(Eds.), the Palgrave Handbook of Contemporary Irish Theatre and Performance, 848 INDEX

Index1

NUMBERS AND SYMBOLS Adaptation, 13–15, 25n23, 26n30, 33, #WakingTheFeminists (#WTF), 21, 34, 39, 55, 75, 147n18, 152, 160, 26n39, 85–91, 633, 833 225, 242, 247, 250, 251n10, 301, 302, 316–320, 322, 323, 326, 341, 345–347, 350, 385, 415, 418, 441, A 501–512, 517, 519, 528, 548, 594, Abbey films, 316, 322 623, 711, 737–741 Abbey School of Acting (Abbey School), Adigun, Bisi 332 Not So Long Ago, 553 Abbey Theatre, 3, 10–12, 21, 31, 53, Once Upon a Time and Not So Long 85–88, 122, 141, 225, 230, 234, Ago, 531, 554 240, 246, 264, 271, 279, 282, Paddies of Parnell Street, The (a version 283, 297, 315, 342, 345, 361, of Jimmy Murphy’s The Kings of 362, 364, 377, 378, 381, 402, the Kilburn High Road), 531 404, 405, 421, 422, 469, 492, Playboy of the Western World 503, 504, 509, 511, 517, 520, (adaptation), 4, 534, 594 529, 531, 534, 568, 582, 599, Affluence, 384, 803 623, 631, 633, 703, 737, 744, Agency, 32, 96, 100, 105, 107, 114, 752, 777, 778, 781, 788, 790, 163, 214, 243, 245, 250, 470, 479, 819, 822, 823, 831, 833–835, 480, 494, 537, 556, 561, 566, 590, 838, 840–842 633, 668, 677, 678, 718, 719, 728, Abrahamson, Lenny, 299, 323–326, 506, 731, 750, 807, 808, 820, 824 582 Agitprop, 559 Adam and Paul, 15, 325, 326 Ahmed, Sara, 62, 674 Room, 326 AIDS, 94, 188, 195n2, 197n37, 212 Abramović, Marina, 93–95 Allgood, Sara, 377, 387 Actor training, 295, 307n14, 331–338, Amateur Drama Council of Ireland 381, 539 (ADCI), 168, 171–173, 224

1 Note: Page numbers followed by ‘n’ refer to notes.

Amateur theatre, 143, 147n19, 165–167, Levitating, 105 172, 176, 224 Vacuuming in a Vacuum, 105 Anderson, Ian Lloyd, 605, 606 Barry, Sebastian, 10, 14, 36, 379, 425, Andrews Lane Theatre, 211, 246 426, 831 Animashaun, Kunle, 531, 548, 553 Steward of Christendom, The, 37, 380, Antoine, André, 72 425, 426 ANU Productions Baugh, Christopher, 343, 344, 349, Beautiful Dreamers, a coproduction 353 with The Performance Bausch, Pina, 16, 120, 121, 381, 634 Corporation, 478, 728, 730 Beckett, Samuel, 4, 12, 31, 75, 76, 124, Boss, Owen, 22, 344, 395, 478 202, 203, 321, 325, 326, 349, 381, Boys of Foley Street, The, 39, 396, 478, 385, 386, 400, 415, 472, 473, 475, 720, 728, 771 476, 489, 493, 501, 502, 507–509, Glorious Madness, 480, 481, 723 512, 616, 618, 619, 705, 737, 741, Laundry, 396, 473, 478, 479, 718, 763–767, 769, 770, 773, 774 728, 771, 830 Come and Go, 475, 773, 774 Pals, 480, 723, 829 Endgame, 381, 493, 494 Sunder, 479, 481, 723, 732, 770–773 Footfalls, 383, 385, 475, 508, 764, Thirteen, 479, 724–726 770 Vardo, 229, 396, 397, 478, 728, 729, Krapp’s Last Tape, 763, 764, 770, 773 731, 771 Not I, 385, 508 World’s End Lane, 395–397 Rockaby, 385, 475, 508 Applied theatre, 136, 137, 145, 445 Waiting for Godot, 31, 75, 203, 325, Arambe Productions (Arambe), 17, 20, 342, 349, 400, 493, 764 531, 547, 833 Bedrock Theatre Company, 549 See also Adigun, Bisi Behan, Brendan Ards Arts Centre, 227 Hostage, The, 195n4, 295, 752 Ark, The, 152, 157, 161 Quare Fellow, The, 203, 422 Arrington, Lauren, 789 Bell, Lian, 86–88 Arts Council of Ireland/An Chomhairle Bennett, Susan, 718, 723, 724, 727, 729 Ealaíon, 10, 113, 222, 227, 297, Benson, Ciarán, 175, 176, 179n30, 205, 305, 447–450, 685–687, 695 216n21, 448, 458n22, 458n36, Arts Council of Northern Ireland, 227, 459n42 447 Bertha, Csilla, 748 Arts funding, 222, 239–241, 250 Bewley’s Cafe Theatre, 223, 226, 819 Arts policy, 241, 247, 249 Bhabha, Homi, 540, 541, 749 Auslander, Philip, 145, 841 Bickerstaffe, 11, 527, 602 Ayckbourn, Alan, 276, 277, 280, 281 Big Telly, 11, 52, 684 Bilingual theatre (Irish/English), 143–145, 225 B Billington, Michael, 38, 263, 619, 620, Balzano, Wanda, 800, 804 625 Barabbas, 11, 16, 18, 20, 236, 250, 294, Bliss, Panti, 192, 264, 265, 842 297–299, 302, 304, 333, 471, 759 All Dolled Up, 192, 265 Barba, Eugenio, 16, 334, 336, 337, 539 High Heels in Low Places, 192, 265 Barnstorm Theatre Company, 152, 156 In These Shoes?, 192 Barry, Aideen, 94, 104–107 “Nobel Call,” 842 Brittlefield, 105 O’Neill, Rory, 192, 841, 842 Heteratopic Glitch, 106, 107 Woman in Progress, A, 192, 265 INDEX 849

Bloody Sunday, 6, 52–57, 63, 64n1, 77, Brook, Peter, 294, 336, 337, 384, 385, 78, 448 387, 407, 529, 621, 634 Blue Raincoat, 11, 14, 19, 39, 225, 226, Brown, Adrienne, 113, 117–119, 126n1, 229, 236, 294, 297, 301, 333, 336, 126n2, 129n33, 129n34, 129n43, 337, 344, 416, 471, 509, 685 130n45 Blythe, Ernest, 31, 73, 74, 240, 241, Brown, Terence, 687 342, 495 Buffini, Moira, 156 Boal, Augusto, 173, 452, 477, 790 Buggy, Niall, 18, 625, 838 Body/bodies, 62, 93, 96–99, 104, 107, Buí Bolg Productions, 468 114, 121, 123, 129n42, 141, 298, Butler, Judith, 810, 813 347, 396, 436, 437, 476, 537, 564, Byrne, David, 208, 211 576–578, 645, 667, 668, 673–675, Byrne, Jason, 298–300, 302, 304, 306, 677, 678, 717, 731, 738, 753 334, 410 Bogart, Ann, 335, 379, 540 See also Loose Canon Bolger, David, 125, 126n1, 670, 789 See also CoisCéim Dance Theatre Bolger, Dermot, 10, 36, 126n1, 208, C 503, 590, 699, 703–705 Calipo Theatre Company, 191 Holy Ground, The, 699, 703 Calypso Theatre Company, 530, 532 Lament for Arthur Cleary, The, 36, Farawayan, 210 208, 703 Campbell, Kelly, 819 Boss, Owen, 22, 344, 395, 478 Cannon, Feidlim, 18, 257, 580n4 See also ANU Productions Canon, Loose, 11, 16, 20, 294, Bourdieu, Pierre, 215, 241, 317 297–302, 304, 333, 334 Bourke, Angela, 535 Capitalism, 93, 165, 540, 686, 714, 785, Boyd, Pom, 10, 311, 590 821–823 Brady, Brian, 819 Cãrbunario, Gianina, 556, 561, 563, Brady, Fintan, 52, 61 571n30 Heroes with their Hands in the Air, Kebab, 556, 557, 561, 563, 564 52–57, 61 Carney, John, 321 Branar, 11, 143, 156, 158, 160 Once, 321 Brecht, Bertolt/Brechtian, 8, 10, 16, 34, Carr, Eamonn, 608 64, 122, 266, 295, 301, 334, 344, Dusk, 608 356n21, 563, 790 Carr, Marina, 10–16, 22, 37–39, 69, 88, Breen, John, 10, 819 157, 234, 343, 351, 352, 381, 383, Brendan Smith Academy of Acting, 386, 387, 401, 409, 423, 428, 430, 332 440, 487–493, 495, 496, 517–523, Brennan, Barbara, 266, 409 642, 644, 744, 752, 753, 763, Brennan, Helen, 669 767–770, 774, 802–805, 808 Brennan, Jane, 779 Ariel, 343, 492, 495, 517 Brennan, Paul, 272, 281, 335 By the Bog of Cats, 11, 37, 351–353, Brennan, Teresa, 62 362, 369, 381, 383, 401, 428, Breslin, Ollie, 444, 450 490, 517, 768 BrokenCrow Theatre Company, 228 Cordelia Dream, The, 488, 492–496, Brokentalkers, 11, 13, 17, 18, 256, 257, 519, 642, 644 263, 302, 303, 471, 575–579, 635, Giant Blue Hand, The, 157 732, 763, 770, 771, 773 Hecuba, 517, 520 Blue Boy, The, 13, 257, 575–579, 770, Mai, The, 38, 387, 492, 518, 642, 771 768, 769 850 INDEX

