Two Cabinet Organs Built C. 1740 by Jacob Teschen1acher

Total Page:16

File Type:pdf, Size:1020Kb

Two Cabinet Organs Built C. 1740 by Jacob Teschen1acher Journal of The Organ Historical Society. Inc. Volume 21, Number 2 Winter 1977 Two Cabinet Organs Built c. 1740 by Jacob Teschen1acher The Teschemacher organ now restored at Bethel College, North A sister organ In Phllllpus Kapel, a small modern church In Wup­ Newton, Kansas, pertal-Elberfeld, Germany. The Bethel College organ (left) traveled from the Jacob Teschemacher home and factory in E�berfeld, Germany, down the Wupper River to the Rhine, down the Rhine to Utrecht, The Netherlands, and was transloaded and went down the Vegt River to Amsterdam. This was about 17 40. In 1796, it was shipped through the Zuider Zee and North Sea to Hamburg. In the 1830s it was sent again by water to Friederich­ stadt in Schleswig Holstein, and in 1868 it was shipped to Cleveland, Ohio-thence to Kansas about 1900. E. Power Biggs 1906 - 1977 THE TRACKER THE ORGAN HISTORICAL SOCIETY, Inc. P. 0. Box 209, Wilmington, Ohio 45177 CONTENTS with archives at Ohio Weslevan University Volume 21, Number 2 Winter 1977 Delaware, Ollio ARTICLES Alan Laufman ------------·------············-·--·-·-··--··--·--······----President A. I. 0. at Houston 22 P.O. Box 104. Harrisville. N.H. 03450 by Randall E. W ag·ner Thomas L. Finch ·--• ....... _ ............... ----·-·--·--·--·-Vice P1·esident A California Tracker Organ 16 Physics Dept., St. Lawrence Univ., Cante.,, N.Y. 13617 by Jim Lewis Donald C. Rockwood ............................---·· .. ······ ..... --Treasurer 50 Rockwood Road. Norfolk, Mass. 02056 Casavant at Oakland University 13 James McFarland -----····················-·----······--·--···--···--Sec1·eta1·y Cincinnati Organ Builders of the Nineteenth Century 114 N. George St., Millersville. Pa. 17551 (Part 4) 7 Homer D. Blanchard ................................................Archi vist by Kenneth Wayne Hart 103 Griswold Street. Delaw1tre, Ohio 43015 The Double Organ Situation at Trinity Church, Councillors New York 17 by the Rev. Robert C. Hunsicker :F. Robert Roche ······-······ .. ·············-·--·-.............. __ .......... _... 1977 60 Park Street. Taunton. Mass. 02780 An 18th Century German Org·an in Kansas 1, 3 La\vrence Trupiano ................ _·-······-.. --··········-·--············1977 by Esko Loewen 317 Avenue F, Brooklyn, N.Y. 11218 The Hawke Papers VI 20 Lois Regestein ····-·------················---------·--···-············----····---·1978 by H. William Hawke 6 Worthington St., Boston. Mass. 02120 A Hinners in Michigan 21 Samuel Walter ·····-··---··················---··-··----------·····----····-···--··1978 by J. Paul Schneider 83 School House Lane, East Brunswick. N.J. 08816 Kney at St. Aloysius Church 12 George Bozeman, Jr. ........................ -.....................- ......... 1979 RFD No. 1, Deerfield, NH 03037 1977 Convention Meets in Detroit 12 Thomas W. Cunningham ................................................ 1979 by William M. Worden 421 s. South St .• Wilmington, Ohio 45177 Organ Cases of Other Times 23 THE TRACKER staff St. P'aul's Chapel, New York: Its Organs from 1802 to 1904 18 Albert F. Robinson ................····················-·--··············-_Edito1· by C. A. Radzinsky First Presbyterian Church. 20 King's Highway East Haddonfield, N.J. 08033 Schoenstein Firm Under New Management 23 Norma C. Cunningham ........................................... -Publisher Schuelke Organs in Colorado 14 421 S. South Street, Wllmlngton, Ohio 45177 by Elizabeth Towne Schmitt Chairmen of Standing Committees A Votteler of the Mid-1870s 10 ··················-····---·---·-····-···---Advertisinu by William M. Worden F. Robert Roche ·----·-.. Norman M. Walter ............................................Audio-Visual 25 Watervlew Rd., West Chester, Pa. 19380 DEPARTMENTS Robert C. Newton ............................Convention Coordinatoi· 27 Book Review 201 Tyler St., Methuen. Mass. 01844 Editorial 28 Alan M. Laufman ........................................Extant Organs Letters to the Editor 25 Finance New Tracker Organs 26 Thomas W. Cunningham ........... -....................