DOCSLIB.ORG

Oxford Map V3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Oxford Map V3 NR No 29, known as Green House, was built SG EP for the idealist philosopher and liberal TH NORTH Green. A fellow of Balliol, he died a year ST GILES AND TO THE EAST EAST OF PARKS ROAD SPSJ St Philip and St James. The grand later, aged 45. NP&EL Nuclear Physics and Engineering BD Go through the gate opposite Keble, parish church for the new residential JT Radiohead were first signed to a Labs. Arup’s fan-shaped nuclear and turn right at TG Jackson’s joyously developments in north Oxford. Built by record label after a gig at the Jericho accelerator can be enjoyed for its purely inappropriate Electrical Laboratory (EL), GE Street (1860-6) in doctrinal Gothic Tavern in 1991; other bands local to the sculptural qualities, while the surfaces, with its garlanded centrepiece Revival, but it’s hard not to be impressed town include Ride and Supergrass. compared to Martin’s contemporary (1908-10). Following the route through by the scale and complete authority of RO The Radcliffe Observatory is arguably Brutalist work, are positively ornamental stodgy neo-Georgian, Hawkins Brown’s its execution. the most beautiful such building ever (1971-6) SG:BA Impressive late 17th-century design Biochemistry Department appears as an NME Suburban Gothic. An important constructed. A defining work of English MI Tastefully done modernist Maths explosion of colour. (Limited access) early example of the centrally planned Neoclassicism, it was built by Institute from 1964-6, following the one on the corner, set back a little for UM University Museum (1855-60). middle-class estate. William Wilkinson architectural showman James Wyatt in heights of adjacent medieval buildings, effect. Butterfield places the chapel’s Benjamin Woodward realizes Ruskin’s achieved a vocabulary of Venetian 1776-9, and adapts the recently and stepping its higher rear block back windows and decoration towards the architectural ideal here, especially in Gothic which produced impressive rediscovered Athenian Tower of the to emphasise the shape of the street as top to add to its height, while the terms of the craftsmanship of variety with consistency across 20 Winds for its top floor, decorating the it changes from St Giles to Banbury Road. interior is as awesome an experience as stone-carved foliage throughout the years of building (1860s-80s). EG rest with panels representing the zodiac. KQ MJP’s Kendrew Quad for St John’s one would expect. It also contains building. Inside is a vast glass and iron Bruton’s design for no 62 is one of the To Oxford’s shame, it is not a museum, College (2010) is the definitive current Holman Hunt’s The Light of the World in room, with naturalistic wrought-iron best, including a beautifully decorated or even accessible, but is the dining hall example of classy collegiate design. But a side chapel. (Limited access) decoration. Attached by an arcade on EP:UM A realization of Ruskin’s architectural ideal – University Museum SG:KQ Classy collegiate – Kendrew Quad doorway. and common room of a graduate juxtaposed with Ahrends Burton and K William Butterfield’s masterpiece, the south side is a chemistry laboratory, SC:SCC Ignoring every visual cliché of the Oxbridge college – St Catherine’s: dining hall SAC This concrete pavilion by Howell college, Green Templeton. Entry can be Koralek’s beautifully sculptural extension Keble College. Note the variety of modelled, in a stroke of genius, on the WS Killick Partridge and Amis ingeniously legally attempted via their porter’s lodge, to Keble (1970) on the other side of design all along this very long façade to Abbot’s Kitchen at Glastonbury. clad their building in a bronze designed contains St Antony’s College dining through the gates on Woodstock Road, Blackhall Road, it comes across as a the street, while the gatetower leads RH The Rhodes House is the first to weather. WALTON STREET AREA room, kitchens, and common rooms. but the better view is from the path into little too flashy. one not into the centre of the main example of Oxford’s misbegotten Holywell Street O X F OR D MAP SB Budget was a major consideration for Zaha Hadid is building a Middle East the building site to the south, if one can SGH St Giles House, an exceptional quad, but the corner, extending its attempt to avoid modernism: the 38 Originally a music shop, Gillespie, St Barnabas, the parish church for Centre to the north which will be get past the security men. (Limited example of a town house façade from magnificent size. neo-Georgian ‘Cotswold’ style, with its Kidd and Coia’s building (1971-2) fits Using this guide Select the area on Public place/courtyard/walk Oxford’s working-class Jericho unmissable when completed in 2013. access) 1702, satisfyingly proportioned TPL William Morris saved these squared rubble walls with ashlar into the picturesque charm of Holywell the map who wish