Carr, Marina (cont.) 557, 570, 581, 606, 691–693, Marble, 802, 803, 808, 811–813 699–706, 728, 745, 755, 801, 803, Mary Gordon, 15, 753 820, 821 On Raftery’s Hill, 13, 381, 487–492, Cleary, Joe, 687, 689 495, 752 Clohessy, Denis, 312 Phaedra Backwards, 517 Coburn, Veronica, 298, 299 Portia Coughlan, 381, 428, 489, 495, CoisCéim Dance Theatre, 126n1, 670 518, 642, 768, 769 Colgan, Michael, 12, 21, 617, 619, 621 This Love Thing, 309 Collapsing Horse Theatre, 228, 293 Ulaloo, 492 Colonisation/coloniser/colonised, 521, Woman and Scarecrow, 39, 407, 409, 522, 539, 560, 602, 669, 749, 752, 487, 489, 490, 492–496, 519 755, 789, 790, 829 Cartmell, Selina, 11, 409 Commedia dell’arte, 275, 528 Carville, Daragh, 10, 589, 593 Community action, 204 Language Roulette, 589, 594 Community activism, see Participatory Case, Sue-Ellen, 191, 519 arts Casson, Bronwen, 11, 342, 343, Community arts, 173–176, 202–207, 345–349, 352–354 213–215, 447–449, 467–472, 688 Cawley, Jack, 224 Community Arts For Everyone (CAFE), Censorship, 74, 316, 418, 495, 536, 176, 205, 213, 214, 449 539, 704, 705 Co-Motion Media, 241, 246–250 Cerquoni, Enrica, 357n48, 490 Co-Motion Theatre, 241–243, 245–250 Chambers, Lilian, 25n29, 217n30, Company SJ, 11, 12, 22, 472, 473, 231n1, 388n14, 411n37, 457n6, 475–477 513n11, 523n8, 543n50, 626n12 Complicité, 263, 381 Charabanc, 11, 12, 18, 154, 210, 615, 684 Comyn, Annabelle, 373, 821 Cinema/film, 14, 15, 18, 25n25, 45–48, Connolly, James, 786, 790, 793 63, 93, 105, 119, 191, 204, 207, Connolly, Linda, 196n14 211, 241, 246, 249, 258, 278, 299, Connor, Robert, 113, 123–125 315–326, 335, 375, 378, 380, 382, Conroy, Amy, 10, 192, 193, 304, 441 384–386, 393, 394, 396, 397, 436, I (Heart) Alice (Heart) I, 193 451, 470, 480, 491, 502, 510, 512, Consciousness raising, 184, 185 518, 538, 539, 563, 576, 581, 582, Conway, Frank, 342, 343 584, 585, 587, 624, 633, 689–691, Conway, Thomas, 192 693, 704, 720, 785, 794, 795, 801, Coogan, Amanda, 88, 94–99, 101, 105, 827 107 Ciotóg, 175, 450, 688 Fountain, The, 95, 96 City Arts Centre, 205, 206, 211–213, Medea, 96, 97, 383, 428 244, 246 Spit Spit Scrub Scrub, 97, 107 City Workshop, 174, 175, 207, 352, 353 Yellow Series, 98 Civic Theatre, 228, 838 Cooke, Patrick, 447 Clancy, Paula, 205, 468 Coppinger, Jen, 419 Clarke, Austin, 608 Corcadorca, 11, 39, 221, 228, 236, 294, Clarke, Joycelyn, 14 297, 321, 336, 423, 472–474, 476, Class, 4, 9, 23, 89, 105, 119, 123, 124, 477, 600, 603, 606, 685 130n51, 141, 158, 171, 173, 175, Cork Opera House, 228, 311, 336, 508 192, 193, 201, 203–208, 212–215, Corn Exchange, The, 11, 16, 39, 235, 332–335, 338, 341, 382, 424, 448, 236, 294, 297–299, 302, 304, 333, 475, 476, 505, 530, 531, 535, 551, 423, 471, 505, 506, 635, 834 INDEX 851

Corporealities, 667–669, 671, 673–675, Deevy, Teresa, 5, 74, 88, 241, 351 677, 678 Derrington, Tara, 603 Cosgrove, Aedín, 235, 300, 301, 344, Desperate optimists, 11, 538 537, 722 Devised theatre, 263, 295, 296, 338, See also Pan Pan Theatre 471, 496, 770 Cranitch, Lorcan, 18, 779 Direct provision/Direct Provision Crash Ensemble, 675 Centres, 101, 533 Crawley, Peter, 40, 396, 570, 632, 832 Disability, 57, 438, 445, 446, 455, 456 Creative Activity for Everyone (CAFE), Documentary theatre, 193, 258, 293, 449 777–781 Creed, Tom, 304, 601 Dodd, Stephen, 418, 676 Life is a Dream, 601 Dolan, Jill, 52, 54, 62, 63, 492, 518 Cregan, David, 186, 187, 192 Donlon, Phelim, 310 Crone, Joni, 186, 194, 195 Donnelly, Neil, 10, 274 Anna Livia Lesbia, 186, 194, 195 Donoghue, Emma, 14, 189–191, 210, Crouch, Tim, 790 211, 501, 511, 512 Crowley, John, 15, 206, 323, 325, 326 I Know My Own Heart, 189, 190, Brooklyn, 15, 326 211 Intermission, 15, 325 Ladies and Gentlemen, 190, 211 Crudden, John, 419 Room, 501, 511 Culleton, Jim, 13, 235, 281 Donohue, Brenda, 88, 832, 833 Cultural capital, 143, 315, 317, Doolan, Lelia, 70 319–321, 323, 326, 501, 512, 520, Doona, Liam, 365, 369 537 Dowling, Clare, 36 Culture Ireland, 250, 257, 312, 536, Dowling, Gabby, 349, 352 635 Forbidden Fruit, 282, 349–353 Cummings, Cindy, 125, 126n1, 298 Dowling, Joe, 152, 274, 275, 281, Cusack, Sinead, 18, 26n30, 53, 322, 282, 332, 334, 403–405, 504, 336, 387, 388, 621 617, 618 Doyle, Roddy, 4, 10, 532, 534, 594, 701, 702 D Brownbread, 701 Daghdha Dance, 115, 126n1 Guess Who’s Coming for the Dinner?, Dance Council of Ireland, The, 115, 125 532 Dance Halls Act, 675, 676 Playboy of the Western World Dargent, Sabine, 355n12 (adaptation), 4, 534 Davis, Joan, 117, 119, 123, 669, 670 War, 701, 702 Davis, Tracy, 294, 842 Doyle, Roger, 18, 297, 350, 382 Dead Centre, 256, 260–263, 293, 302, Draíocht Arts Centre, 223, 228 635 Drohan, Declan, 336 Dean, Joan, 319, 466, 471, 480 Druid Theatre Company, 10, 12, 86, Deane, Seamus, 33, 748 323, 350, 380, 386, 405, 423, 473, Decade of Centenaries, 472, 479, 480, 491, 831, 836, 839 721, 732 Drury, Martin, 152, 154, 157 Decolonisation/decolonization, 522, Dublin Drama League, 73, 344 669, 679n11 Dublin Fringe Festival (DFF), 88, 226, Decriminalization of homosexuality, 188, 259, 260, 298, 302, 303, 308n36, 194 310, 548, 604, 634, 721, 722, Deegan, Loughlin, 192, 335 724–726 852 INDEX

