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Transnational Mathematics and Movements: Shiing- Shen Chern, Hua Luogeng, and the Princeton Institute for Advanced Study from World War II to the Cold War1
Chinese Annals of History of Science and Technology 3 (2), 118–165 (2019) doi: 10.3724/SP.J.1461.2019.02118 Transnational Mathematics and Movements: Shiing- shen Chern, Hua Luogeng, and the Princeton Institute for Advanced Study from World War II to the Cold War1 Zuoyue Wang 王作跃,2 Guo Jinhai 郭金海3 (California State Polytechnic University, Pomona 91768, US; Institute for the History of Natural Sciences, Chinese Academy of Sciences, Beijing 100190, China) Abstract: This paper reconstructs, based on American and Chinese primary sources, the visits of Chinese mathematicians Shiing-shen Chern 陈省身 (Chen Xingshen) and Hua Luogeng 华罗庚 (Loo-Keng Hua)4 to the Institute for Advanced Study in Princeton in the United States in the 1940s, especially their interactions with Oswald Veblen and Hermann Weyl, two leading mathematicians at the IAS. It argues that Chern’s and Hua’s motivations and choices in regard to their transnational movements between China and the US were more nuanced and multifaceted than what is presented in existing accounts, and that socio-political factors combined with professional-personal ones to shape their decisions. The paper further uses their experiences to demonstrate the importance of transnational scientific interactions for the development of science in China, the US, and elsewhere in the twentieth century. Keywords: Shiing-shen Chern, Chen Xingshen, Hua Luogeng, Loo-Keng Hua, Institute for 1 This article was copy-edited by Charlie Zaharoff. 2 Research interests: History of science and technology in the United States, China, and transnational contexts in the twentieth century. He is currently writing a book on the history of American-educated Chinese scientists and China-US scientific relations. -
Download Heroic Grace: the Chinese Martial Arts Film Catalog (PDF)
UCLA Film and Television Archive Hong Kong Economic and Trade Office in San Francisco HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Front and inside cover: Lau Kar-fai (Gordon Liu Jiahui) in THE 36TH CHAMBER OF SHAOLIN (SHAOLIN SANSHILIU FANG ) present HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Heroic Grace: The Chinese Martial Arts Film catalog (2003) is a publication of the UCLA Film and Television Archive, Los Angeles, USA. Editors: David Chute (Essay Section) Cheng-Sim Lim (Film Notes & Other Sections) Designer: Anne Coates Printed in Los Angeles by Foundation Press ii CONTENTS From the Presenter Tim Kittleson iv From the Presenting Sponsor Annie Tang v From the Chairman John Woo vi Acknowledgments vii Leaping into the Jiang Hu Cheng-Sim Lim 1 A Note on the Romanization of Chinese 3 ESSAYS Introduction David Chute 5 How to Watch a Martial Arts Movie David Bordwell 9 From Page to Screen: A Brief History of Wuxia Fiction Sam Ho 13 The Book, the Goddess and the Hero: Sexual Bérénice Reynaud 18 Aesthetics in the Chinese Martial Arts Film Crouching Tiger, Hidden Dragon—Passing Fad Stephen Teo 23 or Global Phenomenon? Selected Bibliography 27 FILM NOTES 31-49 PROGRAM INFORMATION Screening Schedule 51 Print & Tape Sources 52 UCLA Staff 53 iii FROM THE PRESENTER Heroic Grace: The Chinese Martial Arts Film ranks among the most ambitious programs mounted by the UCLA Film and Television Archive, taking five years to organize by our dedicated and intrepid Public Programming staff. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 Permalink https://escholarship.org/uc/item/40698689 Author Eisenman, Lujing Ma Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Lujing Ma Eisenman 2016 © Copyright by Lujing Ma Eisenman 2016 ABSTRACT OF THE DISSERTATION Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 By Lujing Ma Eisenman Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2016 Professor Theodore D Huters, Chair This dissertation examines the emergence and development of modern Chinese martial arts fiction during the first half of the twentieth century and argues for the literary autonomy it manifested. It engages in the studies of modern Chinese literature and culture from three perspectives. First, approaching martial arts fiction as a literary subgenre, it partakes in the genre studies of martial arts fiction and through investigating major writers and their works explains how the genre was written, received, reflected, and innovated during the period in question. Second, positioning martial arts fiction as one of the most well received literary subgenre in the modern Chinese literary field, it discusses the “great divide” between “pure” and “popular” literatures and the question of how to evaluate popular literature in modern China. -
