Pilling Performance and Abrasion Characteristics of Selected Basic Weft Knitted Fabrics
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220 Superwash® Kangaroo Sweater
W185 220 Superwash® Kangaroo Sweater Designed by Amy Bahrt © 2013 Cascade Yarns® - All Rights Reserved. 220 Superwash® Kangaroo Sweater Designed by Amy Bahrt Skill Level: Intermediate Size: 2 (4, 6) Materials: Cascade Yarns® 220 Superwash® 100% Superwash Wool 100 g (3.5 oz) / 220 yds (200 m) A - 2 skeins of color #813 (Blue Velvet) B - 2 skeins of color #821 (Daffodil) C - 1 skein of color #864 (Christmas Green) D - 1 skein of color #822 (Pumpkin) US 5 & 7 knitting needles Crochet Hook G/6 Stitch Holders Yarn Needle 1 – 3/8” 4-hole Button Finished Measurements: Chest: 26 (28, 31)" Body Length 14 (15½, 17)" Sleeve Length 11½ (12, 12½)" Armhole Depth 5¾ (6¼, 6¾)" Gauge: 20 sts x 26 rows = 4" Abbreviations: BO = Bind Off CO = Cast On K = Knit P = Purl RS = Right Side St(s) = Stitch(es) WS = Wrong Side Stripe pattern: *(2 rows B, 2 rows D); repeat from* (4 rows) Back: With smaller needles and A CO 64 (70, 78)sts. Work in (K1, P1) Rib Pattern for 8 rows. Change to larger needles continue in Stockinette stitch until piece measures 14 (15½, 17)" from beginning. On WS, BO 19 (21, 25) sts for shoulder, work across 26 (28, 28) sts and place on holder, BO remaining sts for shoulder. © 2013 Cascade Yarns® - All Rights Reserved. Front: Work as back until piece measures 2¾ (4¼, 5¾)" from beginning. On RS and A, work 21(24, 28) sts, join B and work 22 sts of Kangaroo chart pattern row #1, end 21 (24, 28) sts A. -
KNIT-A-BIT, LLC 16925 S. Beckman Rd. Oregon City, OR 97045-9366 (503) 631-4596
KNIT-A-BIT, LLC 16925 S. Beckman Rd. Oregon City, OR 97045-9366 (503) 631-4596 Adaptation of Gene Bailey's "WONDER DRESS" by Pat Groves Machine: standard gauge with ribber Yarn: 2 pounds of Krinklespun, 2 strands for skirt and collar (tuck pattern) 3 strands for ribbing and stocking stitch Stitch size (tension) on the Passap: 5 for stocking stitch 2 1/2 for the ribbing 3 1/4 for the tuck. Dress is knit straight from hem to neck (except for neck shaping and if desired armhole shaping) using three different stitch patterns. Skirt is a double bed tuck pattern which changes to 1:1 rib 3" below the waist, has a casing for elastic at the waist, changes to stocking stitch for the bodice. Neckline is your choice, the model was a slight scoop. The sleeves are stocking stitch with 1:1 rib at the wrist. The collar is the same pattern as the skirt or you could knit the sleeves in the same tuck pattern as the skirt. You can change the sleeve to the lace pattern and also change the collar to stockinette – it’s your choice, just make the necessary adjustments to the pattern. Knit three swatches and calculate the following gauges: (Passap knitters: You may want to do the stocking stitch swatch on the back bed - see the note under Bodice). Stocking stitch --- stitches/inch - A = . rows/inch - B = . 1:1 rib rows/inch - C = . Tuck stitch rows/inch - D = . The tuck pattern is a double bed pattern with needles tucking on the main bed and knitting on the other bed. -
Ribbing Increases by Vanessa Montileone
swatch a swatch b swatch c ON YOUR WAY TO THE MASTERS Ribbing Increases by vanessa montileone swatch d swatch e swatch f 66 Cast On • February – April 2007 Increasing is an integral part of knitting location to hide an increase. Masters whether used for shaping or decoration. Program level 1 requires swatches of single There is a plethora of written information and double rib with increases on the last concerning the various increase techniques row. The increases are to be unobtrusive and “Never accept but little is written concerning the use of evenly spaced. There are many formulas increases in ribbing. Level 1 of the TKGA for figuring how to space increases and a the WORD Master Hand Knitting Program asks general rule of thumb is not to increase in that increases be placed in the last row of an edge stitch. Increases placed at the edge of any expert ribbing and that they be unobtrusive. In form a jagged