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Margaret Randall Cv-1-2.Pdf CURRICULUM VITAE _____________________________________________________________ Margaret Randall December 6, 1936 Place of birth: New York City United States Citizen Civil status: I live with my spouse, Barbara Byers Four children, ten grandchildren, two great grandchildren Permanent address: 110 Richmond Drive SE, #213, Albuquerque, NM 87106. Telephone: 505 / 254-4786 e-mail: [email protected] web page: www.margaretrandall.org Social Security #: 525-84-5266 Published Books Poetry and Prose Giant of Tears, New York City, Tejon Press, 1959 (with drawings by U. S. artists Ronald Bladen, Elaine de Kooning, Al Held, Robert Mallary, and George Sugarman). Ecstasy is a Number, New York City, Tejon Press, 1961 (with cover, frontispiece portrait of author and drawings by Elaine de Kooning). Poems of the Glass, Cleveland, Ohio, Renegade Press, 1964. Small Sounds from the Bass Fiddle, Albuquerque, New Mexico, Duende Press, 1964 (with cover and prints by Bobbie Louise Hawkins). October, Mexico City, El Corno Emplumado Press, 1965 (with photographs of sculptural collages by Shankishi Tajiri). Twenty-Five Stages of My Spine, New Rochelle, New York, Elizabeth Press, 1967. Getting Rid of Blue Plastic, Bombay, India, Dialogue Press, 1967. Water I Slip into at Night, Mexico City, El Corno Emplumado Press, 1967 (with cover and drawings by Felipe Ehrenberg). So Many Rooms Has a House but One Roof, Minneapolis, Minnesota, New Rivers Press, 1967 (with cover by Felipe Ehrenberg). Part of the Solution, New York City, New Directions Publishers, 1972. Parte de la solución, Lima, Peru, Editorial Causachún / Colección Poesía, 1973 (translations 1 by Antonio Benítez, Victor Casaus, Oscar de los Ríos, Roberto Díaz, Roberto Fernández Retamar, Ambrosio Fornet, Carlos María Gutiérrez, Edwin Reyes, and Exilia Saldaña). Day's Coming! Los Angeles, California, privately printed by friends, 1973. With These Hands, Vancouver, B. C., Canada, New Star Books, 1974. All My Used Parts, Shackles, Fuel, Tenderness, and Stars, Kansas City, Missouri, New Letters, 1977. Carlota: Poems and Prose from Havana, Vancouver, B. C., Canada, New Star Books, 1978 (cover by Sylvia de Swaan). We, New York City, Smyrna Press, 1978 (cover by Judy Janda). A Poetry of Resistance, Toronto, Ontario, Canada, Participatory Research Group, 1983 (texts by Latin American activists, photographs by the author). The Coming Home Poems, East Haven, Connecticut, LongRiver Books, 1986 (published to benefit the Margaret Randall Legal Defense Fund). Albuquerque: Coming Back to the USA, Vancouver, B. C., Canada, New Star Books, 1986 (photographs by the author). This is About Incest, Ithaca, New York, Firebrand Books, 1987 (photographs by the author). Memory Says Yes, Willimantic, Connecticut, Curbstone Press, 1988 (cover photograph by Colleen McKay, cover design by Barbara Byers). The Old Cedar Bar, Nevada City, California, Gateways, 1992 (with drawings by E. J. Gold). Dancing with the Doe, Albuquerque, New Mexico, West End Press, 1992 (cover reproduction of tapestry by Coca Millan). Hunger's Table, Women, Food & Politics, Watsonville, California, Papier-Maché Press, 1997 (cover art by Dianne Sacchetti). Esto sucede cuando el corazón de una mujer se rompe: poemas, 1985-1995, Madrid, Spain, Hiperión, 1999 (translations by Víctor Rodríguez Núñez). Coming Up for Air, Santa Fe, New Mexico, Pennywhistle Press, 2001 (photographs by author). Where They Left You for Dead / Halfway Home, Berkeley, California, EdgeWork Books, 2001 (cover photograph by author, interior photograph by Barbara Byers). Into Another Time: Grand Canyon Reflections (cover and drawings by Barbara Byers), Albuquerque, New Mexico, West End Press, 2004. Dentro de otro tiempo: reflejos del Gran Cañón, Mexico City, Alforja, 2004 (translations by María Vázquez Valdez). Stones Witness (full-page color photographs by author), Tucson, Arizona, The University of Arizona Press, 2007. Their Backs to the Sea, San Antonio, Texas, Wings Press, 2009 (cover art by Jane Norling, photographs by author). My Town, San Antonio, Texas, Wings Press, 2010 (cover and interior photographs by author and from Albuquerque Museum archives). As If the Empty Chair / Como si la silla vacía, Spanish translations by Leandro Katz and Diego Guerra, limited numbered and signed edition, San Antonio, Texas, Wings Press, 2011. Como si la silla vacía, Montevideo, Uruguay, Rumbo Editorial, 2011 (photographs by Annabella Balduvino). 