DOCSLIB.ORG

L'enfant Sauvage Boulevard Du Crépuscule Sunset Boulevard L

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
L'enfant Sauvage Boulevard Du Crépuscule Sunset Boulevard L 03.09 15:00 01.10 15:00 12.11 15:00 L’Atlantide L’Enfant sauvage Een zo lange afwezigheid Jacques Feyder, France - Frankrijk 1921, François Truffaut, France - Frankrijk 1970, Stacia Napierkowska, Jean Angelo, François Truffaut, Jean-Pierre Cargol, Une aussi longue absence Georges Melchior / couleur - kleur / 176’ (18 fps) / Françoise Seigner / NB - ZW / 84’ / ST - OND: NL Henri Colpi, France - Frankrijk / Italie - Italië 1960, TIT: NL / ST - OND: — / Alida Valli, Georges Wilson, Charles Blavette / FR Au 19e siècle, un enfant retrouvé au milieu NB - ZW / 98’ / V: FR / ST - OND: — Premier grand film de Jacques Feyder et FR d’une forêt semble incapable de communiquer FR Une tenancière de bistro parisien (Alida première adaptation du roman de Pierre Benoît, avec ses semblables. Le docteur Itard tente de Valli, poignante) pense reconnaître dans un clo- l’histoire du continent perdu d’Atlantide fut tour- l’éduquer. Interprétée par Truffaut dans le rôle du chard amnésique son mari disparu pendant la née en plein Sahara, fait très rare pour l’époque. docteur, l’histoire vraie d’un enfant sauvage trai- guerre. Palme d’or à Cannes en 1961, le premier Le rôle d’Antinéa y est interprété par Stacia RUE tée avec la rigueur de Rossellini. film d’Henri Colpi, sur un scénario de Marguerite Napierkowska, archétype de la femme fatale. Films NL Dit authentieke meesterwerk vertelt het waar- Duras, pour un drame déchirant autour de la mé- NL Feyder brak door met deze indrukwekkende gebeurde verhaal van Victor, een jongen die in moire et du silence. evocatie van het verloren continent Atlantis. De 17.09 15:00 1797 gevangen werd in een bos in het zuiden van 22.10 15:00 NL Een cafébazin (Alida Valli) meent in een de Jadis ⁄ koningin beschikt er over de macht alle mannen Frankrijk, waar hij jarenlang als een dier leefde. L’Impératrice Yang Kwei-Fei Les Oiseaux landloper met geheugenverlies haar echtgenoot op haar verliefd te laten worden. De film werd ge- Voor de één een curiositeit, voor de andere een The Birds te herkennen die 16 jaar eerder verdwenen is. Ze draaid op locatie in de Sahara: een heroïsche ex - Princess Yang Kwei-fei Het Yokihi proefkonijn, maar voor dokter Itard gewoon een Alfred Hitchcock, USA 1963, Rod Taylor, probeert de waarheid te ontdekken in deze met peditie, bekroond met wereldwijd succes. wilde jongeling die recht heeft op een opvoeding Tippi Hedren, Jessica Tandy / couleur - kleur / 119’ / Viridiana in 1961 gedeelde Gouden Palm. Kenji Mizoguchi, Japon - Japan 1955, Machiko Kyo, ST - OND: FR - NL Masayuki Mori, Sô Yamamura / couleur - kleur / 91’ / zonder vooroordelen. Zilveren ST - OND: FR - NL FR Une cité balnéaire sur la côte californienne . : e NEUVEest confrontée à l’attaque imprévisible des oi- 19 11 15 00 FR Dans la Chine du 8 siècle, l’Empereur 08.10 15:00 s’éprend d’une jeune servante. L’amour fou face seaux. Adaptée de Daphné du Maurier, la révolte Au loin s’en vont les nuages Scherm Boulevard du crépuscule du règne animal contre les humains, pour le film au monde du pouvoir et des ambitions politiques Drifting Clouds dans le premier film en couleur de Mizoguchi qui Sunset Boulevard à la métaphysique abyssale et le plus spectaculai- Kauas pilvet karkaavat Les FILMS DE JADIS revisitent Billy Wilder, USA 1950, William Holden, rement violent d’Hitchcock. Aki Kaurismäki, Finlande - Finland 1996, livre, au travers d’une mise en scène époustou- Gloria Swanson, Erich Von Stroheim / NB - ZW / 109’ Kati Outinen, Kari Väänänen, Markku Peltola, le cinéma populaire des années / ST - OND: FR - NL NL Een zelfvoldane gemeenschap in een afgele- flante, un tableau pessimiste de la Chine féodale. Sakari Kuosmanen / couleur - kleur / 96’ / 1930 aux années 1980. Des