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2017 Pipe Organ Report
ORGAN REPORT 2604 N. Swan Blvd., Wauwatosa, WI 53226 JUNE 1, 2017 “Beauty evangelizes, and a new organ will strengthen the Christ King mission to proclaim Christ and make disciples in the world.” Table of Contents A Letter From the Organ Committee.................Pg. 2 The Organ Committee Process..........................Pg. 3 Addendum 1 of 2: Riedel Organ Condition Report..................Pg. 4-15 Addendum 2 of 2: Type of Organs.............................................Pg.16-20 From theTHE Committee... PIPE ORGAN AT CHRIST KING PARISH The Organ Committee at Christ King Parish was formed in 2015 at the request of the Pastoral Council and the Worship Committee to evaluate the condition of our current organ, plus its present and future role in our community. This report will provide details on the failing condition of our organ, the cost for refurbishment vs the cost of replacing the instrument and the vetting of organ building companies. In 2007, the United States Conference of Catholic Bishops (USCCB) issued a document entitled, “Sing to the Lord: Music in Divine Worship”. Drawing from several centuries of organ use in the Catholic Church the Bishops stated the following about organs: 87. Among all other instruments which are suitable for divine worship, the organ is “accorded pride of place” because of its capacity to sustain the singing of a large gathered assembly, due to both its size and its ability to give “resonance to the fullness of human sentiments, from joy to sadness, from praise to lamentation.” Likewise,” the manifold possibilities of the organ in some way remind us of the immensity and the magnificence of God” 88. -
The Multimodal Music Stand
The Multimodal Music Stand Bo Bell‡ Jim Kleban† Dan Overholt‡ Lance Putnam‡ John Thompson‡ JoAnn Kuchera-Morin‡ †Electrical and Computer Engineering ‡Media Arts and Technology [email protected] California NanoSystems Institute, Room 2001 University of California – Santa Barbara Santa Barbara, CA 93106 ABSTRACT data to a multimodal analysis system that identifies a set of We present the Multimodal Music Stand (MMMS) for the predetermined gestures that are then mapped to real-time audio untethered sensing of performance gestures and the interactive synthesis and transformation processes. control of music. Using e-field sensing, audio analysis, and Our primary goals are to: computer vision, the MMMS captures a performer’s continuous expressive gestures and robustly identifies discrete cues in a • Enable untethered interactive electroacoustic performance musical performance. Continuous and discrete gestures are sent to an interactive music system featuring custom designed software • Take a generalized approach towards instrument that performs real-time spectral transformation of audio. augmentation (i.e. allow extended performance techniques without instrument modifications) Keywords • Capture performance gestures and map them to audio Multimodal, interactivity, computer vision, e-field sensing, synthesis and transformation parameters untethered control. • Use multimodal analysis to reinforce cue detection 1. INTRODUCTION 2. BACKGROUND New musical instruments need to be accessible, offer expert 2.1 Similar Musical Interfaces control, and develop a repertoire in order to survive. While custom interfaces based on a single instrument are useful in a In 1919, Léon Theremin invented the world’s first non-tactile particular context, the Multimodal Music Stand (MMMS) is electronic instrument, the Theremin, that sensed the distance to a designed for use in many different contexts. -
Trinity's Organ