line that is visible and makes other words the increases should blend seaming difficult. What increase would without first into the ribbing pattern. Knitters must first work best? The make 1, although one of the checking it out have knowledge of the various increases least visible in stockinette, does not work and their characteristics before they can well in ribbing. It creates an open area for yourself.” chose which increase is best suited for the under the strand in which the increase is pattern stitch being knitted. made. That open area can be visible in the ribbing. The lifted increase is the second – Maggie Righetti A brief review of four commonly used best increase in ribbing. -
Warp and Weft Knitting | Knitting | Basic Knitted Fabrics
Weft vs. Warp Knitting Weft Warp Weft knitting. Weft knitting uses one continuous yarn to form courses, or rows of loops, across a fabric. There are three fundamental stitches in weft knitting: plain-knit, purl and rib. On a machine, the individual yarn is fed to one or more needles at a time. Weft knitting machines can produce both flat and circular fabric. Circular machines produce mainly yardage but may also produce sweater bodies, pantyhose and socks. Flatbed machines knit full garments and operate at much slower speeds. The simplest, most common filling knit fabric is single jersey. Double knits are made on machines with two sets of needles. All hosiery is produced as a filling knit process. Warp Knitting. Warp knitting represents the fastest method of producing fabric from yarns. Warp knitting differs from weft knitting in that each needle loops its own thread. The needles produce parallel rows of loops simultaneously that are interlocked in a zigzag pattern. Fabric is produced in sheet or flat form using one or more sets of warp yarns. The yarns are fed from warp beams to a row of needles extending across the width of the machine (Figure 9b). Two common types of warp knitting machines are the Tricot and Raschel machines. Raschel machines are useful because they can process all yarn types in all forms (filament, staple, combed, carded, etc.). Warp knitting can also be used to make pile fabrics often used for upholstery. Back Knitting To form a fabric by the intermeshing of loops of yam. wale course Wen €hitting Loops are formed by needles knitting the yam across the width Each weft thread is fed at right angles to the direction of fabric formation. -
Free Pattern: Beginner Socks for Magic Loop, TOE-UP Or TOP-DOWN by Liat Gat of Knitfreedom
Free Pattern: Beginner Socks for Magic Loop, TOE-UP or TOP-DOWN by Liat Gat of KNITFreedom Materials Yarn: 150-400 yds fingering-weight yarn (amount of yarn needed depends on length of cuff). If working two socks at one time, separate yarn into two balls of equal yardage. Gauge: 7 sts/in in St st. Needles: 1 or 2 40-inch circular needle(s) OR set of DPNs, in whatever size required for YOU to obtain gauge. I used US #2. What kind of needles you require depends on how you prefer to knit in the round. I prefer magic loop, which requires one circular needle. Notions: Stitch markers, tapestry needle, scissors. Sizes: S, M, L Finished Measurements: Foot circumference: 7[8,9] inches, unstretched Length: customizable to exact foot size Abbreviations/Terms: (all links go to KNITFreedom videos) CO: cast on PM: place marker BOR: beginning of round M1L: make one left M1R: make one right K2tog: knit 2 together P2tog: purl 2 together SSK: slip, slip, knit instep: the part of the sock opposite the heel (front of ankle). Beginner Socks for Magic Loop, TOE-UP VERSION Want to watch a complete KNITFreedom Video Course showing every step of this project, including how to knit these socks two-at-a-time? Click Here To Learn More! Pattern Notes: Sock is worked in the round from toe to cuff. The heel shaping is taken directly from Fleegle's blog and is famously known as the Fleegle Heel. Pattern Instructions: Toe Using Judy's Magic Cast-On, CO 12(16,20) sts, 6(8,10) on each needle. -
4JE-02PO: Let's Learn to Knit with Increase and Decrease
