Free Knitting Pattern Lion Brandоаwooleaseоаthick & Quick

Total Page:16

File Type:pdf, Size:1020Kb

Free Knitting Pattern Lion Brandоаwooleaseоаthick & Quick Free Knitting Pattern Lion Brand® Wool­Ease® Thick & Quick® Simple Stylish Top Pattern Number: L30220 This simple vest is a lot more detailed than you think with the short row collar and bobbled trim. Free Knitting Pattern from Lion Brand Yarn Lion Brand® Wool­Ease® Thick & Quick® Simple Stylish Top Pattern Number: L30220 SKILL LEVEL: Experienced (Level 5) SIZE: XS, Small, Medium, Large, 1X, 2X, 3X Finished Measurement at Lower Edge 32 (36, 40, 44, 48, 52, 56) in. (81.5 (91.5, 101.5, 112, 122, 132, 142) cm) Finished Back Length 21 (21 1/2, 22 1/2, 23 1/2, 24 1/2, 25, 25 1/2) in. (53.5 (54.5, 57, 59.5, 62, 63.5, 65) cm) Note: Pattern is written for smallest size with changes for larger sizes in parentheses. When only one number is given, it applies to all sizes. To follow pattern more easily, circle all numbers pertaining to your size before beginning. CORRECTIONS: None as of Oct 4, 2016. To check for later updates, click here. MATERIALS • 640­402 Lion Brand Wool­ Ease Thick & Quick Yarn: Wheat 5 6, 6, 7, 8, 9, 9 Balls • Lion Brand Knitting *Wool­Ease Thick & Quick (Article #640). Solids, Heathers, Twists, Prints, Stripes: 80% Acrylic, 20% Needles­ Size 13 [9 mm] Wool; • Lion Brand Crochet Hook ­ for Wheat & Wood: 86% Acrylic; 10% Wool; 4% Rayon; Size E­4 (3.5 mm) buttonloop Oatmeal & Barley & Grey Marble: 82% Acrylic; 10% Wool; 8% Rayon; • Lion Brand Split Ring Stitch Metallics: 79% Acrylic, 20% Wool, 1% Metallic Poly; Markers package size: Solids, Heathers, Twists, Tweeds: 6 • Lion Brand Large­Eye Blunt oz./170g (106 yd/97 m) Prints, Stripes: 5 oz./140g (87 yd/80 m) Needles (Set of 6) Metallics: 5 oz./140g (92 yd/84 m) • Additional Materials Circular knitting needle size 11 (8 mm), 40 in. (101.5 cm) long One button about 7/8 in. (22 mm) diameter GAUGE: 10 sts + 14 rows = about 4 in. (10 cm) in St st (k on RS, p on WS) with larger needles. When you match the gauge in a pattern, your project will be the size specified in the pattern and the materials specified in the pattern will be sufficient. The needle or hook size called for in the pattern is based on what the designer used, but it is not unusual for gauge to vary from person to person. If it takes you fewer stitches and rows to make your swatch, try using a smaller size hook or needles; if more stitches and rows, try a larger size hook or needles. Making a Gauge Swatch STITCH EXPLANATION: kfb (knit in front and back) Knit next st without removing it from left needle, then k through back of same st ­ 1 st increased. MB (Make Bobble) (K1, yo, k1, yo) all in next st, turn, p4, turn, k4, pass first, 2nd and 3rd st worked over last st. w&t (wrap and turn) ­ A technique used to ensure that a small hole doesn't form at the end of a short row. 1. Slip next st as if to purl. 2. Bring yarn between needles to front. Take care not to wrap the yarn over a needle, this would create a new st. 3. Slip same st back to left needle. 4. Turn work and bring yarn between needles to front, in position for next st. This will place a wrap around the st. 5. The next time you knit this st on a RS row, pick up the wrap and knit it tog with the st. NOTES: 1. Top is worked in one piece. Lower body is worked from side to side then stitches are picked up to work the upper back and fronts. 2. Short rows are used to shape the lower body. When working short rows, not all sts are worked on every row. Turn when instructed. 