Leveraging Sparsity for Efficient Submodular Data Summarization
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Programme 2013 / 2014 Films Shown Monthly September to April
Films are shown in Appleby Magna Church Hall usually on the second Friday of the month: Appleby Magna Matinee: 2.30 pm Refreshments available during the interval and subtitles for the hard of hearing. Film Society Evening: 8.00 pm No interval. To join the Film Society Come along to a showing or contact Sonia Liff Programme 2013 / 2014 Tel. 01530 272327 Email: [email protected] Films shown monthly Annual Membership: £29 (£24 for over 60’s) for eight films Guests: £6 (£5 for over 60’s) per film September to April Members must be 16 years or over Friday afternoons at 2.30 pm New members are made very welcome. and Disabled Access: The Church hall is only accessible via four steep steps Friday evenings at 8.00 pm with a handrail on an upward sloping tarmac path. The Committee reserve the right to amend the programme if unavoidable. Appleby Magna Church Hall, Church Street, Appleby Magna DE 12 7BB (Opposite the Church) Appleby Magna Film Society is a not-for-profit club run by volunteers 13th September 2013 10th January 2014 ‘SONG FOR MARION’ UK 2012 Cert.PG13 (93 min.) ‘QUARTET’ UK 2012 Cert. PG12A (99 min.) Stars: Terence Stamp, Vanessa Redgrave, Gemma Arterton, Stars: Maggie Smith, Tom Courtnenay, Billy Connolly, Pauline Collins, Michael Gambon Director: Paul Andrew Williams Director: Dustin Hoffman A heart-warming story of a loving marriage between grumpy pensioner, Arthur (Terence Bittersweet tale of ageing former opera stars who reunite for one performance to fundraise Stamp) and the ever cheerful Marion (Vanessa Redgrave). -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Program C Apríl 2012 Apríl V Kine Lumière
KINO SLOVENSKÉHO FILMOVÉHO ÚSTAVU ŠPITÁLSKA UL. 4 BRATISLAVA PROGRAM c APRÍL 2012 Apríl v Kine Lumière 4x Aki Kaurismäki počiatkov. Svedčí o tom množstvom filmov o požiarnych zásahoch, zániku Pompejí a pod. Tvorbu výnimočného fínskeho režiséra Akiho Kaurismäkiho pripomenie Febiofest 2012 v samo- Ide o filmy postavené na efektných, šokujúcich zobrazeniach, narábajúcich s divákovou súlad- stanej profilovej sekcii. Následne v priebehu apríla bude možné v Kine Lumière vidieť výber nosťou strachu a fascinácie. Tieto filmy majú samozrejme aj dnes viac či menej vydarených z jeho štylizovaných a výtvarne ladených trpkých tragikomédií plných sympatických outsiderov pokračovateľov. a stroskotancov z okraja spoločnosti. Okrem premiérového titulu Le Havre (2011) ponúkne Pätica filmov k téme sa však nezaoberá len premenou prostredia spôsobenou katastrofou, ale pre- Lumière tri staršie bonbóniky: Muž bez minulosti (2002), Svetlá v súmraku (2006) dovšetkým odrazom takejto udalosti v človeku. Akým spôsobom ju človek prežíva, duševne refle- a vôbec posledný nemý film 20. storočia Juha (1999). ktuje, respektíve ako sa vysporiadava so skutočnosťou, že jej pôvodcom je často on samotný. 5x Kim Ki-duk Deti z Nagasaki (K. Kinoshita , 1983) Obeť (A. Tarkovskij, 1986) Konec srpna k k k Kim Ki-duka pravdepodobne slovenským klubovým divákom netreba špeciálne predstavovať. Patrí v hotelu Ozon (J. Schmidt, 1966) k Dotyk Medúzy (J. Gold, 1978) k Piesne z druhého k najznámejším súčasným kórejským režisérom uznávaným na celom svete kvôli výtvarnému cíte- poschodia (R. Andrersoon, 2009). niu a výpovediam svojich filmov, ktoré sú nadčasové a internacionálne natoľko, že by sa mohli odohrávať kdekoľvek. Na druhej strane, svojím surovým a otvoreným zobrazovaním reálií ako aj EuroFilmClub fyzického a psychického násilia si našiel celý rad odporcov. -
Film Reviews Interviews Video Interviews
