2 Table of Contents I. Introduction: Gogol's Conception of Evil As Poshlost' 3 II. the Representation of Language in the Ve
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The Government Inspector Adapted by Jeffrey Hatcher from the Original by Nikolai Gogol Directed by Allison Narver
The Government Inspector Adapted by Jeffrey Hatcher from the original by Nikolai Gogol Directed by Allison Narver All original material copyright © Seattle Shakespeare Company 2017 WELCOME Dear Educators, Welcome to our production of The Government Inspector! When I first read this script, I found myself laughing out loud every couple of pages. It’s a hilarious read of a farcical play, and I was really excited to watch it. Director Allison Narver mentioned that all of the characters are horrible people, and the protagonist of this show is comedy. Normally, I don’t love watching shows full of horrible people, but this one is so darn funny that I can spend the whole show rooting for the main character — comedy! After thinking about the play for a few weeks, and keeping up with the news cycle, I’ve been thinking more about themes in The Government Inspector. This production will simultaneously be quite relevant to our contemporary era of government corruption, and will be an escape to a world where that corruption is lampooned and all the officials get taken advantage of. This play can spark political discussions, but it can also just leave you laughing at the absurdity of it. It’s all in there. We hope you enjoy the show! Best, Michelle Burce Education Director seattleshakespeare.org/education 206-733-8228 ext. 251 or [email protected] PRODUCTION SPONSORS CONTENTS Plot Synopsis . 1 Character List . 1 Nikolai Gogol . 2 A brief look at the life of Russia’s celebrated playwright and novelist. Placing the Production . 3–4 Take a look inside the director’s inspiration and thoughts for the production Tidbits and Trivia . -
Dead Souls Online
HI6qS (Online library) Dead Souls Online [HI6qS.ebook] Dead Souls Pdf Free Nikolai Gogol ebooks | Download PDF | *ePub | DOC | audiobook Gogol Nikolai 2016-06-21Original language:English 9.00 x .69 x 6.00l, .91 #File Name: 1534806385306 pagesDead Souls | File size: 73.Mb Nikolai Gogol : Dead Souls before purchasing it in order to gage whether or not it would be worth my time, and all praised Dead Souls: 3 of 3 people found the following review helpful. one of the best examples of Russian literatureBy snoozerClassic story, one of the best examples of Russian literature, multilayered, funny, smart.4 of 4 people found the following review helpful. Greatly doneBy N. YablonkoGreat classic book. Actually, finally managed to read it till the end, mostly because of how it's easy to read and navigate. Definitely recommend this Kindle Edition and publisher. Since its publication in 1842, Dead Souls has been celebrated as a supremely realistic portrait of provincial Russian life and as a splendidly exaggerated tale; as a paean to the Russian spirit and as a remorseless satire of imperial Russian venality, vulgarity, and pomp. As Gogol's wily antihero, Chichikov, combs the back country wheeling and dealing for "dead souls"--deceased serfs who still represent money to anyone sharp enough to trade in them--we are introduced to a Dickensian cast of peasants, landowners, and conniving petty officials, few of whom can resist the seductive illogic of Chichikov's proposition. Dead Souls is unanimously considered one of the greatest novels in the Russian language for its characterizations, satiric humor, and style. -
Olga Zaitseva: Every Woman Is a Witch…