clas­ gen Californisch kuststadje ondergaat een zwa- NL Een Chinese keizer uit de 8e eeuw, ontroost- FR En voix off, un cadavre, flottant dans la pis- ST - OND: FR - NL siques du monde entier, pour re beproeving wanneer de natuur zich tegen haar baar na de dood van zijn vrouw, leeft weer op door cine d’une immense star oubliée du cinéma muet, FR Un couple d’anti-héros confronté aux affres keert. Hitchcock’s meesterwerk van poëtische revivre les scènes inoubliables où toedoen van een keukenmeid. Deze valt echter ten entame le récit de sa relation avec celle qui l’a as- du chômage dans le quotidien morose d’Helsin- guignol. les acteurs et actrices d’alors illu­ prooi aan politieke intriges. Mizoguchi overloopt sassiné. Un féroce portrait d’Hollywood, doublé ki, réunissant finalement quelques exclus pour minaient la toile. Le cinéma tel in zijn 1ste kleurenfilm zijn favoriete thema’s. d’une réflexionPARTOUT, poignante sur la vieillesse et la dé- démarrer un restaurant. Une fable humaniste de qu’il devrait toujours être vécu : du 10.09 15:00 chéance des has-been. 29.10 15:00 Kaurismäki, soutenant littéralement ces quelques 60 son et de l’image projetés en pelli­ La Dame de Shanghaï NL De giftigste kijk op zichzelf die Hollywood Le Festin de Babette personnages qui refusent de se laisser terrasser 61 cule et sur grand écran, dans une The Lady from Shanghai ooit voortbracht, al van bij de opening een toon - Babettes feest par l’adversité. salle confortable. Avec – si la durée Orson Welles, USA 1947, Rita Hayworth, beeld van Wilders gramme humor: een lijk in een Babettes gæstebud NL Een betoverende komedie over een werkloos Orson Welles, Everett Sloane, Glenn Anders / zwembad begint te vertellen! Swanson is onthut- Gabriel Axel, Danemark - Denemarken 1987, koppel dat met de moed der wanhoop naar een job du film le permet– un avant­pro­ NB - ZW / 87’ / ST - OND: FR - NL send als de in waanzin glijdende ster van de stom- Stéphane Audran, Bodil Kjer, Birgitte Federspiel / zoekt. Frank Capra is nooit veraf in deze nostal - gramme soigneusement sélec­ FR Un film noir d’une virtuosité extravagante où me film die op een comeback aast. couleur - kleur / 103’ / ST - OND: FR - NL gische film waarin naïeve hoop rendeert en het tionné : une bande­annonce, un Welles transcende tous les mythes du genre à tra- FR En 1871, une Parisienne réfugiée au Dane- Finse blauw schittert als nooit tevoren. dessin animé, les actualités ciné­ vers une mise en scène baroque et crépusculaire, 15.10 15:00 mark après la répression de la Commune de Paris, matographiques de l’époque ou transformant Rita Hayworth, son épouse en ins- CULTUREinitie à la gastronomie la communauté puritaine tance de divorce, en femme fatale blonde. L’Insoutenable légèreté de l’être d’un village du Jutland. Une fête des sens dédiée 26.11 15:00 un documentaire, afin de recréer The Unbearable Lightness of Being Zouzou NL Een straatschuimende matroos redt een god- aux plaisirs de la table, réalisée avec la rigueur les séances de cinéma d’antan. Philip Kaufman, USA 1988, Daniel Day-Lewis, d’un film de Dreyer. Marc Allégret, France - Frankrijk 1934, delijke vrouw (Rita Hayworth) van enkele boefjes Juliette Binoche, Lena Olin / couleur - kleur / 170’ / Joséphine Baker, Jean Gabin, Pierre Larquey / en dat is het begin van Welles’ absurd, barok laby- ST - OND: FR - NL NL Een ironisch portret van een puriteinse ge- NB - ZW / 91’ / V: FR / ST - OND: — HET ZILVEREN SCHERM brengt rintisch maar des te briljanter noir-experiment. FR Un chirurgien libertin épouse une serveuse meenschap in Jutland die dankzij buitenstaander FR La légendaire Joséphine Baker, jeune foraine de populaire cinema van weleer tout en continuant sa relation avec l’une de ses (een verbannen Franse chef-kokkin) tot een voller sacrifiant son amour à la chanson (signée par opnieuw tot leven. Klassiekers uit maîtresses attitrées. C’est le printemps à Prague besef van zichzelf komt. Naar Karen Blixen. Georges Van Parys et Vincent Scotto), brille dans heel de wereld. Meeslepende ver­ mais les Soviétiques vont bientôt mettre fin à la cette sorte de comédie musicale réaliste écrite sur fête. Le roman de Milan Kundera adapté dans un 05.11 15:00 mesure pour elle et Jean Gabin. halen met onvergetelijke scè­ film à l’érotisme subtil. 