- ........... The Rev. Culver L. Mowers ····---· ·-·-----Headquarters and Foundation G'i'ants OHS BUSINESS 7 Main St., Candor. N.Y. 13743 Minutes of the OHS Council Meeting, George Bozeman, Jr. ....................................Historic Organs November 27, 1976 24 Charles Ferguson ·-----·---··············---·---_/nternatiffnal Interests Box 44, E. Vassalboro. Maine 04935 Randall McCarty ... -.. -.........................·--·-·-·--······Recital SeFies THE TRACI(ER is published foul' times a year by the 1622 Bellevue Ave .. Seattle, Wash. 98122 Organ Historical Society, Inc., a non-profit, educational E. A. Boadway ----············.. ······Research and Publications 01·ganization. Annual membership dues (including THE P.O. Box 779. Claremont, N.H. 03743 'l'RACKER): Regular members $10.00, Contributing members $15.00, Sustaining members $25.00, Patrons Chairmen of Temporary Committees $100.00. Institutions and businesses may be non-voting Harold Knight ....................................................... .Nominating subscribers at the same rates. Back issues of THE 715 First Ave., Iowa City. Iowa 52240 TRACKER are obtainable at $2.50 each. Send member­ William M. Worden .................................. __ 1977 Conventioii ship dues, inquiries, and address changes to: The Organ 1427 Burns. Detroit, Mich, 48214 Historical Society, Inc., P.O. Box 209, Wilmington, OH John K. Ogasapian ··-·-·················--·····----------·1978 Conveutiuii 45177. Advertisers may address inquiries to the Adver­ 14 Park St .• Pepperell, Mass. 01465 tising Cl1airma11. Closing dates for advertising matt r: Correspondents of the Chapters Fall, No. 1-July 12; Wh1ter, No. 2-September 12; Spring, o. il-Janua1·y 12 i Summer No. 4-May 12. Abrn Laufman -----·--··-·························-·---·Boston Organ Club Make all checks payable to t,he Organ Historical Society, P.O. Box 104. Harrisville, N.H. 03450 Inc. Editorial correspondence and articles to be considered Mary Ann Dodd ............................... ---······Central New Yodc for publication may be addressed to the Editor. Editorial 23 Broad St., Hamilton, N.Y. 13346 closing dates: Fall, No. 1-July 1; Winter, No. 2-Sep­ Matthew Bellocchio ·--············· .. ·····-Greater New YOJ'k City tember 1; Spring, No. 3-January 1; Summer, No. 4- P.O. Box 106. Taunton. Mass. 02780 May 1. Responsibility for facts and opinions expressed in William R. Memmott ...................... ·-·-----··Greater St. Louis articles rests upon the authors and not upon the Organ 4376 Westminster Pl., St. Louis, Mo. 63108 Historical Society, Inc. All material accepted for publica­ Peter N. Ziegler ................ Hilbus (Washington-Baltimore) tion in THE TRACKER becomes the property of the Or­ 14300 Medwick Ct .• Upper Marlboro, Md. 20870 gan Historical Society, Inc., and cannot be returned. Ma­ Randall McCarty ........................... _.. ____ .. Northwestern U.S. terial published in THE TRACKER may not be repro­ 1622 Bellevue Ave., Seattle, Wash. 98122 duced without permission of the Editor. Copyright 1977 Permelia Sears ··--·--·Tannenberg (Central Pennsylvania) The Organ Historical Society, Inc. P.O. Box 61, Dunstable. Mass. 01827 2 An 18th Century German Organ • Ill Kansas by Esko Loewen To find a 17 40 cabinet organ in the plains of married. In 1796 at the age of 46, she married Jacob Kansas is, to say the least, unusual. But to be able Guysbert van der Smissen of Hamburg, Germany, a