Gr. 4 to 8 Study Guide
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Parsifal and Canada: a Documentary Study
Parsifal and Canada: A Documentary Study The Canadian Opera Company is preparing to stage Parsifal in Toronto for the first time in 115 years; seven performances are planned for the Four Seasons Centre for the Performing Arts from September 25 to October 18, 2020. Restrictions on public gatherings imposed as a result of the Covid-19 pandemic have placed the production in jeopardy. Wagnerians have so far suffered the cancellation of the COC’s Flying Dutchman, Chicago Lyric Opera’s Ring cycle and the entire Bayreuth Festival for 2020. It will be a hard blow if the COC Parsifal follows in the footsteps of a projected performance of Parsifal in Montreal over 100 years ago. Quinlan Opera Company from England, which mounted a series of 20 operas in Montreal in the spring of 1914 (including a complete Ring cycle), announced plans to return in the fall of 1914 for another feast of opera, including Parsifal. But World War One intervened, the Parsifal production was cancelled, and the Quinlan company went out of business. Let us hope that history does not repeat itself.1 While we await news of whether the COC production will be mounted, it is an opportune time to reflect on Parsifal and its various resonances in Canadian music history. This article will consider three aspects of Parsifal and Canada: 1) a performance history, including both excerpts and complete presentations; 2) remarks on some Canadian singers who have sung Parsifal roles; and 3) Canadian scholarship on Parsifal. NB: The indication [DS] refers the reader to sources that are reproduced in the documentation portfolio that accompanies this article. -
Manfred Honeck, Conductor Vilde Frang, Violin Matthias Goerne, Baritone Eric Cutler, Tenor
Pittsburgh Symphony Orchestra 2018-2019 Mellon Grand Classics Season May 10 and 12, 2019 MANFRED HONECK, CONDUCTOR VILDE FRANG, VIOLIN MATTHIAS GOERNE, BARITONE ERIC CUTLER, TENOR LUDWIG VAN BEETHOVEN Concerto in D major for Violin and Orchestra, Opus 61 I. Allegro ma non troppo II. Larghetto — III. Rondo: Allegro Ms. Frang Intermission GUSTAV MAHLER Das Lied von der Erde for Baritone* and Tenor† Soloists and Orchestra I. Das Trinklied vom Jammer der Erde (“The Drinking Song of the Earth’s Misery”)† II. Der Einsame im Herbst (“The Lonely One in Autumn”)* III. Von der Jugend (“of Youth”)† IV. Von der Schönheit (“of Beauty”)* V. Der Trunkene im Frühling (“The Drunkard in Spring”)† VI. Der Abschied (“The Parting”)* Mr. Goerne Mr. Cutler May 10-12, 2019, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA LUDWIG VAN BEETHOVEN Concerto in D major for Violin and Orchestra, Opus 61 (1806) Ludwig van Beethoven was born in Bonn on December 16, 1770, and died in Vienna on March 26, 1827. He composed his Violin Concerto in 1806, and it was premiered at the Theater-an-der-Wien in Vienna with Beethoven conducting and soloist Franz Clement on December 23, 1806. The Pittsburgh Symphony first performed the concerto at Carnegie Music Hall with conductor Victor Herbert and violinist Luigi von Kunits in November 1898, and most recently performed it with music director Manfred Honeck and violinist Christian Tetzlaff in June 2015. The score calls for flute, pairs of oboes, clarinets, bassoons, horns, and trumpets, timpani and strings. Performance time: approximately 45 minutes. In 1794, two years after he moved to Vienna from Bonn, Beethoven attended a concert by an Austrian violin prodigy named Franz Clement. -
Recommended Solos and Ensembles Tenor Trombone Solos Sång Till