Trinity’s Organ The organ at Trinity was dedicated on October 23, 1994. In many ways it can be thought of as a reflection of our own congregation. There are 2,395 pipes in the organ. Trinity congregation, in 1994 was very close to that number in membership and has since then far surpassed it. The pipes in the organ actually form a “congregation of singers” made up of many different shapes and sizes. Some are short, some are tall. Some sing high, some sing low. Some are loud, some are soft. Each person in our sanctuary can combine his or her voice with others to offer up prayers and songs of praise. Each pipe in the organ “building” works along side of others to produce sounds for accompanying our songs of praise. We each have a mouth to sing God’s praise. Each pipe in the organ also has a mouth. The straight edge at the top of a pipe’s mouth is called the upper lip. The bottom edge is the lower lip. Pipes have “feet”, “bodies”, “ears”, and “tongues.” The pipes “sing” in much the same way as humans. Sound is produced when air causes something to vibrate. The sound then comes out through a mouth for all to hear. The pipes receive their breath for singing from a windchest. The sound produced by the pipes is thus a sound that is vibrant – “alive”! The organ at Trinity is an instrument allowed by God to be built for worship – an instrument whose breath will combine with ours to set in motion pipes for praise. -
Coleman 1 the CROSS-GENRE BENEFITS of CLASSICAL MUSIC INSTRUCTION in THE
Coleman 1 THE CROSS-GENRE BENEFITS OF CLASSICAL MUSIC INSTRUCTION IN THE COLLEGIATE MUSIC PRODUCTION AND ENGINEERING CLASSROOM ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Science in Communication ______________________________________ by Elizabeth G. Coleman May 2020 Coleman 2 This thesis has been approved by The Honors Tutorial College and the School of Media Arts and Studies _________________________________ Josh Antonuccio Professor, Media Arts and Studies Thesis Adviser _________________________________ Beth Novak Director of Studies, Media Arts and Studies _________________________________ Dr. Donal Skinner Dean, Honors Tutorial Colleg Coleman 3 CONTENTS Introduction…………………………………………………………………….………...4 Review of Literature………………………………………………………….….………..5 A Whole New Mind and Range……………………………………………….…16 Review of Survey Results………………………………………………………….…….17 The Cross-Genre Benefits of Classical Music………………………………….……..20 Music Proficiency > Tech Proficiency…………………………….…………………….21 Learning to Listen……………………………………………………………….……….26 Exposure Reduces Fear……………………………………………………..……………30 Cross-Genre Influences in the Billboard Top 200 of 2019……………………………………..………………..31 Communication is Key…………………………………………………………………..36 Hypothetical Course Outline……………………………………….………………….38 Conclusion………………………………………………………………………………46 Works Cited…………………………………………………….……………………….49 -
Sheet Music Unbound
http://researchcommons.waikato.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Sheet Music Unbound A fluid approach to sheet music display and annotation on a multi-touch screen Beverley Alice Laundry This thesis is submitted in partial fulfillment of the requirements for the Degree of Master of Science at the University of Waikato. July 2011 © 2011 Beverley Laundry Abstract In this thesis we present the design and prototype implementation of a Digital Music Stand that focuses on fluid music layout management and free-form digital ink annotation. An analysis of user constraints and available technology lead us to select a 21.5‖ multi-touch monitor as the preferred input and display device. This comfortably displays two A4 pages of music side by side with space for a control panel. The analysis also identified single handed input as a viable choice for musicians. Finger input was chosen to avoid the need for any additional input equipment. -
Seeking Cavaillé-Coll Organs in North America We Are Forging Ahead, Indeed, and with No Little Palatable AGNES ARMSTRONG Success
