Fitted & Fabulous Issue Tkga
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220 Superwash® Kangaroo Sweater
W185 220 Superwash® Kangaroo Sweater Designed by Amy Bahrt © 2013 Cascade Yarns® - All Rights Reserved. 220 Superwash® Kangaroo Sweater Designed by Amy Bahrt Skill Level: Intermediate Size: 2 (4, 6) Materials: Cascade Yarns® 220 Superwash® 100% Superwash Wool 100 g (3.5 oz) / 220 yds (200 m) A - 2 skeins of color #813 (Blue Velvet) B - 2 skeins of color #821 (Daffodil) C - 1 skein of color #864 (Christmas Green) D - 1 skein of color #822 (Pumpkin) US 5 & 7 knitting needles Crochet Hook G/6 Stitch Holders Yarn Needle 1 – 3/8” 4-hole Button Finished Measurements: Chest: 26 (28, 31)" Body Length 14 (15½, 17)" Sleeve Length 11½ (12, 12½)" Armhole Depth 5¾ (6¼, 6¾)" Gauge: 20 sts x 26 rows = 4" Abbreviations: BO = Bind Off CO = Cast On K = Knit P = Purl RS = Right Side St(s) = Stitch(es) WS = Wrong Side Stripe pattern: *(2 rows B, 2 rows D); repeat from* (4 rows) Back: With smaller needles and A CO 64 (70, 78)sts. Work in (K1, P1) Rib Pattern for 8 rows. Change to larger needles continue in Stockinette stitch until piece measures 14 (15½, 17)" from beginning. On WS, BO 19 (21, 25) sts for shoulder, work across 26 (28, 28) sts and place on holder, BO remaining sts for shoulder. © 2013 Cascade Yarns® - All Rights Reserved. Front: Work as back until piece measures 2¾ (4¼, 5¾)" from beginning. On RS and A, work 21(24, 28) sts, join B and work 22 sts of Kangaroo chart pattern row #1, end 21 (24, 28) sts A. -
Knitting 4D Garments with Elasticity Controlled for Body Motion
Knitting 4D Garments with Elasticity Controlled for Body Motion ZISHUN LIU, Delft University of Technology, The Netherlands / Centre for Perceptual and Interactive Intelligence (CPII) Limited, Hong Kong, China XINGJIAN HAN, Boston University, USA YUCHEN ZHANG, Centre for Perceptual and Interactive Intelligence (CPII) Limited, Hong Kong, China XIANGJIA CHEN, Centre for Perceptual and Interactive Intelligence (CPII) Limited, Hong Kong, China YU-KUN LAI, Cardiff University, United Kingdom EUGENI L. DOUBROVSKI, Delft University of Technology, The Netherlands EMILY WHITING, Boston University, USA CHARLIE C. L. WANG, The University of Manchester, United Kingdom (a) (b) (c) max 0.0 Fig. 1. During the body motion of swinging arms, a perfect-fit 3D garment can have: (a) large stress when using firm materials – leading to uncomfortable pressure or (b) large sliding when using soft materials – resulting in unwanted wrinkles. Both factors are considered in an integrated way onaknitwear with optimized distribution of elasticity as a 4D garment (c) that minimizes the stress and controls the maximal sliding during body motion. Stresses and displacements are visualized as color maps and black arrows respectively, where the maximal stress is 40.75kPa. Our work enables a computational framework for designing 4D garments and automatically fabricating them on digital knitting machines. A knitwear as 4D garment is physically fabricated byknitting different ‘percentages’ of firm and soft yarns in different regions. We make the regions of different elasticity visible by using firm yarns in light-blueandsoft yarns in white. Sliding trajectories on physical specimens are evaluated by a vision-based method and displayed as black curves. In this paper, we present a new computational pipeline for designing and for a garment by physics-based computation, the optimized elasticity on the fabricating 4D garments as knitwear that considers comfort during body garment is then converted into instructions for a digital knitting machine by movement. -
Celebrating 60 Years
