Comparing the Structural System of Some Contemporary High Rise Building Form
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CTBUH Technical Paper
CTBUH Technical Paper http://technicalpapers.ctbuh.org Subject: Other Paper Title: Talking Tall: The Global Impact of 9/11 Author(s): Klerks, J. Affiliation(s): CTBUH Publication Date: 2011 Original Publication: CTBUH Journal 2011 Issue III Paper Type: 1. Book chapter/Part chapter 2. Journal paper 3. Conference proceeding 4. Unpublished conference paper 5. Magazine article 6. Unpublished © Council on Tall Buildings and Urban Habitat/Author(s) CTBUH Journal International Journal on Tall Buildings and Urban Habitat Tall buildings: design, construction and operation | 2011 Issue III Special Edition World Trade Center: Ten Years On Inside Case Study: One World Trade Center, New York News and Events 36 Challenging Attitudes on 14 “While, in an era of supertall buildings, big of new development. The new World Trade Bridging over the tracks was certainly an Center Transportation Hub alone will occupy engineering challenge. “We used state-of-the- numbers are the norm, the numbers at One 74,300 square meters (800,000 square feet) to art methods of analysis in order to design one Codes and Safety serve 250,000 pedestrians every day. Broad of the primary shear walls that extends all the World Trade are truly staggering. But the real concourses (see Figure 2) will connect Tower way up the tower and is being transferred at One to the hub’s PATH services, 12 subway its base to clear the PATH train lines that are 02 This Issue story of One World Trade Center is the lines, the new Fulton Street Transit Center, the crossing it,” explains Yoram Eilon, vice Kenneth Lewis Nicholas Holt World Financial Center and Winter Garden, a president at WSP Cantor Seinuk, the structural innovative solutions sought for the ferry terminal, underground parking, and retail engineers for the project. -
Antologica Anthology 2003-2017
1 ANTOLOGICA ANTHOLOGY 2003-2017 a cura di edited by Elena Pontiggia Marsilio Presidente della Provincia di Catanzaro Coordinamento generale Si ringraziano President of the Province of Catanzaro General coordination Our thanks to Enzo Bruno Fondazione Rocco Guglielmo Direttore Responsabile coordinamento ANTOLOGICA ANTHOLOGY Director Coordination supervisor 2003-2017 Rosetta Alberto Teresa Guglielmo Giuliana Guglielmo Direttore artistico Artistic director Segreteria organizzativa Catanzaro Rocco Guglielmo Organisational office Museo MARCA Maria Elena Zagari 13 maggio – 20 agosto 2018 Responsabile tecnico e logistica Assunta Ciambrone 13 May – 20 August 2018 Technical and logistics supervisor Antonio Sabatino Servizio di vigilanza a cura di Security service Un particolare ringraziamento a curated by in collaborazione con Comitato scientifico G.I.S.A. Catanzaro Our particular thanks to Elena Pontiggia in collaboration with Technical committee Rocco Guglielmo Servizio di accoglienza e didattica Emanuela Baccaro Eugenio Attanasio Reception and teaching service Giuseppe Lezzi Michele Bonuomo Associazione culturale DI.CO. Catanzaro Teodolinda Coltellaro Michele Bonuomo Giorgio de Finis Ufficio stampa Marco Meneguzzo Press office Si ringraziano tutti i prestatori delle opere Domenico Piraina CLP Communication che hanno reso possibile la realizzazione Sabatino Nicola Ventura della mostra. Armando Vitale Our thanks to all the lenders of the works who have made possible the organisation of this show. Si ringraziano inoltre We would also thank Eraldo -
City Branding: Part 2: Observation Towers Worldwide Architectural Icons Make Cities Famous