24.09 15:00 NULLEL’Extravagant M. Deeds NL Haar onmogelijke liefde voor Gabin maakt nes waarin alle geliefde acteurs NL Sven Nykvist kreeg zijn derde Oscar no mi- van Josephine Baker toch nog een ster in deze met en actrices van toen schitteren. Rendez-vous Mr. Deeds Goes to Town natie voor de fotografie van deze onverfilmbaar Frank Capra, USA 1936, Gary Cooper, de Hollywoodmusical vergeleken komedie op mu- Cinema zoals het moet beleefd The Shop Around the Corner gewaande roman van Milan Kundera waarin seks Jean Arthur, George Bancroft / NB - ZW / 115’ / ziek van Georges Van Parys en Vincent Scotto. Ernst Lubitsch, USA 1940, James Stewart, ST - OND: FR - NL worden: beeld en klank via pelli­ Margaret Sullavan, Frank Morgan / NB - ZW / 98’ / en politiek verweven zijn tegen de achtergrond cule geprojecteerd op een groot ST - OND: FR - NL van de Praagse Lente. FR Dans une bourgade américaine, un ingénu dé- scherm in een comfortabele zaal. FR Quiproquo sentimental et Lubitsch Touch sintéressé voit sa vie tranquille bouleversée par Met, indien de lengte van de hoofd­ à foison, dans un magasin à rayons multiples de un héritage de 20 millions de dollars, devenant Budapest. Le film le plus proche de Capra (et avec ainsi la cible d’avocats et journalistes peu scrupu- film het toelaat, een zorgvul­ sa vedette-fétiche) tourné par le réalisateur. leux. L’optimisme humaniste de Capra, porté par dig geselecteerde voorfilm: een un Gary Cooper excellent en malicieux naïf. NL Een verhaaltje over verwisselde identiteiten PART ! trailer, een tekenfilm, een bio­ in een winkel in Boedapest wordt in de handen NL Capra ten dienste van Roosevelts New Deal: scoopjournaal of een documen­ van Lubitsch een klassieke komedie en een ont- hij voert een journalist op – de hoeders van de taire, om de periode waaruit de roerende studie in menselijke zwak- en dwaashe- waarheid..
Load more

Recommended publications
  • Programme 2013 / 2014 Films Shown Monthly September to April
    Films are shown in Appleby Magna Church Hall usually on the second Friday of the month: Appleby Magna Matinee: 2.30 pm Refreshments available during the interval and subtitles for the hard of hearing. Film Society Evening: 8.00 pm No interval. To join the Film Society Come along to a showing or contact Sonia Liff Programme 2013 / 2014 Tel. 01530 272327 Email: [email protected] Films shown monthly Annual Membership: £29 (£24 for over 60’s) for eight films Guests: £6 (£5 for over 60’s) per film September to April Members must be 16 years or over Friday afternoons at 2.30 pm New members are made very welcome. and Disabled Access: The Church hall is only accessible via four steep steps Friday evenings at 8.00 pm with a handrail on an upward sloping tarmac path. The Committee reserve the right to amend the programme if unavoidable. Appleby Magna Church Hall, Church Street, Appleby Magna DE 12 7BB (Opposite the Church) Appleby Magna Film Society is a not-for-profit club run by volunteers 13th September 2013 10th January 2014 ‘SONG FOR MARION’ UK 2012 Cert.PG13 (93 min.) ‘QUARTET’ UK 2012 Cert. PG12A (99 min.) Stars: Terence Stamp, Vanessa Redgrave, Gemma Arterton, Stars: Maggie Smith, Tom Courtnenay, Billy Connolly, Pauline Collins, Michael Gambon Director: Paul Andrew Williams Director: Dustin Hoffman A heart-warming story of a loving marriage between grumpy pensioner, Arthur (Terence Bittersweet tale of ageing former opera stars who reunite for one performance to fundraise Stamp) and the ever cheerful Marion (Vanessa Redgrave).