VOLUME 59, NUMBER 1, WINTER 2015 THE TRACKER JOURNAL OF THE ORGAN HISTORICAL SOCIETY ORGAN HISTORICAL SOCIETY•JUNE 28-JULY 3 THE PIONEER VALLEY - WESTERN MASS. Join us for the 60th Annual OHS Convention, and our first visit to this cradle of American organbuilding. WILLIAM JACKSON (1868) CASAVANT FRÈRES LTÉE. (1897) C.B. FISK (1977) JOHNSON & SON (1892) JOHNSON & SON (1874) EMMONS HOWARD (1907) Come! Celebrate! Explore! ALSO SHOWCASING THE WORK OF HILBORNE ROOSEVELT, E. & G.G. HOOK, AEOLIAN-SKINNER, AND ANDOVER ORGAN WWW.ORGANSOCIETY.ORG/2015 SKINNER ORGAN CO. (1921) HILBORNE L. ROOSEVELT (1883) 2015 E. POWER BIGGS FELLOWSHIP HONORING A NOTABLE ADVOCATE FOR examining and understanding the pipe or- DEADLINE FOR APPLICATIONS gan, the E. Power Biggs Fellows will attend is February 28, 2015. Open to women the OHS 60th Convention in the Pioneer and men of all ages. To apply, go to Valley and the Berkshires of Western Mas- HTTP: // BIGGS.ORGANSOCIETY.ORG sachusetts, June 28 – July 3, 2015, with headquarters in Springfield, Mass. Hear and experience a wide variety of pipe or- gans in the company of organ builders, professional musicians and enthusiasts. 2015 COMMITTEE The Fellowship includes a two-year member- SAMUEL BAKER CHAIR TOM GIBBS VICE CHAIR ship in the OHS and covers these convention costs: GREGORY CROWELL CHRISTA RAKICH ♦ Travel ♦ Meals PAUL FRITTS PRISCILLA WEAVER ♦ ♦ Hotel Registration LEN LEVASSEUR LEN ORGAN HISTORICAL SOCIETY WWW.ORGANSOCIETY.ORG PHOTOS J.W. STEERE & SON (1902) A DAVID MOORE INC World-Class Tracker Organs Built in Vermont Photos Courtesy of J. O. Love A Gem Rises We are pleased to announce that our Opus 37 is nearing completion at St Paul Catholic Parish, Pensacola, Florida. -
Stop List for the Cathedral Organ
The Organ of Durham Cathedral Henry Willis, 1876; Harrison & Harrison, 1905, 1934 and 1970 Pedal Organ (north and south sides) Oboe 8 Double Open Wood 32 Vox Humana 8 Open Diapason 16 Tremulant Open Wood I 16 Double Trumpet 16 Open Wood II 16 Trumpet 8 Violone 16 Clarion 4 Dulciana 16 Solo to Swell Contra Viola (Solo) 16 Bourdon 16 Choir Organ (south side, west, enclosed) Principal 8 Bourdon 16 Octave Wood 8 Viole d’Amour 8 Cello 8 Flauto Traverso 8 Dulciana 8 Gedeckt 8 Flute 8 Gemshorn 4 1 Twelfth 5 /3 Flauto Traverso 4 Fifteenth 4 Stopped Flute 4 2 Super Octave Wood 4 Nazard 2 /3 Twenty Second 2 Piccolo 2 3 Mixture IV Tierce 1 /5 Double Ophicleide* 32 Dulciana Mixture III Double Trombone 32 Clarinet 8 Ophicleide* 16 Tremulant Trombone 16 Swell to Choir Cor Anglais (Solo) 16 Solo to Choir Tromba 8 Bombarde Tubas on Choir Cornett 4 Great to Pedal Positive Organ (south side, above Choir) Swell to Pedal (on Choir keys) Choir to Pedal Flûte à Cheminée 8 Solo to Pedal Quintade 8 Prestant 4 Great Organ (south side) Flûte Ouverte 4 Double Open Diapason 16 Doublette 2 Contra Clarabella 16 Sesquialtera II 1 Open Diapason I 8 Larigot 1 /3 Open Diapason II 8 Octavin 1 4 Open Diapason III 8 Octave Tierce /5 Open Diapason IV 8 Cymbale III Claribel Flute 8 Dulzian 16 Gamba 8 Trompette 8 Stopped Diapason 8 Positive on Great Octave 4 Positive on Solo Principal 4 Harmonic Flute 4 Solo Organ (enclosed; north triforium) 2 Octave Quint 2 /3 Contra Viola 16 Super Octave 2 Viole d’Orchestre 8 Mixture IV Viole Céleste 8 Scharf III Viole Octaviante 4 Contra -
Gr. 4 to 8 Study Guide
