December 2003 Newsletter
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Kunstkammer Wien a Selection of Important
KUNSTKAMMER WIEN A SELECTION OF IMPORTANT OBJECTS „Krumau Madonna“ Prague (?), c. 1400 Sandstone, cloak originally white and blue, hair and edge of clothes gilt Provenance: acquired in 1913 for the Imperial Collections Kunsthistorisches Museum, Kunstkammer, Inv-no. KK 10156 This sculpture was discovered around 1900 in Krumau in southern Bohemia. It is a perfect example of the „beautiful Madonnas“ so popular in the art around 1400. The Virgin with Child is shown as both the Queen of Heaven and a loving mother. Characteristics of courtly refinement, such as the rich and heavy drapery, idealised features and her gilt hair, are combined with verisimilitude, e.g. the body of the baby. This Gothic masterpiece is clearly informed by the art at the court in Prague. Salt Cellar (Saliera) Benvenuto Cellini (Florence 1500 – 1571 Florence) Paris, made between 1540 and 1543 Gold, partly enamelled; ebony, ivory, Provenience: from the Kunstkammer of Archduke Ferdinand II of Tirol at Ambras; presented to the Archduke by King Charles IX of France in 1570 Kunsthistorisches Museum, Kunstkammer, Inv-no. KK 881 The only extant goldsmith work by the celebrated Renaissance artist, Benvenuto Cellini, perfectly reflects the refined taste of contemporary courtly society. We know it served as a container for the expensive spices, salt and pepper, but the complex pictorial programme culminates in an allegory of the cosmos (complete with the god of the ocean and the goddess of the earth, animals, the four winds and the four times of the day) dominated by the arms and emblems of the patron who commissioned it, Francois I of France (ruled 1515-1547). -
195907-08.Pdf
IS LEMETER \GNETICS " IPPORTS IE WEIGHT ONE ~/ ./ )UNG .EPHANT s a jaster, more reliable memory, too! LLY TEST t we hope it attracts your ention to the thorough "ee-stage inspection and testing len every TELEMETER MAGNETICS ~mory product - from core to ray to buffers and memory systems. .C·l!r~.····~ ')1 r·,1 :!~:rIGS arufac'c;re: th" :-;)em;~r)' sy:;te;' complete from core pro- du~;t i::: irin.c: t ~is':,j ... and because TElEf~ETER MAGr'lETIGS tests FlU cal ;~e tnat milch :;ur~i when you specify memory ",'!;ar 'lJ':\::~~ mernar! "y~tems to satisfy practically any :;)t)figuf?t:on. linns :-;f :1:'''-' Hl to 1,~:;;O,OOU bits are COlllmon.,. memories can be iiiuil ~,il' :i, a:j:jitic;n, n.~! offers you :\ selection of memory up:t~, ":ili! r:vr.ie tirnl?s of ;,1 microsecond:;, 6 to 8 microseconds, ilnd 3 microseconds. i::', IIII'll/un s(uclt JUT [i.':cti or:ic circu in TEU:W::n:R f,li'IGNH!GS menlOl y systems employ solid state elements a '20-lIIir'f"()s(,(,()lId "ystem 20 Jf! UfJld., ui 2'2 liI',,\ I'll!'!! ilrc on n!il;,-in (>W;'j tor com~~3ctness anti mainten'lf]ce ease, I' .7 , / (':'! .' ,I .r ) / f '/ • ,'f ,. r' t ,.' f ( ,r .... I I j • ~ ~. / i "'(" ( ,: r I .~ • I i j' I ' { i I [ • / (~ '. \ ,\fulIu/ul'lur l '/'. ,,!, 1PORTAlH JOB OPPORTUNITIES liJ\11tW,ilffii j itJit:Il": l,~ill( ,1i(~i'tllijH !~'fu.;liT:USdjll\Ji~t !!lDH tfUfjjlF~l~ !!i~'(~:iij»; TELEMETER MAGNETICS Inc. -
December-2016.Pdf
the hollstein journal december 2016 It is my great pleasure to write these first few lines introducing our first e-newsletter. Via this medium, which we aim to publish at least twice a year, we will keep you informed about various Hollstein projects: more in depth information about some of our current projects, new research, publication schedules, as well as other activities connected to Dutch and Flemish and German prints before 1700. In this first issue you will be introduced by Ad Stijnman to Johannes Teyler and the à la poupée printing technique. These volumes to be published in our series The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts, 1450-1700 will be the first ever to be in full colour. Some of our previous volumes on the oeuvres of Hendrick Goltzius and Frans Floris already included a