to explore, such as neighbourhood (1869-72): it cost £7300 SA Two massive curved residential BS A 10.5 acre building site, where throughout by Bartholomew Paisley, with cottages from destruction with an dressing, here coupled with Herbert Street by lowering the front with the St Algate’s, labelled SA. Refer to the Public monument/art compared to £50,000 for Keble Chapel. blocks for St Anne’s by Howell Killick Rafael Viñoly is masterplanning the a pediment and beautiful gateway. article in the Daily News: ‘in their way as Baker’s typically fussy classicism entrance down some steps. But go column headed SA for captions to Royal works But Arthur Blomfield smartly chose to Partridge and Amis (1968). If the four 'Radcliffe Observatory Quarter', the EC JRR Tolkein and CS Lewis met at the important as the more majestic (1926-9). Its legacy pervaded: see inside Wadham, and up the raised buildings etc. Numbers/letters refer to design with cheap materials in an SPSJ others had been built, this would have university's largest ever single Eagle and Child as part of the ‘Inklings’ buildings to which all the world makes Lanchester & Lodge’s Inorganic walkway in Back Quad, to look down house numbers/names or descriptors Church/chapel/church building unacademic Italian Romanesque style, been one of the wonders of 20th-century discussion group. pilgrimage’. Chemistry building opposite on South into the interior’s huge skylight, which emerges from the concrete like a Municipal building/museum/gallery avoiding comparison with the Oxford. 62 MH Behind Middleton Hall is an extension TR Set back beyond a garden, the end Parks Road (1954-60), among many lavish Gothic churches, and creating a 27, 29 Ideal home. Exceptionally NME by Benjamin Woodward with wonderful elevation of Jackson’s Trinity residential others in the Science Area. sublime crevasse. (Limited access). Commercial/retail premises unique landmark for the area. beautiful houses by JJ Stevenson in the cut-brick window surrounds (c.1858). block makes for a fine prospect from ZPL Zoology and Psychology Labs. 35 A large timber-framed house of development. Despite the protestations TWQ Thomas White Quadrangle. Walk the street (1883-7). Leslie Martin at his most bracingly 1626 stands out in mostly small-scale Place of education SP Unlike Cambridge, the Greek Revival Queen Anne style (1880-1): note the red didn’t make much impact here, except for brick contrasting with white wooden of design quango CABE, construction has along Lamb and Flag Passage to see the WHP The picturesque one-room White uncompromising, 1965-71. A brilliant Georgian Holywell Street. Place of entertainment the fine St Paul’s church by HJ windows and cornice, and self- begun on the depressingly characterless back of Oxford’s best 1970s residential Horse Pub, nestled between the large-scale design vocabulary, but HMR Holywell Music Room, the first Underwood (1836). Herzog & de consciously ‘meaningless’ decoration. > Mathematics Institute, with a similar complex, by Arup Associates. The buildings of Blackwells. stunted without its planned expansion purpose-built concert hall in Britain Sports centre Woodstock Rd Meuron are building a new School of Humanities Division to follow. “Martin, precast concrete frame comes down B Oxford’s principal bookshop Blackwell, westwards, and covered in grey box (1742-8). Haydn performed here when he came to Oxford for an honorary Mansion/large private house Government to open next door in 2015. SAC thou shouldst be living at this over the wall in thin pairs of piloti tiptoes founded 1879, resides in a charming extensions. OUP Daniel Robertson’s impressive hour/Oxford hath need of thee!” that only engineers of genius could have 18th-century timber-framed house. M The interior grandeur of Champney’s degree in 1792. NR:SPSJ Street’s doctrinal Gothic Revival Private house: gabled/ungabled triumphal arch (1826-8) was a major achieved. NB New Bodleian. Giles Gilbert Scott’s Mansfield College can be seen from the 13 An early 17th-century stone house. NR BA EP Warren’s Balliol building of 1907 much maligned library extension is gate on the road, which is in fact the Laboratory/printing works influence on the Ashmolean. WS Wellington Square. Taste in transition: stands out with its pediment, dark yellow actually a classic of deferentiality, main entrance (1887-9). Work of engineering/public utility Leslie Martin and David Owers’s stone and impressive late 17th-century keeping the line of Broad Street and UC A pod-like University Club with a jolly modernist block forms the north end of design. Also his is the equally good turning the corner with a double curve, mohawk skylight, built for academics Notable personality the square (1973-6), while the rest is the range with pedimented projections the low front bowing to the Clarendon and technical staff by JBKS Architects Viewing point Victorian housing saved by the nascent further south.
