The Call of Rome
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The Pope's Words at the Regina Caeli Prayer
N. 210523a Sunday 23.05.2021 The Pope’s words at the Regina Caeli prayer At midday today, Solemnity of Pentecost, the Holy Father Francis appeared at the window of his study in the Vatican Apostolic Palace to pray the Regina Caeli with the faithful and pilgrims present in Saint Peter’s Square. The following are the Pope’s words of introduction to the Marian prayer: Before the Regina Caeli Dear Brothers and Sisters, Buongiorno! The book of the Acts of the Apostles (cf. 2:1-11) recounts what happens in Jerusalem 50 days after the Pasch of Jesus. The disciples were gathered in the Upper Room, and the Virgin Mary was with them. The Risen Lord had told them to remain in the city until they received the gift of the Spirit from on High. And this was revealed with a “sound” they suddenly heard come from heaven, like the “rush of a mighty wind” that filled the house they were in (cf. v. 2). Thus, it concerns a real but also symbolic experience. Something that happened but also gives us a symbolic message for our whole life. This experience reveals that the Holy Spirit is like a strong and freely flowing wind; that is, he brings us strength and brings us freedom: a strong and freely flowing wind. He cannot be controlled, stopped, nor measured; nor can his direction be foreseen. He cannot be understood within our human exigencies – we always try to frame things – he does not let himself be framed in our methods and our preconceptions. -
Gregorio Allegri (1582-1652) Opere Inedite Dai Manoscritti Della Collectio Altæmps Unpublished Works from the Manuscripts of the Collectio Altæmps
TC 550007 Gregorio Allegri (1582-1652) Opere inedite dai manoscritti della Collectio Altæmps Unpublished works from the manuscripts of the Collectio Altæmps Musica Flexanima Ensemble Cantus: Andrea Caroline Manchée, Paola Ronchetti Altus solo: Simona Braida Altus: Maria Alessandra Astolfi, Simona Braida Countertenor / Tenor: Daniele Pellegrini Tenor: Fabrizio Giovannetti Bassus: Giuliano Mazzini, Andrea Robino-Rizzet Violin I: David Simonacci Violin II: Giancarlo Ceccacci Viola: Gianfranco Russo Bass violin and Viola da gamba: Renato Criscuolo Lute: Giovanni Bellini Lute and Theorbo: Simone Colavecchi Organ: Fabiola Lekaji, Alessio Pacchiarotti Transcriptions from the original manuscripts, performance edition and conductor: Fabrizio Bigotti R Testi / Texts 1 TC 550007 2. Salutis humanae sator Missa «In Lectulo Meo» Salutis humanae sator 6. Kyrie Jesu voluptas cordium orbis redempti conditor Kyrie eleison. et casta lux amantium. Christe eleison. Kyrie eleison. Qua victus es clementia ut nostra ferres crimina mortem subires innocens 7. Gloria a morte nos ut tolleres. Gloria in excelsis Deo Perrumpis infernum chaos Et in terra pax hominibus bonae voluntatis. vinctis catenas detrahis Laudamus te, benedicimus te, victor triumpho nobilis Adoramus te, glorificamus te: ad dexteram patri sedes. Gratias agimus tibi Propter magnam gloriam tuam. Te cogat indulgentia Domine Deus, rex coelestis, ut damna nostra sarcias Deus pater omnipotens. tuique vultus compotes Domine fili unigenite Jesu Christe: dites beato lumine. Domine Deus, agnus dei, filius patris: Qui tollis peccata mundi, miserere nobis: Tu dux ad astra et semita Qui tollis peccata mundi, sis meta nostris cordibus, Suscipe deprecationem nostram: sis lachrymarum gaudium, Qui sedes ad dextram Patris, miserere nobis: sis dulce vitae premium. Quoniam tu solus sanctus, tu solus Dominus, Tu solus altissimus, Jesu Christe: Cum sancto spiritu in gloria Dei patris. -
Our Lord Jesus Christ, King of the Universe