few colour plates but Teyler’s substantial oeuvre covers every colour of the rainbow. Marjolein Leesberg will discuss Gerard and Cornelis de Jode. Her research on the De Jode dynasty resulted in such a wealth of new material that we decided to divide The New Hollstein Dutch & Flemish volumes into two separate publications. The first will cover Gerard and Cornelis de Jode and the second following comprises the subsequent family members Pieter de Jode I, Pieter de Jode II, and Arnold de Jode. With the end of the year quickly approaching, I, on behalf of the whole team, would like to take the opportunity to wish you a Merry Christmas and a prosperous 2017. Frits Garritsen Director johannes teyler and dutch colour printing 1685-1710 The group of prints compiled for the forthcoming The à la poupée process had been used since 1457,2 New Hollstein volumes concern what are known as usually inking copper plates but also woodblocks in ‘Teyler prints’. -
36975 1-11 Legalap1 Layout 1
Government Gazette Staatskoerant REPUBLIC OF SOUTH AFRICA REPUBLIEK VAN SUID-AFRIKA Vol. 581 Pretoria, 1 November 2013 No. 36975 PART 1 OF 2 LEGAL NOTICES A WETLIKE SEE PART C SIEN DEEL C KENNISGEWINGS N.B. The Government Printing Works will not be held responsible for the quality of “Hard Copies” or “Electronic Files” submitted for publication purposes AIDS HELPLINE: 0800-0123-22 Prevention is the cure 305305—A 36975—1 2 No. 36975 GOVERNMENT GAZETTE, 1 NOVEMBER 2013 IMPORTANT NOTICE The Government Printing Works will not be held responsible for faxed documents not received due to errors on the fax machine or faxes received which are unclear or incomplete. Please be advised that an “OK” slip, received from a fax machine, will not be accepted as proof that documents were received by the GPW for printing. If documents are faxed to the GPW it will be the sender’s respon- sibility to phone and confirm that the documents were received in good order. Furthermore the Government Printing Works will also not be held responsible for cancellations and amendments which have not been done on original documents received from clients. TABLE OF CONTENTS LEGAL NOTICES Page BUSINESS NOTICES.............................................................................................................................................. 11 Gauteng..................................................................................................................................................... 11 Eastern Cape............................................................................................................................................ -
A Catalogue of Rembrandt's Etchings
Fk-.oVO, UU«xH Digitized by the Internet Archive in 2011 with funding from Brigham Young University http://www.archive.org/details/catalogueofrembrOOhind a' catalogue of rembrandt's etchings CHRONOLOGICALLY ARRANGED AND COMPLETELY ILLUSTRATED B y ARTHUR M. HIND OF THE BRITISH MUSEUM SLADE PROFESSOR OF FINE ART IN THE UNIVERSITY OF OXFORD IN TWO VOLUMES VOL. I INTRODUCTION AND CATALOGUE WITH FRONTISPIECE IN PHOTOGRAVURE, AND TEN PLATES ILLUSTRATING STUDIES FOR THE ETCHINGS METHUEN AND CO. LTD. 36 ESSEX STREET W.C. LONDON First Published February igis Second Edition, revised and in part rewritten . '9^3 THE LIBRARY BRIGHAM YOUWG UIN/IVERSIT^ PROVO, UTAH PREFACE THE present catalogue is a revised edition of the one which appeared in 1912 in my Rembrandt's Etchings, an Essay and a Catalogue, with some Notes on the Drawings. The Introduction is also composed to a large extent of material from the same volume, but revised and re-arranged with the definite object of providing such notes as would be of most use to the student and collector of Rembrandt's etchings (e.g. in the addition of a list of values). The volume of plates, to which a few subjects have been added since 1912, will no doubt be of service for purposes of identifica- tion, and will, I hope, appeal equally to the amateur or artist who merely wishes to be reminded of this incomparable series of subjects. For drawing my attention to new states or other details of description in the Catalogue, I would express acknowledgment to Jhr. Mr. J. F. -