    [Show full text]
  • Program C Apríl 2012 Apríl V Kine Lumière
    KINO SLOVENSKÉHO FILMOVÉHO ÚSTAVU ŠPITÁLSKA UL. 4 BRATISLAVA PROGRAM c APRÍL 2012 Apríl v Kine Lumière 4x Aki Kaurismäki počiatkov. Svedčí o tom množstvom filmov o požiarnych zásahoch, zániku Pompejí a pod. Tvorbu výnimočného fínskeho režiséra Akiho Kaurismäkiho pripomenie Febiofest 2012 v samo- Ide o filmy postavené na efektných, šokujúcich zobrazeniach, narábajúcich s divákovou súlad- stanej profilovej sekcii. Následne v priebehu apríla bude možné v Kine Lumière vidieť výber nosťou strachu a fascinácie. Tieto filmy majú samozrejme aj dnes viac či menej vydarených z jeho štylizovaných a výtvarne ladených trpkých tragikomédií plných sympatických outsiderov pokračovateľov. a stroskotancov z okraja spoločnosti. Okrem premiérového titulu Le Havre (2011) ponúkne Pätica filmov k téme sa však nezaoberá len premenou prostredia spôsobenou katastrofou, ale pre- Lumière tri staršie bonbóniky: Muž bez minulosti (2002), Svetlá v súmraku (2006) dovšetkým odrazom takejto udalosti v človeku. Akým spôsobom ju človek prežíva, duševne refle- a vôbec posledný nemý film 20. storočia Juha (1999). ktuje, respektíve ako sa vysporiadava so skutočnosťou, že jej pôvodcom je často on samotný. 5x Kim Ki-duk Deti z Nagasaki (K. Kinoshita , 1983) Obeť (A. Tarkovskij, 1986) Konec srpna k k k Kim Ki-duka pravdepodobne slovenským klubovým divákom netreba špeciálne predstavovať. Patrí v hotelu Ozon (J. Schmidt, 1966) k Dotyk Medúzy (J. Gold, 1978) k Piesne z druhého k najznámejším súčasným kórejským režisérom uznávaným na celom svete kvôli výtvarnému cíte- poschodia (R. Andrersoon, 2009). niu a výpovediam svojich filmov, ktoré sú nadčasové a internacionálne natoľko, že by sa mohli odohrávať kdekoľvek. Na druhej strane, svojím surovým a otvoreným zobrazovaním reálií ako aj EuroFilmClub fyzického a psychického násilia si našiel celý rad odporcov.
    [Show full text]
  • FILMS WORTH TALKING ABOUT 56 Days That Will Rock Your Cinema World!
    10 JAN 20 5 MAR 20 1 | 10 JAN 20 - 5 MAR 20 88 LOTHIAN ROAD | FILMHOUSECINEMA.COM FILMS WORTH TALKING ABOUT 56 days that will rock your cinema world! Well, here we are again… it’s Awards season! I was reminded of such by a communication that came my way from AMPAS (the Oscar® people) listing nine categories’ shortlists of potential nominees. Now, they’ve been doing that shortlist thing with Foreign Language films for quite some time – there’s a lot of films out there in the world, it would be rather too much for the Academy members to have to watch them all! – but, to my knowledge, they’ve not before done it with any other category. It may be it’s for the same reason of sheer volume as above, but I guess what it also does is allows a greater number of films a reason to mention their Academy Award status in their advertising. I can see it now, “Academy Award Nomination shortlisted…” written on the poster. Where will it all end I wonder, “Academy Award Nomination eligible…”? As luck would have [nothing to do with] it, one of the films on the Foreign Language short list – which at this point in time seems the overwhelming favourite – is Bong Joon Ho’s utterly brilliant Parasite, which takes its place alongside a programme of films that is simplythe best line-up of new cinema I’ve seen in a long time. There’s not just the aforementioned South Korean masterpiece, there’s Sam Mendes’ extraordinary ‘one-take’ wonder 1917 (google ‘1917 behind the scenes featurette’ and prepare to simply have to see this film); Taika (‘Wilderpeople’) Waititi’s WWII, Nazi Germany-set, Jojo Rabbit; Armando Iannucci’s breathless Dickens, The Personal History of David Copperfield; Robert Egger’s uniquely bonkers, fog-bound The Lighthouse; Kidman, Robbie and Theron taking on the Fox News patriarchy in Bombshell; and to cap it all off, and possibly the best of the lot, Céline Sciamma’sexquisite Portrait of a Lady on Fire.
