Ontdek Schilder, Tekenaar, Prentkunstenaar Hans Vredeman

Total Page:16

File Type:pdf, Size:1020Kb

Ontdek Schilder, Tekenaar, Prentkunstenaar Hans Vredeman 82012 Hans Vredeman de Vries man / Noord-Nederlands, Zuid-Nederlands schilder, tekenaar, prentkunstenaar, stadsbouwmeester, vestingingenieur, kunsttheoreticus, planoloog, schrijnwerker, hofarchitect Naamvarianten In dit veld worden niet-voorkeursnamen zoals die in bronnen zijn aangetroffen, vastgelegd en toegankelijk gemaakt. Dit zijn bijvoorbeeld andere schrijfwijzen, bijnamen of namen van getrouwde vrouwen met of juist zonder de achternaam van een echtgenoot. Vredeman de Vries, Jan Vries, Hans Vredeman de Vries, Jan Vredeman de Kwalificaties schilder, tekenaar, prentkunstenaar, stadsbouwmeester, vestingingenieur, kunsttheoreticus, planoloog, schrijnwerker, hofarchitect in 1592-1593 city architect of Danzig Nationaliteit/school Noord-Nederlands, Zuid-Nederlands Geboren Leeuwarden 1525/1526 age mentioned as 34 in a deed from 1560 (Borggrefe/Fusenig/Uppenkamp 2002, p. 30, note 1) Overleden Hamburg 1609 Borggrefe/Fusenig/Uppenkamp 2002, p. 29 Familierelaties in dit veld wordt een familierelatie met één of meer andere kunstenaars vermeld. father of Paul (1567-before 1636) and Salomon Vredeman de Vries (1556-1604) Zie ook in dit veld vindt u verwijzingen naar een groepsnaam of naar de kunstenaars die deel uitma(a)k(t)en van de groep. Ook kunt u verwijzingen naar andere kunstenaars aantreffen als het gaat om samenwerking zonder dat er sprake is van een groep(snaam). Dit is bijvoorbeeld het geval bij kunstenaars die gedeelten in werken van een andere kunstenaar voor hun rekening hebben genomen (zoals bij P.P. Rubens en J. Brueghel I). Elsmaer, Wouter van den (II) Mostaert, Gillis (I) Vredeman de Vries, Paul worked with Gillis Mostaert (Michiels 2005); his son Paul helped him with large commissions, for instance in Danzig Deze persoon/entiteit in andere databases 65 treffers in RKDimages als kunstenaar 22 treffers in RKDlibrary als onderwerp 2 treffers in RKDlibrary als auteur 1 treffer in RKDlibrary als illustrator 115 treffers in RKDexcerpts als kunstenaar Verder zoeken in RKDartists& Geboren 1525 Sterfplaats Hamburg Plaats van werkzaamheid Leeuwarden Plaats van werkzaamheid Kampen (Overijssel) Plaats van werkzaamheid Antwerpen Plaats van werkzaamheid Kollum (Kollumerland en Nieuwkruisland) Plaats van werkzaamheid Mechelen Plaats van werkzaamheid Aken Plaats van werkzaamheid Luik (prov.) Plaats van werkzaamheid Frankfurt am Main Plaats van werkzaamheid Wolfenbüttel Plaats van werkzaamheid Braunschweig Plaats van werkzaamheid Hamburg Plaats van werkzaamheid Danzig (hist.) Plaats van werkzaamheid Praag Plaats van werkzaamheid Amsterdam Plaats van werkzaamheid Den Haag Kwalificaties schilder Kwalificaties tekenaar Kwalificaties prentkunstenaar Kwalificaties stadsbouwmeester Kwalificaties vestingingenieur Kwalificaties kunsttheoreticus Kwalificaties planoloog Kwalificaties schrijnwerker Kwalificaties hofarchitect Materiaal/techniek olieverf Product ornament-ontwerp Onderwerpen architectuur (genre) Onderwerpen kerkinterieur Stroming Praagse School Lid van vereniging Sint-Lucasgilde (Mechelen) Auteur Vredeman de Vries, Jan Biografische gegevens Werkzaam in Hier wordt vermeld waar de kunstenaar (langere tijd) heeft gewerkt en in welke periode. Ook relevante studiereizen worden hier vermeld. Leeuwarden 1544 - 1546 trained