4JE-02PO COOPERATIVE EXTENSION SERVICE UNIVERSITY OF KENTUCKY—COLLEGE OF AGRICULTURE Unit 2 Let’s Learn to Knit with Increase and Decrease Linda Heaton, Textiles and Clothing Specialist 18 U. S. C. 707 Agriculture & Natural Resources • Family & Consumer Sciences • 4-H/Youth Development • Community & Economic Development This publication was originally prepared by Jo Ann S. Hilliker, former state Extension specialist in clothing and textiles. Special appreciation is extended to the committee who inspired this project and who worked long hours to make it a reality. Many thanks to: Thelma Smith, Shelby County Leader Mrs. Glenn Riggs, Fayette County Leader Katherine Hixson, Harrison County Leader Jane Bailey, former Shelby County Extension Agent for Home Economics Karen Hill, former Extension Program Specialist for 4-H Mention or display of a trademark, proprietary product, or firm in text or figures does not constitute an endorsement and does not imply approval to the exclusion of other suitable products or firms. Contents Your Guide for the Project .......................4 Gauge ....................................................12 You Will Learn ..................................................4 Check the Gauge .......................................... 12 Articles You Will Make ....................................4 Care of Synthetic Yarns .........................13 Exhibit Your Work ............................................4 Machine Washing and Drying .................. 13 Add to Your Record Book ...............................5 -
Top-Down Raglan Pullover Lesson.Pdf
About Top-Down Raglan Pullovers the underarm is complete and the raglan piece joined to be worked in the round. The top-down raglan design is of "sea ms" are decreased to the neckline. From Continue increasing every other row until comparatively recent origin in terms of the top-down, the sleeve/body stitches are the piece is long/large enough to meet at swea ter design. Raglan construction was increased to the underarms and then th e the underarms. The sleeves/front/back arc created as a supplement to or replacement sleeves, front and back stitches separated separated at this point. Some designers have of the saddle shoulder sweater. See Suzanne and wo rked to the edgings as three separate the knitter work the sleeves first so they are Bryan's article "Raglan Sleeved Sweaters tubes. worked down to the wrist and finished off. from the Bottom Up" on page 46 for more Others instruct the knitter to work the body discussion o n the history of this design. Construct ion first and then the sleeves. In that instance, The hallmark of the raglan is the diagonal A top-down raglan is essentially a seamless the body is worked as a tube to the desired shaping lines moving from the top of the rectangular yoke. Once the math for gauge length and finished. Regardless of which neckline, to the underarm. Thus, the sleeve is complete, cast o n placing markers at is done first, some additional stitches may top is integrated into the neckline. This the four points dividing the back/sleeve/ be cast on for the underarms to reach the design eliminates the problem of excess front/sleeve (see Swatch 1) . -
Sweater-101-Sampler-Copy.Pdf
Sweater 101 How to Plan Sweaters that Fit ... and Organize Your Knitting Life at the Same Time In print again, Sweater 101 is called “a Timeless Classic” Cheryl Brunette For Lena and Magdalena, my mother and grandmother, through whose hands a million miles of threads flowed. Table of Contents 1 Introduction .......................................... 13 Knitting in the mid- 20th Century . 13 Knitting Today . 13 Goals of Sweater 101 . 14 Tools that Enhance Sweater 101........................................ 15 Your Knitting Notebook .............................................. 16 2 Basic Sweater Styles . 17 Making Fabric • Tubes vs Flat Pieces.................................... 17 Drop Shoulder . 19 Set-In Sleeve . 20 The Raglan . 21 3 A Couple of Math Skills ............................... 22 Your Calculator Memory.............................................. 