Celebrating 60 Years NEW TITLES SPRING 2020 Get in touch... +44 (0)1392 790650 [email protected] www.davidandcharles.com catalogue_jacket2020.indd 1 30/01/2020 14:41 CONTENTS Frontlist ..........................................04 Art ............................................06 Knit & Crochet .............................12 Cross Stitch ................................18 Quilting & Sewing ........................20 Other Craft .................................30 Assisted Publishing ...........................36 Recently Published ...........................38 Dover .............................................50 Backlist ..........................................56 How to get in touch ..........................86 www.davidandcharles.com Catalogue.indd 1 29/01/2020 14:01 Catalogue.indd 2 29/01/2020 14:01 Our Autumn 2019 catalogue was incredibly well received and we’re excited to follow that up with our new titles for Spring 2020. This Spring, we have a great balance of perennially successful subjects alongside books that feature new ideas and trends. Long-standing D&C authors, Pam and Nicky Lintott, bring us Jelly Roll Quilts: The Classic Collection and we make a return to bag making with The Complete Bag Making Masterclass. Books such as Crochet Hacking, Macraweave and Dried Flowers pick up on the latest trends, while Cross Stitch for the Soul celebrates the strong link between crafting and mindfulness. Cat Knits is a fantastic book for the many million cat-loving knitters out there and I reserve a special mention for Magical Woodland Knits, a truly exquisite book with incredible projects and brilliant photography. The list sees us building on our success in practical art. 3000 Colour Mixing Recipes is a cornerstone book for all watercolour artists and DIY Watercolor Jungle is a follow up to our brilliantly successful 2019 book, DIY Watercolor Flowers. We’ve been overwhelmed by the support and encouragement for new David and Charles. -
KNIT-A-BIT, LLC 16925 S. Beckman Rd. Oregon City, OR 97045-9366 (503) 631-4596
KNIT-A-BIT, LLC 16925 S. Beckman Rd. Oregon City, OR 97045-9366 (503) 631-4596 Adaptation of Gene Bailey's "WONDER DRESS" by Pat Groves Machine: standard gauge with ribber Yarn: 2 pounds of Krinklespun, 2 strands for skirt and collar (tuck pattern) 3 strands for ribbing and stocking stitch Stitch size (tension) on the Passap: 5 for stocking stitch 2 1/2 for the ribbing 3 1/4 for the tuck. Dress is knit straight from hem to neck (except for neck shaping and if desired armhole shaping) using three different stitch patterns. Skirt is a double bed tuck pattern which changes to 1:1 rib 3" below the waist, has a casing for elastic at the waist, changes to stocking stitch for the bodice. Neckline is your choice, the model was a slight scoop. The sleeves are stocking stitch with 1:1 rib at the wrist. The collar is the same pattern as the skirt or you could knit the sleeves in the same tuck pattern as the skirt. You can change the sleeve to the lace pattern and also change the collar to stockinette – it’s your choice, just make the necessary adjustments to the pattern. Knit three swatches and calculate the following gauges: (Passap knitters: You may want to do the stocking stitch swatch on the back bed - see the note under Bodice). Stocking stitch --- stitches/inch - A = . rows/inch - B = . 1:1 rib rows/inch - C = . Tuck stitch rows/inch - D = . The tuck pattern is a double bed pattern with needles tucking on the main bed and knitting on the other bed. -
2-Day Pre-Festival Workshops Spinning 101: Learn to Spin Or Refresh Your Skills with Maggie Casey Wednesday and Thursday, May 4 & 5, 9 A.M
2-Day Pre-Festival Workshops Spinning 101: Learn to Spin or Refresh Your Skills with Maggie Casey Wednesday and Thursday, May 4 & 5, 9 a.m. - 4 p.m., Howard County Farm Heritage Museum (across from the Howard County Fairgrounds) Spider Woman taught the Navajo to spin with spindles of lightning and turquoise. Gandhi encouraged the people of India to spin every day for meditation and economic freedom. Rumpelstiltskin spun straw into gold and Sleeping Beauty pricked her finger on her spindle and fell into a deep sleep. History and fable are full of tales of spinning and its effect on the people who do it. If you have always wanted to spin, have taught yourself a little, or haven’t spun for a while, this workshop will be just what you need to gain confidence and skill. We will start with a beautiful fleece, learn to card, spin, ply and set the twist. Then we will spin woolen and worsted yarns, some commercially prepared fibers and discuss wheel maintenance. Spinning straw into gold may be beyond our reach, but beautiful yarn is not! Skill level: Beginner. Students should bring: Working spinning wheel and all its parts, lazy kate and at least 3 bobbins, wool hand cards. JC01 Class fee: $200. Materials fee: $20. Fiber Preparation with Robin Russo Wednesday and Thursday, May 4 & 5, 9 a.m. - 4 p.m., Bingo Hall Well prepared fibers spin easily into beautiful yarns. This class covers both drum-carding and combing of fine, medium and coarse wools; color blending; luxury fiber preparation, and separation of guard hair from undercoat. -