HOLY TRINITY PARISH Hudson and Germantown, New York 429 E. Allen St. – P. O. Box 323 Hudson, NY 12534 November 25, 2018 PHONE: (518) 828 - 1334 WEBSITE: www.holytrinityhudson.org E-MAIL: [email protected] OUR LORD JESUS CHRIST, KING OF THE UNIVERSE VERY REV. ANTHONY BARRATT, E.V. Pastor DEACON RICHARD WASHBURN REV. WINSTON BATH Deacon Pastor Emeritus for the spiritual battle that the Letter to the Ephesians PRAYING THE ROSARY, PRAYER TO speaks of: 'Be strong in the Lord and in the strength of ST. MICHAEL AND THE his might' (Ephesians 6:10). The Book of Revelation refers to this same battle, recalling before our eyes the SUB TUUM PRAESIDIUM PRAYER IN image of St Michael the Archangel (Revelation 12:7). PARISHES Pope Leo XIII certainly had this picture in mind when, at the end of the last century, he brought in, throughout Along with other bishops in the USA, Bishop the Church, a special prayer to St Michael. Although Scharfenberger has noted that a number of people have this prayer is no longer recited, I ask everyone not to asked about parishes adopting the practice of reciting forget it and to recite it to obtain help in the battle the rosary concluding with the Prayer to St. Michael against the forces of darkness and against the spirit of the Archangel. He wrote about this in an article in “the this world.” Evangelist” published on Thursday, 4th October. Fur- The Sub Tuum Praesidium Prayer is probably thermore, in a statement on 29th September 2018 (the the oldest prayer that we have that addresses our Feast Day of the Archangels), Pope Francis had asked Blessed Mother. -
Mini-Retreat Booklet for May 2020
Mini-Retreat Schedule Evening Mini-Retreat Morning Mini-Retreat 7:00-7:30 pm Meditation 9:45-10:15 am Meditation 7:30-7:45 pm Personal Reflection 10:15-10:30 am Personal Reflection 7:45-8:15 pm Practical Talk 10:30-11:00 am Practical Talk This Month’s Preachers & Speakers Meditation: Fr. Peter Hopkins, LC Practical Talk: Jennifer Ristine, CRC Gospel Passage: John 2: 1-12 On the third day there was a wedding in Cana in Galilee, and the mother of Jesus was there. Jesus and his disciples were also invited to the wedding. When the wine ran short, the mother of Jesus said to him, “They have no wine.” [And] Jesus said to her, “Woman, how does your concern affect me? My hour has not yet come.” His mother said to the servers, “Do whatever he tells you.” Now there were six stone water jars there for Jewish ceremonial washings, each holding twenty to thirty gallons. Jesus told them, “Fill the jars with water.” So they filled them to the brim. Then he told them, “Draw some out now and take it to the headwaiter.” So they took it. And when the headwaiter tasted the water that had become wine, without knowing where it came from (although the servers who had drawn the water knew), the headwaiter called the bridegroom and said to him, “Everyone serves good wine first, and then when people have drunk freely, an inferior one; but you have kept the good wine until now.” Jesus did this as the beginning of his signs in Cana in Galilee and so revealed his glory, and his disciples began to believe in him. -
Gr. 4 to 8 Study Guide
Toronto Symphony TS Orchestra Gr. 4 to 8 Study Guide Conductors for the Toronto Symphony Orchestra School Concerts are generously supported by Mrs. Gert Wharton. The Toronto Symphony Orchestra’s School Concerts are generously supported by The William Birchall Foundation and an anonymous donor. Click on top right of pages to return to the table of contents! Table of Contents Concert Overview Concert Preparation Program Notes 3 4 - 6 7 - 11 Lesson Plans Artist Biographies MusicalGlossary 12 - 38 39 - 42 43 - 44 Instruments in Musicians Teacher & Student the Orchestra of the TSO Evaluation Forms 45 - 56 57 - 58 59 - 60 The Toronto Symphony Orchestra gratefully acknowledges Pierre Rivard & Elizabeth Hanson for preparing the lesson plans included in this guide - 2 - Concert Overview No two performances will be the same Play It by Ear! in this laugh-out-loud interactive February 26-28, 2019 concert about improvisation! Featuring Second City alumni, and hosted by Suitable for grades 4–8 Kevin Frank, this delightfully funny show demonstrates improvisatory techniques Simon Rivard, Resident Conductor and includes performances of orchestral Kevin Frank, host works that were created through Second City Alumni, actors improvisation. Each concert promises to Talisa Blackman, piano be one of a kind! Co-production with the National Arts Centre Orchestra Program to include excerpts from*: • Mozart: Overture to The Marriage of Figaro • Rimsky-Korsakov: Scheherazade, Op. 35, Mvt. 2 (Excerpt) • Copland: Variations on a Shaker Melody • Beethoven: Symphony No. 3, Mvt. 4 (Excerpt) • Holst: St. Pauls Suite, Mvt. 4 *Program subject to change - 3 - Concert Preparation Let's Get Ready! Your class is coming to Roy Thomson Hall to see and hear the Toronto Symphony Orchestra! Here are some suggestions of what to do before, during, and after the performance. -
