DOCSLIB.ORG

200 Years of Brotherhood Volume 44, Number Three I N T H I S I S S U E

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
200 Years of Brotherhood Volume 44, Number Three I N T H I S I S S U E e l e b r a t i n g C200 Years of Brotherhood Volume 44, Number Three I N T H I S I S S U E Message from the 3 Sovereign Grand Commander The magazine for Scottish Rite Masons of AmericaSM Notes from the 18 Scottish Rite Journal COVER STORY Brothers on the Net 19 Leigh E. Morris, 33° 8 Essays from our members. Scottish Rite Charities 20 Steven R. Pekock, 32° Stamp Act 21 Robert A. Domingue Book Nook The 22 Thomas W. Jackson, 33° 24 HealthWise Members 25 1813 - 2013 On the Cover Views from the Past To mark the 200th anniversary of the jurisdiction, the centerpiece is 26 Speak a double-headed eagle, the symbol of Scottish Rite Freemasonry. As this issue is dedicated to the members, we have created a unique background. If you are a 33° Honorary Member with sharp 27 Quotables eyes, start looking. You may be surprised at what you find. ARTICLES 28 Today’s Family 29 More Than Just Books Collecting for the Readers Respond 4 Next 200 Years 30 Masonic Moments Aimee E. Newell, PhD 31 Et cetera, et cetera, etc. 16 The Sovereign Grand D I R E C T O R Y Commanders EDITOR Alan E. Foulds, 32° GRAPHIC DESIGNER Beth E. McSweeney STAFF WRITER Jerry A. Roach Jr., 32° PRODUCTION ASSISTANT Sonja B. Faiola CONTRIBUTORS MEDIA ADVISORY COMMITTEE Richard V.Travis, 33°, chairman Eric Ginette, 33° Donald M. Moran, 33° Donald G. Duquette, 33° Alan R. Heath, 33° Douglas N. Kaylor, 33° SUPREME COUNCIL, 33° Ancient Accepted Scottish Rite, Northern Masonic Jurisdiction, U.S.A. SOVEREIGN GRAND COMMANDER John Wm. McNaughton, 33° THE NORTHERN LIGHT (ISSN 1088-4416) is published quarterly in February, May, August, and November by the Supreme Council, 33°, Ancient Accepted Scottish Rite,Northern Masonic Jurisdiction,U.S.A., as the official publication. Printed in U.S.A. Periodicals postage paid at Aimee E. Newell, PhD, Robert A. Domingue is Leigh E. Morris, 33°, Thomas W. Jackson, Boston, MA, and at additional mailing offices. is the director of collections historian for St. Matthew’s works in corporate 33°, was formerly Grand POSTMASTER: Send address changes to The Northern Light,PO Box at the Scottish Rite Ma- Lodge, Andover, MA, and communications for a Secretary for the Grand 519, Lexington, MA 02420-0519. sonic Museum and editor of The Philatelic major utility company. He Lodge of Pennsylvania. He Copyright © 2013 by Trustees of the Supreme Council of the Ancient Library, located at Freemason. is a member of the Valleys is Executive Secretary for Accepted Scottish Rite of Freemasonry for the Northern Masonic Supreme Council head- of Milwaukee and the World Conference of Jurisdiction, U.S.A. quarters in Lexington, Springfield, IL. Masonic Grand Lodges. Mailing Address: MA. PO Box 519, Lexington, MA 02420-0519 Editorial Office: Other Contributors: 33 Marrett Road (Route 2A), Lexington, MA 02421 781-862-4410 • Fax: 781-863-1833 Jeffrey Croteau is manager of library and archives at the Van Gorden-Williams Library. Steven R. Pekock, 32°, is director email: [email protected] of development for the Supreme Council, 33°, AASR, NMJ, USA. S. Brent Morris, 33°, is the editor of The Scottish Rite Internet: Journal, a publication of the Southern Jurisdiction, USA, located at Washington, DC. www.ScottishRiteNMJ.org SOVEREIGNGRANDCOMMANDER John Wm. McNaughton, 33º The Northern Masonic Jurisdiction in Forward Motion he long awaited time is well upon us. Our most are hundreds of cases where good Brothers received TIllustrious Brother, J.J.J. Gourgas, known to us immediate help from our Almoner’s Fund, which many as, “the conservator of the Rite,” once commented of you Brothers helped to fund. that the Ancient Accepted Scottish Right has been Of the hundreds of thank you notes received by the “the greatest missionary of Freemasonry.” At the dedicated Scottish Rite Masons who helped to publication of this commemorative issue of The distribute the funds as well as by this office, I would Northern Light, we are filled with joy and pride in our like to share part of one of the most moving letters past growth and inspired with a productive, promising from a member whose daughter was killed and whose and nurturing present leading this “miracle of children came to live with him for their upbringing. “We Freemasonry” into our next 200 years. were speechless when we received the check from Paul Young writes in his inspirational novel, Cross Scottish Rite. We sat with tears running down our Roads, “You can’t steer a docked ship.” What a faces and shaking our heads in disbelief. You have no perfect time to be a member of our Scottish Rite. The idea what