City Branding: Part 2: Observation Towers Worldwide Architectural Icons Make Cities Famous What’s Your City’s Claim to Fame? By Jeff Coy, ISHC Paris was the world’s most-visited city in 2010 with 15.1 million international arrivals, according to the World Tourism Organization, followed by London and New York City. What’s Paris got that your city hasn’t got? Is it the nickname the City of Love? Is it the slogan Liberty Started Here or the idea that Life is an Art with images of famous artists like Monet, Modigliani, Dali, da Vinci, Picasso, Braque and Klee? Is it the Cole Porter song, I Love Paris, sung by Frank Sinatra? Is it the movie American in Paris? Is it the fact that Paris has numerous architectural icons that sum up the city’s identity and image --- the Eiffel Tower, Arch of Triumph, Notre Dame Cathedral, Moulin Rouge and Palace of Versailles? Do cities need icons, songs, slogans and nicknames to become famous? Or do famous cities simply attract more attention from architects, artists, wordsmiths and ad agencies? Certainly, having an architectural icon, such as the Eiffel Tower, built in 1889, put Paris on the world map. But all these other things were added to make the identity and image. As a result, international tourists spent $46.3 billion in France in 2010. What’s your city’s claim to fame? Does it have an architectural icon? World’s Most Famous City Icons Beyond nicknames, slogans and songs, some cities are fortunate to have an architectural icon that is immediately recognized by almost everyone worldwide. -
CRESC Working Paper Series
CRESC Working Paper Series Working Paper No. 105 Autistic Architecture: The Fall of the Icon and the Rise of the Serial Object of Architecture CRESC Working Papers Maria Kaika CRESC, The University of Manchester JULY 2011 For further information: Centre for Research on Socio-Cultural Change (CRESC) Faculty of Social Sciences, The Open University, Walton Hall, Milton Keynes, MK7 6AA, UK Tel: +44 (0)1908 654458 Fax: +44 (0)1908 654488 Email: [email protected] or [email protected] Web: UUwww.cresc.ac.uk 2 Autistic Architecture Autistic Architecture: The Fall of the Icon and the Rise of the Serial Object of Architecture Maria Kaika Abstract Over the last 30 years, a new generation of corporate architectural ‘icons’ have sprouted across the globe. These commissions are hailed as ‘iconic’ often even before they are erected, receive wide media attention, and have become the object of academic enquiry in architecture, geography, sociology and urban studies. However, as intellectual inquiry focuses on the proliferation of contemporary corporate ‘icons’, the question that Gottman (1966) posed back in 1966, i.e. whether, as the skyscraper spreads around the world it still has the same meaning and function as it had in the beginning, remains unanswered and becomes more relevant than ever. An analysis that links the proliferation of new to the banalisation of older corporate ‘icons’ is still to be undertaken.. In this contribution, I sketch an interpretative framework for interpreting this parallel process of ‘banalisation’ of old and proliferation of new ‘iconic’ corporate architecture as the Janus-faced manifestation of a qualitative shift in the relationship between capital and architecture. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 Permalink https://escholarship.org/uc/item/2kv6s20v Author Harris, Jessica Lynne Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Jessica Lynne Harris 2016 © Copyright by Jessica Lynne Harris 2016 ABSTRACT OF THE DISSERTATION Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975 by Jessica Lynne Harris Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Brenda Stevenson, Co-chair Professor Geoffre W. Symcox, Co-chair “Exporting Mrs. Consumer: The American Woman in Italian Culture, 1945-1975” examines the development and growth of a mass consumer-based society in Italy after the Second World War. Employing a gendered and transnational approach, the dissertation puts women at the center of the analysis by specifically focusing on American female consumer culture’s influence on Italian women’s lives from 1945-1975. This study, in contrast to existing literature on the topic, provides a more comprehensive understanding of the nature of the models and messages of American female consumer culture in Italy during this period, how they influenced Italian women, and the extent of this culture’s influence. Furthermore, the analysis of the intersection of the modern “American woman” (the white middle-class suburban American ii housewife), consumerism, and Italian female culture and identities provides new insight into the unique cultural relationship between the United States and Italy following the Second World War. -
Tall Buildings Tall Building Projects Worldwide