Recommended Solos and Ensembles Tenor Trombone Solos Sång till Lotta, Jan Sandström. Edition Tarrodi: Stockholm, Sweden, 1991. Trombone and piano. Requires modest range (F – g flat1), well-developed lyricism, and musicianship. There are two versions of this piece, this and another that is scored a minor third higher. Written dynamics are minimal. Although phrases and slurs are not indicated, it is a SONG…encourage legato tonguing! Stephan Schulz, bass trombonist of the Berlin Philharmonic, gives a great performance of this work on YouTube - http://www.youtube.com/watch?v=Mn8569oTBg8. A Winter’s Night, Kevin McKee, 2011. Available from the composer, www.kevinmckeemusic.com. Trombone and piano. Explores the relative minor of three keys, easy rhythms, keys, range (A – g1, ossia to b flat1). There is a fine recording of this work on his web site. Trombone Sonata, Gordon Jacob. Emerson Edition: Yorkshire, England, 1979. Trombone and piano. There are no real difficult rhythms or technical considerations in this work, which lasts about 7 minutes. There is tenor clef used throughout the second movement, and it switches between bass and tenor in the last movement. Range is F – b flat1. Recorded by Dr. Ron Babcock on his CD Trombone Treasures, and available at Hickey’s Music, www.hickeys.com. Divertimento, Edward Gregson. Chappell Music: London, 1968. Trombone and piano. Three movements, range is modest (G-g#1, ossia a1), bass clef throughout. Some mixed meter. Requires a mute, glissandi, and ad. lib. flutter tonguing. Recorded by Brett Baker on his CD The World of Trombone, volume 1, and can be purchased at http://www.brettbaker.co.uk/downloads/product=download-world-of-the- trombone-volume-1-brett-baker. -
1 Making the Clarinet Sing
Making the Clarinet Sing: Enhancing Clarinet Tone, Breathing, and Phrase Nuance through Voice Pedagogy D.M.A Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Alyssa Rose Powell, M.M. Graduate Program in Music The Ohio State University 2020 D.M.A. Document Committee Dr. Caroline A. Hartig, Advisor Dr. Scott McCoy Dr. Eugenia Costa-Giomi Professor Katherine Borst Jones 1 Copyrighted by Alyssa Rose Powell 2020 2 Abstract The clarinet has been favorably compared to the human singing voice since its invention and continues to be sought after for its expressive, singing qualities. How is the clarinet like the human singing voice? What facets of singing do clarinetists strive to imitate? Can voice pedagogy inform clarinet playing to improve technique and artistry? This study begins with a brief historical investigation into the origins of modern voice technique, bel canto, and highlights the way it influenced the development of the clarinet. Bel canto set the standards for tone, expression, and pedagogy in classical western singing which was reflected in the clarinet tradition a hundred years later. Present day clarinetists still use bel canto principles, implying the potential relevance of other facets of modern voice pedagogy. Singing techniques for breathing, tone conceptualization, registration, and timbral nuance are explored along with their possible relevance to clarinet performance. The singer ‘in action’ is presented through an analysis of the phrasing used by Maria Callas in a portion of ‘Donde lieta’ from Puccini’s La Bohème. This demonstrates the influence of text on interpretation for singers. -
Years 7 and 8 Music Overview
Years 7 and 8 Music Overview Term Year 7 Year 8 Find Your Voice Blues Baseline Assessment Baseline Assessment 1. Theory and Listening test 1. Theory and Listening Test 2. Performance 2. Performance DR P SMITH: RHYTHM DR P SMITH: MELODY & STRUCTURE Rhythm and note duration Notation (treble and bass clefs) Notation Keyboard notes Expression Structure - 12 Bar Blues chords sequence Autumn 1 Voice types Walking bassline Melody – repetition/riff/Blues scale Performing, Improvising and Singing Improvisation / solo Unison, harmony, a capella Harmony - Blues chords incl. 7th extensions Beatboxing, warm-ups Shuffle beat 4 chord song – musical futures Ensemble skills Performing and Singing 12 Bar Blues Keyboard Skills Hit the Road Jack In the Mood DR P SMITH: PITCH Pitch and notation Improvising and Composing Keyboard notes Own Blues arrangement including score Accidentals Lyrics Dynamics (expression) Listening and Appraising Notation test Work songs Autumn 2 Blues Performing and Singing Rock N Roll Progressive keyboard skills and pieces (solo and paired) Christmas Carols (group and class) 1 Japanese Folk Music Film Music DR P SMITH: MELODY DR P SMITH: HARMONY Melody Tonality - major/ minor Dynamics (expression) Harmony - chords: major, minor, diminished Timbre/Instrumentation Dissonance - tritone (tension) Structure Trill (melodic decoration) Notation (pitch and rhythm) Melody, mood Leitmotifs Performing and Singing Structure Sakura; keyboard and vocals Music spotting Solo and ensembles skills Spring -