3. The wrap and turn technique (w&t) is used when working short rows to prevent holes from forming at the end of short rows. TOP Lower Body With straight needles, cast on 21 sts. Row 1 (RS): Knit. Row 2: K3, p to end of row. Rep Rows 1 and 2 until piece measures about 8 (9, 10, 11, 12, 13, 14) in. (20.5 (23, 25.5, 28, 30.5, 33, 35.5) cm) from beg, end with a WS row as your last row. Place marker (pm) for armhole. Inc Row (RS): K1, kfb, knit to end of row ­ 22 sts at the end of this row. Keeping first 3 sts in Garter st (k every row), as established, and rem sts in St st (k on RS, p on WS), rep Inc Row every 4 (4, 4, 4, 4, 6, 6) rows 5 (5, 6, 6, 7, 7, 7) more times ­ 27 (27, 28, 28, 29, 29, 29) sts when all increases have been completed. Work 1 (3, 3, 7, 7, 7, 11, 15) row(s) even. Begin Short Row Shaping * Short Row 1 (RS): Knit to last 8 sts, w&t, purl to end of row. Short Row 2: Knit to last 14 sts, w&t, purl to end of row. Short Row 3: Knit to last 20 sts, w&t, purl to end of row. Next Row: Knit all sts, picking up wraps. Next Row: K3, purl to end of row. Rep from * twice more. Work 2 (4, 4, 8, 8, 8, 12, 16) rows even. Dec Row (RS): K1, k2tog, k to end of row ­ 26 (26, 27, 27, 28, 28, 28) sts. Continuing to work even in pattern as established, rep Dec Row every 4 (4, 4, 4, 4, 6, 6) rows for 5 (5, 6, 6, 7, 7, 7) more times ­ 21 sts when all decreases have been completed. Work 1 row even. Pm for armhole. Continue to work even in pattern as established until piece measures 8 (9, 10, 11, 12, 13, 14) in. (20.5 (23, 25.5, 28, 30.5, 33, 35.5) cm from 2nd armhole marker. Bind off. Upper Back With RS facing and straight needles, cast on 2 sts for armhole trim, beg at first armhole marker, pick up and knit 56 (60, 64, 70, 76, 80, 86) sts evenly spaced across to second armhole marker, cast on 2 sts ­ 60 (64, 68, 74, 80, 84, 90) sts. Row 1 (WS): Knit. Row 2: K3, p27 (29, 31, 34, 37, 39, 42), pm for center back, p27 (29, 31, 34, 37, 39, 42), k3. Row 3: K3, purl to last 3 sts, k3. Bobble Row 4: K4, *MB, k4; rep from * to last 6 (5, 4, 5, 6, 5, 6) sts, MB, k to end of row. Rows 5, 7 and 9: Rep Row 3. Rows 6 and 8: Knit. Inc Row 10: Knit to 1 st before center back marker, (kfb) twice, knit to end of row ­ 62 (66, 70, 76, 82, 86, 92) sts. Rows 11­18 Rep Rows 7­10 twice ­ 66 (70, 74, 80, 86, 90, 96) sts. Keeping first and last 3 sts in Garter st and rem sts in St st, work until Armhole measures 6 (6 1/2, 7, 8, 8 1/2, 9, 9 1/2) in. (15 (16.5, 18, 20.5, 21.5, 23, 24) cm), end with a WS row as your last row. Shape Shoulders Bind off 3 (5, 7, 5, 8, 5, 8) sts at beg of next 2 rows, 2 (2, 2, 3, 3, 4, 4) sts at beg of next 10 rows ­ 40 sts. Shape Neck and Shoulders Mark center 12 sts for neck. Next Row (RS): Bind off 5 sts, k8 (9 sts on right hand needle), join a 2nd ball of yarn and bind off center 12 sts, knit to end of row ­ 9 sts for right shoulder; 14 sts for left shoulder. Working both sides at the same time with separate balls of yarn, bind off 5 sts at beg of of left shoulder once, then 6 sts at the beg of each shoulder once; AT THE SAME TIME, bind off 3 sts from each neck edge once. Left Front With RS facing and straight needles, pick up and k 2 sts along cast­on sts of back armhole trim, pick up and k 22 (25, 27, 30, 32, 35, 37) sts evenly spaced along upper edge of left front ­ 24 (27, 29, 32, 34, 37, 39) sts. Row 1 (WS): Knit. Row 2: K3, purl to end of row. Row 3: Purl to last 3 sts, k3. Bobble Row 4: K4, *MB, k4; rep from * to last 0 (3, 0, 3, 0, 3, 0) sts, MB, k to end of row. Note: If there is a '0' after the last rep for the size you are working, do not work a MB at the end of the row. Row 5: Purl to last 3 sts, k3. Row 6: Knit. Rep Rows 5­6 until armhole measures same as back to shoulder, end with a WS row as your last row. Shape Shoulder Next Row (RS): Bind off 3 (6, 8, 6, 8, 6, 8) sts, k to end of row. Purl one row. Next Row: Bind off 2 (2, 2, 3, 3, 4, 4) sts, k to end of row. Purl one row. Rep last 2 rows 4 more times. Next Row: Bind off 5 sts, k to end of row. Purl one row. Bind off. Right Front From RS with straight needles, pick up and k 22 (25, 27, 30, 32, 35, 37) sts evenly spaced along upper edge of left front, pick up and knit 2 sts along cast­on sts of back armhole trim ­ 24 (27, 29, 32, 34, 37, 39) sts.