you have done for us today. I assure you winds of change are growing stronger daily. The ropes that the money will be used to pay off the bills holding our ship close to the dock are loosed, and we associated with the death of our daughter. I hope it’s are moving into an exciting future and are pleased to okay, but I would really like to go out tomorrow and have you on board. purchase a bed for our granddaughter, as she has Anniversaries, those of our own family as well as our been sleeping with us or on the floor since December.” organization’s, are times to look back and reminisce I’m sure that we all would tell this grateful recipient, about what was, about where we are now, and, more it’s okay. importantly, where we are headed. We cannot stand hat a grand anniversary gift. How good it is still. Our rite has been well conserved, but not Wto be practicing that which we swore openly preserved for a museum display. that we would do, by putting into action the words Brotherly love and affection We are very much alive, vibrant, and energetic. Our . We thank the many of you mission has been well chosen. As Freemasons we who have steered our ship away from the dock and realize our first duty – after that which we owe to our who are joining us for a long cruise to a beautiful and families – is to “our Brothers, widows and oprhans.” rewarding future. “Relief” is the password to a rich and meaningful Our best wishes to all of you in this celebration of future. Among the many changes that are taking place the long awaited 200th anniversary. Let us enjoy in this jurisdiction, one that stands out predominantly, together this memorable voyage remembering that the is the overwhelming success of the Almoner’s Fund. journey is indeed the destination. Monies from this fund have been used for many purposes, among which was to provide relief to those who were affected by Hurricane Sandy. However, there Sovereign Grand Commander The Northern Light / August 2013 3 COLLECTING FOR THE NEXT 200 YEARS By AIMEE E. NEWELL, PhD iconic objects in considering additions to the collection. We seek the collectionne of ofthe the most Scottish Rite Masonic objects that have supporting information in the OMuseum & Library in Lexington, MA, is the form of provenance or history explaining how the stained glass window in the lobby. Photographed object was made, used or transferred, while also by visitors and enjoyed by families, the large requiring that proposed acquisitions are in good window was donated to the museum in 1975, condition. shortly before it opened. Yet, when people think The museum has a special interest in of museums, they often don’t consider an object preserving and interpreting the history of the like this window as “historic” or even part of the Scottish Rite, Northern Masonic Jurisdiction. A collection. But, as we celebrate the Northern notable gap in the museum’s current collection is Masonic Jurisdiction’s 200th anniversary, that of Scottish Rite regalia, props and Museum & Library staff are already thinking accessories. In large part, this is due to the about the next 200 years – and how to collect and Scottish Rite’s success over the past one hundred interpret that future. years. Valleys used their costumes and props until The Scottish Rite Masonic Museum & they wore out. So, instead of having items to give Library seeks to be the “historical society for away, they used them up and purchased American Freemasonry.” To accomplish this, it replacements that they continued to use regularly. places a priority on strengthening its collection of But, now, in the 21st century, as some of the American Masonic and fraternal objects. degrees have started to be presented on DVD, Curatorial staff employ specific criteria when and as costumes and props are reevaluated, many 4 August 2013 / The Northern Light Valleys are consolidating their space and may when I find something that is coming up. The have surplus regalia and ritual items. We hope committee discusses whether or not the object fits that they will contact the museum before our collecting criteria and reviews the throwing anything away. Some of the weaknesses recommended bid that I would like to submit by of our current collection, which we would love to considering what similar objects have cost and strengthen, include: the state of the museum’s acquisitions fund. The • Scottish Rite costumes, 1900 to the present committee also reviews the condition report • Scottish Rite props, 1900 to the present provided by the auction house. In the case of the Masonic • Lodge furniture (with a history of where it was Eldred’s auction, there were several items that we Stained Glass used), 1760 to the present wished to bid on, so I went to the auction with a Window, 1975, Dr.