as a cabinet maker, then became pupil of the glass painter Rijnier Gerritsz. between 1544 and 1546/1547 Kampen (Overijssel) 1546 - 1548 worked in the workshop of the Kampen town painter Ernst Maeler c. 1546-1547 (Borggrefe/Fusenig/Uppenkamp 2002) Antwerpen 1548 - 1550 in September 1548 documented as citizen of Antwerp; cooperates in Antwerp for the festive decorations for the entrance of Charles V and Philips II in September 1549 Kollum (Kollumerland en Nieuwkruisland) 1550 - 1552 c. 1550 tot c. 1552, worked for a cabinet maker in Kollum (Borggrefe/Fusenig/Uppenkamp 2002) Mechelen 1552 - 1561 active in the workshop of Claude Dorisy, got aquainted with renaissance motifs through prints by Hiëronymus Cock and probably had contact with the Italian artist Giorgio Ghisi who stayed in Antwerp until 1554. Got acquainted with Michiel Coxie, worked together with Pieter Bruegel I for Hiëronymus Cock, was member of the guild (Borggrefe/Fusenig/Uppenkamp 2002) Antwerpen 1561 made a design for the new construction of the Antwerp town hall (Borggrefe/Fusenig/Uppenkamp 2002) Mechelen 1561 - 1564 Antwerpen 1564-02 - 1570 had to leave Antwerp in 1570 to escape the inquisition and the duke of Alva (Borggrefe/Fusenig/Uppenkamp 2002) Aken 1570 - 1572-11 settled here together with his brother Marten (Borggrefe/Fusenig/Uppenkamp 2002) Luik (prov.) 1572-11 - 1575 according to Van Mander Antwerpen 1575 - 1586 returned temporarily to Antwerp (van der Linden 2015); left for Frankfurt for economic reasons (Borggrefe/Fusenig/Uppenkamp 2002) Frankfurt am Main 1586 Wolfenbüttel 1587 - 1589-05 active as an architect at the court of Julius von Braunschweig-Lüneburg; fired by his successor Duke Heinrich-Julius and left for Braunschweig (Borggrefe/Fusenig/Uppenkamp 2002) Braunschweig 1589-05 - 1591 Borggrefe/Fusenig/Uppenkamp 2002 Hamburg 1591 - 1592 worked for Antwerp refugees, a.o. for the goldmith Jacob de Moor who commisioned a painting for the St. Petri church (Borggrefe/Fusenig/Uppenkamp 2002) Danzig (hist.) 1592-10 - 1596 produced designs for fortifications (not executed, the commision went to Obbergen); made a painting for the Artus Court and decorated the interior of the summer council chamber of the town hall (Borggrefe / Fusenig / Uppenkamp 2002) Hamburg 1596 - 1597 worked for the Antwerps refugee Hans l' Hommel (Borggrefe/Fusenig/Uppenkamp 2002) Praag 1597 - 1598 active for Emperor Rudolf II; returned to Hamburg in the autumn of 1598 (Borggrefe/Fusenig/Uppenkamp 2002) Hamburg 1598 - 1600 Amsterdam 1600 - 1606 Den Haag 1601 - 1604 Buijsen/Dumas et al. 1998 Hamburg 1606 - 1609 Relaties met andere kunstenaars Leerling van In dit veld worden namen van leraren of leermeesters vermeld. Het gaat hier om die leermeesters die een relevante rol hebben gespeeld in de vorming van de leerling, dus niet om alle academieleraren die iemand heeft gehad. Zie ook het veld 'Opleiding'. Dorisy, Claude Gerritsz., Reijer Leraar van in dit veld worden namen van leerlingen vermeld. Het gaat hier om die leerlingen waarbij de leraar een relevante rol heeft gespeeld in diens vorming, dus niet om alle academieleerlingen die iemand heeft gehad. Zie ook het veld 'Opleiding'. Blocke, Isaak van den Corte, Juan de la Steenwijck, Hendrik van (I) Vredeman de Vries, Paul Nagevolgd door in dit veld worden de navolgers van de kunstenaar vermeld. Hoewel leerlingen natuurlijk ook navolgers kunnen zijn, worden die hier