Load more

Recommended publications
  • The Making of the Sainsbury Centre the Making of the Sainsbury Centre
    The Making of the Sainsbury Centre The Making of the Sainsbury Centre Edited by Jane Pavitt and Abraham Thomas 2 This publication accompanies the exhibition: Unless otherwise stated, all dates of built projects SUPERSTRUCTURES: The New Architecture refer to their date of completion. 1960–1990 Sainsbury Centre for Visual Arts Building credits run in the order of architect followed 24 March–2 September 2018 by structural engineer. First published in Great Britain by Sainsbury Centre for Visual Arts Norwich Research Park University of East Anglia Norwich, NR4 7TJ scva.ac.uk © Sainsbury Centre for Visual Arts, University of East Anglia, 2018 The moral rights of the authors have been asserted. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher. British Library Cataloguing-in-Publication Data. A catalogue record is available from the British Library. ISBN 978 0946 009732 Exhibition Curators: Jane Pavitt and Abraham Thomas Book Design: Johnson Design Book Project Editor: Rachel Giles Project Curator: Monserrat Pis Marcos Printed and bound in the UK by Pureprint Group First edition 10 9 8 7 6 5 4 3 2 1 Superstructure The Making of the Sainsbury Centre for Visual Arts Contents Foreword David Sainsbury 9 Superstructures: The New Architecture 1960–1990 12 Jane Pavitt and Abraham Thomas Introduction 13 The making of the Sainsbury Centre 16 The idea of High Tech 20 Three early projects 21 The engineering tradition 24 Technology transfer and the ‘Kit of Parts’ 32 Utopias and megastructures 39 The corporate ideal 46 Conclusion 50 Side-slipping the Seventies Jonathan Glancey 57 Under Construction: Building the Sainsbury Centre 72 Bibliography 110 Acknowledgements 111 Photographic credits 112 6 Fo reword David Sainsbury Opposite.
    [Show full text]
  • Exploring Skylines
    Design Processes Architecture Gallery Activity Teacher’s Information Room 128 Materials wall E. Eden Project Biome (model), Nicholas Grimshaw & Partners, Lent by Grimshaw, RIBA: MOD/GRIM/1 D. Stansted Airport (Structural models) Lent by Arup Associates V&A: LOAN:ARUP.3-2003 C. St Mary’s Axe Foster & Partners, V&A: LOAN:FOSTER.1-2003 B. Sydney Opera House Wooden model of Jorn Utzon's design. RIBA Library Drawings Collection www.ribapix.com Use the object labels to find out more information about A. St Paul’s Cathedral the models and to see images Sir Christopher Wren of completed buildings. V&A: E.1195-1931 Architecture Gallery, Room 128, Level 4 The Architecture gallery features highlights from the world-class V&A and RIBA collections. On display are models, drawings, photographs and fragments of buildings from across the globe. In this gallery, students will be able to learn about different processes that architects have used to develop and present design ideas and get inspiration for their own projects. Key objects and processes that you could point out to students and explore together as a group are shown on the above map. They include: www.vam.ac.uk/schools 1 A. St Paul's Cathedral Drawing 1923-8 by R. B. Brook-Greaves (isometric projection) and W. Godfrey Allen London, England Pen and ink on paper, 3943 x 2747 mm Built 1675-1711 Given by Sir Mervyn Macartney Sir Christopher Wren (1632-1723) V&A: E.1195-1931 St Paul's Cathedral took 36 years to build. This magnificent drawing (which took draughtsmen more than four years to complete) shows how it is constructed.