Dublin International Gay Theatre, 191 F Dublin Theatre Festival, 8, 17, 33, 35, Fabulous Beast Dance Theatre, 11, 471, 75, 120, 124, 157, 160, 192, 203, 670 207, 209, 225, 243–245, 257, 274, Factory Performance Space, The, 19, 277, 311, 312, 352, 379, 401, 469, 225, 509 477, 492, 503, 510, 527, 534, 539, Fairleigh, John, 39 563, 607, 623, 631, 634, 635, 713, Fallon, Gabriel, 31, 33, 40, 41n1 717, 720, 730, 793, 834 Farrell, Bernard, 10, 152 Dublin Youth Theatre (DYT), 16, 234, All In Favour Said No!, 278 303 Canaries, 277, 279 Duggan, Dave, 10, 51, 60, 63 Happy Birthday Dear Alice, 280 Denizen (2014), 51, 60, 63 I Do Not Like Thee Doctor Fell, 271, Duggan, Gary, 310, 342 275 Shibari, 342 Petty Sessions, 282 Dunbar, Adrian, 15, 18, 53, 54 Say Cheese, 279 Dunne, Caoilfhionn, 18, 711 Then Moses Met Marconi, 152 Durational performances, 99, 396 Fay, Frank, 421 Dwan, Lisa, 385, 386, 507–509 Fay, Jimmy, 206, 298, 549 Fay, William, 377, 378 Feehily, Stella, 10, 14, 310, 489 E Feminism/feminist, 211, 799, 800, 802 Eadie, Jimmy, 740 Ferriter, Diarmaid, 687 Edinburgh Fringe Festival, 607 Ffrench, Anne, 106 Edwards, Hilton, 11, 12, 73, 234, 342, Heteratopic Glitch, 106, 107 344, 353, 377, 379, 400, 402, 403, Fi, Semper, 394 616, 621, 839 Fíbín (Theatre Company), 143, 161 Egan, Jo, 567 Fidget Feet, 227 Eliot, T.S., 70, 72, 416 Field Day, 9, 11–13, 18, 39, 55, 56, 76, Ellis-Fermor, Una, 70–72 78, 222, 377, 384, 615, 623, 684, Embodiment, 97, 99, 103, 104, 119, 831 333, 393, 394, 396, 415, 417, 507, Fischer-Lichte, Erica, 638 509, 520, 521, 536, 578, 642, 671, Fishamble: The New Play Company, 226, 800 236, 241, 309, 604 Emigration, 7, 8, 32, 33, 188, 203, 204, Fitzgerald, Barry, 322, 387 208, 258, 322, 449, 487, 522, 527, Fitzgerald, Sandy, 204, 205, 444, 446, 555, 604, 687, 689, 699, 703, 749, 449, 450, 454 837, 840 Fitzgibbon, Emelie, 153–155, 684 Enigma Theatre, 540 Fitzgibbon, Ger, 231n1, 388n14, 457n6, Equality, 87–89, 165, 175, 439, 449, 513n11, 523n8, 626n12 452, 455, 602, 700, 721, 767, Flannery, James, 251n2 801, 802, 806, 813, 820, 821, Flash mobs, 302, 477, 478 824, 841 Flynn, Gerrard Mannix, 10, 206, 448, Equality Marriage Referendum, 602 781 Equinox Theatre Company, 443, 454 James X, 781 Ethical memory, 100, 724 Liberty Suit, The, 448 Ethical turn, 802, 813 Focus Theatre, 234, 332, 333, 335, 336, Everyman Theatre (Cork), 162, 222, 381, 451 336 Folklore, 239, 428, 431, 836 Expressionism, 74, 125, 244, 342 Forced Entertainment, 17, 296, 301 INDEX 853

Foster, Roy, 687, 787 221–223, 227, 230, 234, 236, Foucault, Michel, 59, 114, 230 239–250, 297, 299, 300, 304, 305, Fouéré, Olwen, 14, 18, 297, 310, 333, 309, 323, 337, 382, 446, 447, 467, 350, 383, 385, 389n20, 506, 507 468, 530, 532, 633, 634, 686, 687, Riverrun, 14, 383 695, 732 Fox, Christie, 469, 471, 478 Frank Pig, 512 Frawley, Monica, 11, 343, 345, G 348–354, 355n12 Gaeltacht, 137–144, 145n1, 146n17, Forbidden Fruit, 282, 349–353 147n18, 147n28, 158 Friel, Brian, 8, 9, 11, 12, 14, 32–34, 36, Gaiety School of Acting, The National 37, 51–53, 56, 63, 69, 70, 75–79, Theatre School of Ireland, 152, 234, 182, 183, 203, 222, 273, 318–320, 334, 336, 386, 387, 831 362, 379, 380, 384, 399–404, 407, Galloglass, 11, 12, 250 408, 423–426, 430, 448, 522, 567, Galway Arts Festival, 105, 124, 162, 615–626, 639, 642–644, 650, 743, 248, 250, 387, 470, 506 744, 747–753, 755, 763, 767–770, Garter Lane Arts Centre, 228, 451 774, 831, 833, 837, 840 Gate Theatre, 11, 12, 19, 25n30, 26n31, Aristocrats, 404, 623, 624, 642, 833 33, 73, 75, 86, 88, 202, 203, 244, Communication Cord, The, 36 279, 377, 400–402, 404, 405, 409, Crystal and Fox, 641 468, 491, 507, 508, 615–626, 792, Dancing at Lughnasa (film 819–821, 831 adaptation), 9, 11, 37, 56, 75, Gaudé, Laurent, 383 318–320, 362, 380, 407, 408, Sodome, My Love, 383 622, 642, 643, 747, 770 Gay liberation movement/gay rights Faith Healer, 9, 75, 76, 273, 379, activism, 182 404, 430, 567, 622, 624, 639, Gay Sweatshop, 17, 184, 185, 448 640, 767, 768, 770 Gemini Productions, 203 Freedom of the City, The, 51–57, 77, Gender, 4, 5, 7, 9, 21, 23, 55, 86–89, 623, 641 95, 165, 181, 182, 193, 194, Gentle Island, The, 182, 183 195n1, 211, 376, 437, 439, 440, Give Me Your Answer, Do!, 642, 650 445, 452, 475, 476, 504, 530, 531, Home Place, The, 623, 642, 644 535, 536, 633, 670, 743, 789, Living Quarters, 404 801–803, 805, 807, 808, 820, 821 Making History, 56 Gilsenan, Alan, 323 Molly Sweeney, 75, 621 Glasshouse Theatre Company, 210 Performances, 638, 642–644, 748 Glenaan, Kenneth, 209 Philadelphia Here I Come!, 9, 33, 34, Business of Blood, The, 209 71, 75, 76, 379, 400–403, 424, Gonne, Maud, 3, 466 425, 621, 642, 749, 840 Good Friday Agreement (1998), 6, 51, Translations, 9, 34, 56, 76, 77, 222, 58, 60, 720, 722, 723, 732 384, 624, 748 Gorman, Damian, 156, 566 Wonderful Tennessee, 425, 622, 642, Gorman, Declan, 203, 206, 214, 643 241–248 Funding, 18–22, 86, 88, 113, 115, 116, Graffiti Theatre Company, 152, 684 119, 121, 123, 125, 126n1, Graham, Colin, 520 127n20, 128n25, 128n30, 128n32, Gramsci, Antonio, 700 143, 157, 163, 168–169, 173–176, Granary Theatre, 228 185, 204, 212, 214, 218n73, Grant, David, 445, 446 854 INDEX

Grapevine Arts Centre, 205 Hiberno-English, 9, 427, 428, 522, 528, Greek tragedy, 38, 55, 600, 805 535 Greene, Sarah, 18, 335, 386 Hickey, Tom, 11, 35, 271, 278, 333, Gregg, Stacey, 6, 10, 15, 441, 556, 569, 345–348, 352, 354, 381, 408 570, 657, 659, 660, 673 Higgins, Rita Ann, 701 Override, 657–662 God of the Hatch Man, 701 Shibboleth, 6, 556, 569, 570 Hinds, Ciarán, 18, 26n30, 322, 382, 387 Gregory, Augusta/Lady Gregory, 3, 4, Hines, Deirdre, 309 16, 69, 71–73, 79, 88, 89, 239, Howling Moons, Silent Sons, 309 240, 361, 377, 421, 422, 505, 528, Holmes, Seán, 4, 790 619, 744–746, 752 Homophobia, 183, 186–188, 194, 265, Cathleen Ni Houlihan, 77, 89, 746 438 Grehan, Helena, 842 Homosexuality, 182–186, 188 Grenan, Julia, 787 decriminalization of homosexuality, Grene, Nicholas, 32, 355n12, 488, 492, 188, 431 496, 584, 594, 626, 643, 712 Horgan, Sharon, 18, 387 Grotowski, Jerzy, 16, 294, 297, 298, Horniman, Annie, 80n13, 240 334, 336, 337, 376, 381, 539, Howard, Aideen, 75, 778 718 Huber, Werner, 802 Gúna Nua, 603, 606 Hughes, Declan, 10, 14, 37, 38, 235, 423, 587–590, 593, 595 Digging for Fire, 587, 589 H Shiver, 588 Halligan, Liam, 335, 821 Hughes, Kellie, 337, 344, 383, 506, 754 Harding, Michael, 10, 333 Death at Intervals, 754 Una Pooka, 351 Hunt, Hugh, 404 Harrington, John, 361, 422, 618 Hyde, Douglas, 341 Harris, Claudia, 488, 490–492 Casadh an tSúgáin, 341 Harris, Nancy, 806, 807 Hynes, Garry, 10, 11, 13, 186, 235, 323, No Romance, 802, 805, 806 342, 380, 405–407, 491, 625, 832, Harvey, David, 687, 689, 691, 694 836, 838 Haughton, Miriam, 94, 356n18, 479, 721, 724, 732, 830 Hawk’s Well Theatre, 222, 227, 250, I 336 Ideology, 6–8, 23, 123, 182, 201, 257, Hayes, Katie, 218n49 297, 305, 475, 511, 551, 678, 706, Hayes, Nuala, 152, 388 799, 800 Hayes, Trudy, 210, 211 Ijichi, Nobuko, 533 Heaney, Seamus Immersive theatre, 446, 467, 717–719, Burial at Thebes, The, new translation 724, 725, 727–729 of Sophocles’ Antigone, The, 600 Imperialism, 9, 638, 751 Cure at Troy, 55 Independent sector/independent theatre, Heddon, Deirdre, 94, 296, 307n14 20, 202–207, 213–215, 222, Hegemony, 423, 700 233–237, 242, 244, 246, 481 Helicopter, Bell, 753 Inghinidhe na hÉireann, 3, 465, 466 Improbable Frequency, 753 Ingoldsby, Maeve, 155 Hely, Kevin, 300, 334 Mixing It on the Mountain, 532, 533 Henry, Niall, 14, 509, 510 Ingoldsby, Pat, 274, 275, 600 Blue Raincoat, 344 Interart, 637–652 INDEX 855