Load more

Recommended publications
  • The Dreams of Shakespeare and Tang Xianzu Inspire a Striking New International Collaboration - the Dreamer
    Press release for immediate use The dreams of Shakespeare and Tang Xianzu inspire a striking new international collaboration - The Dreamer. European premiere - The Pleasance, Fringe 2017 “Its flowing beauty depicts a poetic landscape…When you lower your head, you immediately fall into it, just like Alice falls into the rabbit-hole. What you see and what you experience goes beyond your imagination.” Audience member THE DREAMER, Shanghai Dramatic Arts Centre in association with Gecko, is Gecko’s first international co-production. The show is inspired by Shakespeare’s A Midsummer Night’s Dream and The Peony Pavilion, the work of his contemporary, Tang Xianzu (1550-1616). Ipswich-based physical theatre company Gecko celebrated the 400th anniversary of Shakespeare’s death with a new associate show as part of British Council’s Shakespeare Lives. The Dreamer premiered in China in October 2016 winning Best Stage Design – 2016 One Drama Awards, China. The European Premiere is 2 – 15 August at the Pleasance Grand PRESS PERFORMANCE Thursday 3 August at 1.30pm www.china-drama.com / www.geckotheatre.com / @GeckoTheatre / Facebook.com/GeckoTheatre1 The prestigious Shanghai Dramatic Arts Centre in China has teamed up with Gecko to stage a new piece of work - THE DREAMER - inspired by two playwrights considered the most influential in their respective countries: William Shakespeare and Tang Xianzu. Shanghai Dramatic Arts Centre is the only national performing arts company in Shanghai. Famous for its new Chinese-language dramas, as well as performing English-language classics in Chinese, its impressive team of actors, directors, writers and other creatives works across various venues in the French Quarter of the city.
    [Show full text]
  • The Essential Collection for Young Readers
    Published in Red Turtle by Rupa Publications India Pvt. Ltd 2015 7/16, Ansari Road, Daryaganj New Delhi 110002 Sales centres: Allahabad Bengaluru chennai Hyderabad Jaipur Kathmandu Kolkata Mumbai Copyright © Ruskin Bond 2015 Page 203 constitutes an extension of the copyright page. All rights reserved. No part of this publication may be reproduced, transmitted, or stored in a retrieval system, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously and any resemblance to any actual person, living or dead, events or locales is entirely coincidental. First impression 2015 10 9 8 7 6 5 4 3 2 1 The moral right of the author has been asserted. Printed and bound by Thomson Press India Ltd., Faridabad This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated, without the publisher’s prior consent, in any form of binding or cover other than that in which it is published. Contents Introduction The Room of Many Colours All Creatures Great and Small The Four Feathers Growing up with Trees The Funeral Coming Home to Dehra Our Great Escape The Last Tonga Ride The Night Train at Deoli The Coral Tree Love and Cricket The Night the Roof Blew off The Photograph The Tunnel The Overcoat The Girl on the Train The Woman on Platform No.