UNIVERSITY of CALIFORNIA Santa Barbara Scribes in Early Imperial
UNIVERSITY OF CALIFORNIA Santa Barbara Scribes in Early Imperial China A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Tsang Wing Ma Committee in charge: Professor Anthony J. Barbieri-Low, Chair Professor Luke S. Roberts Professor John W. I. Lee September 2017 The dissertation of Tsang Wing Ma is approved. ____________________________________________ Luke S. Roberts ____________________________________________ John W. I. Lee ____________________________________________ Anthony J. Barbieri-Low, Committee Chair July 2017 Scribes in Early Imperial China Copyright © 2017 by Tsang Wing Ma iii ACKNOWLEDGEMENTS I wish to thank Professor Anthony J. Barbieri-Low, my advisor at the University of California, Santa Barbara, for his patience, encouragement, and teaching over the past five years. I also thank my dissertation committees Professors Luke S. Roberts and John W. I. Lee for their comments on my dissertation and their help over the years; Professors Xiaowei Zheng and Xiaobin Ji for their encouragement. In Hong Kong, I thank my former advisor Professor Ming Chiu Lai at The Chinese University of Hong Kong for his continuing support over the past fifteen years; Professor Hung-lam Chu at The Hong Kong Polytechnic University for being a scholar model to me. I am also grateful to Dr. Kwok Fan Chu for his kindness and encouragement. In the United States, at conferences and workshops, I benefited from interacting with scholars in the field of early China. I especially thank Professors Robin D. S. Yates, Enno Giele, and Charles Sanft for their comments on my research. Although pursuing our PhD degree in different universities in the United States, my friends Kwok Leong Tang and Shiuon Chu were always able to provide useful suggestions on various matters. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced fromm icrofilm the master. UMI films the text directly firom the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be ft’om any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9218985 Spatialization in the ‘‘Shiji” Jian, Xiaobin, Ph.D. The Ohio State University, 1992 Copyright ©1992 by Jian, Xiaobin. All rights reserved. -
PM2 Primo Capitolo
Corso di Laureadi Laurea magistrale in Lingue,in Culture e InSocietàterpretariato dell’Asia e Traduzione e dell’Africa Editoriale,Mediterranea Settoriale ordinamento ex D.M. 270/2004 Tesi didi LaureaLaurea LaHangzhou: spada di Monna Yue Proposta di traduzione di un romanzo wuxia di Jin Yong una città che si trasforma per il G20 Relatore Ch.Prof. Prof. Attilio Paolo Andreini Magagnin Correlatore Dott.ssa Chiara Perinot Laureando Sebastiano Gandini Laureandomatricola 845398 Sebastiano Gandini MatricolaAnno Accademico 845398 2015/2016 Anno Accademico 2016 / 2017 1. 1 !1 Un ringraziamento speciale alla mia famiglia per il costante supporto, ai compagni di corso con cui ho condiviso cinque anni indimenticabili, al mio illuminante relatore prof. Paolo Magagnin, fonte inesauribile di conoscenza, e a una ragazza speciale con la quale ho condiviso gioie, sacrifici e preziose esperienze. !2 Indice Abstract ……………………………………………….……….….……………………… 5 摘要 .……………………..………………………………………………………………. 7 Introduzione …………………………….….….………………………………………….. 8 Capitolo I: Jin Yong e il wuxia: tra fantasy e romanzo storico …………….………… 10 1.1 Il genere wuxia …………………….……………………………………………….. 10 1.1.1 Una definizione di wu e xia ………………………………………………… 11 1.1.2 La figura xia …………………………………………………………………. 12 1.1.3 Il personaggio letterario del cavaliere errante donna …….….….…………… 20 1.1.3.1 La condizione femminile nella Cina tradizionale ……..….….……. 20 1.1.3.2 Il cavaliere errante donna ….….….………………………………… 23 1.1.4 Il jianghu …………………………………………………………………….. 27 1.2 Origini storiche .……………………………………………………………………. 30 1.2.1 Wuxia come genere distinto …………………………………………………. 33 1.3 Wuxia nel XX secolo .………………………………………………………………. 41 1.3.1 Il primo ventennio del ‘900 .…………………………………………….…… 43 1.3.2 I primi studi sul genere .……………………………………………………… 46 1.3.3 Wuxia come fenomeno di massa ……………………………………………. 47 1.3.4 Gli anni ‘50 ……………………………….…………………………………. -
Uvic Thesis Template