Intercultural/interculturalism/ 457n6, 490, 496, 497n11, 513n11, interculturality, 17, 294, 297, 474, 514n29, 523n8, 567, 572n55, 519, 523, 527–541, 555–570, 833 596n62, 626n12, 645, 653n28, International Dublin Gay Theatre 801, 814n11 Festival, 17, 787 Jordan, Neil, 203, 323, 384, 448 International Galway Arts Festival, 225 Jordan, Wayne, 370, 386 International Puppet festival, 290, 291 Junk Ensemble, 303, 471, 671 Ireland, David, 10 Falling Song, The, 671, 673, 674, Cyprus Avenue, 362 677 Irigaray, Luce, 804 Irish Arts Center (New York), 161, 250, 312 K Irish Gay Right Movement (IGRM), Kabosh Theatre Company, 730, 732 184, 187 Kane, Sarah, 263, 426, 494 Irish language, 74, 135–145, 154, 158, Kavanagh, John, 18, 332, 343, 617, 618, 159, 225, 241, 250, 288, 378, 427, 833 751, 792, 837 Kavanagh, Úna, 15, 393–397 Irish-language theatre, 135–138, 143, Black Bessie, 394, 395 144, 145n1, 376, 377 Keane, John B., 8, 33, 203, 241, 283, Irish Literary Theatre, The, 3, 69, 71, 318, 386, 423, 583, 593, 690, 163, 240, 242, 341, 377, 421 831 Irish Modern Dance Theatre, 11, 116, Big Maggie, 203, 386 122, 128n25, 302, 670 Field, The, 203, 318, 583, 690 Irish neutrality, 601, 602 Sive, 583 Irish Refugee Council, 533 Keane, Raymond, 18, 20, 21, 298, 299, Irish School of Dance Art, 669 307n18, 307n31, 308n38, 335, Irish Theatre Institute, 236, 303, 549, 759 310–312, 635 Kearney, Richard, 652n3, 695n2, 748, Irish Women’s Liberation Movement 837, 844n29 (IWLM), 184 Keegan, Gary, 18, 257, 303, 576, 579n1, Irvine, Andrea, 607 580n4, 770 Keegan-Dolan, Michael, 125, 126n1, 652n7, 670 J Keenan, Seamus, 51 Jeffers, Alison, 445 Over the Wire, 51 Jennings, Jennifer, 263, 469 Kelliher, Alma, 416 Jennings, Matthew, 445 Kelly, Aidan, 839 Johnston, Denis, 5, 76, 616 Kelly, Éamon, 378, 379, 388n11 Old Lady Says No!, The, 76 Kelly, Sonya, 310 Jones, Marie, 10, 18, 155, 156, 311, Kennedy, Denis, 718–720, 728 324, 325, 584, 585, 589, 593, 684, Kenny, Mike, 156, 160 722 Keogan, Paul, 299, 310 Stones in his Pockets, 324, 325, 584, Keohane, Kieran, 803, 804, 814n22, 586, 589, 594 815n56 Wedding Community Play Project, The, Kiberd, Declan, 491, 520, 522, 524n26, 722, 732 524n37, 582, 595n6, 653n17, Jordan, Eamonn, 1–26, 38, 41n16, 679n12, 702, 707n27, 786, 796n11 43n58, 56, 81n23, 128n30, Kiernan, Pat, 221, 231n1, 600 217n31, 217n40, 231n1, 388n14, Corcadorca, 221 856 INDEX

Kilroy, Thomas, 8, 11, 14, 16, 32–34, Kurdi, Mária, 23n2, 108n8, 389n19, 37, 41n10, 42n22, 42n28, 42n32, 389n22, 560, 571n16, 609n16, 42n33, 70, 79, 81n38, 81n39, 615–626, 654n43, 843n10 81n40, 182, 196n6, 196n11, 203, Kuti, Elizabeth, 12, 25n19, 556, 561, 265, 310, 366, 371, 403, 408, 571n27, 572n34 411n27, 422, 423, 433n9, 471, Sugar Wife, The, 556, 561 641, 645, 649–651, 654n41, 654n42, 654n43, 654n46, 831, 837 L Blake, 650 Lab in Foley Street, 395 Christ Deliver Us!, 14, 34, 366, 371 Lally, Mick, 10, 323, 377, 380, 405 Death and Resurrection of Mr Roche, Lambert, Eugene, 287–290, 291n1 The, 182, 265 Lambert, Medb, 444, 454–456, 459n53 Double Cross, 70 Lambert Puppet Theatre, 152, 287–291 Madam McAdam Travelling Theatre, Language, 22, 34, 62, 72, 73, 76–78, The, 641 96, 135, 154, 158, 209, 225, 241, Secret Fall of Constance Wilde, The, 11, 248, 250, 259, 279, 293–295, 297, 34, 35, 70, 641 298, 300, 301, 310, 321, 325, 326, Shape of Metal, The, 645, 649, 650 349, 377, 379, 382, 393, 396, 401, Talbot’s Box, 11, 34, 70 409, 418, 422, 424–432, 446, 456, Tea, Sex and Shakespeare, 70, 650 505, 506, 509–511, 528, 531, 533, Kinahan, Deirdre, 10, 192, 802, 808, 539–541, 550, 559, 599–601, 603, 810, 815n55, 815n57, 815n59, 604, 606, 607, 619, 622, 638, 639, 815n60 643, 647, 649, 657, 700, 739, 740, Spinning, 802, 810 743–745, 748, 749, 751–753, 755, Kinevane, Pat, 13, 14, 309–313, 388n3, 760, 763, 786, 792, 835–839 441, 697n35 Hiberno-English, 427, 428, 528 Forgotten, 311, 312, 388n3 Laverty, Maura, 74, 344 Nun’s Wood, The, 310, 311 Lecoq, Jacques, 298, 334, 508, 513n18, Plains of Enna, The, 311 539 Silent, 13, 312, 388n3, 441, Leeney, Cathy, 23n2, 89, 190, 197n41, 697n35 197n45, 218n54, 231n1, 355n12, Underneath, 312, 313, 388n3 389n22, 527–541 King, Jason, 531, 566, 568, 570n2, Lefebvre, Henri, 230 572n50 Lefévre, Robin, 620, 624, 625, 821 Kinlan, Laurence, 711, 713 Leonard, Hugh, 8, 14, 33, 41n17, Kirwan, Emmet, 16, 226, 604–607, 42n23, 75, 79, 203, 281–284, 380, 609n25, 609n26, 753 388n14, 408, 423, 831, 837 Dublin Oldschool, 226, 605, 606, Da, 8 753 Life, A, 380 Heartbreak, 607 Stephen D., 33, 75 Knowles, Ric, 327n17, 363, 374n5, 830, Lepecki, André, 127n10, 667, 678n2 834, 843n11, 844n19 Lesbian, gay, bisexual, transsexual and Kostick, Gavin, 309, 311, 335, 556, 558, queer (LGBTQ), 181, 182, 188, 567, 572n56, 572n57 192, 194, 195n1, 195n3, 264, 265, Ash Fire, The, 309 801 This Is What We Sang, 556, 558, 567 Lethal Dialect, 599, 600 Kuhling, Carmen, 803, 804, 814n22, Liberal humanism, 799 815n56 Linehan, Conor, 644, 752 INDEX 857