We have only fresh and savory news! December 2013 | № 12 (123) DO NOT MISS: December 8 – Korchma on Borovskoye Highway December 22 — Korchma in Sadovo-Samotochnaya Street December 29 — Korchma in Pyatnitskaya Street December 29 — Korchma in Bochkova Street More news and photos at www.tarasbulba.us e U v o [email protected] k l r a h Project manager – Yuri Beloyvan i it n [email protected] i w an e c ad uisine – m OLGA ZAITSEVA: EVERY WOMAN IS A WITCH… VIY: RETURNING PREMIERE 30 january in 3D INCREDIBLE ASIA: Blood, sacrifices and cremation in Nepal THE NEW YEAR: tar barrels, flower offerings and mass spam DELIVERY OF HOMEMADE UKRAINIAN FOOD AND HOTLINE 6+ www.tarasbulba.us (212) 510-75-10 2 | GUEST SHE BROUGHT TOGETHER THE OPPOSITE FEATURES OF A BEAUTY AND A WICKED WITCH IN THE ROLE OF GOGOL’S PANNOCHKA FROM THE HORROR STORY VIY, IN SEARCH OF THE BEST ANGLE SHE COULD LIE IN A COFFIN FOR HOURS … SHE WAS CHOSEN FOR THE PART FROM AMONG THOUSANDS OF CANDIDATES AND THE RESULT SURPASSED ALL EXPECTATIONS… THE NEW 3D VERSION OF VIY COMES TO THEATERS ON JANUARY 30; MEANWHILE BULBA NEWS TALKED TO OLGA ZAYTSEVA WHO PORTRAYED THE LEGENDARY PANNOCHKA IN THE MOVIE. OLGA ZAITSEVA: “EVERY WOMAN IS A WITCH…” – Olga, how did you start your work with the film creators? What is your secret? – It’s not a secret, really. We have been working together for long time, and working well. It all started at casting, like with all actors. I came in, and what followed next was ridiculous. -
Dead Souls Gogol, Nikolai (Translator: D
Dead Souls Gogol, Nikolai (Translator: D. J. Hogarth) Published: 1842 Categorie(s): Fiction, Literary Source: Project Gutenberg 1 About Gogol: Nikolai Vasilievich Gogol (April 1, 1809 — March 4, 1852) was a Russian-language writer of Ukrainian origin. Although his early works were heavily influenced by his Ukrainian herit- age and upbringing, he wrote in Russian and his works belong to the tradition of Russian literature. The novel Dead Souls (1842), the play Revizor (1836, 1842), and the short story The Overcoat (1842) count among his masterpieces. Source: Wikipedia Also available on Feedbooks for Gogol: • Diary Of A Madman (1835) • The Nose (1836) • A May Evening (1887) • The Cloak (1835) • Taras Bulba (1835) • The Mysterious Portrait (1842) • How the two Ivans quarrelled (1835) • The Calash (1836) • St. John's Eve (1831) Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Part 1 3 Chapter 1 To the door of an inn in the provincial town of N. there drew up a smart britchka—a light spring-carriage of the sort affected by bachelors, retired lieutenant-colonels, staff-captains, land-own- ers possessed of about a hundred souls, and, in short, all per- sons who rank as gentlemen of the intermediate category. In the britchka was seated such a gentleman—a man who, though not handsome, was not ill-favoured, not over-fat, and not over- thin. Also, though not over-elderly, he was not over-young. His arrival produced no stir in the town, and was accompanied by no particular incident, beyond that a couple of peasants who happened to be standing at the door of a dramshop exchanged a few comments with reference to the equipage rather than to the individual who was seated in it. -
The Dreams of Shakespeare and Tang Xianzu Inspire a Striking New International Collaboration - the Dreamer
Press release for immediate use The dreams of Shakespeare and Tang Xianzu inspire a striking new international collaboration - The Dreamer. European premiere - The Pleasance, Fringe 2017 “Its flowing beauty depicts a poetic landscape…When you lower your head, you immediately fall into it, just like Alice falls into the rabbit-hole. What you see and what you experience goes beyond your imagination.” Audience member THE DREAMER, Shanghai Dramatic Arts Centre in association with Gecko, is Gecko’s first international co-production. The show is inspired by Shakespeare’s A Midsummer Night’s Dream and The Peony Pavilion, the work of his contemporary, Tang Xianzu (1550-1616). Ipswich-based physical theatre company Gecko celebrated the 400th anniversary of Shakespeare’s death with a new associate show as part of British Council’s Shakespeare Lives. The Dreamer premiered in China in October 2016 winning Best Stage Design – 2016 One Drama Awards, China. The European Premiere is 2 – 15 August at the Pleasance Grand PRESS PERFORMANCE Thursday 3 August at 1.30pm www.china-drama.com / www.geckotheatre.com / @GeckoTheatre / Facebook.com/GeckoTheatre1 The prestigious Shanghai Dramatic Arts Centre in China has teamed up with Gecko to stage a new piece of work - THE DREAMER - inspired by two playwrights considered the most influential in their respective countries: William Shakespeare and Tang Xianzu. Shanghai Dramatic Arts Centre is the only national performing arts company in Shanghai. Famous for its new Chinese-language dramas, as well as performing English-language classics in Chinese, its impressive team of actors, directors, writers and other creatives works across various venues in the French Quarter of the city. -