Adriaen De Vries
E DUVEEN BROTHERS Paris Library Class No. Stock No. ::::::::::::::::::::::: FROM THE LIBRARY OF { <=*Puveen d^fyroiliers, C^Jnc. 720 FIFTH AVE. NEW YORK O/o. /^l M BOUNQ BY S.Georoe Street, MANCHESTER S?W. BEITRÄGE ZUR KUNSTGESCHICHTE NEUE FOLGE. XXV. I ADRIAEN DE VRIES VON CONRAD BUCHWALD O MIT ACHT TAFELN O LEIPZIG VERLAG VON E. A. SEEMANN 1899. Dem Andenken MEINER MUTTER Digitized by the Internet Archive in 2014 https://archive.org/details/adriaendevriesOObuch Inhalt Seite I. Einleitung I II. Lehrzeit io III. In Augsburg 14 IV. In Diensten Rudolfs II 32 V. Arbeiten für den Fürsten Ernst von Schaumburg 63 VI. Die Brunnen für Fredriksborg und Danzig 74 VII. Aufträge Wallensteins 83 VIII. Schluss 92 IX. Verzeichnis von Werken des Adriaen de Vries 98 Anmerkungen 104 I Einleitung Ein glücklicher Fund war die Veranlassung zu vorliegender Arbeit. In der Kirche des Dorfes Rothsürben unweit Breslaus entdeckte ich zufällig ein gänzlich unbekanntes Werk des Adriaen de Vries. Adriaen de Vries hat keinen Namen in der Kunstgeschichte. Aeltere Nachrichten, die sich über ihn hier und da finden, sind dürftig, auch nicht frei von Widersprüchen und Fehlern. Karl van Mander erwähnt ihn kurz an einzelnen Stellen seines Schilder- buchs, Sandrart bringt zuerst eine Art von Biographie des Künstlers. Er giebt als dessen Geburtsort „Gravenhaag" an und erzählt, dass er „von der Natur selbst zum Bildhauer angetrieben sehr viele Lebens- grosse Bilder von Stein, Wachs und Erden gemacht, solche auch hernachmals in Metall gegossen und sich durch die stete Uebung mehr als kein anderer zu seiner Zeit in Ruhm gebracht, wie dieses seine sehr lobwürdige Werke erstlich in Italien allwo er die Antiken aufs genaueste ergründet an Tag legen, dann er in der Akademie zu Florenz immerzu der beste gewesen". -
El Juego Real De Cupido: a Spanish Board Game Published in Antwerp, C
El Juego Real de Cupido: a Spanish board game published in Antwerp, c. 1620 Marjolein Leesberg he British Library’s Department of Maps the field of game history. The present article holds a remarkable print, published by draws upon both disciplines in order to shed new T the Antwerp engraver, designer and light on this extraordinary, and possibly unique, publisher Pieter de Jode I (1573-1634) (fig. 1 on impression of a board game issued by De Jode. p. 24).1 The etching is not a map, as would be expected in view of the cartographic nature of the collection as well as the history of the De Pieter de Jode I as engraver and publisher Jode family as publishers of maps. Rather, it turns Pieter de Jode I was the son of the Antwerp out to be a board game of the Game of Cupid publisher Gerard de Jode (1516/17-1591).2 After or so-called Game of Snake. Even more unusual having been trained as an engraver in his father’s is the fact that all inscriptions are in Spanish, workshop as well as by Hendrick Goltzius in Haar- including De Jode’s Antwerp address. It will be lem, De Jode worked for a short period as a print argued here that this Spanish Game of Cupid, designer and engraver for his brother-in-law Hans issued in Antwerp about 1620, may be one of the Jacops in Amsterdam. In 1595, he left for Italy first of these games that appeared in print. where he worked in Venice, Siena, and Rome.3 Early impressions of board games are After his return to Antwerp and the death of both extremely rare, since they were not considered his older brother Cornelis in 1600 and his mother ‘art’ but objects to be pasted on a board and in 1601, De Jode continued the publishing firm in used. -
2000 Jaargang 99