Linn, Gael, 142 Rise up Lovely Sweeney, 345, 347, 348, Lír, National Academy of Dramatic Art, 381 The, 234, 302, 335 Snow White, 345, 347–349, 351, 381 Littlewood, Joan, 8, 195n4, 216n10, What Happened Bridgie Cleary, 381 258, 295, 422 Mac Liammóir, Michael, 11, 12, 32, Live Art, 93–108, 393, 395, 717, 722 41n9, 192, 279, 289, 377, 402 Liz Roche Dance Company, 670 MacAnna, Tomás, 840 Lonergan, Patrick, 23, 25n19, 25n29, MacDonagh, Thomas, 793 43n66, 325, 327n24, 411n45, Machon, Josephine, 724–727, 729, 731 433n26, 483n42, 541n2, 542n22, Macnas, 11, 176, 229, 230, 466, 543n30, 543n31, 543n34, 543n39, 468–471, 511, 684 543n50, 585, 595n24, 596n29, Cockroach and the Inventor, The, 229 597n91, 831, 841, 843n12, Madden, Aodhán, 187, 274, 702 844n38, 844n39, 844n41 Dosshouse Waltz, The, 702 Longford, Christine, 74 Sea Urchins, 187, 188 Loomba, Ania, 751 Madden, Thomas, 355n5 Lovett, Louis, 157 Magdalen Laundries, 104, 107, 680n28 Lowe, Louise, 22, 344, 395, 478, 718, Magee, Heno, 206, 702 722, 731 Hatchet, 206, 702 See also ANU Productions Magic-realist, 559 Lynch, Benny, 418 Mamet, David, 430 Lynch, Martin, 9, 10, 51, 57–61, 63, Manahan, Anna, 387, 831, 832 65n18, 78, 447, 458n29, 722 Mangan, Jo, 15, 302, 477, 478 Chronicles of Long Kesh, 51, 60 Mann, Emily, 517, 518, 520, 522, Dockers, 57 523n7, 524n22, 524n36 History of the Troubles (According to my Manning, Mary, 5, 74, 88, 379 Da), 60 Manweiler, Freda, 444, 451–453, Interrogation of Ambrose Fogarty, The, 459n53 51, 57, 63 Margin/marginal/marginalized, 24n5, Roof Over Our Heads, 57 40, 61, 102, 114, 128n31, 135, Wedding Community Play Project, The, 136, 140, 143, 193, 194, 209, 210, 732 212, 214, 256, 297, 425, 428, 479, Lyric Theatre (Lyric Players Theatre), 5, 530, 534, 541, 565, 668, 678, 723, 19, 25n16, 26n35, 56, 57, 78, 635, 728, 749, 787, 832 711 Martin, Emma, 671, 675, 677, 680n29, 680n33 Dancehall, 671, 675, 677 M Martyn, Edward, 3, 69, 79, 421 Mac Conghail, Fiach, 85–87, 778, 788, Mason, Patrick, 11, 25n18, 35, 57, 78, 822 79, 81n37, 281, 297, 336, 345, Mac Intyre, Tom, 10–12, 35, 42n36, 346, 348, 351, 352, 355n12, 345, 346, 348, 349, 352, 354, 407–409, 412n49, 600, 625, 819, 356n23, 356n29, 356n30, 356n31, 820 381, 408, 422, 423, 471 Massey, Doreen, 224, 225, 230, 231, Bearded Lady, The, 345–347, 381 231n12, 232n26 Dance for your Daddy, 345, 381 Masterson, Veronica (Ronnie), 332 Gallant John Joe, The, 381 Mathúna, Seán Mac, 144 Great Hunger, The, 35, 345–349, 352, Mavenawitz, Verity-Alicia, 192 353, 381, 422 McAlesse, Mary, 265 858 INDEX

McAleese Report, 104, 721 McGinty, Thom (aka Diceman), 468, McAnally, Ray, 319, 332 471 McArdle, John, 152 McGrath, John, 156 Jacko, 152 McGuinness, Frank, 9–11, 13, 14, 16, McAuley, Gay, 647, 653n36 36, 39, 51, 52, 55, 56, 63, 64n12, McBrinn, Roisin, 15, 778 69, 78, 152, 186, 187, 196n28, McCabe, Eugene, 8, 203 319, 350, 364, 374n6, 374n7, 381, King of the Castle, 203 408, 412n49, 412n51, 423, McCabe, Pat, 244–247, 473, 501, 433n22, 468, 504, 505, 513n10, 510–512, 513n3, 514n27, 697n35 543n31, 567, 641, 645–648, 650, Frank Pig Says Hello - a version of the 653n27, 653n28, 653n31, 653n34, novel The Butcher Boy, 244, 246, 653n35, 653n39, 754 510 Borderlands, 152 Leaves of Heaven, The, 246, 247 Carthaginians, 51–57, 78, 187, 641, Loco County Lonesome, 245, 246 646 McCafferty, Nell, 184 Dolly West’s Kitchen, 187, 412n49, 646 McCafferty, Owen, 10, 227, 556, 568, Donegal, 57, 186, 187, 754 572n62 Factory Girls, The, 11, 56, 57, 186, Quietly, 556, 568 412n49 Titanic: Scenes from the British Wreck Gates of Gold, 412n49, 646 Commissioner’s Inquiry, 1912, Gatherers, 152 227 Glass God, The, 468 McCann, Donal, 16, 18, 379, 380, 382, Hanging Gardens, The, 412n49, 646, 404, 617 650 McCartney, Nicola, 156 Innocence, 187, 645, 647 McConachie, Bruce, 444, 457n3 Mutabilitie, 39, 641, 646, 650 McCormick, F.J., 73, 378 Observe The Sons of Ulster Marching McDonagh, Martin, 10, 12, 13, 15, Towards the Somme, 11, 14–15, 25n17, 37–39, 43n52, 43n54, 36, 56, 187, 381, 412n49, 567, 323–325, 380, 386, 423, 427, 428, 645 430, 433n18, 433n20, 487–493, McHugh, Meadhbh, 803, 814n18 495, 496, 594, 595n17, 832, McIvor, Charlotte, 218n56, 218n59, 836–838, 844n28 252n35, 257, 266n1, 353, 354, Beauty Queen of Leenane, The, 13, 37, 356n18, 357n57, 445, 457n8, 465, 324, 380, 381, 423, 427, 489, 481n6, 482n25, 483n46, 485n76, 490, 493, 832, 836 527, 542n7, 542n10, 542n12, Cripple of Inishmaan, The, 13, 38, 542n15, 542n24, 542n27, 543n51, 324, 386 544n54, 554n2, 555, 556, 565, Lieutenant of Inishmore, The, 39, 488, 570n1, 570n3, 572n41, 572n43, 491, 492, 495 572n44, 572n48, 575, 579n2, Lonesome West, The, 13, 38, 489, 490, 608n5, 719, 733 836 McKenna, James, 120, 206 Pillowman, The, 488, 493, 494 Scatterin, The, 206 Skull in Connemara, A, 38, 489, 490, McKenna, Siobhán, 18, 364, 378, 380, 836 382, 383, 388n10, 406, 411n44, McDonagh, Rosaleen, 10, 310, 435 831, 832, 837, 838 Mainstream, 435–441 McKeon, Belinda, 310, 389n28 RINGS, 436 McKeown, Laurence, 730 McElhinney, Ian, 15, 155 Two Roads West, 730 INDEX 859

McKevitt, Una, 10, 192, 193, 198n59, Memory, 9, 21, 37, 48, 54, 55, 60, 63, 293, 304, 307n35 73, 99, 100, 186, 194, 195, 229, Big Deal, The, 192, 193 245, 274, 310, 333, 336, 337, 385, McKinnie, Michael, 470, 482n27 396, 404, 407, 417, 424, 426, 428, McLaren, Graham, 230, 503 445, 479, 481, 504, 505, 522, 532, McMahon, Bryan, 786, 796n13 558–560, 568, 624, 641, 644, 668, McMahon, Philip, 10, 16, 191, 192, 690, 706, 713, 717, 720, 721, 723, 263–266, 267n16, 367, 371, 386, 724, 726, 728, 730, 733, 749, 469, 603, 606, 744, 752, 754 763–774, 777, 780, 781, 807, 808, Town is Dead, 266, 367, 371, 752, 754 810–813, 827–835, 837, 838, 842 McMaster, Anew, 619, 688 Mercier, Paul, 207, 208, 423, 534, McMullan, Anna, 34, 42n32, 202, 212, 542n21, 699, 701–703, 707n17, 216n7, 216n8, 218n60, 218n61, 707n18, 707n19, 707n20, 707n21, 218n63, 626n9 707n22, 707n23, 707n24, 707n25 McNulty, Eugene, 163n3, 163n6, 792, Drowning, 703 793, 797n28, 797n29, 797n30 Home, 699, 701 McPherson, Conor, 8, 10, 12, 15, Homeland, 534 25n26, 26n30, 37, 38, 43n59, 206, Spacers, 701 234, 320, 323, 336, 382, 410, 423, Studs, 208, 701 430, 432, 440, 489, 490, 495, 583, Wasters, 208, 701 584, 593, 595n9, 595n11, 595n12, Merriman, Brian, 191, 197n51, 787 595n15, 595n16, 595n17, 635, Eirebrushed, 787 711–714, 754, 770 Merriman, Victor, 19, 26n33, 208, Dublin Carol, 382, 489 217n38, 217n41, 217n42, 217n43, Girl from the North Country, 15, 754 217n45, 222, 231n6, 301, 378, Good Thief, The, 430 449, 458n27, 458n39, 459n47, Lime Tree Bower, This, 323, 430 488, 491, 496, 532, 557, 560, Nest, The (a version of Franz Xaver 571n5, 571n6, 571n14, 571n17, Kroetz’s Das Nest), 711 595n5, 703, 708n31 Night Alive, The, 8, 382, 635, 713 Methven, Eleanor, 18, 684, 779, 789, Port Authority, 382 796n20 Rum and Vodka, 430 Metropolitan Arts Centre (MAC), 17, Seafarer, The, 382 26n31, 226, 227 Weir, The, 12, 37, 38, 382, 430, 431, Mikami, Hiroko, 646, 653n29 489, 490, 583, 584, 593, 594, 770 Miller, Sean, 257 McTighe, Trish, 202, 216n7, 216n8, Silver Stars, 257 327n18, 513n16, 626n9 Mitchell, Gary, 10, 12, 78, 79, 81n35, 156 Meade, Paul, 335, 556, 565–567, In a Little World of Our Own, 79 572n48, 572n52 Molloy, M.J., 24n12, 557 Mushroom, 556, 566, 567 Molloy, Stephen, 364–366, 369, 374n7 Meaney, Gerardine, 97, 108n13 Molony, Helena, 85, 788 Meany, Helen, 244, 251n21, 568, Monkeyshine, 156, 160, 161 572n61 Monologue, 7, 40, 75, 76, 85, 135, 194, Meehan, Emma, 670, 679n17 262, 264, 265, 383, 425, 426, 430, Meehan, Paula, 14, 120, 211–213, 431, 490, 495, 502, 505, 507, 217n48, 218n61, 218n64, 339n15 509–511, 514n29, 555, 557, 564, Cell, 212, 213 567, 568, 606, 621, 622, 638, 640, Mrs Sweeney, 211 649, 703, 706, 767, 768, 805, 835, Memorialising, 784 838, 839 860 INDEX