niet opnieuw vermeld. Met navolgers worden kunstenaars bedoeld die het werk van een voorganger in diens geest voortzetten. Dit kan soms zelfs een eeuw later zijn; er is hiervoor geen tijdslimiet. Het gaat hier wel om iemand van wie het hele werk grotendeels in de trant is van de nagevolgde kunstenaar. Bronckhorst, Pieter van Croon, T.J. Krieg, Johann Invloed op In dit veld worden de kunstenaars vermeld op wie de beschreven kunstenaar invloed heeft gehad zonder dat er sprake was van een onderwijssituatie of van slaafse navolging. Bogaert, Casper Delen, Dirck van Delen, Jan van Husen, Peter van Osten, Peter Robin, Joris Robin, Jan (II) Stockman, Rudolf Ducha, Lorenzo Onderwerpen In dit veld worden de diverse onderwerpscategorieën of genres vermeld die in het oeuvre van de beschreven kunstenaar voorkomen. De inhoud van dit veld is doorgaans meer gebaseerd op het aanwezige beeldmateriaal in het RKD dan op de literatuur. architectuur (genre), kerkinterieur Materiaal/techniek olieverf Product ornament-ontwerp Stroming Hier wordt vermeld tot welke stroming een kunstenaar kan worden gerekend. Niet alle stromingen zijn ingevoerd, want de inhoud van dit veld is nog in opbouw. Praagse School Lid van Sint-Lucasgilde (Mechelen) Literatuur Literatuur in RKDLibrary 22 treffers in RKDlibrary als onderwerp 2 treffers in RKDlibrary als auteur Kramm 1857-1864 , vol. 6 (1862), p. 1804-1805 Thieme/Becker 1907-1950 , vol. 34 (1940), p. 575-578 (as: Vries, Hans Vredeman de) Von Wurzbach 1906-1911 , vol. 2 (1910), p. 830-832 Kozakiewiczowie 1976 , p. 210, 229-230 (as: Vredeman de Vries, Jan) Gerson 1942/1983 , passim Gabriëls 1958 , passim Witt Checklist 1978 DaCosta Kaufmann 1988 , p. 287, no. 24 Braunschweig 1998 , nos. 3 and 48 Hollstein et al. 1949-2010 , vol. 52-53 (1997) Briels 1997 , p. 403-404 Buijsen/Dumas et al. 1998 , p. 358 Borggrefe/Fusenig/Uppenkamp 2002 , passim Mai 2005B , p. 42-65 (about the collaboration with Gillis Mostaert) (K. Michiels, 'Gillis Mostaert: het samenwerkingscircuit waartoe hij behoorde en zijn aanvangsfase als kunstenaar') Bowen/Imhof 2008 , p. 351-352 and passim Palubicki 2009 , vol. 2, p. 727-785 Konečný/Vácha/Bukovinská 2012 , p. 179–188 (S. Vácha, 'Der Hauptaltar für den Veitsdom. Eine kaiserliche Kunststiftung im Sakralbereich') Leuschner 2016 , p. 10-23 (Th. Fusenig, 'Hans Vredeman de Vries malt Bürgerkrieg, Religionsfrieden und Kapitulation (1570-1586)') P. Abramowski, 'Die Sommerratsstube im Rechtstädtischen Rathaus zu Danzig und ihre Schnitzwerke', Ostdeutsche Monatshefte 9 (1928), p. 444-464 R. Meischke, 'Het architectonisch ontwerp in de Nederlanden gedurende de late middeleeuwen en de zestiende eeuw', Bulletin Koninklijke Nederlandse Oudheidkundige Bond 5 (1952), kol. 161-230 J. Puciata- Pawłowska, 'Z dziejów stosunków artystycznych Torunia i Gdańska w XVI I XVII wieku' (From the history of artistic contacts of Toruń and Gdańsk in the sixteenth
Recommended publications
  • Courant 7/December 2003