Robert Hook Hollandd ean : Dutch influenc architecturs hi n eo e Alison Stoesser-Johnston The use of these publications by English architects and arti- Introductie)!! sans and the design of Wollaton Hall were not based on any Dutch classicism was a recent arrival in England when first-hand personal impressio f classicisno Italymn i . Thid ha s Robert Hooke made his first architectural designs in the late emergence th waio t r fo t f Inigeo o Jone s architectsa visis Hi . t 1660s. 'e constructioPrioth o t r f Hugo n h May's Eltham to Italy in 1613-'14 in the entourage of Thomas Howard, 2nd Lodg 1663-'64n i e e firsth , t exampl f Dutceo h classicisn mi Earl of Arundel, his close interest in Roman antiquities and England, classical elements straight from Italy and via Flan- intimate knowledge of Palladio's drawings are most ders had been used in English architecture for nearly a hund- dramatically exemplifie Banquetins hi n di g Hous f 1619-22eo . red years. Initially these had been mainly of a decorative na- Not only, however, has Jones here used Palladian "vocabulary" ture but vvith the construction of Inigo Jones' Banqueting 7 but hè has combined it with the application of Scamozzian House (1619-'21) there was a dramatic change in the way orders, the Composite being superimposed on the lonic. This classicism was adapted to English architecture. Jones drew combination of Palladian elements with Scamozzian also on the examples of Palladio and Scamozzi in his architecture influence beginninge th d f Dutcso h classicism.8 Jones' design using both Palladio's treatise, / quattro libri, personal know- was not only a major innovation in England but it also inspired ledge of his architecture and, in the case of Scamozzi, per- Jaco n Campe s va bfirs hi tn i narchitectura l commission i n sonal contact e applieH . -
Rembrandt Remembers – 80 Years of Small Town Life
Rembrandt School Song Purple and white, we’re fighting for you, We’ll fight for all things that you can do, Basketball, baseball, any old game, We’ll stand beside you just the same, And when our colors go by We’ll shout for you, Rembrandt High And we'll stand and cheer and shout We’re loyal to Rembrandt High, Rah! Rah! Rah! School colors: Purple and White Nickname: Raiders and Raiderettes Rembrandt Remembers: 80 Years of Small-Town Life Compiled and Edited by Helene Ducas Viall and Betty Foval Hoskins Des Moines, Iowa and Harrisonburg, Virginia Copyright © 2002 by Helene Ducas Viall and Betty Foval Hoskins All rights reserved. iii Table of Contents I. Introduction . v Notes on Editing . vi Acknowledgements . vi II. Graduates 1920s: Clifford Green (p. 1), Hilda Hegna Odor (p. 2), Catherine Grigsby Kestel (p. 4), Genevieve Rystad Boese (p. 5), Waldo Pingel (p. 6) 1930s: Orva Kaasa Goodman (p. 8), Alvin Mosbo (p. 9), Marjorie Whitaker Pritchard (p. 11), Nancy Bork Lind (p. 12), Rosella Kidman Avansino (p. 13), Clayton Olson (p. 14), Agnes Rystad Enderson (p. 16), Alice Haroldson Halverson (p. 16), Evelyn Junkermeier Benna (p. 18), Edith Grodahl Bates (p. 24), Agnes Lerud Peteler (p. 26), Arlene Burwell Cannoy (p. 28 ), Catherine Pingel Sokol (p. 29), Loren Green (p. 30), Phyllis Johnson Gring (p. 34), Ken Hadenfeldt (p. 35), Lloyd Pressel (p. 38), Harry Edwall (p. 40), Lois Ann Johnson Mathison (p. 42), Marv Erichsen (p. 43), Ruth Hill Shankel (p. 45), Wes Wallace (p. 46) 1940s: Clement Kevane (p. 48), Delores Lady Risvold (p. -
The State Hermitage Museum Annual Report 2012
THE STATE HERMITAGE MUSEUM ANNUAL REPORT n 2012 CONTENTS General Editor 4 Year of Village and Garden Mikhail Piotrovsky, General Director of the State Hermitage Museum, 6 State Hermitage Museum. General Information Corresponding Member of the Russian Academy of Sciences, 16 Awards Full Member of the Russian Academy of Arts, Professor of St. Petersburg State University, 20 Composition of the Hermitage Collection as of 1 January 2013 Doctor of History 40 Exhibitions 86 Restoration and Conservation 121 Publications EDITORIAL BOARD: 135 Electronic Editions and Video Films Mikhail Piotrovsky, 136 Conferences General Director of the State Hermitage Museum 141 Dissertations Georgy Vilinbakhov, 142 Archaeological Expeditions Deputy Director for Research 158 Major Construction and Restoration of