Gustavo Dudamel 2020/21 Season (Long Biography)
GUSTAVO DUDAMEL 2020/21 SEASON (LONG BIOGRAPHY) Gustavo Dudamel is driven by the belief that music has the power to transform lives, to inspire, and to change the world. Through his dynamic presence on the podium and his tireless advocacy for arts education, Dudamel has introduced classical music to new audiences around the world and has helped to provide access to the arts for countless people in underserved communities. As the Music & Artistic Director of the Los Angeles Philharmonic, now in his twelfth season, Dudamel’s bold programming and expansive vision led The New York Times to herald the LA Phil as “the most important orchestra in America – period.” With the COVID-19 global pandemic shutting down the majority of live performances, Dudamel has committed even more time and energy to his mission of bringing music to young people across the globe, firm in his belief that the arts play an essential role in creating a more just, peaceful, and integrated society. While quarantining in Los Angeles, he hosted a new radio program from his living room entitled “At Home with Gustavo,” sharing personal stories and musical selections as a way to bring people together during a time of isolation. The program was broadcast locally as well as internationally in both English and Spanish, with guest co-hosts including, among others, composer John Williams, his wife, actress María Valverde. Dudamel also participated in Global Citizen’s Global Goal: Unite For Our Future TV fundraising special, giving a socially-distanced performance from the Hollywood Bowl with the LA Phil and YOLA (Youth Orchestra Los Angeles). -
The Call of Rome
CORO CORO Hail, Music from Mother of the Redeemer the Sistine Chapel The Call of Rome “This is state-of-the-art Renaissance singing by “Sixteen, Sistine: a choir and conductor it’s a match made Allegri · Josquin who have done more in heaven.” than most to deepen our awareness, and the times Anerio · Victoria enjoyment, of music.” cor16088 classic fm cor16147 The Earth Resounds Palestrina: Volume 8 “The Gloria opens with “Yet another some truly delicate breathtaking singing, and the clear, example of restricted harmonies choral singing.” evoke a performance of the scotsman monumental majesty from The Sixteen.” cor16097 bbc music magazine cor16175 To find out more about The Sixteen, concert tours, and to buy CDs The Sixteen HARRY CHRISTOPHERS visit www.thesixteen.com cor16178 he power and wealth of the Catholic church in the piece has evolved over the centuries into the version audiences know and love today. TRenaissance times centred on Rome. The papacy was Although born around the same time as Allegri, Anerio died relatively young, but he supreme, and naturally it attracted the greatest composers left us a wealth of splendid double-choir motets. His setting ofRegina caeli laetare and from all over Europe. This album concentrates on that call the Litaniae Beatissimae Virginis Mariae are brilliantly crafted and, at times, break with to Rome which was irresistible for the Flemish composer tradition with just a hint of the Baroque. I think many of you listening will also be surprised Josquin and the Spaniard Victoria. Here they sit alongside by the contrapuntal skills that Allegri displays in the Gloria of his Missa In lectulo meo – Felice Anerio and Gregorio Allegri who spent their lives a far cry from the simplicity of the Miserere. -
Students Help Peers Presidents Sunday and Gave Her Information