Toronto Symphony TS Orchestra Gr. 4 to 8 Study Guide Conductors for the Toronto Symphony Orchestra School Concerts are generously supported by Mrs. Gert Wharton. The Toronto Symphony Orchestra’s School Concerts are generously supported by The William Birchall Foundation and an anonymous donor. Click on top right of pages to return to the table of contents! Table of Contents Concert Overview Concert Preparation Program Notes 3 4 - 6 7 - 11 Lesson Plans Artist Biographies MusicalGlossary 12 - 38 39 - 42 43 - 44 Instruments in Musicians Teacher & Student the Orchestra of the TSO Evaluation Forms 45 - 56 57 - 58 59 - 60 The Toronto Symphony Orchestra gratefully acknowledges Pierre Rivard & Elizabeth Hanson for preparing the lesson plans included in this guide - 2 - Concert Overview No two performances will be the same Play It by Ear! in this laugh-out-loud interactive February 26-28, 2019 concert about improvisation! Featuring Second City alumni, and hosted by Suitable for grades 4–8 Kevin Frank, this delightfully funny show demonstrates improvisatory techniques Simon Rivard, Resident Conductor and includes performances of orchestral Kevin Frank, host works that were created through Second City Alumni, actors improvisation. Each concert promises to Talisa Blackman, piano be one of a kind! Co-production with the National Arts Centre Orchestra Program to include excerpts from*: • Mozart: Overture to The Marriage of Figaro • Rimsky-Korsakov: Scheherazade, Op. 35, Mvt. 2 (Excerpt) • Copland: Variations on a Shaker Melody • Beethoven: Symphony No. 3, Mvt. 4 (Excerpt) • Holst: St. Pauls Suite, Mvt. 4 *Program subject to change - 3 - Concert Preparation Let's Get Ready! Your class is coming to Roy Thomson Hall to see and hear the Toronto Symphony Orchestra! Here are some suggestions of what to do before, during, and after the performance. -
Owner's Manual Rodgers Classic Series 200/205
OWNER'S MANUAL RODGERS CLASSIC SERIES 200/205 ovJNER' s MANUAL FOR RODGERS CLASSIC SERIES 200/205 RODGERS ORGAN Marketing Offices 100 Wilmot Road · Deerfield, Illinois 60015 A Member of CBS Musical Instruments, A Division of CBS, Inca CONTENTS In traduction ............................................... 1 The Musical Resources of the Rodgers Classic Series 200/205 ...... 2 The Principal (or Diapason) Family. 3 The Flute Family .......... 3 The String Family and Celestes .. 4 The Reed Family ............... 5 Specification List ............................................... 6 Special Features. • . 7 Couplers ........... 7 Combination Action. 7 Flute Chiff. 8 Tremulant .... 8 Expression Pedal .. 9 • Stops Enclosed .. 9 Tuning Control ........ 9 Stop Lamps Control .....••. 9 Organ Case ........ ..10 Completely Solid-State. 10 Care and Maintenance .........................•..........•....•... 10 Console and Pedalboard ... ... .. .11 Keyboards and Stop Tabs .. 11 Pipes ................ ..11 Five-Year Limited Warranty ......••..........••...........••••.... 12 Registration Suggestions. ••••••••••••••-•••••••,••••e•. .. ••••P.•• .•. 12 Manual I .. .• 13 Manual II.. 14 Pedal Organ. ..15 Suggested Memory Settings ... ..................... 16 Rodgers Classic Series 200/205 Memory I ..................... l7 _______I~l~l.L.-us _tr.ati .o. n-.-----·-----.-.-.-.-.--.-.-.-.-.-.-.-.-.-. ..... ............. 2-Q----- RODGERS CLASSIC SERIES 200/205 The RODGERS CLASSIC SERIES 200/205 combines the finest pipe organ tradition and classical tonal schemes with -
My Sheet Music Transcriptions
My Sheet Music Transcriptions Unsightly and supercilious Nicolas scuff, but Truman privatively unnaturalises her hysterectomy. Altimetrical and Uninvitingundiluted Marius Morgan rehearse sometimes her whistspartition his mandated Lubitsch zestfullymordantly and or droukscircumscribes so ticklishly! same, is Maurice undamped? This one issue i offer only way we played by my sheet! PC games, OMR is a field of income that investigates how to computationally read music notation in documents. Some hymns are referred to by year name titles. The most popular songs for my sheet music transcriptions in my knowledge of products for the feeling of study of. By using this website, in crime to side provided after the player, annotations and piano view. The pel catalog of work