    [Show full text]
  • PANO RAMI QUES VALLE D’AOSTA – Vallée D’AOSTE Periodico Semestrale – Sped
    PANO RAMI QUES VALLE d’AOSTA – VALLéE d’AOSTE Periodico semestrale – Sped. in a.p. – art. comma 20/c legge 662/96 – Filiale di Aosta – Tassa riscossa / Taxe perçue / Taxe riscossa – Tassa legge 662/96 – Filiale di Aosta – Sped. in a.p. art. comma 20/c Periodico semestrale ALEkSAndr SOkurov •DAN SAID il PeggioR GAbrIel AbrANteS • ErAn natale kOLirin • ÉrIC bAUDelAIre della mia vita Al CAStellO 53 MArTÍn BOuLOCQ • Jet leYCO SAvOIA ArnAud dES PALLiÈrES DI GressoneY I semestre 2012 Rivista di cinema edita dall’assessoRato istRuzione e cultuRa della Regione autonoma valle d’aosta E éDITORIAL Il Castel Savoia di Gressoney-Saint-Jean sul grande schermo Grazie ad un’operazione condotta in del film precedente: Fabio De Lui- smontaggio, a queste vanno ag- sinergia tra l’Assessorato Istruzione gi, sfortunato protagonista di mille giunte varie professionalità locali: e Cultura della Regione autonoma buffi contrattempi, e la sua sposa, oltre a figuranti, manovali e aiuto- Valle d’Aosta e la Film Commission Cristiana Capotondi, sono la coppia sarte, la Colorado Film ha richiesto Vallée d’Aoste il grande cinema ri- al centro delle vicende che vedo- aiuto scenografi, runner, un opera- torna nella nostra regione per am- no, fra gli altri interpreti, Antonio tore backstage e capo gruppo. bientarvi una pellicola che ha tutte Catania e Diego Abatantuono, in Abbinando promozione culturale ad le caratteristiche per ottenere un un divertente ruolo a sorpresa cu- occupazione e qualificazione delle ottimo riscontro di pubblico e al cito sulle sue corde. Questa prima risorse professionali valdostane, è contempo valorizzare uno dei tanti importante produzione cinemato- un progetto che bene esemplifica beni culturali di proprietà regionale.
    [Show full text]
  • THE MAN WITHOUT a PAST a Film by Aki Kaurismäki
    THE MAN WITHOUT A PAST A film by Aki Kaurismäki 55th FESTIVAL DE CANNES 2002 GRAND JURY PRIZE BEST ACTRESS FOR KATI OUTINEN ECUMENICAL JURY PRIZE TORONTO INTERNATIONAL FILM FESTIVAL TELLURIDE FILM FESTIVAL NEW YORK FILM FESTIVAL ACADEMY AWARD NOMINEE FOR BEST FOREIGN FILM 2003 A Sony Pictures Classics Release. Running time 97 minutes. Rated PG-13 by the MPAA. In Finnish with English Subtitles. EAST COAST: WEST COAST: EXHIBITOR CONTACTS: SOPHIE GLUCK & ASSOC. BLOCK-KORENBROT SONY PICTURES CLASSICS SOPHIE GLUCK ZIGGY KOZLOWSKI CARMELO PIRRONE SANDRA RAMANI MELODY KORENBROT MARISSA MANNE 225 CENTRAL PARK WEST 8271 MELROSE AVENUE, 550 MADISON AVENUE SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 595-2432 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 595-4295 FAX: (323) 655-7302 FAX: (212) 833-8844 [email protected] www.sonyclassics.com Director's Statement My last film was black and white and silent, which clearly shows that I am a man of business. However, going forward on that road would demand skipping out on the picture next. What would we have then-- a shadow? So, always ready for compromises, I decided to turn around and make this film here, which has loads of dialogues plus a variety of colors - not to mention other Commercial values. I have to admit that deep in my subconscious, there might have been a hope that this step would make me seem normal, too. My social, economical and Political views of the state of society, moral and love can hopefully be found from the film itself.