to trace its story from its origin through 236 years prominent merchant and civic leader. She removed is gratifying. And to once more have it restored so her property, including the organ, to Hamburg. She that it can sound forth is a thrill! was, according to Deknatal family members, a woman A small 5½ rank cabinet organ is the property of of means-about a half-million guilders. the Kauffman Museum at Bethel College in North The Napoleonic period ruined the van der Smissen Newton, Kansas. It was given to the college in 1910 by fortune a few years later. Van der Smissen ships, Mrs. Wilhelmina Schwake. It was a family heirloom which plied the India trade route, were lost along coming to America with the van der Smissen family with losses sustained in Germany due to the war. The in 1868. Some of its story was known because latter years of van der Smissen's life, until his death descendants of the family live in the area, but that in 1826, were dependent upon the Deknatel fortunes. story was only in bits and pieces. As the story un­ A son, Jacob II, became a minister and inherited folded, the charm and romance of the account became the organ. He moved to Friederichstadt, a village in ever more exciting. Let us share how that story un­ Schleswig Holstein, just below the Danish border. folded for us. The organ went there. In 1850 a war between the In 1961, a regional AGO convention was held in Danes and the Duchy of Schleswig Holstein resulted Wichita. Joseph Blanton was one of the speakers. in Danish occupation of Friederichstadt. The family Somehow he knew of the old organ in the museum at then fled to Hamburg and soldiers ransacked their Bethel College. He inspected it. About half the pipes homes. While looking for treasure, they kicked in the were extant, the action was in disrepair, the oak lower panels of the organ and took some silver bells cabinet retained its beauty. We met Mr. Blanton at (symbelstern). The damage is still very evident. the convention. When he learned we were on the In 1868, Carl Justus van der Smissen, a son of Bethel College faculty, he mentioned
Recommended publications
  • 2017 Pipe Organ Report
    ORGAN REPORT 2604 N. Swan Blvd., Wauwatosa, WI 53226 JUNE 1, 2017 “Beauty evangelizes, and a new organ will strengthen the Christ King mission to proclaim Christ and make disciples in the world.” Table of Contents A Letter From the Organ Committee.................Pg. 2 The Organ Committee Process..........................Pg. 3 Addendum 1 of 2: Riedel Organ Condition Report..................Pg. 4-15 Addendum 2 of 2: Type of Organs.............................................Pg.16-20 From theTHE Committee... PIPE ORGAN AT CHRIST KING PARISH The Organ Committee at Christ King Parish was formed in 2015 at the request of the Pastoral Council and the Worship Committee to evaluate the condition of our current organ, plus its present and future role in our community. This report will provide details on the failing condition of our organ, the cost for refurbishment vs the cost of replacing the instrument and the vetting of organ building companies. In 2007, the United States Conference of Catholic Bishops (USCCB) issued a document entitled, “Sing to the Lord: Music in Divine Worship”. Drawing from several centuries of organ use in the Catholic Church the Bishops stated the following about organs: 87. Among all other instruments which are suitable for divine worship, the organ is “accorded pride of place” because of its capacity to sustain the singing of a large gathered assembly, due to both its size and its ability to give “resonance to the fullness of human sentiments, from joy to sadness, from praise to lamentation.” Likewise,” the manifold possibilities of the organ in some way remind us of the immensity and the magnificence of God” 88.