A Comparative Examination of Dead Souls, the Master and Margarita, and Revelation 12-3
LMU/LLS Theses and Dissertations Spring 2019 Understanding the Devil: A Comparative Examination of Dead Souls, The Master and Margarita, and Revelation 12-3 Thomas "TJ" Kennedy Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/etd Part of the Biblical Studies Commons Recommended Citation Kennedy, Thomas "TJ", "Understanding the Devil: A Comparative Examination of Dead Souls, The Master and Margarita, and Revelation 12-3" (2019). LMU/LLS Theses and Dissertations. 772. https://digitalcommons.lmu.edu/etd/772 This Thesis is brought to you for free and open access by Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in LMU/LLS Theses and Dissertations by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Understanding the Devil: A Comparative Examination of Dead Souls, The Master and Margarita, and Revelation 12-13 by TJ Kennedy A thesis presented to the Faculty of the Department of Theology Loyola Marymount University In partial fulfillment of the Requirements for the Degree Master of Arts in Theology May 7, 2019 Kennedy 1 Introduction Are you a devil?" "I am a man," answered Father Brown gravely; "and therefore have all devils in my heart. -G.K. Chesterton1 Evil begins where creation ends. In Zoroastrianism, Angra Mainyu propels the cause of druj (darkness), and is the antagonist to Ahura Mazda, the god of light.2 In Buddhism, the demon Mara often tries to tempt and trick the Buddha, including through kind words in the Padhaana Sutta of the Sutta-nipaata. -
The Essential Collection for Young Readers
Published in Red Turtle by Rupa Publications India Pvt. Ltd 2015 7/16, Ansari Road, Daryaganj New Delhi 110002 Sales centres: Allahabad Bengaluru chennai Hyderabad Jaipur Kathmandu Kolkata Mumbai Copyright © Ruskin Bond 2015 Page 203 constitutes an extension of the copyright page. All rights reserved. No part of this publication may be reproduced, transmitted, or stored in a retrieval system, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously and any resemblance to any actual person, living or dead, events or locales is entirely coincidental. First impression 2015 10 9 8 7 6 5 4 3 2 1 The moral right of the author has been asserted. Printed and bound by Thomson Press India Ltd., Faridabad This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated, without the publisher’s prior consent, in any form of binding or cover other than that in which it is published. Contents Introduction The Room of Many Colours All Creatures Great and Small The Four Feathers Growing up with Trees The Funeral Coming Home to Dehra Our Great Escape The Last Tonga Ride The Night Train at Deoli The Coral Tree Love and Cricket The Night the Roof Blew off The Photograph The Tunnel The Overcoat The Girl on the Train The Woman on Platform No. -
ALMA CLASSICS NEW BOOK INFORMATION EVERGREENS • £4.99 Dead Souls by Nikolai Gogol Translated by Donald Rayfi Eld