Recommended publications
  • Knitting 4D Garments with Elasticity Controlled for Body Motion
    Knitting 4D Garments with Elasticity Controlled for Body Motion ZISHUN LIU, Delft University of Technology, The Netherlands / Centre for Perceptual and Interactive Intelligence (CPII) Limited, Hong Kong, China XINGJIAN HAN, Boston University, USA YUCHEN ZHANG, Centre for Perceptual and Interactive Intelligence (CPII) Limited, Hong Kong, China XIANGJIA CHEN, Centre for Perceptual and Interactive Intelligence (CPII) Limited, Hong Kong, China YU-KUN LAI, Cardiff University, United Kingdom EUGENI L. DOUBROVSKI, Delft University of Technology, The Netherlands EMILY WHITING, Boston University, USA CHARLIE C. L. WANG, The University of Manchester, United Kingdom (a) (b) (c) max 0.0 Fig. 1. During the body motion of swinging arms, a perfect-fit 3D garment can have: (a) large stress when using firm materials – leading to uncomfortable pressure or (b) large sliding when using soft materials – resulting in unwanted wrinkles. Both factors are considered in an integrated way onaknitwear with optimized distribution of elasticity as a 4D garment (c) that minimizes the stress and controls the maximal sliding during body motion. Stresses and displacements are visualized as color maps and black arrows respectively, where the maximal stress is 40.75kPa. Our work enables a computational framework for designing 4D garments and automatically fabricating them on digital knitting machines. A knitwear as 4D garment is physically fabricated byknitting different ‘percentages’ of firm and soft yarns in different regions. We make the regions of different elasticity visible by using firm yarns in light-blueandsoft yarns in white. Sliding trajectories on physical specimens are evaluated by a vision-based method and displayed as black curves. In this paper, we present a new computational pipeline for designing and for a garment by physics-based computation, the optimized elasticity on the fabricating 4D garments as knitwear that considers comfort during body garment is then converted into instructions for a digital knitting machine by movement.
    [Show full text]
  • Celebrating 60 Years
    Celebrating 60 Years NEW TITLES SPRING 2020 Get in touch... +44 (0)1392 790650 [email protected] www.davidandcharles.com catalogue_jacket2020.indd 1 30/01/2020 14:41 CONTENTS Frontlist ..........................................04 Art ............................................06 Knit & Crochet .............................12 Cross Stitch ................................18 Quilting & Sewing ........................20 Other Craft .................................30 Assisted Publishing ...........................36 Recently Published ...........................38 Dover .............................................50 Backlist ..........................................56 How to get in touch ..........................86 www.davidandcharles.com Catalogue.indd 1 29/01/2020 14:01 Catalogue.indd 2 29/01/2020 14:01 Our Autumn 2019 catalogue was incredibly well received and we’re excited to follow that up with our new titles for Spring 2020. This Spring, we have a great balance of perennially successful subjects alongside books that feature new ideas and trends. Long-standing D&C authors, Pam and Nicky Lintott, bring us Jelly Roll Quilts: The Classic Collection and we make a return to bag making with The Complete Bag Making Masterclass. Books such as Crochet Hacking, Macraweave and Dried Flowers pick up on the latest trends, while Cross Stitch for the Soul celebrates the strong link between crafting and mindfulness. Cat Knits is a fantastic book for the many million cat-loving knitters out there and I reserve a special mention for Magical Woodland Knits, a truly exquisite book with incredible projects and brilliant photography. The list sees us building on our success in practical art. 3000 Colour Mixing Recipes is a cornerstone book for all watercolour artists and DIY Watercolor Jungle is a follow up to our brilliantly successful 2019 book, DIY Watercolor Flowers. We’ve been overwhelmed by the support and encouragement for new David and Charles.