    [Show full text]
  • Trinity's Organ
    Trinity’s Organ The organ at Trinity was dedicated on October 23, 1994. In many ways it can be thought of as a reflection of our own congregation. There are 2,395 pipes in the organ. Trinity congregation, in 1994 was very close to that number in membership and has since then far surpassed it. The pipes in the organ actually form a “congregation of singers” made up of many different shapes and sizes. Some are short, some are tall. Some sing high, some sing low. Some are loud, some are soft. Each person in our sanctuary can combine his or her voice with others to offer up prayers and songs of praise. Each pipe in the organ “building” works along side of others to produce sounds for accompanying our songs of praise. We each have a mouth to sing God’s praise. Each pipe in the organ also has a mouth. The straight edge at the top of a pipe’s mouth is called the upper lip. The bottom edge is the lower lip. Pipes have “feet”, “bodies”, “ears”, and “tongues.” The pipes “sing” in much the same way as humans. Sound is produced when air causes something to vibrate. The sound then comes out through a mouth for all to hear. The pipes receive their breath for singing from a windchest. The sound produced by the pipes is thus a sound that is vibrant – “alive”! The organ at Trinity is an instrument allowed by God to be built for worship – an instrument whose breath will combine with ours to set in motion pipes for praise.
    [Show full text]
  • Seeking Cavaillé-Coll Organs in North America We Are Forging Ahead, Indeed, and with No Little Palatable AGNES ARMSTRONG Success
    VOLUME 59, NUMBER 1, WINTER 2015 THE TRACKER JOURNAL OF THE ORGAN HISTORICAL SOCIETY ORGAN HISTORICAL SOCIETY•JUNE 28-JULY 3 THE PIONEER VALLEY - WESTERN MASS. Join us for the 60th Annual OHS Convention, and our first visit to this cradle of American organbuilding. WILLIAM JACKSON (1868) CASAVANT FRÈRES LTÉE. (1897) C.B. FISK (1977) JOHNSON & SON (1892) JOHNSON & SON (1874) EMMONS HOWARD (1907) Come! Celebrate! Explore! ALSO SHOWCASING THE WORK OF HILBORNE ROOSEVELT, E. & G.G. HOOK, AEOLIAN-SKINNER, AND ANDOVER ORGAN WWW.ORGANSOCIETY.ORG/2015 SKINNER ORGAN CO. (1921) HILBORNE L. ROOSEVELT (1883) 2015 E. POWER BIGGS FELLOWSHIP HONORING A NOTABLE ADVOCATE FOR examining and understanding the pipe or- DEADLINE FOR APPLICATIONS gan, the E. Power Biggs Fellows will attend is February 28, 2015. Open to women the OHS 60th Convention in the Pioneer and men of all ages. To apply, go to Valley and the Berkshires of Western Mas- HTTP: // BIGGS.ORGANSOCIETY.ORG sachusetts, June 28 – July 3, 2015, with headquarters in Springfield, Mass. Hear and experience a wide variety of pipe or- gans in the company of organ builders, professional musicians and enthusiasts. 2015 COMMITTEE The Fellowship includes a two-year member- SAMUEL BAKER CHAIR TOM GIBBS VICE CHAIR ship in the OHS and covers these convention costs: GREGORY CROWELL CHRISTA RAKICH ♦ Travel ♦ Meals PAUL FRITTS PRISCILLA WEAVER ♦ ♦ Hotel Registration LEN LEVASSEUR LEN ORGAN HISTORICAL SOCIETY WWW.ORGANSOCIETY.ORG PHOTOS J.W. STEERE & SON (1902) A DAVID MOORE INC World-Class Tracker Organs Built in Vermont Photos Courtesy of J. O. Love A Gem Rises We are pleased to announce that our Opus 37 is nearing completion at St Paul Catholic Parish, Pensacola, Florida.