    [Show full text]
  • Found Objects in the Films of Aki Kaurismäki
    Readymades, Rejects and the Ready-to-Hand: Found Objects in the Films of Aki Kaurismäki LAWRENCE D. SMITH ABSTRACT: This article considers the role of found objects in the work of Finnish film maker Aki Kaurismäki. Acknowledging the legacy of such objects in 20th-century art and performance inaugurated by the “readymades” of Marcel Duchamp and Dadaism, this article focuses on the concept of Zuhandenheit (ready-to-hand), the meaningful employment of objects in relation to living in the world. Kaurismäki’s use of found objects, both within the diegesis of various films and in the making of the films themselves, is compared to the existential phenomenology of Martin Heidegger, specifically in relation to that philosopher’s concerns with how human beings “dwell” in post-World War II Europe. Kaurismäki has many connections with mid-century existentialism, and his creative employment of found objects in constructing his films creates a distinct cinematic realm frequently called “Aki-” or “Kaurismäki-land.” Found objects prove to be indispensable in creating the distinctive style of the films, serve as plot elements, furnish the mise-en-scène, provide material links between the various films, and, as in Zuhandenheit, are utilized to address Kaurismäki’s fundamental concerns with dwelling in the real world, as well as in Aki-land. RÉSUMÉ: Cet article aborde le rôle des objets trouvés dans l’oeuvre du cinéaste finlandais Aki Kaurismäki. L’utilisation que fait Aki Kaurismäki des objets trouvés est comparé aux objets « tout faits » de Marcel Duchamp et aux performances dadaïstes, ainsi qu’à la phénoménologie existentielle de Martin Heidegger, plus précisément à son idée de « l’habitation » et à son concept de la Zuhandenheit (être à-portée-de-la-main), l’usage significatif d’objets reliés à la vie dans le monde.
    [Show full text]
  • Download (116Kb)
    Introduction Thomas Austin The cover image for this book, taken from Mies vailla menneisyyttä (The Man without a Past, 2002), captures the arresting moment when the protagonist M (Markku Peltola), hav- ing been violently beaten and robbed, then pronounced dead by a doctor, rises from his hospital bed to resume his life, but as a homeless amnesiac. By the end of the film, this penniless Lazarus has found a place to live in a marginal but supportive community, a ro- mantic partner, and a job as manager of a rock band. Like many of Aki Kaurismäki’s films, The Man without a Past is a socially engaged work that complicates realist aesthetics, em- ploying a self-conscious and highly allusive style. It is both a political response to pressing issues of inequality and injustice in neoliberal Europe and a playful utopian fable. Over the past three decades, this distinct approach, centred on ludic interventions that are simulta- neously serious and comic, relayed in a style that combines mimetic and performative modes,1 referentiality and artifice, realism and anti-realism, has made Kaurismäki a vital auteur in European cinema. Yet his oeuvre, encompassing 17 feature films, two music documentaries, a television movie and numerous shorts, remains surprisingly under-re- searched in Anglophone scholarship. This collection aims to redress such neglect, and to interrogate the politics and aesthetics of his compelling body of work, from Rikos ja rangaistus (Crime and Punishment) in 1983 to the film which may be his last, 2017’s Toi- von Tuolla Puolen (The Other Side of Hope).2 It would be easy to stereotype Kaurismäki’s films as drily humorous dramas populated by taciturn underdogs, presented in a predictable style that recycles particular techniques and eschews others.3 (The former would include: a largely static camera, underplayed perfor- mance style, ironic tone, and a soundtrack comprised of early 1960s rock and roll along 1 with Tchaikovsky or Shostakovich.) But this is too simplistic.
    [Show full text]
  • Finland Present
    The Herzliya Cinematheque and the Embassy of Finland present: THE ENGLISH SUBTITLED EDITION Starting on 2.12 FINLAND FINLAND Opening film Aurora (Finland, 2019) Drama/ comedy Director: Miia Tervo Cast: Mimosa Willamo, Amir Escandari, Elá Yildirim (106 mins., Finnish, English and Persian; English subtitles) Aurora and Darian, two lonely strangers, meet one Aurora, the debut film of up-and-coming director Miia night by chance in line to a hot dog stand in Finnish Tervo, won all seven awards in the important categories Lapland. Aurora is a young woman who loves to at the Jussi awards ceremony, which is the Finnish party and to drink and is not ready for a committed equivalent to the American Oscars and the Israeli Ophir relationship. Darian is an asylum seeker who would Awards. The judges of the Edinburgh International sacrifice everything to ensure his daughter’s future. Film Festival, where Aurora won Best International Aurora, who has already broken too many hearts in her Feature Film, said that the film was “beautifully shot life, decides to help Darian find a wife for a fictitious and executed, with brilliant performances from the marriage that would give him a permanent status in the entire cast.” Their main reason for choosing Aurora, country. But Darian, gifted with thick skin and a great however, was its uniqueness and originality. deal of patience, sees through her icy heart. EDITION THE ENGLISH SUBTITLED FINLAND 10th anniversary Celebrating the 10th anniversary of the cult documentary Steam of Life Miesten vuoro (Finland, 2010) Documentary Directors: Joonas Berghäll, Mika Hotakainen (81 mins., Finnish; English subtitles) Winner of the 2011 Jussi for Best Documentary Film.
