Social Media Toolkit for Cultural Managers Table of Contents
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The 2Nd International Conference on Internet Pragmatics - Netpra2
THE 2ND INTERNATIONAL CONFERENCE ON INTERNET PRAGMATICS - NETPRA2 INTERACTIONS, IDENTITIES, INTENTIONS 22–24 October 2020 BOOK OF ABSTRACTS Table of Contents Keynotes ............................................................................................................................................ 6 Anita Fetzer (University of Augsburg) ................................................................................................. 6 “It’s a very good thing to bring democracy erm directly to everybody at home”: Participation and discursive action in mediated political discourse ............................................................................ 6 Tuomo Hiippala (University of Helsinki) ............................................................................................ 7 Communicative situations on social media – a multimodal perspective ........................................ 7 Sirpa Leppänen (University of Jyväskylä) ........................................................................................... 8 Intentional identifications in digital interaction: how semiotization serves in fashioning selves and others ......................................................................................................................................... 8 Julien Longhi (University Cergy-Pontoise) ......................................................................................... 9 Building, exploring and analysing CMC corpora: a pragmatic tool-based approach to political discourse on the internet ................................................................................................................. -
Sources & Data
YouTube Highest Earning Influencers Ranking Name Channel Category Subscribers Total views Earnings Per Video ($) Age 1 JoJo https://www.youtube.com/channel/UCeV2O_6QmFaaKBZHY3bJgsASiwa (Its JoJo Siwa) Life / Vlogging 10.6M 2.8Bn 569112 16 2 Anastasia Radzinskayahttps://www.youtube.com/channel/UCJplp5SjeGSdVdwsfb9Q7lQ (Like Nastya Vlog) Children's channel 48.6M 26.9Bn 546549 6 Coby Cotton; Cory Cotton; https://www.youtube Garrett Hilbert; Cody Jones; .com/user/corycotto 3 Tyler Toney. (Dude Perfect) n Sports 49.4M 10Bn 186783 30,30,30,33,28 FunToys Collector Disney Toys ReviewToys Review ( FunToys Collector Disney 4 Toys ReviewToyshttps://www.youtube.com/user/DisneyCollectorBR Review) Children's channel 11.6M 14.9Bn 184506 Unknown 5 Jakehttps://www.youtube.com/channel/UCcgVECVN4OKV6DH1jLkqmcA Paul (Jake Paul) Comedy / Entertainment 19.8M 6.4Bn 180090 23 6 Loganhttps://www.youtube.com/channel/UCG8rbF3g2AMX70yOd8vqIZg Paul (Logan Paul) Comedy / Entertainment 20.5M 4.9Bn 171396 24 https://www.youtube .com/channel/UChG JGhZ9SOOHvBB0Y 7 Ryan Kaji (Ryan's World) 4DOO_w Children's channel 24.1M 36.7Bn 133377 8 8 Germán Alejandro Garmendiahttps://www.youtube.com/channel/UCZJ7m7EnCNodqnu5SAtg8eQ Aranis (German Garmendia) Comedy / Entertainment 40.4M 4.2Bn 81489 29 9 Felix Kjellberg (PewDiePie)https://www.youtube.com/user/PewDiePieComedy / Entertainment 103M 24.7Bn 80178 30 10 Anthony Padilla and Ian Hecoxhttps://www.youtube.com/user/smosh (Smosh) Comedy / Entertainment 25.1M 9.3Bn 72243 32,32 11 Olajide William Olatunjihttps://www.youtube.com/user/KSIOlajidebt -
Yearly Report 2016–2017 in a MOMENT“ of COMPETING HEADLINES and HARMFUL MISREPRESENTATION of PEOPLE DIFFERENT THAN US, the PROGRAM IS a REMINDER THAT