    codart Courant 7/December 2003 codartCourant contents Published by Stichting codart P.O. Box 76709 2 A word from the director 12 The influence and uses of Flemish painting nl-1070 ka Amsterdam 3 News and notes from around the world in colonial Peru The Netherlands 3 Australia, Melbourne, National Gallery 14 Preview of upcoming exhibitions [email protected] of Victoria 15 codartpublications: A window on www.codart.nl 3 Around Canada Dutch cultural organizations for Russian 4 France, Paris, Institut Néerlandais, art historians Managing editor: Rachel Esner Fondation Custodia 15 codartactivities in fall 2003 e [email protected] 4 Germany, Dresden, Staatliche Kunst- 15 Study trip to New England, sammlungen Dresden, Gemäldegalerie 29 October-3 November 2003 Editors: Wietske Donkersloot, Alte Meister 23 codartactivities in 2004 Gary Schwartz 5 Germany, Munich, Staatliche 23 codart zevencongress: Dutch t +31 (0)20 305 4515 Graphische Sammlung and Flemish art in Poland, Utrecht, f +31 (0)20 305 4500 6 Italy, Bert W. Meijer’s influential role in 7-9 March 2004 e [email protected] study and research projects on Dutch 23 Study trip to Gdan´sk, Warsaw and and Flemish art in Italy Kraków, 18-25 April 2004 codart board 8 Around Japan 32 Appointments Henk van der Walle, chairman 8 Romania, Sibiu, Brukenthal Museum 32 codartmembership news Wim Jacobs, controller of the Instituut 9 Around the United Kingdom and 33 Membership directory Collectie Nederland, secretary- Ireland 44 codartdates treasurer 10 A typical codartstory Rudi Ekkart, director of the Rijksbureau voor Kunsthistorische Documentatie Jan Houwert, director of the Wegener Publishing Company Paul Huvenne, director of the Koninklijk Museum voor Schone Kunsten, Antwerp Jeltje van Nieuwenhoven, member of the Dutch Labor Party faction codartis an international council for curators of Dutch and Flemish art.
    [Show full text]
  • The Design Practices of the Dutch Architectural Painter Bartholomeus Van Bassen
    National Gallery Technical Bulletin Volume 26, 2005 National Gallery Company London Distributed by Yale University Press Series editor Ashok Roy © National Gallery Company Limited 2005 All rights reserved. No part of this publication may be transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without the prior permission in writing of the publisher. First published in Great Britain in 2005 by National Gallery Company Limited St Vincent House, 30 Orange Street London wc2h 7hh www.nationalgallery.co.uk British Library Cataloguing in Publication Data A catalogue record for this journal is available from the British Library isbn 1 85709 341 0 issn 0140 7430 525046 Publisher Kate Bell Project manager Jan Green Editor Diana Davies Designer Tim Harvey Picture research Xenia Corcoran and Kim Klehmet Production Jane Hyne and Penny Le Tissier Printed in Italy by Conti Tipocolor front cover Rubens, The Judgement of Paris (NG 194), detail of plate 1, page 4. title page Joachim Beuckelaer, The Four Elements: Air (NG 6587), detail of serving girl. The Design Practices of the Dutch Architectural Painter Bartholomeus van Bassen axel rüger and rachel billinge artholomeus van bassen (c.1590–1652) was Cunerakerk, Rhenen (plate 1) is the only painting Bthe first Dutch painter to specialise in the genre in the National Gallery that can be reliably attrib- of architectural painting. He is now principally uted to the artist.3 remembered for the pivotal role he played
    [Show full text]
  • Źródła Alberti Leon Battista, O Malarstwie, Oprac. M. Rzepińska