Tall buildings Safe, comfortable and sustainable solutions for skyscrapers ©China Resources Shenzhen Bay Development Co., Ltd ©China Resources Tall building projects worldwide Drawing upon our diverse skillset, Arup has helped define the skylines of our cities and the quality of urban living and working environments. 20 2 6 13 9 1 7 8 16 5 11 19 3 15 10 17 4 12 18 14 2 No. Project name Location Height (m) 1 Raffles City Chongqing 350 ©Safdie Architect 2 Burj Al Alam Dubai 510 ©The Fortune Group/Nikken Sekkei 3 UOB Plaza Singapore 274 4 Kompleks Tan Abdul Razak Penang 232 5 Kerry Centre Tianjin 333 ©Skidmore Owings & Merrill 6 CRC Headquarters Shenzhen 525 ©China Resources Shenzhen Bay Development Co Ltd 7 Central Plaza Hong Kong 374 8 The Shard London 310 9 Two International Finance Centre Hong Kong 420 10 Shenzhen Stock Exchange Shenzhen 246 ©Marcel Lam Photography 11 Wheelock Square Shanghai 270 ©Kingkay Architectural Photography 12 Riviera TwinStar Square Shanghai 216 ©Kingkay Architectural Photography 13 China Zun (Z15) Beijing 528 ©Kohn Pederson Fox Associates PC 14 HSBC Main Building Hong Kong 180 ©Vanwork Photography 15 East Pacific Centre Shenzhen 300 ©Shenzhen East Pacific Real Estate Development Co Ltd 16 China World Tower Beijing 330 ©Skidmore, Owings & Merrill 17 Commerzbank Frankfurt 260 ©Ian Lambot 18 CCTV Headquarters Beijing 234 ©OMA/Ole Scheeren & Rem Koolhaas 19 Aspire Tower Doha 300 ©Midmac-Six Construct 20 Landmark Tower Yongsan 620 ©Renzo Piano Building Workshop 21 Northeast Asia Trade Tower New Songdo City 305 ©Kohn Pedersen Fox Associates PC 22 Guangzhou International Finance Centre Guangzhou 432 ©Wilkinson Eyre 23 Torre Reforma Mexico 244 ©L Benjamin Romano Architects 24 Chow Tai Fook Centre Guangzhou 530 ©Kohn Pederson Fox Associates PC 25 Forum 66 Shenyang 384 ©Kohn Pedersen Fox Associates PC 26 Canton Tower Guangzhou 600 ©Information Based Architecture 27 30 St. -
Signature Redacted Department of Civil and Environmental Engineering May 21, 2015
TRENDS AND INNOVATIONS IN HIGH-RISE BUILDINGS OVER THE PAST DECADE ARCHIVES 1 by MASSACM I 1TT;r OF 1*KCHN0L0LGY Wenjia Gu JUL 02 2015 B.S. Civil Engineering University of Illinois at Urbana-Champaign, 2014 LIBRAR IES SUBMITTED TO THE DEPARTMENT OF CIVIL AND ENVIRONMENTAL ENGINEERING IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ENGINEERING IN CIVIL ENGINEERING AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2015 C2015 Wenjia Gu. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known of hereafter created. Signature of Author: Signature redacted Department of Civil and Environmental Engineering May 21, 2015 Certified by: Signature redacted ( Jerome Connor Professor of Civil and Environmental Engineering Thesis Supervisor Accepted bv: Signature redacted ?'Hei4 Nepf Donald and Martha Harleman Professor of Civil and Environmental Engineering Chair, Departmental Committee for Graduate Students TRENDS AND INNOVATIONS IN HIGH-RISE BUILDINGS OVER THE PAST DECADE by Wenjia Gu Submitted to the Department of Civil and Environmental Engineering on May 21, 2015 in Partial Fulfillment of the Degree Requirements for Master of Engineering in Civil and Environmental Engineering ABSTRACT Over the past decade, high-rise buildings in the world are both booming in quantity and expanding in height. One of the most important reasons driven the achievement is the continuously evolvement of structural systems. In this paper, previous classifications of structural systems are summarized and different types of structural systems are introduced. Besides the structural systems, innovations in other aspects of today's design of high-rise buildings including damping systems, construction techniques, elevator systems as well as sustainability are presented and discussed. -
Silvia Micheli
