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tnm pDtrA t rA t rA t apeD r apeD r apeD r nemt t nemt t nemt t ,0891-0691 morf oviV etrA ed osruC detanidrooc ,onarreS raj íH otreblA otreblA otreblA íH íH raj íH raj raj ,onarreS ,onarreS ,onarreS detanidrooc detanidrooc detanidrooc osruC osruC osruC ed ed ed etrA etrA etrA oviV oviV oviV morf morf morf ,0891-0691 ,0891-0691 ,0891-0691 - o t- o l t- aA o l t aA l aA ni taL ni osla tub ocixeM ni ylno ton euqi t irc tra fo eci tcarp eht rof rof rof eht eht eht tcarp tcarp eci tcarp eci fo eci fo fo tra tra tra irc t irc t irc t euqi euqi euqi ton ton ton ylno ylno ni ylno ni ni ocixeM ocixeM ocixeM tub tub tub osla osla ni osla ni ni taL ni taL ni taL ni DD DD DD tehtseA tehtseA tehtseA ci ci ci sixarP sixarP sixarP nI nI nI ,emi t emas eht tA .noinU teivoS remrof eht dna ,anihC ,eporuE ,aciremA ,aciremA ,aciremA ,eporuE ,eporuE ,eporuE ,anihC ,anihC ,anihC dna dna dna eht eht eht remrof remrof remrof teivoS teivoS teivoS .noinU .noinU tA .noinU tA tA eht eht eht emas emas t emas t t ,emi ,emi ,emi 602 602 602 / / / ed amonótuA lanoicaN dadi srevinU eht ta sei res lareves decudorp eh eh eh decudorp decudorp decudorp lareves lareves lareves res res sei res sei ta sei ta ta eht eht eht srevinU srevinU srevinU dadi dadi dadi lanoicaN lanoicaN lanoicaN amonótuA amonótuA ed amonótuA ed ed h n dvon swe enh odr n v s'AUo ixéM ixéM ixéM 'MANU–oc s 'MANU–oc s vt 'MANU–oc s vt vt dna dna dna oidar oidar oidar lennahc . lennahc . lennahc eH . eH eH saw saw saw devlovni devlovni ni devlovni ni ni eht eht eht 0202 0202 0202 T T T r r r sna sna sna l l a l a a t t i t i i no no no heew,AUt auctiqAe nebgtAf o a inagro inagro taz inagro taz noi taz noi noi fo fo fo onreibogotuA onreibogotuA onreibogotuA ed ed ed iuqrA iuqrA iuqrA arutcet arutcet ta arutcet ta ta ,MANU ,MANU ,MANU erehw erehw eh erehw eh eh onreibogoC eht ni esiw emas ;tnemtrapeD etaudargtsoP eht detanidrooc detanidrooc detanidrooc eht eht eht etaudargtsoP etaudargtsoP etaudargtsoP ;tnemtrapeD ;tnemtrapeD ;tnemtrapeD emas emas emas esiw esiw ni esiw ni ni eht eht eht onreibogoC onreibogoC onreibogoC aratnáclA zoñuM di vaD di vaD diaratnáclA zoñuM vaD aratnáclA zoñuM aratnáclA zoñuM raj íH ,4791 nI .airotsiH e aígoloportnA ed lanoicaN aleucsE eht ta ta ta eht eht eht aleucsE aleucsE aleucsE lanoicaN lanoicaN ed lanoicaN ed ed aígoloportnA aígoloportnA e aígoloportnA e e .airotsiH .airotsiH nI .airotsiH nI nI ,4791 ,4791 íH ,4791 íH raj íH raj raj IntroductionIntroductionIntroduction and and and Translation Translation Translation of of ofAlberto Alberto Alberto Híjar Híjar Híjar desucca neht , snosaer laci t i lop rof derutrot dna depandik saw onarreS onarreS onarreS saw saw saw depandik depandik depandik dna dna dna derutrot derutrot derutrot rof rof rof lop i t lop i t lop i t laci laci laci snosaer , snosaer , snosaer , neht neht neht desucca desucca desucca SSerrano's:errano's:Serrano's: Aesthetic Aesthetic Aesthetic Praxis. Praxis. Praxis. The The The Aesthetic Aesthetic Aesthetic eH . lanoicaN noicarebiL ed sazreuF eht ot noitai lfifa dna ycaripsnoc fo fo fo ycaripsnoc ycaripsnoc ycaripsnoc dna dna dna lfifa lfifa lfifa noitai noitai ot noitai