Eastern Illinois University The Keep February 2007 2-2-2007 Daily Eastern News: February 02, 2007 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2007_feb Recommended Citation Eastern Illinois University, "Daily Eastern News: February 02, 2007" (2007). February. 2. http://thekeep.eiu.edu/den_2007_feb/2 This Article is brought to you for free and open access by the 2007 at The Keep. It has been accepted for inclusion in February by an authorized administrator of The Keep. For more information, please contact [email protected]. "TELL THE TRUTH AND DON'T BE AFRAID." W\NVV.DENNEWS.COM Student roduction crew to learn from ESPN2 Eastern's event staff scurries angles and inserting game stats National coverage of from one end of the gym to the and other graphics onto viewers' basketball game lets other with chairs and ladders, while televisions all with the push of a students with WEIU-TV duct tape button. WEIU employees work down the colored cables. Price transferred here from Everyone is busy and the Southern Illinois University with professionals preparation is a game in its own this year to study corporate right: Be ready before tip off. communications. By Sarah Whitney For the 12th time, Lantz Arena But Saturday, Price won't attend Senior Reporter will transform from a recreational the game as a WEIU-TV employee, gymnasium into an official N CAA but as an employee for ESPN 2. A basketball game begins before basketball arena on Saturday For the first time in Eastern's tipoff. night. history, a men's basketball game Gray curtains sweep back to Saturday's game will be no will air on ESPN2. -
Mississippi Symphony Orchestra (MSO) President
POSITION DESCRIPTION June 2021 Mississippi Symphony Orchestra (MSO) President MSO seeks a business professional who will partner with veteran Music Director & Conductor Crafton Beck, to deliver exceptional orchestral music experiences and education programs that engage and include Mississippi communities throughout the state. Founded in 1944, the Mississippi Symphony Orchestra is the cornerstone of Mississippi performing arts and has a long history of innovation, creativity, and excellence. Led by Music Director Crafton Beck and based in the City of Jackson, MSO is an innovative regional orchestra that presents orchestral music performances, programs and education of the highest quality to residents and visitors of Mississippi. Known as the “Birthplace of America’s Music,” Mississippi has shaped the course of modern music with its contributions to blues, jazz, rock, country and gospel. BACKGROUND MSO has acted as a cultural trailblazer since its founding. As the largest professional performing arts organization in the state, the financially stable MSO performs approximately 20 concerts and approximately 100 full orchestra and small ensemble educational performances statewide for more than 30,000 Mississippians each year. The Selby and Richard McRae Foundation Bravo Series is MSO’s banner classical series of 5 concerts which are annually performed along with the 2 concert Pops Series at the 2,040 seat Thalia Mara Hall in downtown Jackson, while an equally successful Chamber Orchestra Series of four concerts is performed in intimate venues throughout Jackson and the region and the popular Pepsi Pops concert is performed at a local outdoor venue. MSO tours statewide as a full orchestra, chamber orchestra in three resident ensembles - Woodwind Quintet, Brass Quintet and String Quartet with annual and bi-annual visits to Vicksburg, Pascagoula, McComb, Brookhaven, Poplarville, and other cities. -
NOTICE! Land in Batavia Tomorrow
k: ■ ■ Ss T H U R SD A Y , N O VE M B ER 8,194 ' ■) . PAlit: FOUBTEEM Manchester Evening Herald Average Daily Circulation The Weather For the Moath ot October, 1945 Fsreeaet off U. 8. Weathor niroaii A public card party will be held ments. The necessity fo r that Mrs, John M. Connolly and Homemakers and others in this ’stand-by” basis seems now to Otoudy with showers tonight and vicinity are reminded of the lec tomorrow evening In the Bucking 8,995^ young son, who have been making Blood Donor have definitely dlaappeared, and, aa Saturday; eolder Saturday. About Towii ture-demonstration on Frozen ham church. The service at the Member of the Audit their home with Mrs. Connolly’s church Sunday morning will be a result, the existence o f the Man parents Mr. and Mrs. D. I. August Foods and types of Freezing Bureau ot Circulations omitted, and Instead will be held chester Red Cross Blood Donor r r s U P TO u s . to keep It In good arorldng order, f Sgt. t«eon 8. Cl«*«ynaki( of 12 of SOsWllllam street, have moved equipment, "tomorrow afternoon at Service Ends Service has been terminated. The Manchester— A City of Viiiage Charm 1:30 at the Wapplng Community at eigh t, o’clock In the evening, Sclentlfle Servicing does the trick. Call ns; We are ■ WMtfleld atreet, who for the p « t to wyhnefleld, Pennsylvania, resignatlona of the co-chairmen of trained and'eqnlpped to servlee home anlts or larger House. 'The principal speaker will when Chaplain Dudley Burr will : *7 month! hm! served tn the Army where they V lll make their home. -