berlinale 2019 EFM Coverage as of Feb 20, 2019 300 Photos published on facebook 34 videos published on youtube FILM REVIEWS AMAZING GRACE, A Long Delayed Aretha Franklin Film surfaces at Berlin '69 What she said: The Art of Pauline Kael review Leakage | Nasht by Suzan Iravanian (Forum): Berlinale Review The Golden Glove by Fatih Akin: Berlinale Review Sampled reviews of Jessica Forever A City Hunts for a Murderer, and a Forum film hunts for meaning Berlinale by Alex: Mid Point Festival Reviews MK2 is very proud from the reviews on the Varda doc The Ground beneath my Feet in review Sondre Fristad's First Feature The Writer at the Berlinale System Crasher in review: Amazing ! Forget about all other contenders Derek Jarman's THE GARDEN, starring Tilda Swinton, returns to Berlinale 28 years after its premiere DIE KINDER DER TOTEN - World Premiere and Q&A with Kelly Copper and Pavol Liska INTERVIEWS Xaver Böhm on O Beautiful Night: Interview at Berlinale 2019 Interview with Brazilian Director Marcus Ligocki at Berlinale Marie Kreuzer: The Ground beneath my feet The Writer: Interview with Sondre Fristad in Berlin Interview with Producer, Director Writer Stu Levy @ 2019 Berlinale Interview with Director Gustavo Steinberg for 'Tito and the Birds' (2018) Alexandr Gorchilin on his First Feature Acid VIDEO INTERVIEWS VIDEO: Dieter Kosslick recalls some nice moments on the red carpet VIDEO: Anthony Bregman describes IFP's programs suppporting independent film making VIDEO: IFP Anthony Bregman opening remarks on his producing experiences at Friday's -
FILMS WORTH TALKING ABOUT 56 Days That Will Rock Your Cinema World!
10 JAN 20 5 MAR 20 1 | 10 JAN 20 - 5 MAR 20 88 LOTHIAN ROAD | FILMHOUSECINEMA.COM FILMS WORTH TALKING ABOUT 56 days that will rock your cinema world! Well, here we are again… it’s Awards season! I was reminded of such by a communication that came my way from AMPAS (the Oscar® people) listing nine categories’ shortlists of potential nominees. Now, they’ve been doing that shortlist thing with Foreign Language films for quite some time – there’s a lot of films out there in the world, it would be rather too much for the Academy members to have to watch them all! – but, to my knowledge, they’ve not before done it with any other category. It may be it’s for the same reason of sheer volume as above, but I guess what it also does is allows a greater number of films a reason to mention their Academy Award status in their advertising. I can see it now, “Academy Award Nomination shortlisted…” written on the poster. Where will it all end I wonder, “Academy Award Nomination eligible…”? As luck would have [nothing to do with] it, one of the films on the Foreign Language short list – which at this point in time seems the overwhelming favourite – is Bong Joon Ho’s utterly brilliant Parasite, which takes its place alongside a programme of films that is simplythe best line-up of new cinema I’ve seen in a long time. There’s not just the aforementioned South Korean masterpiece, there’s Sam Mendes’ extraordinary ‘one-take’ wonder 1917 (google ‘1917 behind the scenes featurette’ and prepare to simply have to see this film); Taika (‘Wilderpeople’) Waititi’s WWII, Nazi Germany-set, Jojo Rabbit; Armando Iannucci’s breathless Dickens, The Personal History of David Copperfield; Robert Egger’s uniquely bonkers, fog-bound The Lighthouse; Kidman, Robbie and Theron taking on the Fox News patriarchy in Bombshell; and to cap it all off, and possibly the best of the lot, Céline Sciamma’sexquisite Portrait of a Lady on Fire. -
SHARON HOWARD-FIELD 1 Casting Director
SHARON HOWARD-FIELD 1 Casting Director EMPLOYMENT HISTORY: • Howard-Field Casting, (Los Angeles, London & Europe) 1993-2014 • Director of Feature Casting, Warner Bros. Studios, Los Angeles 1989-1993 • Howard-Field Casting ( London & Europe) 1983-1989 • Casting & Project Consultant RKO, London operations 1983-1985 • Associate Casting Director Royal Shakespeare Company, London 1977-1983 • Production Assistant to director/producer Martin Campbell, London 1975-1977 • Assistant to writer, Tudor Gates, Drumbeat Productions, London 1975-1977 FILMS CURRENTLY IN DEVELOPMENT FOR 2014/15: AMOK – Director: Kasia Adamik. Screenplay: Richard Karpala. Executive producer: Agnieszka Holland. Producers: Beata Pisula, Debbie Stasson - in development for spring 2015 WALKING TO PARIS – Director: Peter Greenaway, Producer: Kees Kasander and Julia Ton. Scheduled to commence pp February 2015 in Romania, Switzerland and France. THE WORLD AT NIGHT – Director: TBC. Screenplay: William Nicholson. Producer: Vanessa van Zuylen, (VVZ Presse, Paris, France), Matthias Ehrenberg, Jose Levy, (Cuatro Films Plus) Ibon Cormenzana, (Arcadia Motion Pictures), – in development to shoot Argentina and France Spring 2015. Daniel Bruhl attached. RACE – In association with Suzanne Smith Casting. Director: Stephen Hopkins. Filming Berlin and Canada, September 2014. Casting a selection of cameo roles from the UK AMERICAN MASSACRE – Director: TBC Producer: Emjay Rechsteiner (Staccato Films); Executive Producer: Harris Tulchin - in development for Spring 2015, shooting New Zealand and Canary Islands LITTLE SECRET (Pequeno Segredo) – Director: David Schurmann; Writer: Marcos Bernstein; Producers: Matthias Ehrenberg (Cuatro Films Plus), Joao, Roni (Ocean Films, Brazil), Emma Slade (Fire Fly Films, NZ), Barrie Osborn – in development to shoot Brazil, October 2014. Finnoula Flanagan attached THE BAY OF SILENCE: - Director: Mark Pellington; Screenwriter & Producer: Caroline Goodall, Executive Producer: Peter Garde. -
The-Edge-Of-Heaven-Pressbook.Pdf (4.1 Mib)
The Match Factory presents a Corazón International Production in Co-Production with Anka Film, in Association with NDR and Dorje Film THE EDGE OF HEAVEN AUF DER ANDEREN SEITE A FILM BY FATIH AKIN with NURGÜL YE¸ILÇAYS BAKI DAVRAK PATRYCIA ZIOLKOWSKA NURSEL KÖSE TUNCEL KURTIZ and HANNA SCHYGULLA SYNOPSIS Retired widower Ali sees a solution to loneliness when he meets prostitute Yeter. Ali proposes to the fellow Turkish native to live with him in exchange for a monthly stipend. Ali’s bookish son Nejat seems disapproving about his bully father’s choice. But the young German professor quickly grows fond of kind Yeter, especially upon discovering most of her hard-earned money is sent home to Turkey for her daughter’s university studies. The accidental death of Yeter distances father and son even more, emotionally and physically. Nejat travels to Istanbul to begin an organized search for Yeter’s daughter Ayten. He decides to stay in Turkey and trades places with the owner of a German bookstore who goes home to Germany. What Nejat doesn’t know is that 20-something political activist Ayten is already in Germany, having fled the Turkish police. Alone and penniless, Ayten is befriended by German student Lotte, who is immedi- ately seduced by the young Turkish woman’s charms and political situation. Lotte invites rebellious Ayten to stay in her home, a gesture not particularly pleasing to her conserva- tive mother Susanne. Ayten ends up arrested and confined for months while awaiting political asylum. When her plea is denied, Ayten is deported and imprisoned in Turkey. -
PANO RAMI QUES VALLE D’AOSTA – Vallée D’AOSTE Periodico Semestrale – Sped
PANO RAMI QUES VALLE d’AOSTA – VALLéE d’AOSTE Periodico semestrale – Sped. in a.p. – art. comma 20/c legge 662/96 – Filiale di Aosta – Tassa riscossa / Taxe perçue / Taxe riscossa – Tassa legge 662/96 – Filiale di Aosta – Sped. in a.p. art. comma 20/c Periodico semestrale ALEkSAndr SOkurov •DAN SAID il PeggioR GAbrIel AbrANteS • ErAn natale kOLirin • ÉrIC bAUDelAIre della mia vita Al CAStellO 53 MArTÍn BOuLOCQ • Jet leYCO SAvOIA ArnAud dES PALLiÈrES DI GressoneY I semestre 2012 Rivista di cinema edita dall’assessoRato istRuzione e cultuRa della Regione autonoma valle d’aosta E éDITORIAL Il Castel Savoia di Gressoney-Saint-Jean sul grande schermo Grazie ad un’operazione condotta in del film precedente: Fabio De Lui- smontaggio, a queste vanno ag- sinergia tra l’Assessorato Istruzione gi, sfortunato protagonista di mille giunte varie professionalità locali: e Cultura della Regione autonoma buffi contrattempi, e la sua sposa, oltre a figuranti, manovali e aiuto- Valle d’Aosta e la Film Commission Cristiana Capotondi, sono la coppia sarte, la Colorado Film ha richiesto Vallée d’Aoste il grande cinema ri- al centro delle