    Źródła Alberti Leon Battista, O malarstwie, oprac. M. Rzepińska, tłum. L. Winniczuk, Wrocław–Warszawa– Kraków 1963. Aldrich K., Fehl Ph., Fehl R., The literature of classical art: Franciscus Junius, (I) The Painting of the Ancients, (II) A Lexicon of Artists and their Works, Berkeley 1991. Ampzing Samuel, Beschrijvinge ende Lof der Stadt Haerlem in Hollant, Amsterdam 1974 (reprint wydania Haarlem 1628). Armenini Giovanni Battista, De’ veri precetti della Pittura, oprac. M. Gorreri, Torino 1988. Baldinucci Filippo, Notizie de’ professori del disegno, (Firenze 1681), [w:] Opere, t. 10, Milano 1812. Bembo Pietro, Prose della volgar lingua (1513) i De imitazione (ok. 1513) [w:] Prosatori latini del Quattrocento, red. E. Garin, (Classici italiani, 13), Milano-Napoli 1952, s. 903–905 Białostocki J., Myśliciele, kronikarze i artyści o sztuce od starożytności do 1500 r., Warszawa 1978. Białostocki J., Teoretycy, pisarze i artyści o sztuce 1500–1600, Warszawa 1985. Białostocki J., Poprzęcka M., Ziemba A., Teoretycy, historiografowie i artyści o sztuce 1600–1700, Warszawa 1994. Braun Georg, Hogenberg Frans, Civitates Orbis Terrarum, wyd. facs., oprac. M. Schefold, I–VI, Stuttgart 1965–1970. Bray Salomon de, Architectura moderna, ofte Bouwinge van onsen tyt, Amsterdam 1631 (reprint: Soest 1971). Bredius A., Künstler-Inventare. Urkunden zur Geschichte der holländischen Kunst des XVIten, XVIIten und XVIIIten Jahrhunderts, t. 1–8, Haag 1915–1922. Brom G., Langeraad L.A. van, Diarium van Arend van Buchell, Amsterdam 1907. Campen J.W.C. van, Aernout van Buchell: Notae Quotidianae, Utrecht 1940. Cellini Benvenuto, Sopra l’arte del disegno, [w:] P. Barocchi, Scritti d’arte del Cinquecento, Milano- Napoli 1971–1977. Deutschland vor drei Jahrhunderten.
    [Show full text]
  • Hans Vredeman De Vries Und Die Renaissance Im Norden Die
    Forschungsberichte lungen mit Adelsprovenienz oder aus dem der romischen Graphik am meisten pragende Kontext der alten Kunstakademien nicht - ein Studium der erhaltenen gedruckten untypische Akzentsetzung auf Vollstandigkeit Lagerlisten steht aus, ware jedoch fur die im Sinne einer Bestandsvertretung des Kiinst- Geschmacksgeschichte des spateren 18. Jh.s lers und seiner bekanntesten Reproduzenten. hochst ertragreich). Erst die in den i95oer Weitaus weniger Augenmerk wurde an- Jahren hinzugekommenen Geschenke der scheinend auf friihe Abziige und damit auf Max-Kade-Foundation New York sowie erstklassige Druckqualitat gelegt; wahrschein- einige rezente Ankaufe haben das Qualitats- lich waren solche Stiicke fur viele der im Fun­ niveau der Sammlung in der Staatsgalerie dus zusammengeflossenen alten Sammlungen nachhaltig verbessert. kaum noch greifbar oder bezahlbar. Was Rai­ Unter den deutschen graphischen Sammlun­ mondi und seinen Kreis angeht, bestimmen gen ist Stuttgart sicher nicht das wichtigste Abziige des spateren 17. und 18. Jh.s das Bild, Repositorium von Raffael-Reproduktionen, also Drucke mit den Verlegeradressen der de kann aber wegen der Schwerfalligkeit der Rossi und des kurz vor der franzdsischen Re­ meisten anderen Institute wieder einmal punk- volution tatigen Carlo Losi (letzterer verdient ten: Eine solche Ubersicht uber Verbreitung iibrigens mehr Beachtung; sein Sortiment war und EinfluE der Inventionen Raffaels im neben dem der Calcografia camerale das wohl europaischen Bilddruck fehlte bisher in umfangreichste und den historischen Kanon deutscher Sprache. Eckhard Leuschner Hans Vredeman de Vries Hans Vredeman de Vries und die Renaissance im Norden Exhibition catalogue Weserrenaissance-Museum, Lemgo, edited by Heiner Borggreve, Vera Lupkes, Paul Huvenne, and Ben van Beneden. With Thomas Fusenig and Barbara Uppenkamp. Munchen, Hirmer Verlag 2002.