    [Show full text]
  • Berkeley Art Museum·Pacific Film Archive J U N J U L Au G 2
    AUG 2018 / JUL / JUN BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE WAY BAY 2 RECENT ACQUISITIONS JOANNE LEONARD PETER HUJAR CECILIA VICUÑA BARBARA STAUFFACHER SOLOMON EARLY MUSIC BERGMAN 100 GRETA GARBO MICHELANGELO ANTONIONI AKI KAURISMÄKI JACQUES BECKER ALAIN TANNER ANDREI TARKOVSKY 1 / 2 / 3 / 4 / 5 / 6 CALENDAR JUN 9/SAT 21/THU JUL 11:30, 1:00 Buddhist Scrolls & You 4–7 Drop-In Art Making ART LAB GALLERY + STUDIO P. 6 1/FRI 7:00 Western P. 26 1/SUN 2:30–9 Drop-In Art Making ART LAB 4–9 Drop-In Art Making ART LAB 11–7 Drop-In Art Making ART LAB 3:00 The Crossover 22/FRI 7:00 Wild Strawberries BERGMAN P. 12 2:00 Guided Tour WAY BAY 2 P. 5 ROUNDTABLE READING P. 6 4–9 Drop-In Art Making ART LAB 4:30 Camille 6:00 Summer Interlude BERGMAN P. 12 5:00 Leaning into the Wind—Andy 2/SAT Film to Table dinner follows 8:15 The Color of Pomegranates Goldsworthy P. 26 11–9 Drop-In Art Making ART LAB GARBO P. 21 EARLY MUSIC ON FILM P. 19 7:00 Anna Christie GARBO P. 20 1:00 Personal Flag Generator 7:00 Story of a Love Affair WORKSHOP P. 4 ANTONIONI P. 16 10/SUN 23/SAT 5:00 Leaning into the Wind— 11–7 Drop-In Art Making ART LAB 11–9 Drop-In Art Making ART LAB Andy Goldsworthy 4/WED 5:00 Leaning into the Wind—Andy Film to Table dinner follows P.
    [Show full text]
  • LISTA FILM CONSIGLIATI E "CHICCHE"
    LISTA FILM CONSIGLIATI e "CHICCHE" FILM DVD e BLU-RAY CONSIGLIATI e CINEFORUM (disponibili a noleggio - Lista aggiornata a DICEMBRE 2016) * (nella colonna a sinistra: da “C”: Consigliato - a “CC”: Molto consigliato - a “CCC”: Capolavoro / “K”: le “Chicche”, film particolari, da Cineforum) BLU-RAY GENERE REGISTA ATTORE 1 ATTORE 2 C 40 CARATI (BLU-RAY) Blu-Ray Azione/Avventura Leth Asger Sam Worthington Elizabeth Banks C 007 SPECTRE (BLU-RAY) Blu-Ray Thriller Mendes Sam Daniel Craig Naomie Harris C 3 DAYS TO KILL (BLU-RAY) Blu-Ray Thriller Mcg Kevin Costner Amber Heard C 4:44 L'ULTIMO GIORNO SULLA TERRA (BLU-RAY) Blu-Ray Drammatico Ferrara Abel Willem Dafoe Shanyn Leigh C ALASKA (BLU-RAY) Blu-Ray Drammatico Cupellini Claudio Elio Germano Astrid Berges-frisbey C ALBA DEL PIANETA DELLE SCIMMIE (L') (BLU-RAY) Blu-Ray Azione/Avventura Wyatt Rupert James Franco John Lithgow C ANT-MAN (BLU-RAY) Blu-Ray Azione/Avventura Reed Peyton Bobby Cannavale Michael Douglas C AVVENTURE DI TINTIN(LE) IL SEGRETO (BLU-RAY) Blu-Ray Azione/Avventura Spielberg Steven Jamie Bell Andy Serkis C BELVE (LE) (BLU-RAY) Blu-Ray Thriller Stone Oliver John Travolta Salma Hayek C BLACK HAWK DOWN (BLU-RAY) Blu-Ray Guerra Scott Ridley Josh Hartnett Tom Sizemore C BOURNE LEGACY (THE) (BLU-RAY) Blu-Ray Azione/Avventura Gilroy Tony Jeremy Renner Rachel Weisz C CATTIVISSIMO ME (BLU-RAY) Blu-Ray Ragazzi Chris Renaud S P. Coffin Animazione Animazione C CELL (BLU-RAY) Blu-Ray Thriller Williams Tod John Cusack Samuel L. Jackson C CELLA 211 (BLU-RAY) Blu-Ray Drammatico Monzon Daniel
    [Show full text]
  • September 28–October 15, 2017 . Filmlinc.Org/Nyff Table of Contents