2 Como si la silla vacía / As if the Empty Chair, Mexico City, La Cabra Ediciones, 2011. Ruins, Albuquerque, New Mexico, University of New Mexico Press, 2011 (cover and interior photographs by author). Something’s Wrong with the Cornfields, UK / Boulder, Colorado, Skylight Press, 2011 (cover art by Barbara Byers). Testigo de piedra (translations by María Vázquez Valdez), Zacatecas, Mexico, Taberna Librería editores / Ediciones de Medianoche, Universidad Autónima de Zacatecas. Where Do We Go from Here, San Antonio, Texas, Wings Press, 2012 (chapbook with a single long poem and 18 full-color photographs by author). The Rhizome as a Field of Empty Bones, San Antonio, Texas, Wings Press, 2013 (cover art by Rini Price). Daughter of Lady Jaguar Shark (with photographs by the author), San Antonio, Texas, Wings Press, 2013. About Little Charlie Lindbergh and Other Poems, San Antonio, Texas, Wings Press, 2014 (cover photograph by author). Beneath a Trespass of Sorrow (with art by Barbara Byers), San Antonio, Texas, Wings Press, 2014. Bodies / Shields (with art by Barbara Byers), San Antonio, Texas, Wings Press, 2015. She Becomes Time, Wings Press, San Antonio, Texas, 2016 (cover photograph by author). La Llorona, Matanzas, Cuba, Ediciones Vigía, 2015 (translation María Vázquez Valdez, edition Laura Ruiz Montes, design Elizabeth Valero). The Morning After: Poetry and Prose in a Post Truth World, San Antonio, Texas, Wings Press, 2017 (cover art by Barbara Byers). Del pequeño Charlie Lindbergh y otros poemas, Matanzas, Cuba, Editorial Matanzas, 2018 (cover art by Barbara Byers) Time's Language: Selected Poems, 1959-2019, edited by Kate Hedeen and Víctor Rodríguez Núñez, San Antonio, Texas, Wings Press, 2018 (cover art by Liliana Wilson, frontispiece by Elaine de Kooning, vignettes by Barbara Byers, photographs from author's archive, includes introduction by anthologizers and chronology by MR). When Justice Felt at Home/ Cuando la justicia se sentía en casa, Matanzas, Cuba, Ediciones Vigía, 2015 (translations Katherine M. Hedeen and Víctor Rodríguez Núñez, edition Laura Ruiz Montes, Design Elizabeth Valero). El rizoma como un campo de huesos rotos, Mexico City, Mexico, Editorial Mar EsCierto y Secretaría de Cultura, 2018 (translations by María Vázquez Valdez, cover art by Mauricio Gómez Morín). Margaret Randall and Dennis Brutus Tribute, Philadelphia, Pennsylvania, Moonstone Arts, 2018. Against Atrocity: New Poems, San Antonio, Texas, Wings Press, 2019 (cover photograph by author). Contra la atrocidad, Buenos Aires, Argentina, Aguacero Editorial, 2019. (translations by Sandra Toro). Lenguaje del tiempo, Angel Editores, Quito, Ecuador, 2019. Lenguaje del tiempo, Selección, prólogo y traducción Katherine M. Hedeen y Víctor Rodríguez Núñez, Las líneas de su mano, Bogotá, Colombia, 2019. Espejos cortados a la medida, Selección, prólogo y traducción Katherine M. Hedeen y Víctor 3 Rodríguez Núñez, Colección Los Torreones Poesía, Casa de Libros Editora, Quito, Ecuador, 2019. Against Atrocity / Contra la atrocidad, traducción de Sandra Toro, Ediciones Valparaíso, Granada, Spain, 2020. Oral History Cuban Women Now, Toronto, Ontario, Canada, The Women's Press, 1974 (photographs by Mayra Martinez). La mujer cubana ahora, Havana, Cuba, Editorial Ciencias Sociales, 1972. Mujeres en la revolución, Mexico City, Siglo XXI Editores S.A., 1972; La mujer cubana – revolución en la revolución and La mujer cubana ahora -- tomos I y II, Caracas, Venezuela, Salvador de la Plaza, 1974. La mujer cubana, Bogota, Colombia, Ediciones Populares, 1973. Cubaanse Vrouwen Aan Het Woord, Utrecht, Holland, Venceremos Publishers, 1975. Afterword, addenda to Cuban Women Now, Toronto, Ontario, Canada, Women's Press, 1975. ¿Como vive la mujer trabajadora en el Perú?, Lima, Peru, Sinamos, 1974. Spirit of the People: Vietnamese Women Two Years from the Geneva Accords, Vancouver, B.C., Canada, New Star Books, 1975. El espíritu de un pueblo, Mexico City, Mexico, Siglo XXI Editores, S.A.,1975. Inside the Nicaraguan Revolution: The Story of Doris Tijerino, Vancouver, B. C., Canada, New Star Books, 1978. Somos millones, Mexico City, Mexico, Extemporaneos, S. A., 1976. Nicaragua Een Vrou In De Revolutie, Amsterdam, Holland, Venceremos Publishers, 1978. El pueblo no sólo es testigo: la historia de Dominga, Rio Piedras, Puerto Rico, Huracán Publishers, 1978. (photographs by Grandal). No se puede hacer la revolución sin nosotras, Havana, Cuba, Casa de las Americas Publishing House, 1978. No se puede hacer la revolución sin nosotras, Caracas, Venezuela, 1983. Sueños y realidades de un guajiricantor, Mexico City, Mexico, Siglo XXI, 1979. Editores, S. A., 1979. (in collaboration with Angel Antonio Moreno; photographs by Grandal). Sandino's Daughters, Vancouver, B. C., Canada, New Star Books, 1981. (photographs by the author). Todas estamos despiertas Mexico City, Mexico by Siglo XXI, Editores, S. A., 1981; Estamos todas despertas, as mulheres da Nicaragua, Sao Paolo, Brazil, Global Editora, 1983. Y también digo mujer, Santo Domingo, Dominican Republic, Ediciones Populares Feministas, 1983. Sandino'nun Kizlari, Istanbul,
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