Creators for Change Yearly Report 2016–2017 IN A MOMENT“ OF COMPETING HEADLINES AND HARMFUL MISREPRESENTATION OF PEOPLE DIFFERENT THAN US, THE PROGRAM IS A REMINDER THAT NONE OF US ARE VOICELESS, OUR STORIES DESERVE TO BE TOLD, AND ANYONE HAS“ THE POWER TO HIT RECORD. Amani Fellow, USA YouTube Creators for Change UK, Internet Citizens workshop, April 2017 2 4 Foreword 46 Meet the Fellows 56 Chapter 3: Contents 7 Introducing YouTube 48 BENI Rallying a Global Creators for Change 49 Subhi Taha Audience 8 Year One 49 Myles Dyer 58 World Refugee Day 10 Program Timeline 49 Jovi Adhiguna Hunter 60 Pride 49 I’mJette 61 International Day 12 Chapter 1: 49 Zukar of the Girl Engaging through 49 Niharika Nm Grassroots Programs 49 KhanStopMe 62 Find Out More 14 France and Belgium 49 Evelyn from 18 UK the Internets 20 Germany 49 ItsRadishTime 24 Turkey 49 ArthurPrsl 26 Israel 49 Datteltäter 27 Spain 50 Shog AL Maskery 28 Indonesia 50 Them Boxer Shorts 32 Australia 50 Gita Savitri Devi 50 EmotionalFulls 34 Chapter 2: 50 Maha AJ Creator Role Models 50 JustKissMyFrog 36 Meet the Global 50 İlker Gümüşoluk Ambassadors 50 Film Maker Muslim 38 Humza Arshad 50 Kamusal Mizah 40 Dina Torkia 50 Ezaldeen Aref 42 Abdel En Vrai 51 Amani 43 Cameo ProJect 51 Swann Périssé 44 All India Bakchod 52 SuperSamStuf 44 Omar Hussein 52 Rosianna Halse RoJas 45 Natalie Tran 53 Tazzy Phe 45 John Green 53 L-FRESH the LION 45 Franchesca Ramsey 3 Foreword We are proud to have created a platform Take L-FRESH the LION, a Sikh hip-hop artist that empowers anyone to have a voice and from Australia, who created a two-part track see the world. -
Warming up to User-Generated Content
Chicago-Kent College of Law Scholarly Commons @ IIT Chicago-Kent College of Law All Faculty Scholarship Faculty Scholarship January 2008 Warming Up to User-Generated Content Edward Lee IIT Chicago-Kent College of Law, [email protected] Follow this and additional works at: https://scholarship.kentlaw.iit.edu/fac_schol Part of the Intellectual Property Law Commons Recommended Citation Edward Lee, Warming Up to User-Generated Content, 2008 U. Ill. L. Rev. 1459 (2008). Available at: https://scholarship.kentlaw.iit.edu/fac_schol/358 This Article is brought to you for free and open access by the Faculty Scholarship at Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in All Faculty Scholarship by an authorized administrator of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. LEE.DOC 9/3/2008 4:50:06 PM WARMING UP TO USER-GENERATED CONTENT Edward Lee* Conventional views of copyright law almost always operate from the “top down.” Copyrights are understood as static and fixed by the Copyright Act. Under this view, copyright holders are at the center of the copyright universe and exercise considerable control over their exclusive rights, with the expectation that others seek prior permission for all uses of copyrighted works outside of a fair use. Though pervasive, this conventional view of copyright is wrong. The Copyright Act is riddled with gray areas and gaps, many of which persist over time, because so few copyright cases are ever filed and the majority of those filed are not resolved through judgment. -
An Analysis on Youtube Rewinds
KADİR HAS UNIVERSITY GRADUATE SCHOOL OF SOCIAL SCIENCES NEW MEDIA DISCIPLINE AREA POPULAR CULTURE REPRESENTATION ON YOUTUBE: AN ANALYSIS ON YOUTUBE REWINDS SİDA DİLARA DENCİ SUPERVISOR: Assoc. Prof. Dr. Çiğdem BOZDAĞ MASTER’S THESIS ISTANBUL, AUGUST, 2017 i POPULAR CULTURE REPRESENTATION ON YOUTUBE: AN ANALYSIS ON YOUTUBE REWINDS SİDA DİLARA DENCİ SUPERVISOR: Assoc. Prof. Dr. Çiğdem BOZDAĞ MASTER’S THESIS Submitted to the Graduate School of Social Sciences of Kadir Has University in partial fulfillment of the requirements for the degree of Master’s in the Discipline Area of New Media under the Program of New Media. ISTANBUL, AUGUST, 2017 i ii iii TABLE OF CONTENTS Abstract Acknowledgements List of Figures List of Chapters 1. Introduction 2. Literature Review 2.1 Commercializing Culprit or Social Cement? What is Popular Culture? 2.2 Sharing is caring: user-generated content 2.3 Video sharing hype: YouTube 3. Research Design 3.1 Research Question 3.2 Research Methodology 4. Research Findings and Analysis 4.1 Technical Details 4.1.1 General Information about the Data 4.1.2 Content Analysis on Youtube Rewind Videos 5. Conclusion References iv ACKNOWLEDGEMENTS I would first and foremost like to thank my thesis advisor Assoc. Prof. Dr. Çiğdem BOZDAĞ of the Faculty of Communication at Kadir Has University. Prof. Bozdağ always believed in me even I wasn’t sure of my capabilities. She kindly guided me through the tunnel of the complexity of writing a thesis. Her guidance gave me strength to keep myself in right the direction. I would like to thank Assoc. Prof. Dr. Eylem YANARDAĞOĞLU whose guidance was also priceless to my studies. -