ALMA CLASSICS NEW BOOK INFORMATION EVERGREENS • £4.99 Dead Souls by Nikolai Gogol Translated by Donald Rayfi eld “A word aptly uttered or written cannot be cut away by an axe.” SELLING POINTS: • Brand-new translation of Gogol’s masterpiece • Includes pictures and an extensive section on Gogol’s life and works • Follows the success of Gogol’s Petersburg Tales • Fully annotated edition DESCRIPTION: A mysterious stranger named Chichikov arrives in a small provincial Russian town and proceeds to visit a succession of landowners, making each of them an unusual and somewhat macabre proposition. He offers to buy the rights to the dead serfs who are SERIES: Alma Classics still registered on the landowner’s estate, thus reducing their liability for taxes. It is not Evergreens clear what Chichikov’s intentions are with the dead serfs he is purchasing, and despite May 25th 2017 his attempts to ingratiate himself, his strange behaviour arouses the suspicions of every- £4.99 one in the town. 978-1-84749-628-7 512 pp • PB A biting satire of social pretensions and pomposity, Dead Souls has been revered Subject: FC since its original publication in 1842 as one of the funniest and most brilliant novels of nineteenth-century Russia. Its unfl inching and remorseless depiction of venality in Russian society is a lasting tribute to Gogol’s comic genius. BY THE SAME AUTHOR: “Gogol was a strange creature, but then genius is always strange.” Vladimir Nabokov ABOUT THE AUTHOR: One of the leading fi gures in nineteenth-century Russian literature, Nikolai Gogol (1809–52) is best known for his satirical masterpiece, Dead Souls, and humorous plays and short stories such as The Government Inspector and The Overcoat, written in a highly original and trenchant style. -
2018 Participation List
THE UNIVERSITY INTERSCHOLASTIC LEAGUE P. O. BOX 8028 AUSTIN, TEXAS 78713-8028 ONE-ACT PLAY ENTRIES 2017-2018 Listed in Alphabetical Order by School/City 1206 SENIOR HIGH SCHOOLS PARTICIPATING School, City O/SF Title Directors A A & M Cons HS, College Station s / f Mother Courage and Her Children Randal Williamson, Marissa Pena A+ Academy, Dallas s / f All My Sons John A. Price Abbott HS, Abbott s / f By the Bog of Cats Travis Walker, Karen Bearden Abernathy HS, Abernathy s / f Violet Sharp Brenda Macias, Victoria Yates Kyle Martin, Kathy Fisher, Ginger Abilene HS, Abilene s /f The Kentucky Cycle: Fire in the Hole Vinson Denise Larsen, Mistie Dakroub, Academy HS, Little River s / f Twentieth Century Alex Remschel Miguel Maymi, Jennifer Adams HS, Dallas s / f Anatomy of Gray Malmberg, Michelle Read Adamson HS, Dallas One-Act The Actor's Nightmare Joe Borunda Adrian HS, Adrian s / f Marisol Joshua Portillo Akins HS, Austin s / f Crimes of the Heart David B. Distelhorst, Erica Vallejo Alba-Golden HS, Alba s / f David's Mother Mandy Whitecotton, Stacy Rolen Jenny Scott, Jonathan Scott, Albany HS, Albany s / f Noises Off Chanel Hayner Walter L. Lane, Cedric West, Aldine HS, Houston s / f Circle in the Dirt Melinda Mosby Aledo HS, Aledo s / f The Little Prince Julia M. Carrington, Austin Long Carol L. Rosales, Monika Sanchez, Alexander HS, Laredo s / f Sun Yat Sen: In the Mouth of the Dragon Cassandra Navarro Alice HS, Alice One-Act The Magician's Nephew Darleen Totten Carrie L. Howell, Renee Harris, Allen HS, Allen s / f Over The River and Through the Woods Leigh Ann Unkenholz Alpine HS, Alpine One-Act White Room of My Remembering Rachel Maxwell Alto HS, Alto One-Act Gloria Mundi Kelli Zahn Alvarado HS, Alvarado s / f The Outsiders Luke Hunt Laurie Reese, Drake Simpson, Alvin HS, Alvin s / f The Art of Dining Mary Catherine Whitlock Melinda D. -
From the Writer
From the Writer As my class was discussing “The Portrait,” a short story by Nikolai Gogol, we touched briefly on the topic of perception and the ways in which the artist in Gogol’s story loses control of the portrait he paints. I had been having trouble determining what to write about in my second paper, and I decided to pursue that subject because the gap between a writer’s intentions and the way his work is interpreted interests me. After I explored that theme in my second paper, I decided to return to it for my fourth paper and bring Dostoevsky’s Poor Folk into the discussion, as well as “The Overcoat,” another short story by Gogol. While it had been relatively easy to see the theme of the artist losing control of his work in “The Portrait,” I had a little more trouble connecting the other two stories to the topic in a meaning- ful way. Through studying critical essays onPoor Folk and analyzing the relevant sections of the text