    [Show full text]
  • A PROFILE of CHARLES M. RUGGLES, BUILDER of HAND-CRAFTED MECHANICAL ACTION ORGANS by Mark A. Herris Submitted to the Faculty Of
    A PROFILE OF CHARLES M. RUGGLES, BUILDER OF HAND-CRAFTED MECHANICAL ACTION ORGANS by Mark A. Herris Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2016 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Janette Fishell, Research Director ______________________________________ Christopher Young, Chair ______________________________________ Eric J. Isaacson ______________________________________ Elisabeth Wright April 6, 2016 ii Copyright © 2016 Mark A. Herris iii Dedicated to Christy, Ryan, and Sam iv Acknowledgements I am thankful for all of the support I have received in completing this project. It has been an honor to work extensively with Charles M. Ruggles over the past several months, and this project would not have been possible without his substantial support and time. I would like to thank my research director, Professor Janette Fishell, for her feedback and direction as this project came to fruition. I cannot thank her enough for challenging me to do my best. I am also indebted to Professors Christopher Young, Eric J. Isaacson, and Elizabeth Wright for graciously agreeing to serve on the committee for this paper. I am grateful for my organ teachers who have helped me get to this point, including Christopher Young, Craig Cramer, Gail Walton, and Jack Vogelgesang. I would like to acknowledge David Kazimir and Bob Finley for their assistance in developing my understanding of organ building. Special thanks goes to Leslie Weaver for her expeditious editing of my paper.
    [Show full text]
  • GREAT ORGAN Technical Details Feet Pipes 1 Double Diapason
    GREAT ORGAN Technical Details Feet Pipes 1 Double Diapason & Bourdon 16 56 2 Large Open Diapason 8 56 3 Small Open Diapason 8 56 4 Stopped Diapason 8 56 5 Harmonic Flute 4 56 6 Principal 4 56 7 Twelfth 2 2/3 56 8 Fifteenth 2 56 9 Mixture, 4 ranks 224 10 Posaune 8 56 SWELL ORGAN 11 Bourdon 16 56 12 Open Diapason 8 56 13 Stopped Diapason 8 56 14 Salicional 8 56 15 Suabe Flute 4 56 16 Principal 4 56 17 Twelfth 2 2/3 56 18 Fifteenth 2 56 19 Mixture, 2 ranks 112 20 Cornopean 8 56 21 Oboe 8 56 22 Clarion 4 56 CHOIR ORGAN 23 Open Diapason 8 56 24 Stopped Diapason 8 56 25 Cone Gamba 8 56 26 Dulciana 8 56 27 Wald Flute 4 56 28 Principal 4 56 29 Flautina 2 56 30 Clarionet 8 56 PEDAL ORGAN 31 Sub-Bourdon 32 30 32 Open Diapason wood 16 30 33 Open Diapason, metal 16 30 34 Bourdon 16 30 35 Violone 8 30 36 Fifteenth 4 30 37 Trombone 16 30 COUPLERS Great to Pedal Swell to Pedal Choir to Pedal Swell to Great Swell to Choir Total number of pipes 2,114 COMPOSITION PEDALS 3 to Great Organ 2 to Swell Organ The Harrison & Harrison Organ The next organ was completed for Dedication by the Vicar, then Canon Gillson, M.A., at Evensong on 24th March, 1924. The gift of Dame Monica Wills, in memory of her husband, this organ had been designed in consultation with the organist, Mr.