Texas Arly Music Project Daniel Johnson, Artistic Director E
TEXAS ARLY MUSIC PROJECT DANIEL JOHNSON, ARTISTIC DIRECTOR E It’s About Time: Companions (Arrangements & Added Polyphony by D. Johnson, except as noted) Music Direction Daniel Johnson Producers Meredith Ruduski & Daniel Johnson Story & Script Daniel Johnson with Meredith Ruduski Stage Director Phil Groeschel Choreography & Movement Toni Bravo Lighting Christopher Brockett & Wendy Brockett Stage manager Jacob Primeaux Supertitles Ethan Thyssen ACT I OVERTURE ❦ SCENE 1: ONCE UPON A TIME THERE WAS ... THERE WAS ... AND YET THERE WAS NOT IN A DREAMSCAPE ❦ SCENE 2: AN IBERIAN WEDDING GATHERING, MARCH 31, 1492 THE DEPORTATION ❦ INTERMISSION ❦ ACT II OVERTURE ❦ SCENE 1: PROMENADE INTERNATIONAL A PLEASING MELANCHOLY ❦ SCENE 2: CAFÉ DES AMANTS: FRANCE ❦ SCENE 3: ONCE UPON A TIME THERE WAS ... THERE WAS ... WASN’T THERE? EPILOGUE TEXAS EARLY MUSIC PROJECT IT’S ABOUT TIME: COMPANIONS Special Guests: Ryland Angel, tenor & alto Toni Bravo, choreographer & dancer Jordan Moser, dancer Mary Springfels, treble viol Peter Walker, bass The Singers (Featured Soloists ***) Erin Calata, mezzo-soprano *** Robbie LaBanca, tenor *** Cristian Cantu, tenor Sean Lee, alto *** Cayla Cardiff, soprano *** David Lopez, tenor Heath Dill, bass Hannah McGinty, soprano Rebecca Frazier-Smith, alto Gitanjali Mathur, soprano *** Jenny Houghton, soprano *** Susan Richter, alto Daniel Johnson, tenor *** Meredith Ruduski, soprano *** Eric Johnson, bass Jenifer Thyssen, soprano *** Jeffrey Jones-Ragona, tenor *** Shari Alise Wilson, soprano *** Morgan Kramer, bass Gil Zilkha, bass *** Sara Schneider, reader The Orchestra Elaine Barber, harp Josh Peters, oud & percussion Bruce Colson, Baroque violin Stephanie Raby, tenor viol & Baroque violin Victor Eijkhout, recorders Susan Richter, recorders Therese Honey, harp John Walters, bass viol, vielle, & mandolin Scott Horton, archlute, vihuela, & guitar Shari Alise Wilson, piano Jane Leggiero, bass viol Please visit www.early-music.org to read the biographies of TEMP artists. -
Download Booklet
CORO CORO “…wonderful music, wonderfully performed… sit back and let these glorious sounds fill your ears and lift your spirits.” gramophone Compilation by: Robin Tyson – podiummusic.co.uk Re-mastering: Tom Mungall (Floating Earth) Cover image: Basílica i Temple Expiatori de la Sagrada Família, Barcelona, Spain Design: Andrew Giles – [email protected] For further information about recordings on CORO or live performances and tours by The Sixteen, call +44 (0) 20 7936 3420 or email [email protected] the voi ces of 2019 The Sixteen Productions Ltd. © 2019 The Sixteen Productions Ltd. Made in Great Britain To find out more about The Sixteen, concert tours, and to buy CDs visit www.thesixteen.com cor16172 th Anniversary Collection The Sixteen | HARRY CHRISTOPHERS CD1 CD2 1 G.F. Handel How excellent thy name (from Saul HWV 53) 2.45 1 Igor Stravinsky Exaudi orationem meam Domine (from Symphony of Psalms) 3.02 2 James MacMillan O Radiant Dawn (From The Strathclyde Motets) 3.18 2 Frank Martin Sanctus and Benedictus (from Mass for double choir) 4.29 3 G.P. da Palestrina Surge amica mea 2.34 3 J.S. Bach Kyrie eleison II (from Mass in B minor BWV 232) 3.34 4 Tomás Luis de Victoria O Domine Jesu Christe 3.39 4 G.P. da Palestrina Ave Maria 4.26 5 Henry Purcell Remember not, Lord, our offences (Z 50) 3.00 5 Thomas Tallis Miserere nostri 2.59 6 Gregorio Allegri Miserere (Evolution version) 11.28 6 Henry Purcell Symphony / O sing unto the Lord (from O sing unto the Lord Z 44) 3.32 7 Claudio Monteverdi Deus in adiutorium meum intende (from Vespers of 1610 SV 206) 1.59 7 G.F. -
Concert Programme