ot ot eht eht eht sazreuF sazreuF ed sazreuF ed ed noicarebiL noicarebiL noicarebiL lanoicaN . lanoicaN . lanoicaN eH . eH eH DDimensionimensionDimension of of ofLiberation. Liberation. Liberation. etrA ed alaS eht ta IAT–aígoloedI e etrA ed rel laT fo rednuof eht saw saw saw eht eht eht rednuof rednuof fo rednuof fo fo laT laT rel laT rel ed rel ed ed etrA etrA e etrA e e IAT–aígoloedI IAT–aígoloedI ta IAT–aígoloedI ta ta eht eht eht alaS alaS ed alaS ed ed etrA etrA etrA divaD retniap tsinummoc eht fo ycagel eht fo trap sa ,sorieuqiS ocilbúP ocilbúP ocilbúP ,sorieuqiS ,sorieuqiS sa ,sorieuqiS sa sa trap trap fo trap fo fo eht eht eht ycagel ycagel fo ycagel fo fo eht eht eht tsinummoc tsinummoc tsinummoc retniap retniap retniap divaD divaD divaD etnerF eht gnihsilbatse rof elbisnopser osla saw IAT( ,sorieuqiS oraflA oraflA oraflA ,sorieuqiS ,sorieuqiS ,sorieuqiS IAT( IAT( IAT( saw saw saw osla osla osla elbisnopser elbisnopser elbisnopser rof rof rof gnihsilbatse gnihsilbatse gnihsilbatse eht eht eht etnerF etnerF etnerF DDavidavidDavid Muñoz Muñoz Muñoz Alcántara Alcántara Alcántara ecnis msilanruoj secitcarp eH .)arutluC ed serodajabarT ed onacixeM onacixeM onacixeM ed ed ed serodajabarT serodajabarT ed serodajabarT ed ed .)arutluC .)arutluC eH .)arutluC eH eH secitcarp secitcarp secitcarp msilanruoj msilanruoj msilanruoj ecnis ecnis ecnis eht fo yrasrevinnA XXX eht gnirud dedrawa neeb sah dna 6691 6691 6691 dna dna dna sah sah sah neeb neeb neeb dedrawa dedrawa dedrawa gnirud gnirud gnirud eht eht eht XXX XXX XXX yrasrevinnA yrasrevinnA fo yrasrevinnA fo fo eht eht eht eht ni evi tca ,onarreS raj íH otreblA .abuC ni secnei cS fo ymedacA ymedacA fo ymedacA fo cS fo cS cS secnei secnei ni secnei ni ni .abuC .abuC .abuC otreblA otreblA otreblA íH íH raj íH raj raj ,onarreS ,onarreS ,onarreS tca tca evi tca evi ni evi ni ni eht eht eht tra lautpecnoc ,hturt dna ecitsuj rof snoissimmoc ,tnemevom atsitapaZ atsitapaZ atsitapaZ ,tnemevom ,tnemevom ,tnemevom snoissimmoc snoissimmoc snoissimmoc rof rof rof ecitsuj ecitsuj ecitsuj dna dna dna ,hturt ,hturt ,hturt lautpecnoc lautpecnoc lautpecnoc tra tra tra noi talsnarT nI sixarP ci tehtseA nIsixarP ci tehtseA nIsixarP talsnarT noi talsnarT noi uiuas sur aitret s aucrsto n eiclloc loc loc sevitcel sevitcel sevitcel dna dna dna larutcurts-tsop larutcurts-tsop tsi larutcurts-tsop tsi tsi teroeht teroeht teroeht laci laci laci spuorg spuorg si spuorg si a si a a euqinu euqinu euqinu ci tehtseA nIsixarP talsnarT noi .nitcisl lmsyagifdluclletni letni letni lautcel lautcel lautcel gniyfed gniyfed gniyfed yna yna yna elpmis elpmis elpmis tacfiissalc tacfiissalc tacfiissalc .snoi .snoi .snoi BUSINESSBUSINESSBUSINESS + + + ECONOMYECONOMYECONOMY NSI I NBS I NBS NBS 879 - 879 - 879 259 - - 259 - 46 259 - - 46 - 46 - 6710 - 6710 8 - 6710 8 ( p - 8 ( r p i n ( r t p i n r de t i n ) de t ) de ) ARTARTART + + + NSI I NBS I NBS NBS 879 - 879 - 879 259 - - 259 - 46 259 - - 46 - 46 - 7710 - 7710 5 - 7710 5 ( - 5 ( dp f ) ( dp f ) dp f ) DESIGNDESIGNDESIGN + + + NSI I NSS I NSS NSS 9971 - 9971 - 9971 - 4394 4394 ( p 4394 ( r p i n ( r t p i n r de t i n ) de t ) de ) ARCHITECTUREARCHITECTUREARCHITECTURE NSI I NSS I NSS NSS 