22 More-or-Less-Right Formula Explained................................. 24 More-or-Less-Right Formula in a Nutshell . 28 4 Finding Your Gauge . 29 What is Gauge? • The Gauge Swatch ................................... 29 Row Gauge . 32 The Gauge Record Sheet.............................................. 33 5 How to Size a Sweater to Get the Fit You Really Want . 35 Three Sources of Information . 35 Longer or Shorter . 37 The Non-Hourglass Figure . 38 6 How to Take Body Measurements...................... 40 7 How to Assign Pattern Measurements................ 42 8 Filling in a Picture Pattern . .44 Charting a Drop Shoulder Pattern ..................................... 46 A Drop Shoulder Charting Example & Tips ............................ 50 Knitting Shoulders Together.......................................... 51 Charting a Set-In Pattern............................................. 53 Charting a Set-In Sleeve Cap . 56 A Set-In Charting Example & Tips . 59 Charting a Raglan Pattern . 62 A Raglan Charting Example & Tips.................................... 65 9 Beyond the Basics . 68 Playing with the Neckline • Collars • Plackets . 68 The V-Neck . 70 The Square Shawl . -
Fitted & Fabulous Issue Tkga
CAST ONTHE EDUCATIONAL FITTED & JOURNAL FOR KNITTERS WWW.TKGA.COM FABULOUS FEB–APRIL 2015 HAPPY ISSUE ANNIVERSARY STITCHES TKGA MADE SIMPLE 18 KNITS FOR SPRING 2015 MICHELLE TKGA HUNTER Conference SHARES SAN DIEGO HER CALLING! KNITTING HERO ANNIVERSARY CAPE CELEBRATE 30 YEARS IN STYLE! NO. 8 Deutschland 4,90 € · BeNeLux 5,90 € · Italien 5,50 € www.lanagrossa.de Österreich 5,40 € · Schweiz CHF 7.50 AUSGABE 49 Deutschland € 7,- · Österreich € 7,50 · Schweiz CHF 10,- www.lanagrossa.de LOOKBOOK SPRING/SUMMER 2O15 Modern Luxury! Trend-Looks, für jede Gelegenheit! Die Fashionmission 50008 Summer Green-Glamour Die schönsten Looks und Trends. Von puristisch bis glamourös. Von lässig bis elegant. Modern im Design und nachhaltig im Material! Darks 4 191635 304901 Zeitlos. Modern. Edel. Linea Pura, a luxury and pure ber division of Lana Grossa continues to bring us new yarns and beautiful pat- NATURAL SELECTION! terns to complement each ber. Cot- tons, Linens, Wools and more....all pure The Lana Grossa “Filati” book is the luxury bers and “pure-glamour.” knitting fashion journal from one of the oldest and most well established knit- Designs from sweater sets to shells, ting companies in the world. This is the T-shirts, Tops, Cardigans and Accesso- The newest publication from Lana rst book available in U.S.A. in over ries. Fashions for Men and Woman. Grossa is “The Lookbook.” Direct from 3 years. The patterns are all in English the fashion runway showing all of the featuring the most current Lana Grossa Linea Pura Book #8 $15.00 newest garments in the newest collec- yarns for Spring/Summer. -
Proper Processing of 100% Cotton Knit Fabrics
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ───────────────────────────────────────────────────────────────────── TRI 3011 WET PROCESSING OF 100% COTTON KNITTED FABRICS © 1999 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION It is well established that knitted fabrics of all constructions and fiber blends are inherently more prone to shrinkage as compared to wovens. Because of the inability of a knitter to form a knitted fabric with no shrinkage, it is important for the dyer and finisher to make an effort to remove as much shrinkage from the product as possible. However, the ease with which a cotton knitted fabric is distorted during processing makes it especially difficult to deliver fabrics with no shrinkage. This bulletin will discuss in some detail the aspects of knitted fabric construction and wet processing and how they are related in terms of shrinkage. The factors that influence the level of dimensional stability can be summarized as follows: © knitting parameters, © processing tensions after knitting, © relaxation techniques in finishing, and © mechanical and chemical finishes. Each of these areas can be broken down into fundamental aspects. KNITTING As published in literature, the amount of shrinkage for any given knit fabric is primarily dependent upon the product specifications and the knitting parameters used to meet those specifications. The predominant fabric specifications that determine the shrinkage of a knitted fabric are the weight, stitch counts, and width at which the fabric is sold for cut-and-sew. The knitter uses those specifications to establish another set of specifications for knitting. Whether or not these knitting specifications are achievable is determined by the knitting machinery available to the knitter. -