Popular Culture and the Political Mobilization of Guangdong Elites in Modern China and the Chinese Diaspora, 1839-1911 by Hairong Huang B.A., Lingnan University, 2017 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of History © Hairong Huang, 2019 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. Popular Culture and the Political Mobilization of Guangdong Elites in Modern China and the Chinese Diaspora, 1839-1911 by Hairong Huang B.A., Lingnan University, 2017 Supervisory Committee Prof. Zhongping Chen, Supervisor Department of History Prof. Guoguang Wu, Departmental Member Department of History ii Abstract From 1839 to 1911, Guangdong elites, including Qing officials in the province, local gentry, native intellectuals, and so on, made full use of popular culture for political mobilization of the populace. This study examines the relationships of these Guangdong elites with both the Qing state and the common folks in China and the Chinese diaspora from the new perspective of popular culture. To be specific, Guangdong elites of different backgrounds mobilized the populace in the province to resist the British invasion of Qing China during the Opium War, to revolt against the Qing court during the Taiping Rebellion across southern China, and to push for the pro-Qing reforms or anti-Qing revolutionary movements among domestic and overseas Chinese. In this process, popular culture materials like ballads, operas, and comics provided a critical propaganda tool for Guangdong elites to cooperate with, compete with, or confront the Qing government while influencing the common folks. -
Cycle Cinéma Chinois De L'écrit À L'écran 5 Saison
Institut Confucius de l'université Paris Diderot en collaboration avec le Centre de documentation sur le cinéma chinois de Paris Cycle cinéma chinois De l’écrit à l’écran 5ème saison Programme de l’année 2014-2015 Brève présentation des films Un film d’archive 1. 《孔夫子》/ Kong fuzi / Confucius film restauré de Fei Mu 费穆 D’après divers classiques, dont Les Mémoires historiques 《史记》 de Sima Qian et les Analectes 《论语》de Confucius, - sous-titres anglais – 1940 Pour le CDCC, Brigitte Duzan, 08/09/2014, révisé 14/09/2014 Avec ce « Confucius », achevé à la fin de 1940, Fei Mu (1906-1951) nous livre un portrait original du grand penseur chinois de la fin de la période des Printemps et Automnes. Nous sommes vers 500 avant Jésus-Christ, alors que Confucius a atteint la cinquantaine… Alors que Confucius est généralement présenté coupé du contexte historique qui a pourtant influé sur sa pensée, Fei Mu a conçu une construction subtile où alternent scènes de politique et stratégie militaire et scènes de la vie du penseur, le mouvement des unes étant opposé au hiératisme des autres, et les scènes dramatiques ponctuées de traits satiriques. Ce film a été considéré comme perdu pendant un demi-siècle, puis miraculeusement retrouvé et minutieusement restauré ; cette histoire même, autant que son sujet, lui a conféré une aura quasi mythique. Classiques des années 1950 2. 《青春之歌》/ Qingchun zhi ge / Le Chant de la jeunesse de Cui Wei 崔嵬 / Chen Huai’ai 陈怀皑 D’après le premier roman de Yang Mo 杨沫 - sous-titres anglais – 1959 Publié début 1958, le premier roman de -
Alexander Karp · Gert Schubring Editors Handbook on the History of Mathematics Education Handbook on the History of Mathematics Education
Alexander Karp · Gert Schubring Editors Handbook on the History of Mathematics Education Handbook on the History of Mathematics Education Alexander Karp • Gert Schubring Editors Handbook on the History of Mathematics Education Editors Alexander Karp Gert Schubring Teachers College Universität Bielefeld Columbia University Institut für Didaktik der Mathematik New York , NY , USA Bielefeld , Germany ISBN 978-1-4614-9154-5 ISBN 978-1-4614-9155-2 (eBook) DOI 10.1007/978-1-4614-9155-2 Springer New York Heidelberg Dordrecht London Library of Congress Control Number: 2013949144 © Springer Science+Business Media New York 2014 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifi cally for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law. -
Printmgr File