    [Show full text]
  • 2-Day Pre-Festival Workshops Spinning 101: Learn to Spin Or Refresh Your Skills with Maggie Casey Wednesday and Thursday, May 4 & 5, 9 A.M
    2-Day Pre-Festival Workshops Spinning 101: Learn to Spin or Refresh Your Skills with Maggie Casey Wednesday and Thursday, May 4 & 5, 9 a.m. - 4 p.m., Howard County Farm Heritage Museum (across from the Howard County Fairgrounds) Spider Woman taught the Navajo to spin with spindles of lightning and turquoise. Gandhi encouraged the people of India to spin every day for meditation and economic freedom. Rumpelstiltskin spun straw into gold and Sleeping Beauty pricked her finger on her spindle and fell into a deep sleep. History and fable are full of tales of spinning and its effect on the people who do it. If you have always wanted to spin, have taught yourself a little, or haven’t spun for a while, this workshop will be just what you need to gain confidence and skill. We will start with a beautiful fleece, learn to card, spin, ply and set the twist. Then we will spin woolen and worsted yarns, some commercially prepared fibers and discuss wheel maintenance. Spinning straw into gold may be beyond our reach, but beautiful yarn is not! Skill level: Beginner. Students should bring: Working spinning wheel and all its parts, lazy kate and at least 3 bobbins, wool hand cards. JC01 Class fee: $200. Materials fee: $20. Fiber Preparation with Robin Russo Wednesday and Thursday, May 4 & 5, 9 a.m. - 4 p.m., Bingo Hall Well prepared fibers spin easily into beautiful yarns. This class covers both drum-carding and combing of fine, medium and coarse wools; color blending; luxury fiber preparation, and separation of guard hair from undercoat.
    [Show full text]
  • Saturday, November 17
    Saturday, November 17 FLAWLESS FINISHING (minimal homework) 10 a.m. to noon Learn to professionally assemble your knitwear. In this class, you will use your prepared swatches to learn Keith's tricks behind five different seams. We will also learn the correct way to pick up stitches across both the top and sides of our knitting. Be amazed as the magic unfolds and walk away with the proficient skills to finish your knitwear professionally for years to come. Skills covered include joining horizontal color stripes, lining up seams, joining raglan seams, proper sweater decreasing, sleeve increases, picking up stitches around a neckline, and weaving in tails. Materials needed: Darning needle, scissors, 2 colors of worsted weight yarn, size 7 or 8 straight or circular knitting needles, scrap paper, pen. HOMEWORK: Swatch 1: (Please make two) With a light colored worsted weight yarn and US # 7 or 8 knitting needle, cast on 14 stitches and work in garter stitch (knit every row) for 4 inches. Bind off all stitches. Swatch 2: (Please make 2) With a light coloredworsted weight yarn and US #7 or #8 knitting needle, cast on 16 stitches and work in stockinet stitch (Row 1: Knit, Row 2: Purl) for 4 inches. Bind off all stitches. FIXING MISTAKES WITH KEITH, THE PERFECTIONIST! 1 to 3 p.m. Have you ever taken that large “GASP” while ripping your knitting? Have no fear! this class we will first purposely make mistakes. By doing so, we can see how mistakes are created and then deconstruct our knitting to resolve all problems! Learn different ways to rip back your knitting, add lifelines, recognize twisted stitches, pick up dropped stitches in multiple stitch patterns including stockinette stitch, seed stitch, garter stitch and lace.
    [Show full text]
  • Optional Short Row Shaping for Flax and Flax Light
    optional short row shaping for Flax and Flax Light a little fit adjustment ♥ by Tin Can Knits Learn to knit with Alexa and Emily! The Flax and Flax Light sweaters are part of The Simple Collection, a learn to knit series with excellent free patterns and clear tutorials. From your first scarf, to mittens, socks, and sweaters, learn everything you need to know to make modern seamless knits for all of your loved ones. Check out the whole collection here. This PDF is designed for use alongside the Flax and Flax Light patterns. To get these free sweater patterns click here. what are short rows? where will these short rows go?: Short rows are rows that don’t go all the way to the For the Flax and Flax Light sweaters the instructions end of the round or row; they stop short. Working a below place the short rows at the bottom of the yoke, series of these short rows creates a wedge of fabric. just before splitting for body and sleeves. All of the Here, this extra wedge of fabric is located at the back raglan increases have been completed and you will of the sweater. The result is that the back neck of the have worked even until the yoke has reached full sweater sits higher than the front. depth. You will have just completed a round 2. should I add short rows to my Flax or Flax Light sweater? The answer is: it’s totally optional! Emily and Eric are wearing their Flax sweaters without short rows, Francine is wearing hers with short rows.