Registered charity: 1013945 www.trinityhospice.org.uk Trinity Hospice provides care for people with advanced illnesses within their homes or at the hospice. We passionately believe that people who use our services should be able to live their lives in the way they choose. Our aim is to enable them to make the decisions that are right for them and to support them in achieving the best possible quality of life. Everyone is treated with the greatest respect and dignity. They receive the treatment and support they require however long it is needed, absolutely free of charge. Baroque Classics Keep up to date with all the latest from Pegasus on our website: www.pegasusmusic.org.uk PEGASUS with players from the Royal College of Music Upcoming Pegasus dates for 2009 Conductor: Matthew Altham Tickets are available from our charity partners for the following concerts Sunday 1 November Pamela Spofforth Memorial Concert for Pro Corda 19:30 featuring the Bach Mass in B Minor St Paul’s, Knightsbridge A Voices for Hospices Concert in support of Saturday 5 December Carol Concert for Friends of Shakespeare's Globe, 18:30 St. Giles-in-the-Fields, Covent Garden Saturday 12 December Candlelight Christmas with Princess Alice Hospice, 19:30 Holy Trinity Church, Claygate Registered charity: 1013945 Sunday 13 December Christmas through the Ages with Handel House 15:00 Grosvenor Chapel, Mayfair Saturday 10 October, 7.30pm For further information, please e-mail [email protected] Holy Trinity Church, Prince Consort Road Programme Players First Violins Violas -
VENERABLE POPE PIUS XII and the 1954 MARIAN YEAR: a STUDY of HIS WRITINGS WITHIN the CONTEXT of the MARIAN DEVOTION and MARIOLOGY in the 1950S
INTERNATIONAL MARIAN RESEARCH INSTITUTE UNIVERSITY OF DAYTON, OHIO In affiliation with the PONTIFICAL FACULTY OF THEOLOGY "MARIANUM" The Very Rev. Canon Matthew Rocco Mauriello VENERABLE POPE PIUS XII AND THE 1954 MARIAN YEAR: A STUDY OF HIS WRITINGS WITHIN THE CONTEXT OF THE MARIAN DEVOTION AND MARIOLOGY IN THE 1950s A Thesis submitted in partial fulfillment of the requirements for the degree Licentiate of Sacred Theology with Specialization in Mariology Director: The Rev. Thomas A. Thompson, S.M. Marian Library/International Marian Research Institute University ofDayton 300 College Park Dayton OH 45469-1390 2010 To The Blessed Virgin Mary, with filial love and deep gratitude for her maternal protection in my priesthood and studies. MATER MEA, FIDUCIA MEA! My Mother, my Confidence ii ACKNOWLEDGMENTS My sincerest gratitude to all who have helped me by their prayers and support during this project: To my parents, Anthony and Susan Mauriello and my family for their encouragement and support throughout my studies. To the Rev. Thomas Thompson, S.M. and the Rev. Johann Roten, S.M. of the International Marian Research Institute for their guidance. To the Rev. James Manning and the staff and people of St. Albert the Great Parish in Kettering, Ohio for their hospitality. To all the friends and parishioners who have prayed for me and in particular for perseverance in this project. iii Goal of the Research The year 1954 was very significant in the history of devotion to the Blessed Virgin Mary. A Marian Year was proclaimed by Pope Pius XII by means of the 1 encyclical Fulgens Corona , dated September 8, 1953. -
Wilton D. Gregory
The Episcopal Ordination of His Excellency The Most Reverend s.m. Auxiliary Bishop of Atlanta JoelTitular Matthias Bishop of Leavenworth Konzen, by His Excellency The Most Reverend Wilton Daniel Gregory, S.L.D. Archbishop of Atlanta Tuesday, the Third Day of April Within In the Year of Our Lord Two Thousand and Eighteen TheTwo O’Clock Octave in the Afternoonof Easter The Cathedral of Christ the King Atlanta, Georgia His Holiness Pope Francis His Excellency The Most Reverend Apostolic Nuncio ToChristophe The United States Pierre of America His Excellency The Most Reverend S.L.D. WiltonMetropolitan D. Archbishop Gregory, of Atlanta His Excellency The Most Reverend J.D., J.C.L., D.D. ThomasArchbishop J. ofRodi, Mobile His Excellency The Most Reverend III BernardAuxiliary E. Bishop Shlesinger, of Atlanta His Excellency The Most Reverend s.m. Joel AuxiliaryMatthias Bishop ofKonzen, Atlanta LiturgicalMinisters The Most OrdainingReverend