How to Value Youtube. Uncovering the Myth of Freedom That Bolsters the Political, Social and Economic Uses of Youtube
! Graduate School of Humanities MA Media Studies: Television and Cross-Media Culture Master Thesis How to value YouTube. Uncovering the myth of freedom that bolsters the political, social and economic uses of YouTube. Emma Duncombe 11311827 Date of completion: 27 June 2018 Word count: 19,460 Supervisor: dr. Joke Hermes Second reader: dr. Jaap Kooijman ABSTRACT ..................................................................................................................................3 INTRODUCTION ........................................................................................................................4 1) Guerrilla TV: The Historical and Political Roots of YouTube ..................................................8 Convergence Culture: The Fragmentation of Broadcast TV ...............................................9 The History of Traditional Broadcast Television ..............................................................10 The Rise of Online Platforms ............................................................................................10 The Disruption of Flow in Television ................................................................................11 Demographic Shifts: Audience Migration .........................................................................12 The Effects of Production Quality .....................................................................................14 Cybernetics: A New Vision of Interaction .........................................................................14 American -
Scrutinizing the Term Social Media Influencer from a Public Perspective and Examining Its Role in the Modern Media Landscape
Redefining Influencers: Scrutinizing the Term Social Media Influencer from a Public Perspective and Examining its Role in the Modern Media Landscape Bachelor Thesis Media and Communication Studies Institution of Media studies, JMK Stockholm University MKand Fall 2017 Author: Gustaf Petersen Supervisor: Elitsa Ivanova Abstract This paper explores how influencers can be categorised using a self-administered questionnaire. In doing so, the study can contribute to an understanding of the phenomenon that is more extensive than what previous research has attributed. The focus of this paper is on how influencers can be better understood for the benefit of public relations (PR), marketing, and communication. The purpose of this project is to investigate whether the term influencers (short for social media influencers) are defined by scholars in a similar fashion to how the study sample categorises influencers. Thus, the research question of the study is to examine if the study sample finds the term influencer applicable to the five suggested categories that are stated in the survey. The results from this study show that scholars commonly confine the phenomenon of influencers to bloggers, vloggers, and instagrammers. However, the results from the survey indicate that the study sample has a broader perception of the phenomenon. According to the participants, all suggested categories are fitting the term influencer, namely: blogger/vlogger/instagrammer, celebrity, athlete, entrepreneur, politician. Although the latter, politician, is deemed the least fitting category. Thus, the findings in the study show that there is a discrepancy between the public perception of how to define influencers and previous research in the field. This implicates that public relation practitioners need to rethink how they perceive and apply influencer marketing. -
Taylor Swift, 'Bad Blood'