    [Show full text]
  • RIBA Annual Report 2019
    A SUSTAINABLE FUTURE ANNUAL REPORT AND FINANCIAL STATEMENTS 31 DECEMBER 2019 RIBA was founded in 1834 for “the general advancement of civil architecture”. Our purpose is to deliver sustainable buildings and places, stronger communities and an inclusive environment for all. We rely on our members, supporters and charitable trading operations to make our work possible. We uphold the highest standards of professionalism and best practice. We value inclusion, collaboration, knowledge and progression, qualities that will enable our members to succeed, now and in the future. Our purpose is to deliver sustainable buildings and places, stronger communities and an inclusive environment for all. RIBA Annual Report and Financial Statements 2019 2 CONTENTS 1 2 A STRONG ORGANISATION A STRONG PROFESSION FOR WITH A BRIGHT FUTURE 10 A SUSTAINABLE SECTOR 20 Governance for a sustainable future 11 Leading the profession on climate 22 Maintaining financial strength 12 A Plan of Work for sustainable projects 23 A year of membership growth 13 Progress in continuing professional Supporting and developing our people 14 development 24 Digital investment for the long term 16 Creating new business for members 25 Becoming a truly global organisation 18 Fire safety for future generations 27 A brand for the future 19 Standing up for equality 28 Education for tomorrow’s profession 31 Engaging with architects everywhere 32 Setting the professional standard 37 3 4 A STRONG VOICE FOR FINANCIAL LASTING CHANGE 38 REVIEW 64 Speaking up for change 40 Financial review 64 Awards
    [Show full text]
  • MINUTES of the 84Th MEETING of AYNHO HISTORY SOCIETY HELD at the VILLAGE HALL, AYNHO on WEDNESDAY 27Th JANUARY 2016
    MINUTES OF THE 84th MEETING OF AYNHO HISTORY SOCIETY HELD AT THE VILLAGE HALL, AYNHO ON WEDNESDAY 27th JANUARY 2016 Present: - Rupert Clark – Chairman & Treasurer Peter Cole - Secretary. 1. Chairman’s Report Copies of Nicholas Cooper’s Aynho book have become available for sale at £15. A visit to Rousham House suggested last year would have to be on a Sunday afternoon. Let Rupert know if you would like this to be arranged. 2. Secretary’s Report Rupert, Keith and Peter as representatives of the Cartwright Archive have met Sarah Bridges (Archivist) at the Northants Records Office to discuss the Archive’s conservation and future. Further updates once the Charity Committee has met in February. 3. “A History of the University of Oxford” by Alastair Lack Oxford is the third oldest university in Europe, behind Bologna in Italy and the Sorbonne in Paris. There were students in Oxford in the 1090s, but this was not under grad education, as we know it, more like private tutoring. Various people established “halls” (like a boarding house) around the Church of St Mary the Virgin. Students were between 12 and 15 years old, they drank, they gambled and as the untrained hall owners did the teaching they didn’t learn much. Little changed much until 1170 when King Henry II demanded that all English students at the Sorbonne should return to England as he was concerned about a brain drain. Oxford was the only established place of study for them to return to. In 1196, the first account of these academic halls was written by Geoffrey of Monmouth; he was a prominent intellect of the day and had visited Oxford to presented three lectures on law.