    [Show full text]
  • The Merchants of Light Art, Science, and Culture at the Court of Rudolph II
    The Merchants of Light Art, science, and culture at the court of Rudolph II This guide was meant to accompany the exhibition Rudolph II and Prague The Imperial Court and the Residential City as Cultural and Spiritual Centre of Central Europe organised by the Prague Castle Administration, the Office of the President of the Czech Republic, the Ministry of Culture of the Czech Republic, and the City of Prague Curator-in-chief, Dr. Eliska Fuciková Senior curators, Duna Panenková, Ivana Quilezová, James M. Bradburne, et al. Prague, 30 May - 7 September 1997 1 The Merchants of Light James M. Bradburne The Habsburg court in the late Renaissance, in Vienna under Ferdinand I and Maximilian II, and later under Rudolph II in Prague, has excited the interest of scholars and the general public alike. Whether it is through the astronomical observations of the silver-nosed Tycho Brahe, or through tales of the golem who haunted the street s of Prague at the behest of the Rabbi Löw, the period is known to have been one of intense intellectual, artistic and political ferment. On the other hand, compared to the same period in other European countries such as France, Spain or Italy, little is known about Rudolph's court in Prague, which for over three decades was a wellspring of neo-platonic studies in alchemy, astrology, allegorical painting and technology, and attracted such scholars and artists as Arcimboldo, Savery, Bruno and Kepler. Certainly what we do know is tantalising. For instance, we know that there were close ties between the Protestant court of England and the imperial court of Prague.
    [Show full text]
  • The Small Landscape Prints and the Depiction of the Countryside in Early Modem Antwerp
    Local Terrains: The Small Landscape Prints and the Depiction of the Countryside in Early Modem Antwerp Alexandra Kirkman Onuf Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3213572 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3213572 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ©2006 Alexandra Kirkman Onuf All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ABSTRACT Local Terrains: The Small Landscape Prints and the Depiction of the Countryside in Early Modem Antwerp Alexandra Kirkman Onuf This dissertation reexamines the Small Landscape prints, two series of views of the local landscape around Antwerp published by Hieronymus Cock in the middle of the sixteenth century.
    [Show full text]
  • 188 Conclusion Hans Vredeman De Vries and Pieter Bruegel
    Pieter Bruegel the Elder: art discourse in the sixteenth-century Netherlands Richardson, T.M. Citation Richardson, T. M. (2007, October 16). Pieter Bruegel the Elder: art discourse in the sixteenth-century Netherlands. Retrieved from https://hdl.handle.net/1887/12377 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/12377 Note: To cite this publication please use the final published version (if applicable). Conclusion Hans Vredeman de Vries and Pieter Bruegel: An Artistic Confrontation Throughout this study, I have argued that Bruegel’s mediation of pictorial motifs and visual concepts from history painting for his representations of peasants and festivities serves multiple functions: to question what constitutes a proper work of art, to cultivate his own vernacular style and to appeal to the humanist ideal of employing classical frames of reference for subjects or events that are local in character. At the core of this artistic agenda are the concepts of ars (skill) and ingenium (imagination or invention) which facilitated the creative integration of art and nature. For the Pléiade group, for example, this meant the use of classical Latinate forms (art) to cultivate the vernacular language (nature). Despite the fact that Bruegel’s later scenes of peasants have been categorized as paintings representing an indigenous idiom that eschews foreign influence, I have discussed in greater detail the hybrid nature of these images, which ‘artfully’ depict the ‘natural’ life of Brabant. Bruegel’s pictures simultaneously question the uncritical acceptance of artistic standards and assumptions defined in Italy and push for the pictorial possibility of incorporating these very principles into what was increasingly recognized as a Northern idiom.