Taylor Swift, ‘Bad Blood’ - Factsheet Taylor Swift, ‘Bad Blood’ (2015) https://youtu.be/QcIy9NiNbmo Subject content focus area Media language Representation Media industries Audiences Contexts Background context • ‘Bad Blood’ was released in May 2015. It was the fourth single to be released from the album 1989 (2014). • The single is a remixed version of the album track, with added guest vocals from Kendrick Lamar. It was premiered at the Billboard Music Awards. • The video broke video-streaming service Vevo’s 24-hour viewing record (accumulating 20.1 million views in its first day of release). • It won Video of the Year and Best Collaboration at the MTV Music Awards. It also won Best Music Video Grammy Award. • The video includes many references to popular action films of the past twenty years, contains captions and titles like a movie, and was marketed using ‘teaser’ posters featuring famous women from the ensemble cast, bearing the name of their character. This is a marketing technique often used in the film industry (e.g. Pulp Fiction) to introduce characters. • Swift also posted stills and behind-the-scenes shots on her Instagram account to build expectations. • Encouraged by comments by Swift on Twitter and Instagram, speculation was rife amongst fans about who the song is about. Many believed the target was Katy Perry, although the identity of the person has never been revealed. Part 1: Starting points - Media language • The setting for the video is modern-day London, and Swift’s secret training facility beneath the streets. • The colour palette for the video is mostly shiny and reflective black and white. -
MPC MAJOR RESEARCH PAPER Why My Dad Is Not Dangerously
MPC MAJOR RESEARCH PAPER Why My Dad Is Not Dangerously Regular: Normcore and The Communication of Identity Brittney Brightman Professor Jessica Mudry The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Professional Communication Ryerson University Toronto, Ontario, Canada August 2015 AUTHOR'S DECLARATION I hereby declare that I am the sole author of this Major Research Paper and the accompanying Research Poster. This is a true copy of the MRP and the research poster, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this major research paper and/or poster to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP and/or poster by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP and/or my MRP research poster may be made electronically available to the public. ii ABSTRACT Background: Using descriptors such as “dangerously regular”, K-Hole’s style movement has been making waves in the fashion industry for its unique, yet familiar Jerry Seinfeld-esque style. This de rigueur ensemble of the 90’s has been revamped into today’s Normcore. A Normcore enthusiast is someone who has mastered the coolness and individuality of fashion and is now interested in blending in. Purpose: The goal of this research was to understand the cultural relevance of the fashion trend Normcore, its subsequent relationship to fashion and identity, as well as what it reveals about contemporary Western culture and the communicative abilities of fashion. -
Social Media Toolkit for Cultural Managers Table of Contents
The European network on cultural management and policy SOCIAL MEDIA TOOLKIT FOR CULTURAL MANAGERS TABLE OF CONTENTS Foreword and Introduction i How Does Marketing Work Online? 7 A Short History of Social Media 12 The Big Social Networks: What Makes Them Unique? 16 What is Social Capital? 30 How to Build Capital in a Social Network 34 How to Tell Good Stories Online 43 Using Online Data to Understand Your Audience 61 The Six Most Frequently Asked Questions 68 Credits 76 FOREWORD Nowadays, audience development organisations adapt to the need to is on top of the agenda of several engage in new and innovative organisations and networks acting ways with audience both to retain in the field of arts and culture in them, to build new audience, Europe and beyond. Audience diversify audiences including development helps European reaching current “non audience”, artistic and cultural professionals and to improve the experience and their work to reach as many for both existing and future people as possible across Europe audience and deepen the and all over the world and extend relationship with them. access to culture works to underrepresented groups. It also However, how to develop, reach seeks to help artistic and cultural and attract new audiences? Introduction i Upstream by involving them in ENCATC joined as associated at the occasion of our online programming, creation or partner the European consortium survey on the utlisation of social crowd-funding. In the process of of the Study on Audience media. This work has allowed us to participatory art. Downstream Development – How to place gather insights on the current through a two-ways dialogue audiences at the centre of cultural practices in Europe in the made possible by several means organisations utilisation of social media and including the use of social media. -