    [Show full text]
  • Oxford University's Bodleian Library Buildings
    international · peer reviewed · open access From Bodleian to Idea Stores: The Evolution of English Library Design Rebecca K. Miller MSLS candidate School of Information and Library Science University of North Carolina at Chapel Hill Chapel Hill, North Carolina, United States Library Student Journal, January 2008 Abstract Library architecture, along with planning and design, is a significant consideration for librarians, architects, and city and institutional planners. Meaningful library architecture and planning has a history as old and rich as the very idea of libraries themselves, and can provide insight into the most dynamic library communities. This essay examines England’s history of library architecture and what it reveals, using three specific institutions to document the evolution of library design, planning, and service within a single, national setting. Oxford University’s Bodleian Library, the British Library, and the Idea Stores of London’s Tower Hamlets Borough represent— respectively, the past, present, and future of library architecture and design in England. The complex tension between rich tradition and cutting-edge innovation within England’s libraries and surrounding communities exposes itself through the changing nature of English library architecture, ultimately revealing the evolution of a national attitude concerning libraries and library service for the surrounding communities. Introduction Meaningful library architecture and planning has a long and complex history, and has the power to provide insight into the most dynamic library communities. There exists perhaps no better example of this phenomenon than the libraries of England; this country has a rich history of library architecture and continues to lead the way in library technology and innovation.
    [Show full text]
  • The Clarendon Building Conservation Plan
    The Clarendon Building The Clarendon Building, OxfordBuilding No. 1 144 ConservationConservation Plan, April Plan 2013 April 2013 Estates Services University of Oxford April 2013 The Clarendon Building, Oxford 2 Conservation Plan, April 2013 THE CLARENDON BUILDING, OXFORD CONSERVATION PLAN CONTENTS 1 INTRODUCTION 7 1.1 Purpose of the Conservation Plan 7 1.2 Scope of the Conservation Plan 8 1.3 Existing Information 9 1.4 Methodology 9 1.5 Constraints 9 2 UNDERSTANDING THE SITE 13 2.1 History of the Site and University 13 2.1.1 History of the Bodleian Library complex 14 2.2 History of the Clarendon Building 16 3 SIGNIFICANCE OF THE CLARENDON BUILDING 33 3.1 Significance as part of the City Centre, Broad Street, Catte Street, and the 33 Central (City and University) Conservation Area 3.2 Significance as a constituent element of the Bodleian Library complex 35 3.3 Architectural Significance 36 3.3.1 Exterior Elevations 36 3.3.2 Internal Spaces 39 3.3.2.1 The Delegates’ Room 39 3.3.2.2 Reception 40 3.3.2.3 Admissions Office 41 The Clarendon Building, Oxford 3 Conservation Plan, April 2013 3.3.2.4 The Vice-Chancellor’s Office 41 3.3.2.5 Personnel Offices 43 3.3.2.6 Staircases 44 3.3.2.7 First-Floor Spaces 45 3.3.2.8 Second-Floor Spaces 47 3.3.2.9 Basement Spaces 48 3.4 Archaeological Significance 48 3.5 Historical and Cultural Significance 49 3.6 Significance of a functioning library administration building 49 4 VULNERABILITIES 53 4.1 Accessibility 53 4.2 Maintenance 54 4.2.1 Exterior Elevations and Setting 54 4.2.2 Interior Spaces 55 5 CONSERVATION
    [Show full text]
  • Literature in Context: a Chronology, C1660­1825
    Literature in Context: A Chronology, c1660­1825 Entries referring directly to Thomas Gray appear in bold type­face. 1660 Restoration of Charles II. Patents granted to re­open London theatres. Actresses admitted onto the English and German stage. Samuel Pepys begins his diary (1660­ 1669). Birth of Sir Hans Sloane (1660­1753), virtuoso and collector. Vauxhall Gardens opened. Death of Velàzquez (1559­1660), artist. 1661 Birth of Daniel Defoe (c1661­1731), writer. Birth of Anne Finch, Countess of Winchilsea (1661­1720), writer. Birth of Sir Samuel Garth (1661­1719). Louis XIV crowned in France (reigns 1661­1715). 