    [Show full text]
  • 2018 Participation List
    THE UNIVERSITY INTERSCHOLASTIC LEAGUE P. O. BOX 8028 AUSTIN, TEXAS 78713-8028 ONE-ACT PLAY ENTRIES 2017-2018 Listed in Alphabetical Order by School/City 1206 SENIOR HIGH SCHOOLS PARTICIPATING School, City O/SF Title Directors A A & M Cons HS, College Station s / f Mother Courage and Her Children Randal Williamson, Marissa Pena A+ Academy, Dallas s / f All My Sons John A. Price Abbott HS, Abbott s / f By the Bog of Cats Travis Walker, Karen Bearden Abernathy HS, Abernathy s / f Violet Sharp Brenda Macias, Victoria Yates Kyle Martin, Kathy Fisher, Ginger Abilene HS, Abilene s /f The Kentucky Cycle: Fire in the Hole Vinson Denise Larsen, Mistie Dakroub, Academy HS, Little River s / f Twentieth Century Alex Remschel Miguel Maymi, Jennifer Adams HS, Dallas s / f Anatomy of Gray Malmberg, Michelle Read Adamson HS, Dallas One-Act The Actor's Nightmare Joe Borunda Adrian HS, Adrian s / f Marisol Joshua Portillo Akins HS, Austin s / f Crimes of the Heart David B. Distelhorst, Erica Vallejo Alba-Golden HS, Alba s / f David's Mother Mandy Whitecotton, Stacy Rolen Jenny Scott, Jonathan Scott, Albany HS, Albany s / f Noises Off Chanel Hayner Walter L. Lane, Cedric West, Aldine HS, Houston s / f Circle in the Dirt Melinda Mosby Aledo HS, Aledo s / f The Little Prince Julia M. Carrington, Austin Long Carol L. Rosales, Monika Sanchez, Alexander HS, Laredo s / f Sun Yat Sen: In the Mouth of the Dragon Cassandra Navarro Alice HS, Alice One-Act The Magician's Nephew Darleen Totten Carrie L. Howell, Renee Harris, Allen HS, Allen s / f Over The River and Through the Woods Leigh Ann Unkenholz Alpine HS, Alpine One-Act White Room of My Remembering Rachel Maxwell Alto HS, Alto One-Act Gloria Mundi Kelli Zahn Alvarado HS, Alvarado s / f The Outsiders Luke Hunt Laurie Reese, Drake Simpson, Alvin HS, Alvin s / f The Art of Dining Mary Catherine Whitlock Melinda D.
    [Show full text]
  • From the Writer
    From the Writer As my class was discussing “The Portrait,” a short story by Nikolai Gogol, we touched briefly on the topic of perception and the ways in which the artist in Gogol’s story loses control of the portrait he paints. I had been having trouble determining what to write about in my second paper, and I decided to pursue that subject because the gap between a writer’s intentions and the way his work is interpreted interests me. After I explored that theme in my second paper, I decided to return to it for my fourth paper and bring Dostoevsky’s Poor Folk into the discussion, as well as “The Overcoat,” another short story by Gogol. While it had been relatively easy to see the theme of the artist losing control of his work in “The Portrait,” I had a little more trouble connecting the other two stories to the topic in a meaning- ful way. Through studying critical essays onPoor Folk and analyzing the relevant sections of the text closely, I developed a position on Dostoevsky’s relevance to the subject, noting that he creates one of his characters, Makar Devushkin, as an amateur literary critic who misinterprets Gogol’s work. Once I began to find the connections the three stories shared, my interest in the concept helped me put together a strong argument. — Georgianne Maroon 13 Georgianne Maroon Prize Essay Winner Dostoevsky and Gogol’s Acknowledgments of Writers’ Limitations One of the more frustrating realizations most writers make during their careers is that their work, no matter how hard they try to craft it to communicate certain messages to their readers, always has the potential to be misinterpreted and misunderstood.