Mooney, Ria, 31 Crucial Week in the Life of a Grocer’s Moonfish (Theatre Company), 144, 156, Assistant, A, 10, 34 225, 227, 250 Famine, 10, 70, 380, 838 Moore, Carol (also Carol Scanlan), 18, Gigli Concert, The, 11, 34, 425, 642, 684 751, 752 Morash, Christopher, 19, 23n3, 24n11, House, The, 642 26n34, 41n3, 167, 178n4, 178n5, Last Days of a Reluctant Tyrant, The, 219n80, 222, 224, 231n2, 231n10, 14, 145 354, 354n3, 355n6, 355n7, Morning After Optimism, The, 34, 70, 355n12, 357n58, 377, 400, 410n6, 345 410n8, 432n4, 433n8, 447, Orphans, The, 203 458n24, 458n27, 615, 617, 626, Patriot Game, The, 77 626n9, 696n22, 814n11, 814n12, Wake, The, 369, 373, 642, 750 839, 844n34 Whistle in the Dark, A, 9, 10, 33, 495, Morrison, Conall, 53, 206, 343, 368, 620, 749 374n11, 410 Murray, Christopher, 34, 69, 403, 405, Moukarzel, Bush 408, 448, 590, 592–594, 619, 647, Chekhov’s First Play, 260 683, 752 Lippy, 260 Muted Cupid, 11, 188 Moxley, Gina, 307n35, 311, 423, 604 Moynihan, Mary, 336, 338n4, 444, 451–453, 459n53 N Mullen, Marie, 10, 18, 323, 377, 380, National Association of Youth Drama, 405, 407, 832, 836 154, 234, 449 Multi-culturalism, 123, 126, 257, 521, National Gay Federation, 187, 195n3 548, 608, 721 National Theatre (Royal National Mumming, 377, 471 Theatre), 12, 14, 15, 17, 31, 35, Murfi, Mikel, 298, 299, 323, 387 36, 39, 70, 79, 85, 86, 202, 206, Murphy, Charlie, 18, 387 224, 226, 230, 234, 241, 255, 266, Murphy, Cillian, 18, 310, 320, 322, 388 281, 315, 316, 322, 342, 343, 345, Murphy, Colin, 829 351, 361, 377, 378, 386, 404, 408, Guaranteed!, 829 432, 466, 480, 495, 496, 520, 534, Murphy, Elaine, 14, 802 535, 599, 600, 605, 619, 737, 778, Shush, 802 833 Murphy, Jimmy, 10, 432, 531, 590 Naturalism, 8, 31–33, 35, 38, 40, 41, Kings of the Kilburn High Road, The, 71, 72, 79, 351, 491, 492, 496, 531 532, 832 Murphy, Tom, 8–10, 33–36, 39, 69, 70, Nee, Little John, 18, 759 77, 79, 145, 203, 241, 247, 309, Neeson, Liam, 18, 78, 271, 387 342, 345, 373, 378, 380, 381, 406, Negga, Ruth, 18, 386 423–426, 430, 489, 620, 642, 743, Negra, Diane, 801, 807 744, 749–753, 755, 774, 831, Neoliberal/neoliberalism, 39, 258, 297, 837–839 305, 478, 671, 683, 687, 689, Alice Trilogy, 39 693–695 Bailegangaire, 10, 34, 36, 38, 342, 378, Nervousystem, 537, 538 406, 430, 431, 774, 832, 837 New Theatre, The, 223, 260, 608 Brigit, 380 Newell, Anna, 159 Conversations on a Homecoming, 10, Ní Chaoimh, Bairbre, 532 77, 342, 380, 642 Ní Ghairbhí, Róisín, 792, 793 INDEX 861

Ní Ghráda, Máiréad, 10, 141, 203 O’Donoghue, Helen, 449 An Triail, 141–143, 147n20, 203 O’Farrell, Elizabeth, 787, 788, 793 Nic Eoin, Máirín, 135, 144 Ó Flatharta, Antaine, 144 Nicholson, Helen, 136, 137, 443, 446, O’Gorman, Siobhán, 410n5, 717, 719 447, 456 O’Halloran, Mark, 15, 192, 260, 262, Nôh Theatre, 16, 375, 528, 608 323–325, 469, 473 Nolan, Jim, 10, 153, 423, 640, 641, Trade, 15, 192, 193, 469, 473 683, 688–690, 692, 694 O’Hanlon, Redmond, 207 Blackwater Angel, 640 Ó hEaghra, Breandán, Gaeilgeoir Gods are Angry Miss Kerr, The (The Deireanach Charna (The Last Irish Gods), 683–695 Speaker of Carna), 144 Moonshine, 641 O’Kane, Emma, 259, 312 Salvage Shop, The, 641 O’Kelly, Donal, 10, 209, 210, 333, 387, Non-theatre spaces, 465–481, 733 423, 532, 556, 557, 559, 779 Norris, David, 185 Asylum! Asylum!, 532, 556–559 North City Centre Community Action Business of Blood, The, 209 Programme (NCCCAP), 207 Farawayan, 210, 532 Norton, Jim, 18, 382, 387 O’Kelly, Emer, 246 Olohan, John, 332 Olympia Theatre, 25n30, 131n72, 323 O O’Malley, Mary, 5, 422 O’Brien, Cian, 17, 226, 303 See also Lyric Theatre O’Brien, Conor Cruise, 77 Ó Neachtain, Joe Steve, 138–141, 144 O’Brien, Cormac, 801 In Ainm an Athar & Níor Mhaith O’Byrne, Joe, 241–249 Linn do Thrioblóid (In The Name O’Casey, Sean, 74, 240, 362, 567, of the Father & We’re Sorry for 615–626, 790–792, 837 your Trouble), 146n13 Juno and the Paycock, 279, 322, 379, O’Neill, Charlie, 209 382, 405, 617, 618, 792 Rosie and Starwars, 209, 210 Plough and the Stars, The, 4, 85, 240, O’Neill, Máire, 278, 377 322, 342, 362, 378, 790–792 Operating Theatre, 18, 297, 350, 353, Shadow of a Gunman, The, 378 382 Silver Tassie, The, 74, 567 See also Doyle, Roger; Fouéré, Olwen O’Ceallaigh Ritschel, Nelson, 820 O’Reilly, Shane, 224 Ó Conchubhair, Brian, 225 O’Reilly Theatre, 508, 554 Ó Conchúir, Fearghus, 118, 125, 126n1, O’Rowe, Mark, 10, 15, 26n30, 39–41, 194, 195, 303, 671, 673, 675 234, 309, 323–325, 387, 410, 431, Butterflies and Bones: The Casement 495, 590, 606, 642, 792, 831, 834, Project, 194, 195 835, 838, 839 Tabernacle, 671, 673, 677 From Both Hips, 309 O’Connell, Deirdre, 11, 332, 336, 338, Howie the Rookie, 26n30, 39, 431, 381 590, 838 O’Connor, Barbara, 676 Our Few and Evil Days, 26n30, 40, O’Connor, Francis, 832 387 O’Connor, Joseph, 225, 250, 309, 579 Terminus, 40, 606, 607, 642, 834, Red Roses and Petrol, 309 835 Star of the Sea, 225, 250 Osment, Philip, 185, 563 O’Connor, Pat, 318–320 Ostermeier, Thomas, 631, 632 O’Dea, Jimmy, 47, 48, 276, 400 Hamlet, 300, 386, 616, 631, 632 862 INDEX