Saturday, November 17
Saturday, November 17 FLAWLESS FINISHING (minimal homework) 10 a.m. to noon Learn to professionally assemble your knitwear. In this class, you will use your prepared swatches to learn Keith's tricks behind five different seams. We will also learn the correct way to pick up stitches across both the top and sides of our knitting. Be amazed as the magic unfolds and walk away with the proficient skills to finish your knitwear professionally for years to come. Skills covered include joining horizontal color stripes, lining up seams, joining raglan seams, proper sweater decreasing, sleeve increases, picking up stitches around a neckline, and weaving in tails. Materials needed: Darning needle, scissors, 2 colors of worsted weight yarn, size 7 or 8 straight or circular knitting needles, scrap paper, pen. HOMEWORK: Swatch 1: (Please make two) With a light colored worsted weight yarn and US # 7 or 8 knitting needle, cast on 14 stitches and work in garter stitch (knit every row) for 4 inches. Bind off all stitches. Swatch 2: (Please make 2) With a light coloredworsted weight yarn and US #7 or #8 knitting needle, cast on 16 stitches and work in stockinet stitch (Row 1: Knit, Row 2: Purl) for 4 inches. Bind off all stitches. FIXING MISTAKES WITH KEITH, THE PERFECTIONIST! 1 to 3 p.m. Have you ever taken that large “GASP” while ripping your knitting? Have no fear! this class we will first purposely make mistakes. By doing so, we can see how mistakes are created and then deconstruct our knitting to resolve all problems! Learn different ways to rip back your knitting, add lifelines, recognize twisted stitches, pick up dropped stitches in multiple stitch patterns including stockinette stitch, seed stitch, garter stitch and lace. -
Ribbing Increases by Vanessa Montileone
swatch a swatch b swatch c ON YOUR WAY TO THE MASTERS Ribbing Increases by vanessa montileone swatch d swatch e swatch f 66 Cast On • February – April 2007 Increasing is an integral part of knitting location to hide an increase. Masters whether used for shaping or decoration. Program level 1 requires swatches of single There is a plethora of written information and double rib with increases on the last concerning the various increase techniques row. The increases are to be unobtrusive and “Never accept but little is written concerning the use of evenly spaced. There are many formulas increases in ribbing. Level 1 of the TKGA for figuring how to space increases and a the WORD Master Hand Knitting Program asks general rule of thumb is not to increase in that increases be placed in the last row of an edge stitch. Increases placed at the edge of any expert ribbing and that they be unobtrusive. In form a jagged line that is visible and makes other words the increases should blend seaming difficult. What increase would without first into the ribbing pattern. Knitters must first work best? The make 1, although one of the checking it out have knowledge of the various increases least visible in stockinette, does not work and their characteristics before they can well in ribbing. It creates an open area for yourself.” chose which increase is best suited for the under the strand in which the increase is pattern stitch being knitted. made. That open area can be visible in the ribbing. The lifted increase is the second – Maggie Righetti A brief review of four commonly used best increase in ribbing. -
Pilling Performance and Abrasion Characteristics of Selected Basic Weft Knitted Fabrics