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 20-F (Mark One) ☐ REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR 12(g) OF THE SECURITIES EXCHANGE ACT OF 1934 or ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2019. or ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 or ☐ SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of event requiring this shell company report For the transition period from to Commission File Number 1-15006 (Exact name of Registrant as specified in its charter) PetroChina Company Limited (Translation of Registrant’s name into English) The People’s Republic of China (Jurisdiction of incorporation or organization) 9 Dongzhimen North Street Dongcheng District, Beijing 100007 The People’s Republic of China, (Address of principal executive offices) Wu Enlai Telephone number: 8610 59982622 Facsimile number: 8610 62099557 Email address: [email protected] Address: 9 Dongzhimen North Street, Dongcheng District, Beijing 100007, The People’s Republic of China (Name, telephone, e-mail and/or facsimile number and address of registrant’s contact person) Securities registered or to be registered pursuant to Section 12(b) of the Act. Title of Each Class Trading Symbol Name of Each Exchange on Which Registered American Depositary Shares, each representing 100 PTR H Shares, par value RMB1.00 per share* New York Stock Exchange, Inc. H Shares, par value RMB1.00 per share New York Stock Exchange, Inc.** Securities registered or to be registered pursuant to Section 12(g) of the Act. -
6 X 10 Long.P65
Cambridge University Press 0521027241 - Social Engineering and the Social Sciences in China, 1919-1949 Yung-chen Chiang Index More information Index Academia Sinica, 11, 51, 94, 164, 174, 181, support by, 40–44; student work of, 182, 183, 184, 185, 190, 198, 199, 211, 232 26–27; and Yanjing Sociology Adams, T. S., 87 Department, 32–34, 37–39 agrarian crisis, 11, 165, 166, 167, 169, 174, 175, 176, 179, 184, 189, 190, 193, 195, 197, Cai, Hesen, 142 198, 203, 206, 212, 218, 262; Chen Cai, Yuanpei, 164, 166, 181, 182 Hansheng’s notion of and departure California, University of (Berkeley), 2, 3, from Kautsky’s, 174–177, 187–189, 4, 83 192–198; Kautsky’s notion of, 174–177, Cambridge University, 5, 238 193–194 Cao, Rulin, 81 Alley, Rewi, 216 Carnegie Corporation, 3, 252 Alsberg, Carl, 93, 225 Carter, Edward, 90, 91, 95, 104, 212, 215, Amano, Motonosuke, 209, 210 217, 218, 219, 223, 224, 225, 245, 246 Cheeloo (Shangtung Christian) University, Balfour, Marshall, 131, 236, 238, 252 52, 67, 68, 125, 253 Berlin, University of, 162 Chen, C. C., 250 Bi, Xianghui, 119 Chen, Da, 55, 240, 241 Blaisdell, Thomas, 32 Chen, Duxiu, 139 Blumer, Herbert, 4 Chen, Eugene, 50 Borchardt, Julian, 142 Chen, Guangyuan, 80 Boxer Indemnity, the, 82, 86, 160, 231 Chen, Hansheng, 7, 11, 12, 13, 14, 15, 21, Boynton, Grace, 237 22, 118, 136, 158, 159, 200, 203, 222, 254, Brandt, Loren, 261, 262, 263 255, 257; and Academia Sinica, 164–166, Brinton, Crane, 4 182–183; and Agnes Smedley, 179–180, British-American Tobacco Company, 213 216; Amano Motonosuke on, 210–211; Brockman, Fletcher, 32 Baoding survey of, 173–174, 175, 183, Buck, J. -
Divisive Elites: State Penetration and Local Autonomy in Mei County, Guangdong Province, 1900S-1930S
Divisive Elites: State Penetration and Local Autonomy in Mei County, Guangdong Province, 1900s-1930s DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Wenjuan Bi Graduate Program in History The Ohio State University 2015 Dissertation Committee: Christopher A. Reed, Advisor Patricia Sieber Ying Zhang Copyright by Wenjuan Bi 2015 Abstract This dissertation focuses on the rise of a group of new elites in Mei County, northeastern Guangdong, and their conflict with the local traditional gentry caused by the Chinese state’s new attempt to strengthen and modernize itself from the late Qing to the Republican periods (roughly from the 1900s to the 1930s). From the 1900s, the Chinese state, facing a series of internal and external threats, rather than prioritizing a stable social system, sought to achieve economic growth and national strength as soon as possible. Since the weak government had no ability to plunder external resources to support the expensive reform agendas, the government turned to more aggressive approaches to extract resources from local society. The state’s attempt to strengthen itself by extracting local resources, however, created sharp conflict between the central government and traditional autonomous communities. It also led to the estrangement of the traditional gentry, who, having consolidated their dominance over local society by controlling lineages and militias, were not enthusiastic about collaborating with the state to promote reform. In order to conscript resources to support the state’s reform agendas and to weaken the local gentry’s control of local resources, the late Qing government promoted a new group of elites with commercial backgrounds and Western knowledge who could better serve the state’s goal of mobilization.