    [Show full text]
  • Fitted & Fabulous Issue Tkga
    CAST ONTHE EDUCATIONAL FITTED & JOURNAL FOR KNITTERS WWW.TKGA.COM FABULOUS FEB–APRIL 2015 HAPPY ISSUE ANNIVERSARY STITCHES TKGA MADE SIMPLE 18 KNITS FOR SPRING 2015 MICHELLE TKGA HUNTER Conference SHARES SAN DIEGO HER CALLING! KNITTING HERO ANNIVERSARY CAPE CELEBRATE 30 YEARS IN STYLE! NO. 8 Deutschland 4,90 € · BeNeLux 5,90 € · Italien 5,50 € www.lanagrossa.de Österreich 5,40 € · Schweiz CHF 7.50 AUSGABE 49 Deutschland € 7,- · Österreich € 7,50 · Schweiz CHF 10,- www.lanagrossa.de LOOKBOOK SPRING/SUMMER 2O15 Modern Luxury! Trend-Looks, für jede Gelegenheit! Die Fashionmission 50008 Summer Green-Glamour Die schönsten Looks und Trends. Von puristisch bis glamourös. Von lässig bis elegant. Modern im Design und nachhaltig im Material! Darks 4 191635 304901 Zeitlos. Modern. Edel. Linea Pura, a luxury and pure ber division of Lana Grossa continues to bring us new yarns and beautiful pat- NATURAL SELECTION! terns to complement each ber. Cot- tons, Linens, Wools and more....all pure The Lana Grossa “Filati” book is the luxury bers and “pure-glamour.” knitting fashion journal from one of the oldest and most well established knit- Designs from sweater sets to shells, ting companies in the world. This is the T-shirts, Tops, Cardigans and Accesso- The newest publication from Lana rst book available in U.S.A. in over ries. Fashions for Men and Woman. Grossa is “The Lookbook.” Direct from 3 years. The patterns are all in English the fashion runway showing all of the featuring the most current Lana Grossa Linea Pura Book #8 $15.00 newest garments in the newest collec- yarns for Spring/Summer.
    [Show full text]
  • Improvisational Knitting Cannot Anticipatewhatwillhappennext
    Improvisational Knitting: A Tutorial My love for color, short rows, and log cabin construction coupled with my fascination with the quilts of Gee’s Bend and Nancy Crow have inspired my improvisational knitting. Curiosity and a sense of humor are the only prerequisites for learning this style of knitting. Once you understand — and are comfortable — with the techniques please abandon my instructions and let your own creativity take over. Working improvisationally is liberating and exhilarating, as you cannot anticipate what will happen next. Improvisational Knitting Improvisational © nonaKnits • All Rights Reserved • nonaknits.typepad.com Improvisational Knitting: Basic Techniques Improvisational knitting is based on several techniques: garter stitch, short rows, log cabin construction, and intarsia. Garter Stitch: Garter stitch creates a proportionally square fabric; a fabric in which the same number of stitches and rows are required to fill an inch. Creating a proportionally square fabric is critical since we will be knitting in all directions. Short Rows: Short rows allow you to turn — often arbitrarily — in the middle of a row and to knit wonky, non-rectangular shapes. Although there are several ways to work a short row, I prefer the YO short row for improvisational knitting since it is quick and easy to work. To work a YO short row: • When you reach a turning point: turn, YO, and begin knitting. The YO is easy to work. After you turn the yarn will be in front, move the yarn to the back OVER the right needle as you begin to knit the next stitch. • At some later point, you’ll encounter the YO and the gap created when you previously turned.