    [Show full text]
  • May 2002 Newsletter
    historians of netherlandish art NEWSLETTER Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 19, No. 1 www.hnanews.org May 2002 Michael Sweerts, Boy with a Hat, c. 1655–1656. Oil on canvas, 37 × 29.2 cm. The Ella Gallup Sumner and Mary Catlin Sumner Collection, Wadsworth Atheneum Museum of Art, Hartford. HNA Newsletter, Vol. 19, No. 1, May 2002 1 From the President hospital-turned-conference hall, ‘t Elzenveld, in the center of Antwerp. The Website Highlights of the conference included the plenary session, with three stimulating talks by Martha Wolff, Larry Silver and Eric Jan Many of you will be reading this message on paper; many more Sluijter. Their discussions on the current state of research in 15th-, will be reading it online, for this is the inaugural issue of 16th- and 17th-century Netherlandish studies appear in the online www.hnanews.org. Though arranged a little differently, much of the version of this Newsletter. Participants also singled out the success of Newsletter will look familiar. Sections on HNA News, Exhibitions, the workshops, some of which were held in situ. The 1993 HNA Museum News, and Scholarly Activities have all been carried over to conference in Boston initiated the idea of workshops; the 1998 the new format. Completely new, however, are the website’s links to Baltimore conference added more. The Antwerp conference offered museums, research facilities, libraries, art historical organizations, and no less than 18 workshops. Summaries of the insights that emerged photo services. You’ll no longer need to take that extra step of from them, along with the abstracts of the many equally successful searching for these sites and addresses, because they are all right here.
    [Show full text]
  • Painting and Publishing As Cultural Industries the Fabric of Creativity in the Dutch Republic, 1580-1800
    CLAARTJE RASTERHOFF Painting and Publishing as Cultural Industries The Fabric of Creativity in the Dutch Republic, 1580-1800 amsterdam studies in the dutch golden age Painting and Publishing as Cultural Industries Amsterdam Studies in the Dutch Golden Age Founded in 2000 as part of the Faculty of Humanities of the University of Amsterdam (UvA), the Amsterdam Centre for the Study of the Golden Age (Amsterdams Centrum voor de Studie van de Gouden Eeuw) aims to promote the history and culture of the Dutch Republic during the ‘long’ seventeenth century (c. 1560-1720). The Centre’s publications provide insight into the lively diversity and continuing relevance of the Dutch Golden Age. They offer original studies on a wide variety of topics, ranging from Rembrandt to Vondel, from Beeldenstorm (iconoclastic fury) to Ware Vrijheid (True Freedom) and from Batavia to New Amsterdam. Politics, religion, culture, economics, expansion and warfare all come together in the Centre’s interdisciplinary setting. Editorial control is in the hands of international scholars specialised in seventeenth-century history, art and literature. For more information see http:// en.aup.nl/series/amsterdam-studies-in-the-dutch-golden-age or http://acsga. uva.nl/ Editorial Board Frans Blom, University of Amsterdam Michiel van Groesen, Leiden University Lia van Gemert, University of Amsterdam Geert H. Janssen, University of Amsterdam Elmer E.P. Kolfin, University of Amsterdam Nelleke Moser, VU University Amsterdam Henk van Nierop, University of Amsterdam Emile Schrijver, University of Amsterdam Thijs Weststeijn, Utrecht University Advisory Board H. Perry Chapman, University of Delaware Harold J. Cook, Brown University Benjamin J.