Muhammet Akaydin, Yahya Can Pilling Performance and Abrasion Characteristics of Selected Basic Weft Knitted Fabrics Pamukkale University, Abstract Denizli Vocational Scholl, The aim of this study was the determination of the effects of dyeing, knit construction and Denizli, Turkey the thread yarn production type on the abrasion resistance and pilling performance of E-mail: [email protected] selected basic weft knitted fabrics. For this aim jersey and interlock fabrics were produced from 100% cotton ring and compact yarns. Some of the fabrics produced were dyed. The abrasion resistance and pilling performance of raw and dyed fabrics were measured. The results obtained were classified according to the knit construction, whether the fabric was raw or dyed, and the properties of the yarn from which the fabric was produced. According to the results obtained, the abrasion resistance and pilling performance of interlock fabrics were found to be higher than those of jersey fabrics, those of dyed fabrics higher than those of raw fabrics, and those of fabrics produced from compact yarns were higher than those fabrics produced from ring yarns. Key words: abrasion resistance, compact yarn, pilling, weft knitted fabric. Abrasion resistance and pilling perform- ported that 100 % cotton samples knitted ance are two of the most important me- from ring spun yarns tend to have lower chanical characteristics of fabrics. The pilling rates than those constructed from resistance of a fabric against the force of 100 % cotton open-end spun yarns [9]. friction is known as the abrasion resist- ance. In general, pilling is a fabric defect Akaydin studied basic knitted fabrics observed as small fiber balls or a group from ring combed and compact yarns and consisting of intervened fibers that are determined that the abrasion resistance attached to the fabric surface by one or and pilling performance of supreme fab- more fibers [1]. -
Free Pattern: Beginner Socks for Magic Loop, TOE-UP Or TOP-DOWN by Liat Gat of Knitfreedom
Free Pattern: Beginner Socks for Magic Loop, TOE-UP or TOP-DOWN by Liat Gat of KNITFreedom Materials Yarn: 150-400 yds fingering-weight yarn (amount of yarn needed depends on length of cuff). If working two socks at one time, separate yarn into two balls of equal yardage. Gauge: 7 sts/in in St st. Needles: 1 or 2 40-inch circular needle(s) OR set of DPNs, in whatever size required for YOU to obtain gauge. I used US #2. What kind of needles you require depends on how you prefer to knit in the round. I prefer magic loop, which requires one circular needle. Notions: Stitch markers, tapestry needle, scissors. Sizes: S, M, L Finished Measurements: Foot circumference: 7[8,9] inches, unstretched Length: customizable to exact foot size Abbreviations/Terms: (all links go to KNITFreedom videos) CO: cast on PM: place marker BOR: beginning of round M1L: make one left M1R: make one right K2tog: knit 2 together P2tog: purl 2 together SSK: slip, slip, knit instep: the part of the sock opposite the heel (front of ankle). Beginner Socks for Magic Loop, TOE-UP VERSION Want to watch a complete KNITFreedom Video Course showing every step of this project, including how to knit these socks two-at-a-time? Click Here To Learn More! Pattern Notes: Sock is worked in the round from toe to cuff. The heel shaping is taken directly from Fleegle's blog and is famously known as the Fleegle Heel. Pattern Instructions: Toe Using Judy's Magic Cast-On, CO 12(16,20) sts, 6(8,10) on each needle. -
4JE-02PO: Let's Learn to Knit with Increase and Decrease
4JE-02PO COOPERATIVE EXTENSION SERVICE UNIVERSITY OF KENTUCKY—COLLEGE OF AGRICULTURE Unit 2 Let’s Learn to Knit with Increase and Decrease Linda Heaton, Textiles and Clothing Specialist 18 U. S. C. 707 Agriculture & Natural Resources • Family & Consumer Sciences • 4-H/Youth Development • Community & Economic Development This publication was originally prepared by Jo Ann S. Hilliker, former state Extension specialist in clothing and textiles. Special appreciation is extended to the committee who inspired this project and who worked long hours to make it a reality. Many thanks to: Thelma Smith, Shelby County Leader Mrs. Glenn Riggs, Fayette County Leader Katherine Hixson, Harrison County Leader Jane Bailey, former Shelby County Extension Agent for Home Economics Karen Hill, former Extension Program Specialist for 4-H Mention or display of a trademark, proprietary product, or firm in text or figures does not constitute an endorsement and does not imply approval to the exclusion of other suitable products or firms. Contents Your Guide for the Project .......................4 Gauge ....................................................12 You Will Learn ..................................................4 Check the Gauge .......................................... 12 Articles You Will Make ....................................4 Care of Synthetic Yarns .........................13 Exhibit Your Work ............................................4 Machine Washing and Drying .................. 13 Add to Your Record Book ...............................5 -