    [Show full text]
  • 1 Nikolai Gogol (1809-1852) the Overcoat Translated by Constance
    1 Nikolai Gogol (1809-1852) The Overcoat Translated by Constance Garnett Nikolai Gogol (1809-1852) was a Russian writer born in Ukraine and considered a founder of Russian realism, although elements of romanticism and the grotesque permeate his work. His most widely-read novels are Taras Bulba (1835), a historical romance, and Dead Souls (1842), a satirical novel critical of the Tsarist regime. “The Overcoat,” also known as “The Cloak,” was published in 1842. Fyodor Dostoyevsky is supposed to have said that all modern literature has come out of Gogol’s overcoat. In the department of—but it is better not to mention the department. There is nothing more irritable than departments, regiments, courts of justice, and, in a word, every branch of public service. Each individual attached to them nowadays thinks all society insulted in his person. Quite recently a complaint was received from a justice of the peace, in which he plainly demonstrated that all the imperial institutions were going to the dogs, and that the Czar's sacred name was being taken in vain; and in proof he appended to the complaint a romance in which the justice of the peace is made to appear about once every ten lines, and sometimes in a drunken condition. Therefore, in order to avoid all unpleasantness, it will be better to describe the department in question only as a certain department. So, in a certain department there was a certain official—not a very high one, it must be allowed—short of stature, somewhat pock-marked, red-haired, and short-sighted, with a bald forehead, wrinkled cheeks, and a complexion of the kind known as sanguine.
    [Show full text]
  • A Structural Analysis of Nv Gogol's 'The Overcoat'
    MANAS Sosyal Araştırmalar Dergisi 2017 Cilt: 6 Sayı: 2 MANAS Journal of Social Studies 2017 Vol.: 6 No: 2 A STRUCTURAL ANALYSIS OF N.V. GOGOL'S ‘THE OVERCOAT’ Yrd. Doç. Dr. Recep YILMAZ Ondokuz Mayıs Üniversitesi [email protected] Abstract Written by the renowned Russian novelist Nikolai Vasilievich Gogol in 1842 as a short novel, “The Overcoat” is a highly influential text for its successors. In this study, Gogol's contribution to literature in terms of literary communication will be clarified systematically through structural analysis. The method presentation is followed by an extensive analysis part and in conclusion, the deep structure formed in “The Overcoat” is revealed. The results reached after the analysis are of importance for literature researchers as well as for those who study literary communication. Keywords: Literary Communication, Structural Analysis, N. V. Gogol, The Overcoat. N. V. GOGOL'UN ‘PALTO’SU’NUN YAPISAL ÇÖZÜMLEMESİ Öz Ünlü Yazar Nikolai V. Gogol tarafından 1842 yılında kısa roman olarak yazılan Palto, kendisinden sonraki dönem üzerinde yoğun bir etki bırakan bir metindir. Bu çalışmada, yapısal çözümleme yöntemi kullanılarak, yazınsal iletişim açısından Gogol’un edebiyat dünyasına sunduğu katkı sistematik olarak belirim kazandırılmaya çalışılmaktadır. Çalışmada yönetimin sunumunu, kapsamlı analiz bölümü izlemekte ve sonuç bölümünde Palto’da oluşturulan derin yapı ortaya çıkarılmaktadır. Elde edilen bulgular yazınsal iletişim alanında çalışanlar kadar, edebiyat araştırmacılarına da yardımcı olabilecek niteliktedir. Anahtar Kelimeler: Yazınsal İletişim, Yapısal Çözümleme, N. V. Gogol, Palto. 1. Introduction The Overcoat is written by Gogol in 1842 as a short novel. The novelist deals with the everyman theme by looking at an anecdote. The protagonist Akaky Akakievich's life portrays the life of ordinary people of the Czarist Russia period.
    [Show full text]
  • The Government Inspector REP Insight
    The Government Inspector REP Insight The Government Inspector REP Insight Contents Introduction ............................................................................................................................................ 3 Characters in the play ............................................................................................................................. 4 Synopsis .................................................................................................................................................. 5 About the author: Nikolai Gogol ............................................................................................................. 6 Ramps on the Moon & Graeae Theatre Company .................................................................................. 8 Interview with the director: Roxana Silbert ............................................................................................ 9 Production design ................................................................................................................................. 12 Drama activities .................................................................................................................................... 14 English activities .................................................................................................................................... 17 Activities using the text ........................................................................................................................