9971 - 9971 - 9971 - 2494 2494 ( 2494 ( dp f ) ( dp f ) dp f ) SCIENCESCIENCESCIENCE + + + TECHNOLOGYTECHNOLOGYTECHNOLOGY tirvn tlaA ot laA ot laA ot isrevinU yt isrevinU yt isrevinU yt CROSSOVERCROSSOVERCROSSOVER erutcet ihcrA dna ngiseD ,st rA fo loohcS loohcS fo loohcS fo rA fo rA ,st rA ,st ,st ngiseD ngiseD ngiseD dna dna dna ihcrA ihcrA ihcrA erutcet erutcet erutcet DOCTORALDOCTORALDOCTORAL etrae rA t rA t rA t apeD r apeD r apeD r nemt t nemt t nemt t DOCTORALDOCTORALDOCTORAL DISSERTATIONSDISSERTATIONSDISSERTATIONS +ighbae*GMFTSH9 +ighbae*GMFTSH9 +ighbae*GMFTSH9 fi.otlaa.www . www a a . www a l t a . o a l . t a fi o l . t fi o . fi DISSERTATIONSDISSERTATIONSDISSERTATIONS ot laA ytot isrevinU laA ytot isrevinU laA yt isrevinU 0202 0202 0202 Aalto University publication series DOCTORAL DISSERTATIONS 206/2020 Aesthetic Praxis In Translation Introduction and Translation of Alberto Híjar Serrano's: Aesthetic Praxis. The Aesthetic Dimension of Liberation. David Muñoz Alcántara Aalto University School of Arts, Design and Architecture Art Department Supervising professor Professor, Mira Kallio-Tavin. Aalto University, Finland. Thesis advisors Professor. Nora Sternfeld. Dr. Soc. Sci. Sezgin Boynik. Preliminary examiners PhD. Dalida Maria Benfield. Center for Arts, Design, and Social Research, Cambridge, Massachusetts, USA. Ph Dr. phil. habil. Jens Kastner. Academy of Fine Arts Vienna. Institute for Art and Cultural Theory, Vienna. Opponent Professor, Carolina Rito. Coventry University, The Centre for Arts, Memory and Communities, United Kingdom. Aalto University publication series DOCTORAL DISSERTATIONS 206/2020 © 2020 David Muñoz Alcántara ISBN 978-952-64-0176-8 (printed) ISBN 978-952-64-0177-5 (pdf) ISSN 1799-4934 (printed) ISSN 1799-4942 (pdf) http://urn.fi/URN:ISBN:978-952-64-0177-5 Unigrafia Oy Helsinki 2020 Finland Publication orders (printed book): [email protected] http://www.rabrab.fi/ WAN E S CO IC L D A B R E O L Kone Foundation. CONACULTA-FONCA. N PrintedPrinted matter 1234 5678 4041-0619 Abstract Aalto University, P.O. Box 11000, FI-00076 Aalto www.aalto.fi Author David Muñoz Alcántara Name of the doctoral dissertation Aesthetic Praxis In Translation Publisher School of Arts, Design and Architecture Unit Art Department Series Aalto University publication series DOCTORAL DISSERTATIONS 206/2020 Field of research Contemporary Art, Praxis, Visual Culture, and Aesthetics. Date of the defence 14 December 2020 Language English Monograph Article dissertation Essay dissertation Abstract To the question of Praxis engaged at its Aesthetic dimension, this work proposes to intersect the necessity of translation as a militant method for the articulation of broad and concrete signs of art as the class-struggle in the imagination. This study is centered on Alberto Híjar Serrano's profound critical understandings of the aesthetic-political significance and limits in historical materialism, and the impossibility to separate practice and theory. It contextualizes what the author refers to the aesthetic praxis –providing an unavoidable source, to engage in contemporary aesthetic discussions without overlooking its social aspects and beyond sole interpretations.