Proceedings of the Society of Architectural Historians, Australia and New Zealand 30, Open Papers presented to the 30th Annual Conference of the Society of Architectural Historians, Australia and New Zealand held on the Gold Coast, Queensland, Australia, July 2-5, 2013. http://www.griffith.edu.au/conference/sahanz-2013/ Silvia Micheli, “Architecture in a Foreign Language: How Italy has Recognized Foreign Architecture in the Last Twenty Years” in Proceedings of the Society of Architectural Historians, Australia and New Zealand: 30, Open, edited by Alexandra Brown and Andrew Leach (Gold Coast, Qld: SAHANZ, 2013), vol. 2, p985-996. ISBN-10: 0-9876055-0-X ISBN-13: 978-0-9876055-0-4 Architecture in a Foreign Language How Italy has Recognized Foreign Architecture in the Last Twenty Years Silvia Micheli University of Queensland Italian architecture of the 1960s and 1970s, thanks to the remarkable design and theoretical contributions of the Tendenza group and the Radicali, soon become influential in the international scene. The intensity of this revolutionary intellectual activity started to wane at the beginning of the 1980s. The exhibition La Presenza del Passato curated by Paolo Portoghesi at the first Venice Biennale of Architecture held in 1980 and Manfredo Tafuri’s publication of the book Storia dell’architettura italiana 1944-1985, through different ideological assumptions, marked the inception of a structural crisis in architecture and opened new horizons for the discipline in Italy. In the last decade scholars have dedicated their studies to the recovery of Italian architectural history of the ‘’60s and ’70s. On the contrary, less attention has been paid to the development of Italian architecture in the following years. -
Investigation of Passive Control of Irregular Building Structures Using Bidirectional Tuned Mass Damper
INVESTIGATION OF PASSIVE CONTROL OF IRREGULAR BUILDING STRUCTURES USING BIDIRECTIONAL TUNED MASS DAMPER THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Science in the Graduate School of The Ohio State University By Mariantonieta Gutierrez Soto Graduate Program in Civil Engineering The Ohio State University 2012 Master's Examination Committee: Dr. Hojjat Adeli, Advisor Dr. Ethan Kubatko Dr. Vadim Utkin Copyright by Mariantonieta Gutierrez Soto 2012 ABSTRACT Eight different sets of equations proposed for tuning the parameters of tuned mass dampers (TMDs) are compared using a 5-story building with plan and elevation irregularity, and a 15-story and a 20-story building with plan irregularity subjected to seismic loading. Next, the performance of bidirectional tuned mass damper (BTMD) is compared with that of the pendulum tuned mass damper (PTMD) using three different structures with plan and vertical irregularities ranging in height from 5 to 20 stories and dominant fundamental periods ranging from 0.55 sec to 4.25 sec subjected to Loma Prieta earthquake. It is concluded that BTMD performs consistently better than PTMD for reduction of maximum displacement, acceleration and base shear. BTMD is advantageous over PTMD because it can be tuned for two modes of vibrations and therefore can be used as an alternative to using two TMDs. Then, the effectiveness of BTMD is investigated using a 20-story building structure with plan irregularity subjected to six seismic accelerograms. Finally, the optimal placement of the BTMD is investigated using five different multi-story building structures with plan and elevation irregularities ranging in height from 5 to 20 stories and fundamental periods ranging from 0.55 sec to 4.25 sec subjected to Loma Prieta earthquake. -
High Rise: Our Expertise
HIGH-RISE OUR EXPERTISE 15,000 110 EMPLOYEES WORLDWIDE YEARS’ EXPERIENCE 70+ 5 NATIONALITIES CONTINENTS N°69 2 billion+ INTERNATIONAL CONTRACTOR OF SALES ENR TOP 250 RANKING Cover picture: Burj Khalifa, Dubai, UAE Picture below: New Orleans, Rotterdam, The Netherlands 02 BESIX GROUP EXCELLING IN CREATING SUSTAINABLE SOLUTIONS FOR A BETTER WORLD BESIX is a leading Belgian business group, operating on BESIX is an international reference in the building, maritime five continents in construction, real estate development works, environment, sports and leisure facilities, industrial and concessions. buildings, road, rail, port and airport sectors. The Group is currently working on dozens of projects in around Its iconic achievements include Dubai’s Burj Khalifa, the 25 countries on five continents. world’s tallest tower; the Grand Egyptian Museum on the Giza pyramids plateau; the Ferrari World Leisure Center in Abu Its policy of sector diversification is also bearing fruit. Dhabi, the Carpe Diem building in Paris’s La Défense district; Its Concessions & Assets activities have taken off in recent the Al Wakrah Stadium, built for the FIFA World Cup Qatar years. BESIX’s expertise allows it to handle projects from 2022; and the Jebel Ali water treatment plant, an ongoing financial structuring to design and construction through project that will treat Dubai’s entire wastewater to the highest to maintenance. For its part, the Real Estate Development environmental standards. activity led by BESIX RED offers innovative real estate solutions in the residential, commercial and office sectors in five European countries. BESIX’s unique expertise is ensured by it having an in-house Engineering Department, at the forefront of contemporary technologies. -