    [Show full text]
  • HOST Review-1
    The 23rd Annual Historic Organ Study Tour (HOST) by Katherine Crosier From August 29 through September 7, I participated in the 2016 Historic Organ Study Tour (HOST) to Lorraine, France, which was organized and directed by Bruce Stevens and Bill Van Pelt and led by Christophe Mantoux. Since 1996, when I last traveled with this group (at that time under the auspices of the Organ Historical Society) to Denmark, Sweden, and Germany, the tour dates often conflicted with the beginning of the school year. Now that I am retired and no longer bound to the academic and liturgical year, I was eager to explore and play historic organs in Europe once again. Except, perhaps, for the six Australians in the group, I may have had the longest travel time to join the tour, for it took me 30 hours to travel from Honolulu to the destination of Metz, the meeting point some 205 miles (330 km) northeast of Paris. We were a diverse group of 39 organists and organ enthusiasts from the U.S., Ireland, and Australia, but we were bound together by our common quest and love for historic pipe organs. The routine for visiting up to three churches each day was to board the chartered tour bus early in the morning and drive out into the rural, less well-traveled countryside, where we would find that the tallest structure in town was the local church. As we entered the church, group members would indulge in a kind of feeding frenzy, snapping photos of the organ, altar, stained glass windows, and other beautiful features.
    [Show full text]
  • Tracing Seven Hundred Years of Organ Registration 1300 – Present ---SCW (2010)
    Tracing Seven Hundred Years of Organ Registration 1300 – Present ---SCW (2010) . portions used for ALCM Conference workshop, “This, That, Neither, or Both,” June 2012, Bethlehem, PA, So, this all started when a student asked me questions about Spanish music about which I had not a clue . just think what would happen if they asked me about something really complicated!! _________________ 12 th century Theophilus, a monk, documented an organ that contained an ensemble of pipes speaking in octaves and fifths known as a Blockwerk , literally a ‘block of sound’ from which individual ranks could not be separated. 14 th and 15 th centuries – Late Medieval Organs Multiple manuals and split-chest systems enabled separating the Principal ranks from the higher Mixture sounds. By the 14 th century, there were pedals, fully chromatic keyboards, and tripartite façade arrangements accommodating large ‘bourdon’ or ‘tenor’ pipes. By the 2 nd half of the 14 th century, there was the addition of secondary manual and pedals on separate actions and wind chests. For organs built c. 1350-1400 (which can be translated to modern organs): >simple organ would be a Blockwerk of Mixtures, probably based on 4-foot pitch >double organ would add an octave lower at 8-foot pitch >RH would probably feature a decorative treble voice on the Blockwerk sound, while the LH on the ten lowest keys would sound the tenor on sustained Principals >the organ could be played so that only the ten tenor keys of the main manual were doubled an octave lower >4-foot Principal stops on a separate manual is an option >8-foot plenum for the tenor on one keyboard with other voices on the 4’ plenum Organ built in 1361, renovated in 1498, described by Praetorius: >two upper manuals were called Diskant with 22-note chromatic compass >third manual or Bassklavier had 12 keys from B to b >pedal had the same one-octave compass The Principal chorus of inseparable registers is the most heavily documented type of late- medieval organ.
    [Show full text]
  • Digital Harpsichord Classic Organ Classic Keyboard Classic Organ
    C-30 C-200 C-230 C-330 C-380 Digital Harpsichord Classic Organ Classic Keyboard Classic Organ Classic Organ State-of-the-Art Technology Brings Classical Instruments of the Renaissance and Baroque Eras Back to Life. Th ese include pipe organs that fi lled cathedrals with stately sound, harpsichords that were a staple in court music, positive organs that allured the audience in theaters and salons, and fortepiano for which many masterpieces were composed. A world leader in cutting-edge technology, Roland has captured and refi ned these classical instruments, bringing them to the modern age in the form of instruments that are a true joy to play. Travel back through the centuries and enjoy classic, elegant, and timeless sound. Enjoy unsurpassed luxury with the Roland Classic Series. ROLAND CLASSIC SERIES LINEUP http://www.roland.com/classic/ Digital Harpsichord Classic Organ Classic Keyboard C-30 C-200 C-230 Enjoy the beautiful sounds of Carry the timeless beauty of Experience a variety of classical the Baroque era. classical organ sound wherever instruments in one compact you wish. package. Classic Organ Classic Organ C-330 C-380 Bring the grandeur of a pipe Savor the look and sound organ to your home. of an authentic pipe organ. Simple and beautiful design is a perfect match Easily switch between pitches and classical temperaments for the modern home interior. that are characteristic of classical instruments. Th e C-30 was modeled after a square-type of harpsichord called a virginal, and Th e C-30 supports pitches that are characteristic of classical takes up little space.