1662 Publication of Butler’s “Hudibras” begins. The Royal Society is chartered. Death of Blaise Pascal (1623­1662), mathematician and philosopher. Charles II marries Catherine of Braganza and receives Tangier and Bombay as part of the dowry. Peter Lely appointed Court Painter. Louis XIV commences building at Versailles with Charles Le Brun as chief adviser. 1663 Milton finishes “Paradise Lost”. Publication of the Third Folio edition of Shakespeare. The Theatre Royal, Bridges Street, opened on the Drury Lane site with a revival of Fletcher’s “The Humorous Lieutenant”. Birth of Cotton Mather (1663­1728), American preacher and writer. 1664 Birth of Sir John Vanbrugh (1664­1726), dramatist and architect. Birth of Matthew Prior (1664­1721), poet. Lully composes for Molière’s ballets. “Le Tartuffe” receives its first performance. English forces take New Amsterdam and rename it New York. Newton works on Theory of Gravity (1664­1666). 1665 The Great Plague breaks out in London. Newton invents differential calculus. The “Journal des Savants”, the first literary periodical, is published in Paris.
    [Show full text]
  • Dossier 2021Award.Pdf
    Contents Fundació Mies van der Rohe The Pavilion The Prize Organisation Role of the Nominators Criteria for the Proposal of Works General Information Proposal Procedure For more information, please contact Ivan Blasi, EUMiesAward Coordinator Jordi García, EUMiesAward Secretary Fundació Mies van der Rohe Provença 318, pral. 2 08037 Barcelona e-mail: [email protected] phone: +34 932 151 011 www.eumiesaward.com Fundació Mies van der Rohe Fundació Mies van der Rohe is a platform whose core mission is to inspire through architecture. It encourages and sponsors activities related to good architecture on the basis of the values represented by Ludwig Mies van der Rohe, advocating its role as a strategic thrust for the improvement of our cities – the quality of life of our people and their cultural enrichment. The Pavilion The Foundation has also been a driving force behind the Pavilion, originally built by Mies van der Rohe himself in Barcelona for the 1929 International Exposition, a veritable living icon of global significance, regarded as one of the four canonical works of modern architecture. This symbol has become an obligatory destination for architects from around the world and all those who appreciate rigour and quality. The programme of interventions in the Pavilion has created a highly valuable space for cultural exchanges, research, opportunities and international visibility for emerging architectural and artistic talents. The Prize The Foundation has organised the prestigious “European Union Prize for Contemporary Architecture – Mies van der Rohe Award” with the support of the European Commission since 1988. It allows a unique insight into the evolution of architecture in Europe over the past 32 years.
    [Show full text]
  • Radcliffe Observatory Quarter Walton Street Wall Strategy Document 2 Contents
    Radcliffe Observatory Quarter Walton Street Wall Strategy Document 2 Contents Section Description Page 1 Introduction 5 2 History of the Wall 2.1 General history 6 2.2 Historic maps of the wall 7 2.3 Description of the wall 12 2.4 Significance of the wall 14 3 Walton Street 3.1 General description of Walton Street 18 3.2 Walton Street frontage conditions 20 3.3 Walton Street views and sections 28 4 Public and Private Realm 4.1 Spatial typologies in Oxford 30 4.2 Central University Area 34 4.3 Keble College and South Parks Road 36 4.4 Walton Street and the Radcliffe Observatory Quarter 38 4.5 Colleges, hospitals and hotels 40 4.6 Spatial typologies and the development of the Radcliffe 42 Observatory Quarter 5 Approaches to Development 5.0 Introduction 44 5.1 Retain the wall as it is today 45 5.2 Retain the wall with modifications 46 5.3 Retain the wall with engaged buildings 47 5.4 Retain the wall built into new buildings 48 5.5 Lower the wall 49 5.6 Remove the wall completely 50 5.7 Remove the wall but retain key sections 51 6 Conclusion 52 3 4 1 Introduction This report examines the wall to the west of the Radcliffe Observatory Quarter (ROQ), Green Woodstock Road which forms its boundary with Walton Street. It was originally built as a demesne Templeton wall enclosing and protecting the properties of the Radcliffe Observatory and the College Radcliffe Infirmary. Although this Report considers the history and significance of the wall, it primarily examines the spatial character of the area around the wall and looks at how it has changed over time.