    [Show full text]
  • WEBS Spring Retreat
    What’s Included? Instructors We have some of the most Sumptuous swag bags that will be mailed talented instructors to attendees sharing their expertise Two full days of online classes, as well as this weekend! morning yoga Virtual trunk shows and Q&A sessions Lily Chin with our sponsors Patty Lyons An all-day lounge for you to join at your WEBS Spring Knitting Retreat leisure with events and games taking Gudrun Johnston April 29th - May 2nd, 2021 place each day Keith Leonard Our WEBS Knitting Retreat has An exclusive shopping coupon code just Josh Bennett gone virtual for May 2021! We for retreat attendees Laura Nelkin want you to have the fun of the Retreat from the safety of your living room or craft space, and we all hope you'll be excited to try this new adventure with us! Teacher Bios Lily Chin Gudrun Johnston Lily M. Chin is an internationally famous Patty Lyons Gudrun was born in Shetland in the 70’s while knitter and crocheter who has worked in the Patty Lyons (http://pattylyons.com/) is a nationally her mother, Patricia Johnston, was running the yarn industry for more than 30 years, as a recognized knitting teacher and technique expert successful knitwear design company, The designer, instructor, and author of 8 books on who is known for teaching the “why” not just the Shetland Trader. She has made a name for knitting and crochet. Lily teaches around the “how” in her pursuit of training the “mindful herself among a new generation of knitwear world and now has instructional DVDs out as knitter”.
    [Show full text]
  • How to Knit Entrelac Plus 6 Free Entrelac Knitting Patterns Entrelac Knitting: How to Knit Entrelac Plus 6 Free Entrelac Knitting Patterns
    Entrelac Knitting: How to Knit Entrelac Plus 6 Free Entrelac Knitting Patterns Entrelac Knitting: How to Knit Entrelac Plus 6 Free Entrelac Knitting Patterns ENTRELAC IS A KNITTING TECHNIQUE and then goes beyond the basics to show you how THAT’S USED TO CREATE FABRIC THAT to knit entrelac in the round. LOOKS LIKE IT’S WOVEN. The patterns include an easy scarf pattern, darling The fabric is knitted in interlocking rectangles and entrelac felted bags, some really interesting and triangles; stitches are picked up and knit from the fun mitts, a lovely shrug, a flattering tee, and some edges of previously knit sections. truly amazing socks. Entrelac can be knit flat or in the round, in Have fun learning entrelac and knitting these stockinette or garter stitch, in one color or in fabulous free patterns! multiple colors. It’s a very versatile stitch pattern! Cheers, In this free eBook, we’re going to teach you how to work entrelac, and then supply you with a few patterns that’ll really get you going! We begin with an in-depth tutorial by Eunny Jang, Kathleen Cubley which shows you the basics of entrelac knitting Editor, KnittingDaily.com Contents ENTRELAC KNITTING: HOW TO KNIT ENTRELAC PLUS 6 FREE ENTRELAC KNITTING PATTERNS Entrelac: Knitting Block by Block by Eunny Jang ........... PAGE 3 A Knitting Daily eBook edited by Kathleen Cubley The Basic Entrelac Scarf by Lisa Shroyer ................................. PAGE 8 EDITORIAL STAFF EDITOR, KNITTING DAILY Kathleen Cubley CREATIVE SERVICES Felted Entrelac Key Fobs by Susan Pierce Lawrence .........PAGE 13 PRODUCTION DESIGNER Nichole Mulder and Janice Tapia Reservoir Mitts by Allyson Dykhuizen.............................................PAGE 16 PHOTOGRAPHY As noted ILLUSTRATION Gayle Ford Projects and information are for inspiration Cochin Shrug by Eunny Jang .............................................................PAGE 19 and personal use only.
    [Show full text]
  • Free Knitting Pattern Lion Brandоаamazing® Entrelac Scarf
    Free Knitting Pattern Lion Brand® Amazing® Entrelac Scarf Pattern Number: L0585 The color changing yarn used in this scarf gives it a unique gradient look. Free Knitting Pattern from Lion Brand Yarn Lion Brand® Amazing® Entrelac Scarf Pattern Number: L0585 SKILL LEVEL: Experienced (Level 5) SIZE: One Size About 8 x 71 1/2 in. (20.5 X 181.5 cm) CORRECTIONS: None as of Jan 19, 2017. To check for later updates, click here. MATERIALS • 825­206 Lion Brand Amazing Yarn: *Amazing (Article #825). 53% Wool, 47% Acrylic; package size: 1.75oz/50.00 gr. (147yds/135m) pull skeins Arcadia 4 Balls • Lion Brand Split Ring Stitch Markers • Lion Brand Large­Eye Blunt Needles (Set of 6) • Additional Materials Circular knitting needle size 9 (5.5 mm), 36 in. (91.5 cm) long GAUGE: 16 sts + 22 rows = 4 in. (10 cm). When you match the gauge in a pattern, your project will be the size specified in the pattern and the materials specified in the pattern will be sufficient. The needle or hook size called for in the pattern is based on what the designer used, but it is not unusual for gauge to vary from person to person. If it takes you fewer stitches and rows to make your swatch, try using a smaller size hook or needles; if more stitches and rows, try a larger size hook or needles. Making a Gauge Swatch STITCH EXPLANATION: M1 (make 1) An increase worked by lifting the horizontal thread lying between needles and placing it onto left needle. Knit this new stitch through the back loop ­ 1 st increased.