    [Show full text]
  • The Overcoat”, Benedetti’S the Truce and Melville’S “Bartleby, the Scrivener”
    An Account of Common Motifs in Gogol’s “The Overcoat”, Benedetti’s The Truce and Melville’s “Bartleby, the Scrivener” Augusto Pérez Romero Master’s Degree Thesis Department of Literature, Area Studies and European Languages Faculty of Humanities UNIVERSITY OF OSLO th Oslo, May 16 , 2001 An Account of Common Motifs in Gogol’s “The Overcoat”, Benedetti’s The Truce and Melville’s “Bartleby, the Scrivener” Augusto Pérez Romero II © Augusto Pérez Romero © Cover Picture taken from Bureaucratics by Jan Banning, used with permission of the author. 2011 An Account of Common Motifs in Gogol‘s ―The Overcoat‖, Benedetti‘s The Truce and Melville‘s ―Bartleby, the Scrivener‖ Forfatter http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo III Acknowledgments Thanks to my thesis tutor Audun Mørch. Thanks to all my culture, language and literature teachers in Mexico City, Tromsø, Oslo, York and Saint Petersburg. Thanks to my family and friends for their support. Thanks to Tanja Christiansen, Matthew Frear, Claire Baron, Omar Einaudi, Jodi Sher and Jan Thomas Lerstein for proofreading. Thanks to Saint Petersburg for inspiring me. IV Content 1 Introduction ........................................................................................................................ 1 2 Conceptual Framework ...................................................................................................... 3 2.1 Thematics..................................................................................................................... 3 2.1.1 Definition
    [Show full text]
  • A Comparative Study of the Literary Output of Nikolai Gogol
    The Aesthetics of Effacement: A Comparative Study of the Literary Output of Nikolai Gogol and Oscar Wilde PhD Thesis 2019 Brigit Katharine McCone Student no. 09129731 1 I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the Library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. Signed ___________________________________________________ 2 SUMMARY This thesis marks the first comprehensive comparative study of the literary output of Nikolai Gogol and Oscar Wilde, from an intersectional perspective blending genre theory, queer theory, postcolonial theory and Jungian psychoanalysis, to examine the authors as sexually and ethnically closeted while estimating the impact of this closeting on their fiction. The thesis concludes that Nikolai Gogol and Oscar Wilde have significant parallels in their conception of the artistic process, explicable by a shared exposure anxiety, significant stylistic parallels, explicable by a shared imperative to generate interpretative suspense and facilitate plausibly deniable self-expression, and significant thematic parallels in their treatment of sexuality, ethnicity and identity, explicable by a shared experience of sexual and ethnic closeting. By establishing that all major sexual themes in the fiction of Nikolai Gogol have direct parallels in the fiction of Oscar Wilde, this thesis contributes to the contextualization of Gogol as a closeted writer, while proposing new aesthetic frameworks for the evaluation of Oscar Wilde. 3 ACKNOWLEDGEMENT I am grateful for the advice and encouragement of my supervisor, Dr Sarah Smyth, of the Department of Russian and Slavonic Studies of Trinity College Dublin, and my co-supervisor, Dr Paul Delaney of the School of English, and my two examiners Jarlath Killeen and Claire Whitehead.
    [Show full text]
  • Gogol's Vestmental Term “Shinel (The Overcoat)” As “Daguerreotype”
    SHS Web of Conferences 50, 01239 (2018) https://doi.org/10.1051/shsconf/20185001239 CILDIAH-2018 Gogol’s Vestmental Term “Shinel (The Overcoat)” as “Daguerreotype” of Mediocrity Saiana Ozer*, PhD in Linguistics, Department of Theoretical & Applied Linguistics, Russian-Tajik Slavonic University Abstract. In the first half of the 19th century, the theme of ‘a small’ man, an ordinary and inconspicuous person, appeared in the literature. Different writers described the daily unremarkable life of mediocre people in detail. Such writers as Anton Chekhov, Alexander Kuprin, Maxim Gorky, Leonid Andreyev, Fyodor Sologub, Arkady Averchenko, Konstantin Trenyov, Ivan Shmelyov, Semyon Yushkevich, etc. dwelled later on the same topic. Under the guise of criticism of philistine life, Mikhail Zoshchenko, Mikhail Bulgakov, Vladimir Voinovich continued the tradition of “the small man’s menology” during the era of socialist realism. Despite numerous literary attempts to describe small men’s expectations, “The Shinel (Overcoat)” by Nikolai Gogol undoubtedly is the cornerstone of those works. Fyodor Dostoyevsky stated, “We all come out from Gogol's ‘Overcoat’.” Literary critics are fascinated by this story because of its scale, multi-layered conception, hidden spirituality and a prophetic encoded message. Characteristics of the protagonist change from positive to completely opposite, depending on the ideological mood of the reader. The only thing that can scare any sensible person is the rebellion of a small wrathful man who becomes merciless. The offended person easily turns from a harmless creature into a scoundrel, destroying everything to achieve his ephemeral goal. 1 Introduction Who will agree to admit Bashmachkin's lifestyle as a model for imitation in our days? Probably no one.