O’ Sullivan, Aisling, 18, 369, 373, 387 Performance art, 15, 22, 93, 94, 245, O’Toole, Fintan, 32, 35, 38, 203, 258, 263, 264, 293, 350, 383, 386, 207–209, 212, 215, 243, 245, 475, 393, 396, 447, 467, 469, 480, 722, 476, 489, 496, 532, 621, 831, 835 732 O’Toole, Tina, 196n14 Performance Corporation, The Ó Tuama, Seán, 142 Beautiful Dreamers, a co-production Owen, Gary, 156, 157 with ANU Productions, 478 See also Mangan, Jo; Swift, Tom Performance studies, 62, 136, 408, 472, P 521, 802 Pageants, 22, 466 Phelan, Peggy, 828 Pan Pan Theatre, 11–13, 16, 17, 235, Phillips, Áine, 94, 100–104, 107 294, 297, 299–304, 344, 347, 353, Emotional Labour, 104 356n18, 386, 535–537, 635, 722, Redress, 102 732, 737–741 Pierse, Michael, 213 Importance of Nothing, The, 25n24 Pike Theatre, The, 31, 400 Playboy, 536, 537 Pike Theatre Club, 203 See also Quin, Gavin; Cosgrove, Aedín Pilkington, Lionel, 483n37 Pantomime, 275–277 Pilný, Ondřej, 493–496, 803, 805, Parker, Lynne, 235, 383, 409, 600–602 813 Parker, Stewart, 9–11, 69, 78, 246, 274, Pine, Emilie, 103, 717, 721, 723, 724, 275, 323, 559, 641 733, 834 Catchpenny Twist, 9, 78, 274 Pine, Richard, 401, 616, 748 Heavenly Bodies, 641 Plunkett, James, 206 Kamikaze Ground Staff Reunion Risen People, The, 206, 752 Dinner, The, 274 Polish Theatre Ireland (Kasia Lech, Anna Nightshade, 274 Wolf and Helen McNulty), 539, Northern Star, 9, 78 603, 606 Pentecost, 9, 11, 78, 559 Chesslaugh Mewash, 540, 603, 606 Spokessong, 274 Ponydance, 671 Trust Award (Stewart Parker Award), Popular political art form, 201, 202, 215 309, 311 Popular theatre, 22, 202, 289, 684 Participatory arts, 449, 450, 684 Post-colonialism, 296, 799 Participatory performance, 443–457, Post-conflict, 6, 51, 59, 63, 451 717, 720, 724, 728, 731–733 Postdramatic Theatre (Lehmann), 293, Passion Machine, 11, 12, 206–210, 241, 296 259, 423, 701, 702, 706 Post-feminism, 800 Patriarchal, 5, 86, 89, 186, 189, 394, Post-human, 506, 509, 657 534, 671, 753, 804, 806–808, 811, Postmodernism, 34, 296, 799 820, 821 Potter, Maureen, 47, 276, 279, 617 Patriarchy, 186, 188, 194, 519, 801, Poverty, 7, 36, 53, 173, 188, 203, 204, 803, 804, 806, 820, 821 210–213, 244, 245, 394, 510, 564, Paulin, Tom, 13, 55 617, 699, 701–703, 820, 822, 823 Riot Act, 55 Preissner, Stefanie, 602–605, 607 Pavis, Patrice, 529, 533, 535, 538 Can’t Cope, Won’t Cope (TV drama), Peacock Theatre (Abbey’s sister Theatre), 607 57, 272, 409, 534, 607, 819, 835 Our Father, 602–604 Pearse, Patrick, 785, 787, 788, 792, Solpadeine is My Boyfriend, 602, 604 793 Prime Cut Productions, 52 INDEX 863

Project Arts Centre, 17, 26n31, 36, 88, 172–175, 191, 204, 205, 207, 208, 120, 173, 184, 185, 190–192, 203, 215, 222–224, 227, 228, 230, 231, 206, 211, 224, 226, 233, 235, 242, 236, 241, 242, 248, 249, 256, 243, 257, 299, 303, 309, 310, 318, 304, 311, 316–318, 322, 323, 325, 336, 350, 448, 503, 533, 534, 536, 326, 332, 353, 395, 428, 430, 537, 601, 703, 737, 738, 759, 781, 445, 447, 449, 454, 455, 467–470, 834 475, 478, 509, 529, 533, 535, Project funding, 304 537, 541, 558, 559, 568, 581, Public subsidy, 236, 240 583, 584, 586, 591, 593, 594, 603, 608, 622, 624, 631, 635, 641, 683–695, 700, 738, 765, 771, Q 834, 836 Queen’s Theatre, 283 Reid, Graham, 9, 10, 78, 274 Queer bashing, 187 Death of Humpty Dumpty, The, 78 Queer culture, 263–265, 386, 469 Hidden Curriculum, The, 78 Queer Notions festival, 191, 192 Rendulic, Mirjana, 564–566 Queer theory, 62, 195n1 Broken Promise Land, 556, 557, 564, Quilligan, Fiona, 113, 119–121, 126n1, 566 126n2 Replay Productions, 156 Quill, Siân, 218n48 Repression/repressed, 4, 35, 181–183, Quinn, Gavin, 235, 300, 344, 347, 410, 188, 195, 395, 409, 424, 431, 557, 494, 536, 537, 722, 737, 741 564, 565, 641, 768, 789, 808 See also Pan Pan Theatre Reynolds, Paige, 466, 480 Quinn, Patricia, 115, 116 Richards, Shaun, 19, 224, 536 Richards, Shelagh, 839 Ridout, Nicholas, 802, 809 R Riordan, Arthur, 10, 311, 423, 590, Raftery, Mary, 777, 778, 780, 781 601, 602, 744, 753, 779 No Escape, 777–781 Improbable Frequency, 601, 753 States of Fear, 777 Rap Éire, co-written with Des Bishop, Raidió Teilifís Éireann (RTÉ), 15, 177, 602 187, 197n58, 276, 288, 292n2, Train, The, 602, 753 320, 401, 489, 579, 760, 777, 783, a version of Henrik Ibsen’s Peer Gynt, 785, 787, 793, 839 601 Rani Sarma, Ursula, 10, 15, 586, 593 Riverdance, 489 …touched…., 586, 593 Robinson, Lennox, 5, 71, 73, 283, 421 Ravenhill, Mark, 263, 426, 563 Robinson, Mary, 36, 185, 188 Rea, Stephen, 9, 18, 322, 323, 332, 377, Robinson, Tim, 836, 837 384, 833 Roche, Anthony, 183, 400, 401, 403, Read, Alan, 802 619, 621, 640 Realism, 34, 38, 40, 71, 74, 212, 266, Roche, Billy, 10, 13, 25n26, 311, 489, 294, 297, 319, 378, 380, 382, 383, 590–593, 595 408, 490, 519, 555, 557, 617, 647, Roe, Owen, 18, 332, 387, 624 648, 700, 779 Rose, Kieran, 184, 187 Red Kettle, 11, 20, 39, 153, 175, 241, Rough Magic, 11, 12, 17, 88, 202, 211, 250, 279, 282, 423, 451, 683–695 235, 236, 241, 250, 299, 308n36, Reed, Michelle, 298 383, 386, 416, 423, 587, 600–602, Regional/local, 3, 21, 23, 52, 54–60, 615, 753, 754 63, 85, 136–138, 140, 142, 151, Royal Court Theatre, 37, 244, 426, 487, 154, 156–159, 161, 163, 165–170, 489, 491, 836 864 INDEX