    [Show full text]
  • Butterfly Tee
    NURTURING FIBRES Butterfly Tee Sample made in Eco-Cotton, colour Aventurine Designed by Tracy Schmittgen for Nurturing Fibres 1 | P a g e Butterfly Tee www.nurturingfibres.co.za NURTURING FIBRES PATTERN DIFFICULTY k – knit stitch, place on LH needle, Intermediate - Advanced k2tog – knit two together k2tog, k3. LH – left hand b) Slip 2nd, 3rd, and 4th MEASUREMENTS Mk1 kfb/pfb – make 1 stitch (k wrapped stitches, unwrap or p as usual, then repeat into each stitch, slip onto RH Pattern Sizes: Small (medium, the back of the same stitch needle. large, 1xl, 2xl, 3xl, 4-5xl) p – purl c) Slip last 5th wrapped stitch To Fit Bust (inches): 32 -34 (36- p/u – pick up off needle, unwrap and let 38, 40 – 42, 44 – 46, 48 – 50, 52 patt – pattern drop, sl4sts onto RH needle, – 54, 56 – 62) pm – place marker pick up dropped stitch and To Fit Bust (cm’s): 81 – 87 (92 – psso – pass slipped stitch over place on LH needle, return the 97, 102 – 107, 112 – 117, 122 – rep – repeat 4sts back onto LH needle, k3, 127, 132 – 137, 142 – 157) req – required k2tog. Note: of the first mk5 Sleeve Opening: 30 (32.5, 36, ret – return centre sts, you now have 3 40, 44, 48, 55.5) rnd – round centre wrapped (now Hip Width: 97 (107, 117, 127, 137, RH – right hand unwrapped) sts remaining on 147, 162) RSF – right side facing each butterfly. Repeat for Length: 58 (60, 62, 64, 66, 68, st/s – stitch/es each butterfly. 70) st st – stocking stitch Row 4: Purl all stitches except MATERIALS sl – slip stitches for the unwrapped 3 slipped SH – stitch holder stitches from previous row, Nurturing Fibres Eco-Fusion or SM – slip marker slip these 3sts from LH needle Eco-Cotton w/e – work even without to RH needle and continue 7 (8, 9, 10, 11, 12, 13) balls further shaping row to next 3 slipped sts.
    [Show full text]
  • Helix Scarves
    HANDSPUN GALLERY OF Helix Scarves Editor’s note: Near the end of last year, we posted a PDF of HELIX SCARF by Stephenie Gaustad Stephenie Gaustad’s Helix Scarf here on spinningdaily.com and invit- While thumbing through Knitting ed you to spin your yarn and make your own version of the scarf, then New Scarves by Lynne Barr, I saw a scarf submit your scarves for this gallery. We even had time to slip the call for that got its inspiration from seaweed. entries into the Winter issue of Spin.Off, though there wasn’t much time On only my first cup of tea that morn- to make the scarf and submit it. Many people responded to the chal- ing, I started thinking about a favorite sea creature, the nudibranch or sea slug lenge, and here are some of the results. (an unfortunate name for such a beauty Learn about more calls for entries such as Handspun Neckties for our with wildly colored flaring skirts). Thus Fall 2011 issue (due May 2) and Color-Block Vests for our Winter 2011 the germ for the structure of the Helix issue (due August 1) here at spinningdaily.com/callforentries. Scarf was planted. At the 2009 Spin.Off Autumn Re- treat (SOAR), I was fortunate enough to sit with someone who won fiber but couldn’t take it home, so she graciously shared it with everyone at her table. The fiber was a luscious blend of mauve Me- rino/silk. At home, I could not resist the stuff and spun it up on the tahkli, with no thought of end use, enjoying the col- ors and the generosity of people.
    [Show full text]