the Buildings Svetlana Adaksina, Deputy Director, Chief Curator 170 Structure of Visits to the State Hermitage in 2012 Marina Antipova, 171 Educational Events Deputy Director for Finance and Planning 180 Special Development Programmes Alexey Bogdanov, Deputy Director for Maintenance 188 International Advisory Board of the State Hermitage Museum Vladimir Matveyev, 190 Guests of the Hermitage Deputy Director for Exhibitions and Development 194 Hermitage Friends Organisations Mikhail Novikov, 204 Hermitage Friends’ Club Deputy Director for Construction 206 Financial Statements of the State Hermitage Museum Mariam Dandamayeva, Academic Secretary 208 Principal Patrons and Sponsors of the State Hermitage Museum in 2012 Yelena Zvyagintseva, 210 Staff Members of -
Country House in a Park Informal, Almost Wilderness Garden in This Painting Contains Architectural Elements Characteristic of C
different work because the Washington painting was sold by ile, 3rd Baron Savile [b. 1919], Rufford Abbey, Notting the Baron de Beurnonville only in 1881. hamshire; (sale, Christie, Manson & Woods, London, 18 2. The provenance given in Strohmer's 1943 catalogue of November 1938, no. 123); Rupert L. Joseph (d. 1959), New the Liechtenstein Collection and in the 1948 Lucerne exhibi York.1 tion catalogue contains misinformation. 3. See The Hague 1981, 34, and also Kuznetsov 1973, Exhibited: Jacob van Ruisdael, Mauritshuis, The Hague; Fogg 31-41. Art Museum, Harvard University, Cambridge, Massachu 4. Wright 1984, cat. 7. setts, 1981-1982, no. 54. 5. Landscape with a Footbridge (inv. no. 49.1.156) and Land scape with Bridge, Cattle, and Figures (inv. no. 29). DEPICTIONS of elegant country houses came into References vogue in the latter half of the seventeenth century as 1896 Bode: 99. 1903 Suida: 116. increasing numbers of wealthy Dutch merchants 1907- 1927 HdG, 4 (1912): 94, no. 295 129,no.407. built homes along the river Vecht and in other pic 1908 Hoss: 58, I.14, repro. turesque locations in the Netherlands. Artists who 1911 Preyer: 247-248. specialized in architectural painting, among them 1927 Kronfeld: 184-185, no. 911. Jan van der Heyden (q.v.), depicted the houses and 1928 Rosenberg: 87, no. 252. gardens in great detail. Surprisingly, however, not '943 Strohmer: 101, pi. 69. 1948 Lucerne: no. 175. all of these seemingly accurate representations por 1965 NGA: 119, no. 1637. tray actual structures; sometimes the scenes were 1968 NGA: 106, no. 1637. purely imaginary, intended to project an ideal of "975 NGA: 316-317, repro. -
Open Access Version Via Utrecht University Repository
Philosopher on the throne Stanisław August’s predilection for Netherlandish art in the context of his self-fashioning as an Enlightened monarch Magdalena Grądzka Philosopher on the throne Magdalena Grądzka Philosopher on the throne Stanisław August’s predilection for Netherlandish art in the context of his self-fashioning as an Enlightened monarch Magdalena Grądzka 3930424 March 2018 Master Thesis Art History of the Low Countries in its European Context University of Utrecht Prof. dr. M.A. Weststeijn Prof. dr. E. Manikowska 1 Philosopher on the throne Magdalena Grądzka Index Introduction p. 4 Historiography and research motivation p. 4 Theoretical framework p. 12 Research question p. 15 Chapters summary and methodology p. 15 1. The collection of Stanisław August 1.1. Introduction p. 18 1.1.1. Catalogues p. 19 1.1.2. Residences p. 22 1.2. Netherlandish painting in the collection in general p. 26 1.2.1. General remarks p. 26 1.2.2. Genres p. 28 1.2.3. Netherlandish painting in the collection per stylistic schools p. 30 1.2.3.1. The circle of Rubens and Van Dyck p. 30 1.2.3.2. The circle of Rembrandt p. 33 1.2.3.3. Italianate landscapists p. 41 1.2.3.4. Fijnschilders p. 44 1.2.3.5. Other Netherlandish artists p. 47 1.3. Other painting schools in the collection p. 52 1.3.1. Paintings by court painters in Warsaw p. 52 1.3.2. Italian paintings p. 53 1.3.3. French paintings p. 54 1.3.4. German paintings p.