    [Show full text]
  • User Manual Vivaldi 270/370 2
    270 / 370 Manufacturer Global Organ Group b.v. Address Keplerlaan 2 6716 BS EDE Country The Netherlands Telephone +31 (0)318 63 74 03 E-mail [email protected] Website www.johannus.com Version 1.1 Date July 2020 © 2020 Global Organ Group b.v. All rights reserved. Nothing in this publication may be reproduced, stored in a data file or made public in any form or in any way either electronically, mechanically by way of photocopying, recording or in any other way without the prior written permission of Global Organ Group b.v. User Manual Vivaldi 270/370 2 CONTENTS 1 SAFETY........................................................................................... 5 1.1 Safety instructions ...................................................................................... 5 1.2 Symbols on the organ ................................................................................. 6 1.3 Symbols in this manual ............................................................................... 6 1.4 Transport and storage ................................................................................ 7 1.5 Cautions and important notes .................................................................... 8 1.6 Placement ................................................................................................. 10 1.7 Repairs and data ....................................................................................... 10 1.8 Additional precautions ............................................................................. 11 2 INSTALLATION
    [Show full text]
  • THE TRACKER CONVENTION JOURNAL of the ORGAN HISTORICAL SOCIETY ISSUE Schantz OHS-Tracker Ad Art.Qxp Layout 1 5/6/19 1:10 PM Page 1
    VOLUME 63, NUMBER 3, JULY 2019 ENHANCED THE TRACKER CONVENTION JOURNAL OF THE ORGAN HISTORICAL SOCIETY ISSUE Schantz OHS-Tracker Ad Art.qxp_Layout 1 5/6/19 1:10 PM Page 1 Meeting the needs of organbuilding clients P. O. Box 156 Orrville, Ohio 44667 for one-hundred and forty-six years, www.schantzorgan.com Schantz Organ Company provides a tailored, [email protected] artistic response relying upon time-honored 800.416.7426 mechanisms and design principles. find us on A RTISTRY - R ELIABILITY - A DAPTABILITY Re-imaging Estey Organ Company, Opus 1318 (1914) - built for Fair Lane – the estate of Henry and Clara Ford – Dearborn, Michigan. The III-17, fitted with extant Estey pipework from the second two decades of the twentieth century, will be installed in the summer of 2019. Not simply an assembler of components, our artisans creatively adapt to each project's parameters – be that a newly commissioned instrument, the rebuild and adaptation of a long-serving example, or a strict historic restoration. S.L.Huntington&Co. PIPE ORGAN BUILDERS We are honored to have been commissioned to restore Hook & Hastings No. 1171, 1883 the only remaining unaltered three-manual Hook & Hastings from the 1880 decade. Completion Fall 2021 S.L.Huntington&Co. P.O. Box 56, stonington, ct 06378 J 401.348.8298 J www.slhorgans.com An International Monthly Devoted to the Organ, Harpsichord, Carillon and Church Music Now in Our Second Century Announcing The Diapason’s new digimag subscription. The digital edition is available at a special price ($35/year), and yet incorporates all the content in the traditional print edition.