The Edison Project the Edison Project
THE EDISON PROJECT THE EDISON PROJECT Lead Authors: Erin Reilly, Jonathan Taplin, Francesca Marie Smith, Geoffrey Long, Henry Jenkins 18 Havas is the global The Annenberg Innovation research and innovation Lab is a high-energy, center within Havas. In fast-paced Think & Do the offices of Los Angeles, Tank in the Annenberg Seoul, Tel Aviv, Bogota School of Communication and Shanghai. 18 develops and Journalism at the research projects, strategic University of Southern partnerships, and business California. We define opportunities for Havas innovation as a social, and its client portfolio. collaborative process We work to be 18 months involving artists, scientists, ahead at the convergence of humanists and industry media, content, technology, professionals working and data science. We scout together on new problems new talent and startups, and opportunities raised by activate supporting technological and cultural academic research, develop change. Our mission actionable insights, and is to foster real-world facilitate deal-making innovation at the dynamic through local learning intersection of media and expeditions. culture. Copyright 2016. University of Southern California. All rights reserved. CONTENTS INTRODUCTION I ACKNOWLEDGEMENTS VI THE NEW METRICS + MEASUREMENT: 8 Erin Reilly THE NEW FUNDING + BUSINESS MODELS: 33 Jonathan Taplin and Anjuli Bedi THE NEW SCREENS 51 Francesca Marie Smith THE NEW CREATORS + MAKERS 69 Geoffrey Long, Rachel Joy Victor, Lisa Crawford, Malika Lim, and Juvenal Quiñones, with Ritesh Mehta and Anna Karina Samia CONCLUSION: IMAGINING POSSIBLE FUTURES 92 Henry Jenkins The Edison Project • I INTRODUCTION Thomas Edison invented both the phonograph and the kinetoscope more than 100 years ago. But the business of distributing music and movies hasn’t really changed that much in 100 years. -
Measuring Effectiveness of Video Advertisements
Measuring Effectiveness of Video Advertisements James Hahn Dr. Adriana Kovashka Computer Science Department Computer Science Department University of Pittsburgh University of Pittsburgh Pittsburgh, PA, USA Pittsburgh, PA, USA [email protected] [email protected] Abstract—Tokyo’s Ginza district recently rose to popularity due to its upscale shops and constant onslaught of advertisements to pedestrians. Advertisements arise in other mediums as well. For example, they help popular streaming services, such as Spotify, Hulu, and YouTube TV gather significant streams of rev- enue to reduce the cost of monthly subscriptions for consumers. Ads provide an additional source of money for companies and entire industries to allocate resources toward alternative business motives. They are attractive to companies and nearly unavoidable for consumers. One challenge for advertisers is examining a advertisement’s effectiveness or usefulness in conveying a message to their targeted demographics. A company saves time and money if they know the advertisement’s message effectively transfers to its audience. This challenge proves more significant in video Fig. 1. Proposed model for learning video advertisement effectiveness advertisements and is important to impacting a billion-dollar industry. This paper explores the combination of human-annotated features and common video processing techniques to predict message in a unique, straightforward manner that stands out effectiveness ratings of advertisements collected from YouTube. to consumers. The advertisements industry’s market cap was We present the first results on predicting ad effectiveness on this over $200 billion in 2018 [8]. In fact, in 2017, Fox charged $5 dataset, with binary classification accuracy of 84%. million for a 30 second ad during Super Bowl LII, reaching Index Terms—vision, advertisements, media, video analysis more than 100 million viewers [18].