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    The Indigenous Uprising in Chiapas as a Praxis of Liberation by Diego Malquori The Indigenous Uprising in Chiapas as a Praxis of Liberation by Diego Malquori English Abstract In this paper I focus on the indigenous uprising in Chiapas trying to understand its originality as a result of several factors: from the historical process of confrontation between the indigenous people and the white elites; to the influence of the theology of liberation in the awakening of consciousness that generated the uprising; to the transformation of the original revolutionary model in favor of a movement of civil resistance, built around the goal of a multicultural democracy; to the ability to understand and adapt to the decisive changes that the world has experienced in the last four decades. In this sense, this fight can be seen as one of the several anticipations of the struggle against neoliberal globalization. In my view, then, it is the awareness of the concrete problems of the indigenous communities, along with the utopian horizon of their struggle, that molds the originality of the Zapatista movement. Resumen en español En este artículo me centro en el levantamiento indígena en Chiapas tratando de entender su originalidad como resultado de varios factores: desde el proceso histórico de confrontación entre los pueblos indígenas y las élites blancas; a la influencia de la teología de la liberación en el despertar de conciencia que generó el levantamiento; a la transformación del modelo revolucionario original a favor de un movimiento de resistencia civil, construido alrededor del objetivo de una democracia multicultural; a la capacidad de comprender y adaptarse a los cambios decisivos que el mundo ha experimentado en las últimas cuatro décadas.
  • Inside the Volcano – a Curriculum on Nicaragua

    Inside the Volcano – a Curriculum on Nicaragua

    Inside the Volcano: A Curriculum on Nicaragua Edited by William Bigelow and Jeff Edmundson Network of Educators on the Americas (NECA) P.O. Box 73038 Washington, DC 20056-3038 Network of Educators' Committees on Central America Washington, D.C. About the readings: We are grateful to the Institute for Food and Development Policy for permission to reproduce Imagine You Were A Nicaraguan (from Nicaragua: What Difference Could A Revolution Make?), Nicaragua: Give Change a Chance, The Plastic Kid (from Now We Can Speak) and Gringos and Contras on Our Land (from Don’t Be Afraid, Gringo). Excerpt from Nicaragua: The People Speak © 1985 Bergin and Garvey printed with permission from Greenwood Press. About the artwork: The pictures by Rini Templeton (pages 12, 24, 26, 29, 30, 31, 38, 57 60, 61, 66, 74, 75, 86, 87 90, 91. 101, 112, and the cover) are used with the cooperation of the Rini Templeton Memorial Fund and can be found in the beautiful, bilingual collection of over 500 illustrations entitled El Arte de Rini Templeton: Donde hay vida y lucha - The Art of Rini Templeton: Where there is life and struggle, 1989, WA: The Real Comet Press. See Appendix A for ordering information. The drawing on page 15 is by Nicaraguan artist Donald Navas. The Nicaraguan Cultural Alliance has the original pen and ink and others for sale. See Appendix A for address. The illustrations on pages 31, 32 and 52 are by Nicaraguan artist Leonicio Saenz. An artist of considerable acclaim in Central America, Saenz is a frequent contributor to Nicar&uac, a monthly publication of the Nicaraguan Ministry of Culture.