closely, I developed a position on Dostoevsky’s relevance to the subject, noting that he creates one of his characters, Makar Devushkin, as an amateur literary critic who misinterprets Gogol’s work. Once I began to find the connections the three stories shared, my interest in the concept helped me put together a strong argument. — Georgianne Maroon 13 Georgianne Maroon Prize Essay Winner Dostoevsky and Gogol’s Acknowledgments of Writers’ Limitations One of the more frustrating realizations most writers make during their careers is that their work, no matter how hard they try to craft it to communicate certain messages to their readers, always has the potential to be misinterpreted and misunderstood. -
Horror Genre in National Cinemas of East Slavic Countries
Studia Filmoznawcze 35 Wroc³aw 2014 Volha Isakava University of Ottawa, Canada HORROR GENRE IN NATIONAL CINEMAS OF EAST SLAVIC COUNTRIES In this essay I would like to outline several tendencies one can observe in con- temporary horror fi lms from three former Soviet republics: Belarus, Russia and Ukraine. These observations are meant to chart the recent (2000-onwards) de- velopment of horror as a genre of mainstream cinema, and what cultural, social and political forces shape its development. Horror fi lm is of particular interest to me because it is a popular genre known for a long and interesting history in American cinema. In addition, horror is one of transnational genres that infuse Hollywood formula with particularities of national cinematic traditions (most no- table example is East Asian horror cinema, namely “J-horror,” Japanese horror). To understand the peculiarity of the newly emerged horror genre in the cinemas of East Slavic countries, I propose two venues of exploration, or two perspectives. The fi rst one could be called the global perspective: horror fi lm, as it exists today in post-Soviet space, is profoundly infl uenced by Hollywood. Domestic produc- tions compete with American fi lms at the box offi ce and strive to emulate genre structures of Hollywood to attract viewers, whose tastes are largely shaped by American fi lms. This is especially true for horror, which has almost no reference point in national cinematic traditions in question. The second vantage point is local: the local specifi city of these horror narratives, how the fi lms refl ect their own cultural condition, shaped by today’s globalized cinema market, Hollywood hegemony and local sensibilities of distinct cinematic and pop-culture traditions. -
200 Years of Brotherhood Volume 44, Number Three I N T H I S I S S U E
e l e b r a t i n g C200 Years of Brotherhood Volume 44, Number Three I N T H I S I S S U E Message from the 3 Sovereign Grand Commander The magazine for Scottish Rite Masons of AmericaSM Notes from the 18 Scottish Rite Journal COVER STORY Brothers on the Net 19 Leigh E. Morris, 33° 8 Essays from our members. Scottish Rite Charities 20 Steven R. Pekock, 32° Stamp Act 21 Robert A. Domingue Book Nook The 22 Thomas W. Jackson, 33° 24 HealthWise Members 25 1813 - 2013 On the Cover Views from the Past To mark the 200th anniversary of the jurisdiction, the centerpiece is 26 Speak a double-headed eagle, the symbol of Scottish Rite Freemasonry. As this issue is dedicated to the members, we have created a unique background. If you are a 33° Honorary Member with sharp 27 Quotables eyes, start looking. You may be surprised at what you find. ARTICLES 28 Today’s Family 29 More Than Just Books Collecting for the Readers Respond 4 Next 200 Years 30 Masonic Moments Aimee E. Newell, PhD 31 Et cetera, et cetera, etc. 16 The Sovereign Grand D I R E C T O R Y Commanders EDITOR Alan E. Foulds, 32° GRAPHIC DESIGNER Beth E. McSweeney STAFF WRITER Jerry A. Roach Jr., 32° PRODUCTION ASSISTANT Sonja B. Faiola CONTRIBUTORS MEDIA ADVISORY COMMITTEE Richard V.Travis, 33°, chairman Eric Ginette, 33° Donald M. Moran, 33° Donald G. Duquette, 33° Alan R. Heath, 33° Douglas N. Kaylor, 33° SUPREME COUNCIL, 33° Ancient Accepted Scottish Rite, Northern Masonic Jurisdiction, U.S.A.