As a Movie Set and Art Workshop. Now, Hive of Cultural Initiatives, It Is a Meeting Place with Bocce Courts and Even a Restaurant (Www
Ludovica Casellati Managing Editor E-book Milan on Bike Concept and Design Ludovica Casellati Editorial Coordination Marialuisa Bonivento Project Database Giordano Roverato Authors and Photographers Marialuisa Bonivento itinerary: Gianfranco Rocculi itinerary: Giordano Roverato itinerary: Alessandro Avalli itinerary: Maps Editor Luca Marin Graphic Design Alberto Fardin Dealership Ads Green Life srl e Clear Channel Copyright Green Life srl All rights to this work are reserved under current law. All rights to the databases are reserved. The translation, adaptation, processing or reproduction by whatever means (including electronic retrieval systems), whether total or partial, of the material contained in this site are reserved for all countries. The reproduction, publication and distribution, total or partial, of the material contained in this site, including the framing, analogue reproduction and, in general, the digital storage are expressly prohibited without written permission. 4 INDICE pag 05 pag 27 pag 52 pag 72 pag 87 pag 105 5 INDEX Crystal Milan The Crystal Milan runs the new districts of recent construction that put Milan ahead together with the big world capital cities. The bicycle route to discover the futuristic contemporary skyscrapers starts at the Pirelli skyscraper and winds along the new Milan until the Palazzo Lombardia skyscraper through places that will make you ride with your head upwards. 5 km DOWNLOAD GPS TRACK 8 Crystal Milan A bit of history Milan is found at the centre of rising in the name of technological the Po Valley and surrounded achievements, such as the electric by mountains that are perceived elevator and the introduction within nearby distance during clear of structures with steel beams windy days. -
Place Victoria: a Joint Venture Between Luigi Moretti and Pier Luigi Nervi
PLACE VICTORIA: A JOINT VENTURE BETWEEN LUIGI MORETTI AND PIER LUIGI NERVI Adrian Sheppard, FRAIC McGill University, Montreal INTRODUCTION lace Victoria stands alone amongst Moretti’s many buildings. The very fact that it deviates ideologically and formally from the rest of his oeuvre makes the project significant and P revelatory of Moretti’s architecture and of the man. The project neither follows the architectural principles of his prewar Rationalist period, nor those of his later expressionist phase. This divergence from his lifelong thinking is more the result of circumstances than the outcome of a re-evaluation of a well-defined design approach. The saga of the design process is a fascinating one for it illustrates how Moretti’s early ideas for the urban skyscraper changed continuously with his increased knowledge and awareness of the problem. He began by attempting to redefine the form and the use of the modern high-rise, but ended with an elegant landmark rather than a breakthrough. Instead of the heroic sculptural object he had hoped to create, he produced a highly functional and very beautiful tower. By Moretti’s earlier (and later) standards, the final version of Place Victoria is a remarkably disciplined and controlled work of architecture in which the usual concerns for self- expression and visual exhilaration are absent. This new formal clarity and structural logic are in great part attributable to his collaborator, engineer, Pier Luigi Nervi. The concept of Place Victoria is the outcome of a coming together of a radical architect and a conservative engineer. In culture and temperament, Nervi and Moretti were opposites.