    [Show full text]
  • HNA April 2013 Cover.Indd
    historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 30, No. 1 April 2013 Frans Hals, Portrait of Catharina Hooft with Her Nurse, c. 1619/20. Oil on canvas, 86 x 65 cm. Gemäldegalerie, Staatliche Museen zu Berlin – Preußischer Kulturbesitz. In the exhibition Frans Hals. Eye to Eye with Rembrandt, Rubens and Titian, Frans Hals Museum, Haarlem, March 23 – July 28, 2013. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President – Amy Golahny (2013-2017) Lycoming College Williamsport PA 17701 Vice-President – Paul Crenshaw (2013-2017) Providence College Department of Art History 1 Cummingham Square Providence RI 02918-0001 Treasurer – Dawn Odell Lewis and Clark College 0615 SW Palatine Hill Road Portland OR 97219-7899 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Board Members Contents Stephanie Dickey (2013-2017) Martha Hollander (2012-2016) President's Message .............................................................. 1 Henry Luttikhuizen (2009 and 2010-2014) HNA News ............................................................................1 Shelley Perlove (2008-2009 and 2010-2014) Personalia ............................................................................... 3 Joaneath Spicer (2010-2014)
    [Show full text]
  • April 2004 Journal
    historians of netherlandish art NEWSLETTER Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 21, No. 1 www.hnanews.org April 2004 Frans van Mieris, A Woman Pulling a Dog’s Ear. 1662. Oil on panel, 14 x 11 cm. Recently acquired by the Worcester Art Museum. HNA Newsletter, Vol. 21, No. 1, April 2004 1 From the President HNA News For many, April means tulips and cherry blossoms (and income Election Results tax). For Kristin and me, it also means another Newsletter, and an opportunity to bring you up to date on matters that concern the HNA Three new board members were elected and introduced to the as a whole. membership at the HNA Membership Meeting and Reception at CAA This past February in Seattle, the Board devoted much attention in Seattle, February 19, 2004. Krista De Jonge, Christine Göttler and to our next international conference. As we reported in the last Julie Hochstrasser are replacing Stephanie Dickey, Reindert Newsletter, it will take place in Washington DC in early November Falkenburg and Linda Stone-Ferrier whose terms expired. The new 2006, at the beginning of the National Gallery’s exhibition on board members are to serve for four years (2004–2008). Netherlandish diptychs. The date is certain. The organizers are certain – Quint Gregory and Aneta Georgievska-Shine. The precise venue still remains to be determined. But as Aneta and Quint continue to search for the right auditorium and conference rooms, they are also beginning to assemble an official program committee. That committee Nominations for New Officers will likely post a call for sessions by the end of the year.
    [Show full text]
  • November 2002 Newsletter
    historians of netherlandish art NEWSLETTER Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 19, No. 2 www.hnanews.org November 2002 Joseph Heintz (1564-1609), The Penitent Magdalen. Oil on canvas, 84.5 x 69 cm. The Art Museum, Princeton University. Museum purchase and partial gift of Stephen Mazoh Photo credit: Bruce M. White HNA Newsletter, Vol. 19, No. 2, November 2002 1 From the President Finally, let me mention that the College Art Association meeting in New York this coming February will feature an HNA-sponsored The HNA website is finally complete: www.hnanews.org. It had session chaired by members Andrea Pearson and Lisa Deam – Friday, a slow birth, as many of you have noticed. But now that you can February 21, from noon until one-thirty, in the Beekman Parlour, 2nd access it in its entirety, you will see a number of helpful features. In floor of the Hilton. Time and venue of the Reception will be an- the Links category, for example, you will find a new section on Dutch nounced on the Message Board, and of course, in the program of the language instruction, not to mention addresses of photographic College Art Association meeting. services, research facilities, libraries, and dealers. The Members Only section offers yet more. The Membership Directory now gives you All the best, information that can be updated twice a year, if necessary. The Archive of Past Reviews of Books (going back to 2000) allows you to Alison M. Kettering, search for that anthology or book whose editor or author simply escapes your befogged memory.
    [Show full text]