vicende che vedo- aiuto scenografi, runner, un opera- torna nella nostra regione per am- no, fra gli altri interpreti, Antonio tore backstage e capo gruppo. bientarvi una pellicola che ha tutte Catania e Diego Abatantuono, in Abbinando promozione culturale ad le caratteristiche per ottenere un un divertente ruolo a sorpresa cu- occupazione e qualificazione delle ottimo riscontro di pubblico e al cito sulle sue corde. Questa prima risorse professionali valdostane, è contempo valorizzare uno dei tanti importante produzione cinemato- un progetto che bene esemplifica beni culturali di proprietà regionale. -
L'enfant Sauvage Boulevard Du Crépuscule Sunset Boulevard L
03.09 15:00 01.10 15:00 12.11 15:00 L’Atlantide L’Enfant sauvage Een zo lange afwezigheid Jacques Feyder, France - Frankrijk 1921, François Truffaut, France - Frankrijk 1970, Stacia Napierkowska, Jean Angelo, François Truffaut, Jean-Pierre Cargol, Une aussi longue absence Georges Melchior / couleur - kleur / 176’ (18 fps) / Françoise Seigner / NB - ZW / 84’ / ST - OND: NL Henri Colpi, France - Frankrijk / Italie - Italië 1960, TIT: NL / ST - OND: — / Alida Valli, Georges Wilson, Charles Blavette / FR Au 19e siècle, un enfant retrouvé au milieu NB - ZW / 98’ / V: FR / ST - OND: — Premier grand film de Jacques Feyder et FR d’une forêt semble incapable de communiquer FR Une tenancière de bistro parisien (Alida première adaptation du roman de Pierre Benoît, avec ses semblables. Le docteur Itard tente de Valli, poignante) pense reconnaître dans un clo- l’histoire du continent perdu d’Atlantide fut tour- l’éduquer. Interprétée par Truffaut dans le rôle du chard amnésique son mari disparu pendant la née en plein Sahara, fait très rare pour l’époque. docteur, l’histoire vraie d’un enfant sauvage trai- guerre. Palme d’or à Cannes en 1961, le premier Le rôle d’Antinéa y est interprété par Stacia RUE tée avec la rigueur de Rossellini. film d’Henri Colpi, sur un scénario de Marguerite Napierkowska, archétype de la femme fatale. Films NL Dit authentieke meesterwerk vertelt het waar- Duras, pour un drame déchirant autour de la mé- NL Feyder brak door met deze indrukwekkende gebeurde verhaal van Victor, een jongen die in moire et du silence. evocatie van het verloren continent Atlantis. -
Join Us. 100% Sirena Quality Taste 100% Pole & Line
melbourne february 8–22 march 1–15 playing with cinémathèque marcello contradiction: the indomitable MELBOURNE CINÉMATHÈQUE 2017 SCREENINGS mastroianni, isabelle huppert Wednesdays from 7pm at ACMI Federation Square, Melbourne screenings 20th-century February 8 February 15 February 22 March 1 March 8 March 15 7:00pm 7:00pm 7:00pm 7:00pm 7:00pm 7:00pm Presented by the Melbourne Cinémathèque man WHITE NIGHTS DIVORCE ITALIAN STYLE A SPECIAL DAY LOULOU THE LACEMAKER EVERY MAN FOR HIMSELF and the Australian Centre for the Moving Image. Luchino Visconti (1957) Pietro Germi (1961) Ettore Scola (1977) Maurice Pialat (1980) Claude Goretta (1977) Jean-Luc Godard (1980) Curated by the Melbourne Cinémathèque. 97 mins Unclassified 15+ 105 mins Unclassified 15+* 106 mins M 101 mins M 107 mins M 87 mins Unclassified 18+ Supported by Screen Australia and Film Victoria. Across a five-decade career, Marcello Visconti’s neo-realist influences are The New York Times hailed Germi Scola’s sepia-toned masterwork “For an actress there is no greater gift This work of fearless, self-exculpating Ostensibly a love story, but also a Hailed as his “second first film” after MINI MEMBERSHIP Mastroianni (1924–1996) maintained combined with a dreamlike visual as a master of farce for this tale remains one of the few Italian films than having a camera in front of you.” semi-autobiography is one of Pialat’s character study focusing on behaviour a series of collaborative video works Admission to 3 consecutive nights: a position as one of European cinema’s poetry in this poignant tale of longing of an elegant Sicilian nobleman to truly reckon with pre-World War Isabelle Huppert (1953–) is one of the most painful and revealing films.