Wilton Bishop D. Gregory Archbishop of Atlanta The Most Reverend Thomas J. Rodi, j.d., j.c.l., d.d. ArchbishopCo-Consecrators of Mobile The Most Reverend Bernard E. Shlesinger, iii Auxiliary bishop of atlanta The Very ReverendAssisting John Priests Harhager, s.m. Vicar General, s.m. The Very Reverend Paul Frechette, s.m. The ReverendInsignia John Kinney, Bearers ch., lt. col. usaf The Reverend Daniel Ketter, j.c.l. The Reverend Reybert Pineda The Reverend Mr. Bill Garrett DeaconDeacons of the word The Reverend Mr. Rick Medina Deacon of the altar MinistersSeminarians of the Altar of The Archdiocese of Atlanta TheMasters Reverend ofJoshua Ceremony Allen The Reverend Brian Holbrook Baker The Reverend Mr. John Michael Metz The Reverend Mr. -
GREGORIO ALLEGRI Born in 1582 in Rome; Died There 7 February 1652
GREGORIO ALLEGRI Born in 1582 in Rome; died there 7 February 1652 Miserere mei, Deus (“Have Mercy Upon Me”) for Double Chorus (ca. 1638) Gregorio Allegri is remembered almost entirely for a single composition, but that work became the stuff of legend and mystery. Allegri was born in Rome in 1582 and became a chorister at the age of nine at the city’s San Luigi dei Francesi, where he was committed to the priesthood and studied music with the church’s respected choirmaster, Giovanni Maria Nanino, with such efficacy that he was appointed a singer and composer at the cathedral in Fermo in 1607. After serving tenures in Tivoli and as maestro di cappella at Santo Spirito in Sassia in Rome, he was appointed to the Papal Choir as an alto in December 1629; he became its maestro di cappella in 1650. He died in Rome on February 7, 1652. Allegri, as required by his employment at the Vatican, composed his Masses and many motets in a conservative idiom still under the sway of Palestrina, but he also wrote several pieces for string ensemble that are among the earliest works of their kind. Tenebrae — “darkness” — encompasses the most solemn moments of the Christian year. The name is applied to the combined Roman Catholic services of Matins and Lauds, which bracket daybreak, on Thursday, Friday and Saturday of Holy Week, during which fifteen candles signifying the ebbing life of Christ are extinguished one-by-one after the singing of the obligatory Psalms. The service closes “in tenebris.” For a Matins service of Tenebrae in the Sistine Chapel around 1638, Allegri made a setting of Psalm 51 — Miserere mei, Deus (“Have Mercy Upon Me, O God”) — for double choir (four and five voices) that alternates verses of plainchant and polyphony. -
The Sixteen: the Queen of Heaven Harry Christophers, Conductor
MELBOURNE RECITAL CENTRE PRESENTS THE SIXTEEN: THE QUEEN OF HEAVEN HARRY CHRISTOPHERS, CONDUCTOR 7.30pm Thursday 5 March 2015 Elisabeth Murdoch Hall Melbourne Recital Centre THE SIXTEEN THE QUEEN OF HEAVEN Harry Christophers, conductor Plainsong · · · · · · · · · · · · · · · · · · · · · · · · Regina caeli laetare Giovanni Pierluigi da Palestrina · · Kyrie from Missa Regina caeli SOPRANO ALTO James MacMillan · · · · · · · · · · · · ·Dominus dabit benignitatem Emma Brain-Gabbott Ian Aitkenhead Sally Dunkley David Clegg Gregorio Allegri · · · · · · · · · · · · · · · · · · · · · · · · · · · Miserere Camilla Harris Edward McMullan MacMillan · · · · · · · · · · · · · · · · · · · · · · · · · · Videns Dominus Kirsty Hopkins Kim Porter Emilia Morton Palestrina · · · · · · · · · · · · · · · · · · · · · · · · · · · Stabat Mater a8 Ruth Provost I N T E RVA L (20 minutes) Palestrina · · · · · · · · · · · · · · · · · · · · · Regina caeli laetare a8 TENOR BASS Simon Berridge Francis Brett Palestrina · · · · · · · · · · · · · · · · · Vineam meam non custodivi Jeremy Budd Ben Davies MacMillan · · · · · · · · · · · · · · · · · · · · · · · · · · O Radiant Dawn Palestrina · · · · · · · · · · · · · · · · · · · · Pulchrae sunt genae tuae George Pooley Tim Jones Julian Stocker Stuart Young MacMillan · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · Miserere Palestrina · · · · · · · · · · · Agnus Dei I-III from Missa Regina caeli Pre-concert talk by John Weretka 6.45pm – 7.15pm This concert is being recorded for broadcast on ABC Classic FM on Sunday