Basic Knitted Fabrics
Chapter 1 BASIC KNITTED FABRICS In this chapter, we’ll convert written-out instructions to charts, watching the charts grow symbol by symbol. We’re just doing an overview at this point, getting our feet a bit wet as to how charts are just a pictorial representation of knitting instructions. As much as possible, please don’t start thinking about the actual mechanics of how we construct knitting charts, whether on paper or in the computer. Those details will be covered at length in later chapters. Let’s Start at the Beginning The first two stitches we all learn are knit and purl, so we’ll start with them. In this book, knit stitches will be represented with k and purl stitches will be represented with p The First Rules of Knitting Charts Since this book will show charts constructed stitch by stitch and row by row, there are a few basic rules that we have to discuss immediately. Charting Rules Charts show all rows as they will appear when looked at from the public side of the piece, the side that would show if we were wearing a sweater.1 Each row of the chart represents one row of knitting. 1 Public side is a clearer term than right side, because right side could refer to the part of a sweater (especially a cardigan front) on the wearer’s right. Right side could also refer to the right edge of a knitted item or chart. The other side, including the inside of a sweater, is therefore the private side. -
An Investigation for Developing Local Knitting Industry and Formulation of Mathematical Relationships
An Investigation for Developing Local Knitting Industry and Formulation of Mathematical Relationships Amna Yagoub Osman Ibrahim M.Sc. in Textile Technology, Department of Textile Engineering, Faculty of Science and Technology, University of Gezira, (1996) A Thesis Submitted to the University of Gezira in Fulfillment of the Doctor of Philosophy in Textile Engineering Technology Department of Textile Engineering Faculty of Textiles November /2013onth/Year i Investigation for Developing Local Knitting Industry and Formulation of Mathematical Relationships By: Amna Yagoub Osman Ibrahim Supervision Committee: Name Position Signature Prof. Dr. Eng. Abbass Yousif Abu Salma Main Supervisor ……… Dr. Fadl Elmoula Abdallah Idris Co-supervisor .......... ............................… ……………… Co-supervisor ……… Date of Examination: November /2013 ii Investigation for Developing Local Knitting Industry and Formulation of Mathematical Relationships By: Amna Yagoub Osman Ibrahim Examination Committee: Name Position Signature ……………………………. Chair Person ………………... ........................................ External Examiner ………………... ........................................ Internal Examiner ………………… Date of Examination: November /2013 iii Dedication Dedicated to my dear parents, family & friends iv Acknowledgements First I thank Allah for giving me ability to do this study. All majesty words to Prof. Dr. Eng. Abbass Yousif Abu Salma for his support and continuous supervision. I would like to express my sincere thanks to Dr Eng. Fadl Elmoula Abd Allah Idris the co-supervisor for his support. My particular thanks are to Syed Eng. Eltigany Mohamed Abd Allah the manager of Elhashmab factory, who assisted me for yarns collection and giving me permission to carry this study in Elhashmab factory. Also thanks are due to Syed Adil Ibrahim and Miss Amna Karrar, the staff of the textile engineering laboratory-Sudan University for Science and Technology for their great help, and to the staff of Faculty of Textiles - University of Gezira.