Journal September 1984
The Elgar Society JOURNAL ^■m Z 1 % 1 ?■ • 'y. W ■■ ■ '4 September 1984 Contents Page Editorial 3 News Items and Announcements 5 Articles: Further Notes on Severn House 7 Elgar and the Toronto Symphony 9 Elgar and Hardy 13 International Report 16 AGM and Malvern Dinner 18 Eigar in Rutland 20 A Vice-President’s Tribute 21 Concert Diary 22 Book Reviews 24 Record Reviews 29 Branch Reports 30 Letters 33 Subscription Detaiis 36 The editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views The cover portrait is reproduced by kind permission of National Portrait Gallery This issue of ‘The Elgar Society Journal’ is computer-typeset. The computer programs were written by a committee member, Michael Rostron, and the processing was carried out on Hutton -t- Rostron’s PDPSe computer. The font used is Newton, composed on an APS5 photo-typesetter by Systemset - a division of Microgen Ltd. ELGAR SOCIETY JOURNAL ISSN 0143-121 2 r rhe Elgar Society Journal 01-440 2651 104 CRESCENT ROAD, NEW BARNET. HERTS. EDITORIAL September 1984 .Vol.3.no.6 By the time these words appear the year 1984 will be three parts gone, and most of the musical events which took so long to plan will be pleasant memories. In the Autumn months there are still concerts and lectures to attend, but it must be admitted there is a sense of ‘winding down’. However, the joint meeting with the Delius Society in October is something to be welcomed, and we hope it may be the beginning of an association with other musical societies. -
Gregorio Allegri (1582-1652) Opere Inedite Dai Manoscritti Della Collectio Altæmps Unpublished Works from the Manuscripts of the Collectio Altæmps
TC 550007 Gregorio Allegri (1582-1652) Opere inedite dai manoscritti della Collectio Altæmps Unpublished works from the manuscripts of the Collectio Altæmps Musica Flexanima Ensemble Cantus: Andrea Caroline Manchée, Paola Ronchetti Altus solo: Simona Braida Altus: Maria Alessandra Astolfi, Simona Braida Countertenor / Tenor: Daniele Pellegrini Tenor: Fabrizio Giovannetti Bassus: Giuliano Mazzini, Andrea Robino-Rizzet Violin I: David Simonacci Violin II: Giancarlo Ceccacci Viola: Gianfranco Russo Bass violin and Viola da gamba: Renato Criscuolo Lute: Giovanni Bellini Lute and Theorbo: Simone Colavecchi Organ: Fabiola Lekaji, Alessio Pacchiarotti Transcriptions from the original manuscripts, performance edition and conductor: Fabrizio Bigotti R Testi / Texts 1 TC 550007 2. Salutis humanae sator Missa «In Lectulo Meo» Salutis humanae sator 6. Kyrie Jesu voluptas cordium orbis redempti conditor Kyrie eleison. et casta lux amantium. Christe eleison. Kyrie eleison. Qua victus es clementia ut nostra ferres crimina mortem subires innocens 7. Gloria a morte nos ut tolleres. Gloria in excelsis Deo Perrumpis infernum chaos Et in terra pax hominibus bonae voluntatis. vinctis catenas detrahis Laudamus te, benedicimus te, victor triumpho nobilis Adoramus te, glorificamus te: ad dexteram patri sedes. Gratias agimus tibi Propter magnam gloriam tuam. Te cogat indulgentia Domine Deus, rex coelestis, ut damna nostra sarcias Deus pater omnipotens. tuique vultus compotes Domine fili unigenite Jesu Christe: dites beato lumine. Domine Deus, agnus dei, filius patris: Qui tollis peccata mundi, miserere nobis: Tu dux ad astra et semita Qui tollis peccata mundi, sis meta nostris cordibus, Suscipe deprecationem nostram: sis lachrymarum gaudium, Qui sedes ad dextram Patris, miserere nobis: sis dulce vitae premium. Quoniam tu solus sanctus, tu solus Dominus, Tu solus altissimus, Jesu Christe: Cum sancto spiritu in gloria Dei patris.