Royal Shakespeare Company (RSC), 15, Shaw, George Bernard, 4, 223, 228, 378, 17, 39, 382, 383, 487–496, 517, 421, 819–824 519, 520, 634 Arms and the Man, 819 Rural, 33–38, 117, 165, 169–172, 174, Getting Married, 824 183, 187, 224, 225, 259, 311, Heartbreak House, 616, 819, 822, 823 318–320, 341, 379, 381, 402, 424, How He Lied to her Husband, 819 430, 487, 489, 491, 493, 517, 566, Major Barbara, 819, 822 581–587, 590–595, 659, 690, 747, Mrs Warren’s Profession, 819–821 765, 835 Pygmalion, 819, 821 Ryan, Annie, 16, 39, 190, 211, 235, Saint Joan, 344, 378, 819 297–299, 302–304, 410, 423, 441, You Never Can Tell, 819, 822, 823 505, 506, 511 Shea, Wendy, 342, 448 Girl is a Half-Formed Thing, A (an Sheridan, Jim, 10, 203, 206, 207, adaptation of Eimear McBride’s 318–320, 448 novel), 39, 441, 501, 511 Field, The (Film adaptation of John See also Corn Exchange, The B. Keane’s stage play), 318, 583, Ryan, Phyllis, 203 690 Ryan Report (Commission to Inquire Mobile Homes, 206 into Child Abuse), 103, 721, 770, My Left Foot, 318 777, 778, 780, 781 Sheridan, Peter, 10, 175, 203, 206, 207, 215, 323, 352, 383, 448 Liberty Suit, The, 448 S Shields, Arthur, 794, 795 Salis, Loredana, 556, 566 Shiels, Karl, 387, 394, 839 Saville Report (Blood Sunday Inquiry), Siamsa Tíre National Folk Theatre and 51–53, 56 Arts Centre, 11, 222, 223, 225, 508 Scaife, Sarah Jane (Company SJ), 22, Sihra, Melissa, 32, 86, 89, 801, 802 387, 410, 473, 475, 476 Simpson, Alan, 32, 203, 216n10, 400, Scannell, Raymond, 155, 266, 386, 401, 403, 410n5 752 Sinfield, Alan, 182, 183 Scenography, 122, 227, 256, 261, 263, Singleton, Brian, 188, 229, 395, 470, 291, 302, 343–347, 349, 350, 479, 532, 720, 772 352–354, 355n12, 631, 638, 639, Site-specific theatre, 12, 22, 39, 52, 93, 651, 739 101, 104, 107, 116, 120, 155, 229, Schneider, Rebecca, 401, 828, 829 236, 293, 297, 302, 344, 352, 423, Scott, Andrew, 18, 387 465–467, 470, 472–481, 718, 722, Scott, John, 113, 115, 121–123, 728, 729, 771, 831 130n64, 670 Smashing Times Theatre Company, 336, Seaver, Michael, 115–117 443, 451–452 Sepunick, Teya, 6, 61 Smock Alley Theatre, 228, 821 Sex trade, 478, 557, 820 Social media, 6, 86, 386, 830, 838, 841 Sexuality, 23, 35, 78, 95, 97, Sontag, Susan, 765 181–184, 187, 194, 211, 265, Spallen, Abbie, 10, 310 351, 436, 437, 493, 520, 669, Spangler, Matthew, 527, 555, 556, 570n1 674 Spoken-word form, 604 Sexual orientation, 89, 551, 669 Sponsorship, 18, 170, 239–250 Sexual repression, 181, 182, 195, 431 Spraoi, 175, 451, 468, 470, 685 Shame, 74, 95, 96, 182, 194, 265, 282, Stanford, Alan, 332, 621, 819 319, 669, 780 Stanislavsky Studio at the Focus Theatre, Shaw, Fiona, 18, 342, 383–385, 789 338, 381 INDEX 865

Stembridge, Gerard, 10, 14, 235, 299, Theatre Royal, 8, 9, 12, 45–49, 275, 323, 793 283, 511, 688, 691–693 Stone, Maeve, 86 Thirdspaces, 230 Stoppard, Tom, 276, 641 THISISPOPBABY, 11, 39, 191, 256, Storytellers Theatre Company, 831 263–266, 469, 471, 473, 606 Storytelling (narrative), 158, 194, 243, Alice in Funderland, 264, 386, 606, 754 255, 256, 262, 284, 368, 377–379, See also Jennings, Jennifer; McMahon, 424, 430–432, 452, 490, 523, Phillip 548–550, 559, 584, 625, 753, 771, Thompson, Sam, 8 785 Over the Bridge, 8 seanchai, 378, 430 Thorpe, Dominic, 94, 99–101, 103, 104, Street arts, 22, 465, 467, 468, 470, 472, 107 480 Proximity Mouth, 101, 107 Street theatre, 22, 175, 298, 466–472 Redress State: Questions Imagined, 99, Sullivan, Moynagh, 800, 804 103 Sutton, Patrick, 152, 334 Time, 45, 93, 169, 315, 337, 436, 503, Swift, Carolyn, 122, 203, 400 592, 672, 722 Swift, Tom, 302, 472, 477 Tinderbox Theatre Company, 52, 685, Synge, J.M., 3, 4, 10, 12, 16, 71–73, 77, 722, 732 226, 240, 247, 362, 380, 421–424, Convictions, 22, 718 426–428, 432, 529, 531, 534–539, Titley, Alan, 135, 142 582, 594, 639, 837, 839 Tompkins, Joanne, 473, 728 Playboy of the Western World, The, 3, 4, Touring, 12, 13, 19, 21, 47, 52, 53, 152, 10, 12, 38, 72, 240, 344, 362, 386, 160, 161, 167, 192, 223, 224, 230, 422, 529, 531, 534, 582, 594 239–250, 265, 266, 289, 301, Riders to the Sea, 361, 529, 537 310–312, 378, 383, 384, 404, 450, Well of the Saints, The, 839 509, 534, 616–618, 621, 688, 790 Transgender Equality Network of Ireland (TENI), 194 T Traveller identity, 436, 440 Taibhdhearc, An, 11, 225, 250, 377, 378 Traveller (Itinerant), 209, 210, 428, Talking Shop Ensemble, 256 435–441, 531, 541, 746 Taylor, Diana, 829 Tricycle Theatre, 52, 778 Taylor, Richard Norton, 780 Triskel Arts Centre, 228 Scenes from the Saville Inquiry, 52 Troubles, The (period in Northern TEAM, 11, 152–156, 161, 162 Ireland), 6, 51, 60, 61, 63, 77, 78, Technology, 22, 61, 116, 124, 302, 324, 347, 449, 556, 687, 720 342, 354, 401, 657, 659–661, 740 Turf Lodge Fellowship Community Teevan, Colin, 10, 309 Theatre Company, The, 447 Buffalo Bill Has Gone To Alaska, 309 THEATREclub, 11, 16, 17, 21, 256, 258, 293, 303, 471, 635, 732 U Theatre Development Centre, 228 Upstate Theatre Project, 246 Theatre Forum, 236, 303 Urban, 36, 135, 137, 138, 140–143, Theatre for Young Audiences (TYA), 169, 170, 203, 208, 224, 243, 259, 151–163, 228 322, 324, 401, 422, 424, 430, 432, Theatre-in-Education (T-i-E), 151–153, 470, 473, 475, 538, 581–584, 155, 404 586–595, 604–606, 687, 690, 691, Theatre Lovett, 156, 157, 161 694, 700, 724, 728, 733, 785, 786 Theatre of Witness Project, 6, 52, 62, 63 Urban, Eva, 570n1, 723 866 INDEX

V Watkins, Neil, 192, 194, 265, 603, 604, Vanêk, Joe, 343, 352, 355n12 606 Verbatim theatre, 52, 56, 61–63, 157, 193 Year of Magical Wanking, The, 192, See also Theatre of Witness Project 194, 265, 603, 606 Verse, 169, 422, 599–608 Weitz, Eric, 759 Verse drama, 31, 51, 60, 71, 421, 599, West, Michael, 10, 14, 234, 235, 298, 603, 604, 606, 608 323, 423, 505, 506, 752 Violence, 6, 51, 56, 78, 79, 94, 122, Dublin by Lamplight, 299, 752 172, 173, 183, 186–188, 209, 212, Freefall, 299, 834 243, 321, 325, 431, 493, 520, 522, Wet Paint Arts, 208, 210, 703 523, 534, 556, 561, 563–565, 568, Whitaker, T.K., 7, 32, 401 569, 575, 587, 639, 702, 705, 720, White, Ali, 85, 387, 790 726, 732, 749, 807, 808, 820, 838 Me, Mollser, 85, 790 White, Harry, 743 White, Trevor, 793–795 W Private View, The, 793 Waking the Feminists (WTF), 86, 376, White, Victoria, 789 387, 439, 787–790 WillFredd Theatre, 224, 228, 293 Wallace, Clare, 38, 488 Follow, 224 Walsh, Eileen, 18, 39, 320, 387, 791 Williams, Caroline, 42n43, 197n40, Walsh, Enda, 10, 12, 14–16, 40, 223, 218n49 233, 234, 320, 321, 323–325, 387, Williams, Raymond, 32, 541 401, 410, 423, 429, 430, 473, Winter, Brenda, 18, 154–156, 684 487–490, 493–495, 641, 642, Winters, Carmel, 366 763–767, 769, 774 Remains of Maisie Duggan, The, 366 Arlington, 387 Wolf, Anna, 539, 603 Ballyturk, 40, 384, 401, 642 Women’s liberation movement, 184 Bedbound, 223 Working class, 39, 79, 192, 204, Disco Pigs (screenplay for Kirsten 206–208, 211–213, 448, 535, 570, Sheridan’s film), 320, 321, 429, 606, 693, 699–703, 770, 795, 820, 590 821, 838 New Electric Ballroom, The, 488, 493, Woods, Vincent, 10 494, 765–767 Worth, Katharine, 71 Penelope, 487–496 Walworth Farce, The, 12, 40, 323, 493, 494, 641, 765 Y Walsh, Fintan, 192–194, 303, 320, 383, Yeats, William Butler, 3, 16, 69–74, 77, 468, 671, 721, 723, 727, 737, 833 79, 227, 228, 240, 341, 345, 377, Walsh, Helena, 96, 103 403, 416, 421, 422, 465, 466, 473, Walshe, Eibhear, 192 475, 489, 509, 528, 599, 607, 608, Warner, Deborah, 384 619, 638, 639, 669, 743–747, Waterford Arts for All (WAFA), 174, 749–753, 755, 835, 837 175, 450, 688 At the Hawk’s Well, 528, 745 Waterford Youth Arts (WYA), 175, 444, Cathleen Ni Houlihan, 77, 89, 746, 445, 450 752 Waterford Youth Drama, 175, 450 Countess Cathleen, The, 746 Waterside Arts Centre, 224 Yurick, Loretta, 113, 123, 126n2