Top-Down Raglan Pullover Lesson.Pdf
About Top-Down Raglan Pullovers the underarm is complete and the raglan piece joined to be worked in the round. The top-down raglan design is of "sea ms" are decreased to the neckline. From Continue increasing every other row until comparatively recent origin in terms of the top-down, the sleeve/body stitches are the piece is long/large enough to meet at swea ter design. Raglan construction was increased to the underarms and then th e the underarms. The sleeves/front/back arc created as a supplement to or replacement sleeves, front and back stitches separated separated at this point. Some designers have of the saddle shoulder sweater. See Suzanne and wo rked to the edgings as three separate the knitter work the sleeves first so they are Bryan's article "Raglan Sleeved Sweaters tubes. worked down to the wrist and finished off. from the Bottom Up" on page 46 for more Others instruct the knitter to work the body discussion o n the history of this design. Construct ion first and then the sleeves. In that instance, The hallmark of the raglan is the diagonal A top-down raglan is essentially a seamless the body is worked as a tube to the desired shaping lines moving from the top of the rectangular yoke. Once the math for gauge length and finished. Regardless of which neckline, to the underarm. Thus, the sleeve is complete, cast o n placing markers at is done first, some additional stitches may top is integrated into the neckline. This the four points dividing the back/sleeve/ be cast on for the underarms to reach the design eliminates the problem of excess front/sleeve (see Swatch 1) . -
Sweater-101-Sampler-Copy.Pdf
Sweater 101 How to Plan Sweaters that Fit ... and Organize Your Knitting Life at the Same Time In print again, Sweater 101 is called “a Timeless Classic” Cheryl Brunette For Lena and Magdalena, my mother and grandmother, through whose hands a million miles of threads flowed. Table of Contents 1 Introduction .......................................... 13 Knitting in the mid- 20th Century . 13 Knitting Today . 13 Goals of Sweater 101 . 14 Tools that Enhance Sweater 101........................................ 15 Your Knitting Notebook .............................................. 16 2 Basic Sweater Styles . 17 Making Fabric • Tubes vs Flat Pieces.................................... 17 Drop Shoulder . 19 Set-In Sleeve . 20 The Raglan . 21 3 A Couple of Math Skills ............................... 22 Your Calculator Memory.............................................. 22 More-or-Less-Right Formula Explained................................. 24 More-or-Less-Right Formula in a Nutshell . 28 4 Finding Your Gauge . 29 What is Gauge? • The Gauge Swatch ................................... 29 Row Gauge . 32 The Gauge Record Sheet.............................................. 33 5 How to Size a Sweater to Get the Fit You Really Want . 35 Three Sources of Information . 35 Longer or Shorter . 37 The Non-Hourglass Figure . 38 6 How to Take Body Measurements...................... 40 7 How to Assign Pattern Measurements................ 42 8 Filling in a Picture Pattern . .44 Charting a Drop Shoulder Pattern ..................................... 46 A Drop Shoulder Charting Example & Tips ............................ 50 Knitting Shoulders Together.......................................... 51 Charting a Set-In Pattern............................................. 53 Charting a Set-In Sleeve Cap . 56 A Set-In Charting Example & Tips . 59 Charting a Raglan Pattern . 62 A Raglan Charting Example & Tips.................................... 65 9 Beyond the Basics . 68 Playing with the Neckline • Collars • Plackets . 68 The V-Neck . 70 The Square Shawl .