  • L'œuvre À L'affiche

    L'œuvre À L'affiche

    37 affiche xp 2/06/05 10:13 Page 120 L'œuvre à l'affiche Recherches: Elisabetta Soldini avec la contribution de César Arturo Dillon, Georges Farret Calendrier des premières représentations du Barbier de Séville d’après A. Loewenberg, Annals of Opera 1597-1940, Londres 1978 et Pipers Enzyklopädie des Musiktheaters, éd. C. Dahlhaus et S. Döhring, 1991 Le signe [▼] renvoie aux tableaux des pages suivantes. Sauf indication contraire signalée entre parenthèses, l’œuvre a été chantée en italien: [Ang] anglais, [All] allemand, [Bulg] bulgare, [Cro] croate, [Dan] danois, [Esp] espagnol, [Est] estonien, [Finn] finnois, [Flam] flamand, [Fr] français, [Héb] hébreu, [Hong] hongrois, [Lett] letton, [Lit] Lituanien, [Née] néerlandais, [Nor] norvégien, [Pol] polonais, [Rou] roumain, [Ru] russe, [Serb] serbe, [Slov] slovène, [Sué] suédois, [Tch] tchèque CRÉATION: 20 février 1816, Rome, Teatro Argentina. [▼] 1869: décembre, Le Caire. 1871: 3 novembre, Paris, Athénée. 1818: 10 mars, Londres, Her Majesty’s Theatre. - 16 juillet, Barcelone. - 1874: 29 septembre, Helsinki. [Finn] - 2 décembre, Zagreb. [Cro] 13 octobre, Londres, Covent Garden. [Ang] 1875: Le Cap. 1819: 1er janvier, Munich. - Carnaval, Lisbonne. - 3 mai, New York [Ang] - 1876: Tiflis. - Kiev. [Ru] 27 mai, Graz. [All] - 28 septembre, Vienne, Theater auf der Wieden. [All] - 1883: 23 novembre, New York, Metropolitan. 26 octobre, Paris, Théâtre-Italien. 1884: 8 novembre, Paris, Opéra-Comique. 1820: 6 septembre, Milan, Teatro alla Scala. - 29 septembre, Prague. [All] - 1905 : Ljubljana. [Slov] 3 octobre, Braunschweig. [All] - 16 décembre, Vienne, Kärntnertor- 1913 : 3 mai, Christiania (Oslo). [Norv] Theater. [All] - 18 décembre, Brünn. [All] 1918 : Shanghai. [Ru] 1821: 25 août, Madrid. - 31 août, Odessa. - 19 septembre, Lyon.
  • Porfirian Influence on Mexican Journalism: an Enduring Legacy of Economic Control

    Porfirian Influence on Mexican Journalism: an Enduring Legacy of Economic Control

    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1987 Porfirian influence on Mexican journalism: An enduring legacy of economic control Steve Devitt The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Devitt, Steve, "Porfirian influence on Mexican journalism: An enduring legacy of economic control" (1987). Graduate Student Theses, Dissertations, & Professional Papers. 5085. https://scholarworks.umt.edu/etd/5085 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 Th is is an unpublished m a nu scr ipt in w hich c o pyr ig ht s u b s is t s . Any further r e p r in t in g of it s contents must be APPROVED BY THE AUTHOR. Ma n s f ie l d L ibrary Un iv e r s it y of Montana D a t e :____ 1_ THE PORFIRIAN INFLUENCE ON MEXICAN JOURNALISM: AN ENDURING LEGACY OF ECONOMIC CONTROL by Steve Devitt B.A., Eastern Montana College, 1971 Presented in partial fulfillment for the requirements for the degree of Master of Arts in Journalism University of Montana 1987 Approved by Graduate School UMI Number: EP40549 All rights reserved INFORMATION TO ALL USERS The.