    [Show full text]
  • Charles F. Durner Organs by ROBERT BRUCE WHITING Eugene M
    0 Copyright 1965 by The Organ Historical Society, Inc. Volume X FALL - 1965 Number 1 Charles F. Durner Organs By ROBERT BRUCE WHITING Eugene M. McCracken has written an authori­ tative account of the organ-building Durner fami­ ly of Quakertown, Penna. His history of the Dur­ ners, published in the Summer, 1964 issue of THE TRACKER, Vol. VIII, No. 4, states that Charles Friedrick Durner (1838-1914) built organs from 1859 until his death and that his son, Charles Edward Durner (1863-1932) continued the busi­ ness until his death. In 1932, Paul Fritzsche, an employee and distant relative of Charles E. Durn­ er, bought out the business and still continues to build and repair organs in AUentown, Penna., as the successor to C. E. Durner. This article is a supplement to Eugene Mc­ Cracken's account and describes some other Charles F. Durner tracker-action organs. The old Goshenhoppen Union Church in Wox­ all, Penna., had an 1890 C. F. Durner organ, which cost $1600.00 at that time. This organ was rebuilt and electrified by Paul Fritzsche in the early 1950's, but the case is original. Fortunately, the church has preserved the old console in a school house at the rear (If the church building. The organ had two manual/, and pedal with a reversed console. A large metal nameplate on the console reads: C. F. DORNER Builder CHARLES F. DURNER Quakertown, Pa. And the stoplist was: the organ can be played partiaUy. Judging by the case and specifications, it was built around 1900: GREAT SWELL 8' Open Diapason 8' Stopped Diapason GREAT SWELL 1 8' Melodia 8' Viola 8' Open Diapason 8 Geigen Principal 8' Dulciana 4' Flute Harmonic 8' Melodia 8' Stopped Diapason 4' Principal 8' Oboe 8' Dulciana 8' Salicional 4' Open Flute 8' Bassoon (Bass of Oboe) 4' Principal 8' Aeoline (Ch-imes - later addition) Tremolo 4' Flute d'Amour 8' Oboe Gamba 2' Piccolo 4' Flute Harmonic PEDAL COUPLERS Tremolo 16' Bourdon S-P, S-G, G-P PEDAL COUPLERS The organ had 58 notes on the manuals and 27 16' Bourdon S-P, S-G, G-P notes on the pedals.
    [Show full text]
  • David Ponsford Guillaume-Gabriel Nivers & Nicolas-Antoine Lebègue Organ of Auch Cathedral
    David Ponsford Guillaume-Gabriel Nivers & Nicolas-Antoine Lebègue Organ of Auch Cathedral 20 NI 6292 NI 6292 Volume 1 4 Dr David Ponsford is an organist, harpsichordist, musicologist and conductor, and an authority on keyboard music of the seventeenth and eighteenth centuries. He held the Greenwood Exhibition at Emmanuel College, Cambridge, and was extremely fortunate to be able to study organ with Peter Hurford, Lionel Rogg and Piet Kee, and harpsichord with Kenneth Gilbert and Gustav Leonhardt. On graduating from Cambridge, he was appointed Assistant Organist at Wells Cathedral. Later, he studied for a PhD on performance practice in French Baroque organ music with Professor Peter Williams. He is now Associate Lecturer at Cardiff University, where he conducts the University Chamber Orchestra and gives lectures in performance practice. He also teaches organ and harpsichord at Bristol Universi- ty, and gives series of lectures at Madingley Hall, Cambridge. Recent recordings include Bach’s complete violin sonatas with Jacqueline Ross, ‘Parthenia’ (1612), J. S. Bach’s Cla- vierübung Part 3, and the complete Handel recorder sonatas with Alan Davis. He has been Publications Officer for the British Institute of Organ Studies, and together with Anne Page he founded the Cambridge Academy of Organ Studies. In recent years, he has given concerts in Singapore, Poland, Germany, New York and Montreal, in addition to Westmin- ster Cathedral and the London Oratory. His edition of Biber’s Mystery Sonatas was pub- lished by Ut Orpheus, Bologna, in 2007, and his book ‘French Organ Music in the Reign of Louis XIV’ was published by Cambridge University Press in May 2011.
    [Show full text]