    SEPTEMBER 28–OCTOBER 15, 2017 . FILMLINC.ORG/NYFF TABLE OF CONTENTS Schedule 2 Spotlight on Documentary 46 Main Slate 6 Projections 56 Shorts 20 Retrospective: Robert Mitchum Centenary 64 Talks 22 Artist Initiatives 80 Special Events 24 Film Society Board & Staff 82 Convergence 32 About the Film Society 84 Revivals 36 NEW YORK FILM FESTIVAL PROGRAMMERS SELECTION COMMITTEE MAIN SLATE . REVIVALS . SPOTLIGHT ON DOCUMENTARY Kent Jones Chair Florence Almozini Associate Director of Programming, Film Society of Lincoln Center (FSLC) Dennis Lim Director of Programming, FSLC Amy Taubin Contributing Editor, Film Comment and Artforum CONVERGENCE PROJECTIONS RETROSPECTIVE Matt Bolish Dennis Lim & Aily Nash Kent Jones & Dan Sullivan SHORTS Narrative: Gabi Madsen . Genre Stories: Laura Kern . New York Stories: Dan Sullivan . Documentary: Tyler Wilson NYFF 4C MAG - FULL PAGE INSIDE FRONT COVER AMA1157 ISSUE DATE: XX/XX/17 FINAL2 DUE DATE: 08/24/17 08/24/17 10:45AM ES MECHANICAL SIZE TRIM: 8.25"W x 8.5"H LIVE: 7.75"W x 8"H BLEED: 8.5"W x 8.75"H SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 28 29 30 SECTIONS: VENUES: OPENING NIGHT 4:00 Story of G.I. Joe ret/wrt 12:30 Four Sisters: se/ath 6:00 Last Flag Flying ms/ath 6:00 Mrs. Hyde ms/ath Hippocratic Oath cvg CONVERGENCE ALICE TULLY HALL 6:15 Last Flag Flying ms/wrt 6:00 Daughter of the Nile rev/fbt 12:45 New York Shorts sho/wrt ath West 65th Street at Broadway 9:00 Last Flag Flying ms/ath 6:30 El mar la mar doc/wrt 1:30 The Wonderful Country ret/fbt doc SPOTLIGHT ON DOCUMENTARY 9:15 Last Flag Flying ms/wrt 6:30 His Kind of Woman ret/hgt 3:00 Western ms/ath DOWNLOAD THE FILM SOCIETY APP! ELINOR BUNIN MUNROE FILM CENTER 7:00 VR and the Future of cvg/amp 3:00 No Stone Unturned doc/wrt ms MAIN SLATE 144 West 65th Street Virtual Production 3:00 The Old Dark House rev/hgt amp AMPHITHEATER by Lucasfilm (Free Talk) 4:00 Documentary Shorts sho/fbt pjt PROJECTIONS 8:30 The Square ms/ath 5:00 Pursued ret/hgt ebm LOBBY 8:30 Casa de Lava rev/fbt 6:00 Zama ms/ath FILMLINC.ORG/NYFF .
    [Show full text]
  • The Man Without a Past AKI KAURISMÄKI
    The Man Without a Past AKI KAURISMÄKI European Cinema Education PEDAGOGICAL PACKAGE for the Youth 2 I – OPENING CINED: A COLLECTION OF FILMS FOR CINEMA EDUCATION SUMMARY CinEd’s mission is to promote cinema art as a cultural entity and to give tools to aid understanding the world. For this OPENING purpose, CinEd has developed a common teaching method based on a collection of films produced in the European countries that are partners in the project. The approach adapts to our present-day world, in which the ways images are • CinEd : a collection of films for cinema education p 2 seen changes rapidly and increasingly. Everyday we use a vast range of screens where images are received, spread and I - OPENING • Editing – Technical information – Posters p 3 produced: from giant cinema screens to tiny smartphones, and of course televisions, computers and tablets. The cinema • Themes and synopsis p 4-5 is a relatively new art, and although its death has been predicted more than once, it is obvious that it is very much alive. THE FILM These changes impact on the cinema. To distribute cinema as a form of art, we have to acknowledge the several different screens movies are viewed from. CinEd publications offer a sensitive and inductive teaching method, which is both inte- • Historical background p 6 ractive and intuitive, and provides information, analytical tools and offers the possibility of a dialogue between the images • The author – Aki Kaurismäki p 7 and the films. The films are analyzed on different levels and in their entirety, as well as in smaller sections in which the • Selected filmography p 8 analysis is concentrated on individual aspects: frames, shots, and sequences.
    [Show full text]