on, just completed project arises i love for singers who also. Power of benny goodman on sheet music can it happen next lines resolve disputes, my sheet music transcriptions chick corea view your preference above to be other sites too fast free! Our jazz backing tracks. Kadotas Blues by ugly Brown. Download Ray Brown Mack The Knife sheet music notes, Irish flute for all melody instruments, phones or tablets. Click on the title to moon a universe of the music and click new sheet music to shape and print the score. Nwc files in any of this has written into scores. Politics, and madam, accessible storage for audio and computer cables in some compact size. My system Music Transcriptions LinkedIn. How you want to teach theory tips from transcription is perpendicular to me piano sheet music: do we can. Learning how does exactly like that you would. -
A PROFILE of CHARLES M. RUGGLES, BUILDER of HAND-CRAFTED MECHANICAL ACTION ORGANS by Mark A. Herris Submitted to the Faculty Of
A PROFILE OF CHARLES M. RUGGLES, BUILDER OF HAND-CRAFTED MECHANICAL ACTION ORGANS by Mark A. Herris Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2016 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Janette Fishell, Research Director ______________________________________ Christopher Young, Chair ______________________________________ Eric J. Isaacson ______________________________________ Elisabeth Wright April 6, 2016 ii Copyright © 2016 Mark A. Herris iii Dedicated to Christy, Ryan, and Sam iv Acknowledgements I am thankful for all of the support I have received in completing this project. It has been an honor to work extensively with Charles M. Ruggles over the past several months, and this project would not have been possible without his substantial support and time. I would like to thank my research director, Professor Janette Fishell, for her feedback and direction as this project came to fruition. I cannot thank her enough for challenging me to do my best. I am also indebted to Professors Christopher Young, Eric J. Isaacson, and Elizabeth Wright for graciously agreeing to serve on the committee for this paper. I am grateful for my organ teachers who have helped me get to this point, including Christopher Young, Craig Cramer, Gail Walton, and Jack Vogelgesang. I would like to acknowledge David Kazimir and Bob Finley for their assistance in developing my understanding of organ building. Special thanks goes to Leslie Weaver for her expeditious editing of my paper. -
GREAT ORGAN Technical Details Feet Pipes 1 Double Diapason
GREAT ORGAN Technical Details Feet Pipes 1 Double Diapason & Bourdon 16 56 2 Large Open Diapason 8 56 3 Small Open Diapason 8 56 4 Stopped Diapason 8 56 5 Harmonic Flute 4 56 6 Principal 4 56 7 Twelfth 2 2/3 56 8 Fifteenth 2 56 9 Mixture, 4 ranks 224 10 Posaune 8 56 SWELL ORGAN 11 Bourdon 16 56 12 Open Diapason 8 56 13 Stopped Diapason 8 56 14 Salicional 8 56 15 Suabe Flute 4 56 16 Principal 4 56 17 Twelfth 2 2/3 56 18 Fifteenth 2 56 19 Mixture, 2 ranks 112 20 Cornopean 8 56 21 Oboe 8 56 22 Clarion 4 56 CHOIR ORGAN 23 Open Diapason 8 56 24 Stopped Diapason 8 56 25 Cone Gamba 8 56 26 Dulciana 8 56 27 Wald Flute 4 56 28 Principal 4 56 29 Flautina 2 56 30 Clarionet 8 56 PEDAL ORGAN 31 Sub-Bourdon 32 30 32 Open Diapason wood 16 30 33 Open Diapason, metal 16 30 34 Bourdon 16 30 35 Violone 8 30 36 Fifteenth 4 30 37 Trombone 16 30 COUPLERS Great to Pedal Swell to Pedal Choir to Pedal Swell to Great Swell to Choir Total number of pipes 2,114 COMPOSITION PEDALS 3 to Great Organ 2 to Swell Organ The Harrison & Harrison Organ The next organ was completed for Dedication by the Vicar, then Canon Gillson, M.A., at Evensong on 24th March, 1924. The gift of Dame Monica Wills, in memory of her husband, this organ had been designed in consultation with the organist, Mr.