    [Show full text]
  • Nikolai Vasilievich Gogol the Overcoat
    Nikolai Vasilievich Gogol The Overcoat "The Overcoat" is a short story by Ukrainian-born Russian author Nikolai Gogol, published in 1843. The story and its author have had great influence on Russian literature, as expressed in a quote attributed to Fyodor Dostoevsky: "We all come out from Gogol's 'Overcoat'." The story has been adapted into a variety of stage and film interpretations. 1 The Overcoat. Nikolai Gogol In the department of... but it would be better not to say in which department. There is nothing more irascible than all these departments, regiments, offices in short, all this officialdom. Nowadays every private individual considers the whole of society insulted in his person. They say a petition came quite recently from some police chief, I don't remember of what town, in which he states clearly that the government's decrees are perishing and his own sacred name is decidedly being taken in vain. And as proof he attached to his petition a most enormous tome of some novelistic work in which a police chief appears on every tenth page, in some places even in a totally drunken state. And so, to avoid any unpleasantness, it would be better to call the department in question a certain department. And so, in a certain department there served a certain clerk; a not very remarkable clerk, one might say short, somewhat pockmarked, somewhat red-haired, even with a somewhat nearsighted look, slightly bald in front, with wrinkles on both cheeks and a complexion that is known as hemorrhoidal. No help for it! the Petersburg climate is to blame.
    [Show full text]
  • DOI: 10.7596/Taksad.V4i3.462 the Intertextual Dimension of Otherness
    Tarih Kültür ve Sanat Araştırmaları Dergisi (ISSN: 2147-0626) Journal of History Culture and Art Research Vol. 4, No. 3, September 2015 Revue des Recherches en Histoire Culture et Art Copyright © Karabuk University http://kutaksam.karabuk.edu.tr/index.php ﻣﺠﻠﺔ ﺍﻟﺒﺤﻮﺙ ﺍﻟﺘﺎﺭﻳﺨﻴﺔ ﻭﺍﻟﺜﻘﺎﻓﻴﺔ ﻭﺍﻟﻔﻨﻴﺔ DOI: 10.7596/taksad.v4i3.462 The Intertextual Dimension of Otherness in Jhumpa Lahiri’s The Namesake1 Liviu Augustin Chifane2 Abstract The work of the Pulitzer prize winner Jhumpa Lahiri has been referred to as a solid representation of diaspora and immigrant literature. One of her most famous books, the novel The Namesake (2003), illustrates the experience of dislocation psychologically exploring the identity crisis and the sense of alienation. Nevertheless, the novel offers the opportunity of a trans-textual approach that leads to a philosophical vision of the traditional issues of alterity. The aim of the paper is to explore the extent to which an intertextual reading of the novel can provide a better understanding of the multitude of socio-cultural and identity questions the book raises. The resonance of Nikolai Gogol’s name, work and tumultuous existence transgresses the pages in layers of meaningful interpretation of Otherness as a duality of name and cultural affiliation. The never read essential text, Gogol’s short story The Overcoat, shapes the tragic paternal imagery in a continual struggle of the inner self to clarify the sense of displacement and hybridity. Keywords: Otherness, Immigrant literature, Intertextuality, Cultural identity, Duality, Cultural shock. 1 This paper was presented in the 2nd English Studies Conference which was held between 8-10 May 2015 in Karabuk University.
    [Show full text]