions. 2. Social organization—China— Kfai-pfing hsien (Kwangtung Province)-—Case studies. 3. Social classes—China—K?ai-pfing hsien (Kwangtung Province)—Case studies. 4. Kinship—China—Kfai-pfing hsien (Kwangtung Province)—Case studies. 5. Kuan family. I. Title, n. Series. HN740.K35W66 1984 305f.0951'27 84-3164 ISBN 0-89264-051-0 ISBN 0-89264-048-0 (pbk.) ISBN 978-0-89264-051-5 (hardcover) ISBN 978-0-89264-048-5 (paper) ISBN 978-0-472-12823-5 (ebook) ISBN 978-0-472-90223-1 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Cover design by Carrie L. DiLorenzo License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Printed in the United States of America CONTENTS Preface and Acknowledgements vii List of Tables xi 1. Social Organization in South China 1 2. The Kuan Lineage of T'uo-fu 21 3.
    [Show full text]
  • ZOTMUN Crisis Topic Synopsis
    MODEL UNITED NATIONS AT THE UNIVERSITY OF CALIFORNIA, IRVINE ZOTMUN | sites.uci.edu/ucimun Welcome Delegates, Our names are Angie Lo and Mary Lee, and we are the Secretaries-General for the UCI Model United Nations 2020-2021 school year! This year, we are excited to host our first ever collegiate-level online conference, ZOTMUN, and thrilled to have you all join our new journey. We have worked hard to make this conference happen, and we hope that everyone will have a fun and engaging time in debate. Angie is a fourth year Sociology and Political Science double major. She has been involved in MUN since freshman year of high school and loved her experiences there so much she has continued being a part of MUN throughout all of her college years. Throughout her time at MUN at UCI, she has been Assistant Director and Director for General Assembly, Under Secretary-General of Mains, and now has been Secretary General for the past 2 years. When not busy with her school, research, MUN and work, she likes drawing and playing video games. Mary is a third year Criminology, Law and Society major. She has been involved in UCIMUN since freshman year of college and loved her experiences here by far. Her favorite part of actively being involved in MUN is cooperating with other students to contribute to raising awareness of global issues and international affairs. In UCIMUN, she has been an Assistant Director of the Legal Committee and Director of the SPECPOL Committee. Outside of UCIMUN, she is actively involved in research and a networking organization on campus.
    [Show full text]