    [Show full text]
  • UK Pavilion, Expo '92, Seville Architect: Nicholas Grimshaw & Partners Ltd
    THE ARUP JOURNAL AUTUMN 1992 ARUJP Front cover: View from beneath canopy suspended from fac;;ade of Pabellon del Future, Expo '92, Seville (Photo: Fernando Alda) THEARUP Back cover: JOURNAL The UK Pavilion (Photo: Reid & Peck) Vol.27 No.3 Editor: Autumn 1992 David J . Brown Published by Art Editor: Ove Arup Partnership Desmond Wyeth FCSD 13 Fitzroy Street, Deputy Editor: London W1P 680 Helene Murphy 3 UK Pavilion, Ove Arup & Partners were the structural and services engineers for the Expo '92, Seville UK Pavilion, Expo '92 in Seville. This was constructed to conform with Ian Gardner, David Hadden 'The Age of Discovery' theme. 8 Frankfurt School Arup Associates prepared a design for a day care centre in Frankfurt. Greg Pearce, Peter Warburton one of the objectives being to achieve a 'low entropy' building. 9 Usine Thomson CSF The brief for the Thomson Factory, 15km south west of Paris, required Richard Hough, John Hewitt open spaces, a clear approach to circulation and scope for future expansion. Ove Arup & Partners International Ltd. were subcontractors to Renzo Piano Building Workshop for the superstructure. 10 Usine l'Oreal The new production and administrative headquarters building for Richard Hough, Mike Santi French cosmetics manufacturer l'Oreal in north-eastern Paris was carefully planned for an owner-occupier client. Ove Arup & Partners International Ltd. were bureau d 'etudes for the steel superstructure. 14 'II Grande Blgo', Genoa The Bigo. built to celebrate the Columbus quincentenary, is now a Peter Rice, Alistair Lenczner well-known Genoese landmark, for which Ove Arup & Partners International Ltd. were design engineers.
    [Show full text]
  • Oxford Heritage Walks Book 2
    Oxford Heritage Walks Book 2 On foot from Broad Street by Malcolm Graham (illustrated by Edith Gollnast, cartography by Alun Jones) Chapter 1 – Broad Street to Ship Street The walk begins at the western end of Broad Street, outside the Fisher Buildings of Balliol College (1767, Henry Keene; refaced 1870).1 ‘The Broad’ enjoyably combines grand College and University buildings with humbler shops and houses, reflecting the mix of Town and Gown elements that has produced some of the loveliest townscapes in central Oxford. While you savour the views, it is worth considering how Broad Street came into being. Archaeological evidence suggests that the street was part of the suburban expansion of Oxford in the 12th century. Outside the town wall, there was less pressure on space and the street is first recorded as Horsemonger Street in c.1230 because its width had encouraged the sale of horses. Development began on the north side of the street and the curving south side echoes the shape of the ditch outside the town wall, which, like the land inside it, was not built upon until c. 1600. Broad Street was named Canditch after this ditch by the 14th century but the present name was established by 1751.2 Broad Street features in national history as the place where the Protestant Oxford Martyrs were burned: Bishops Latimer and Ridley in 1555 and Archbishop Cranmer in 1556.3 A paved cross in the centre of Broad Street and a plaque on Balliol College commemorate these tragic events. In 1839, the committee formed to set up a memorial considered building a church near the spot but, after failing to find an eligible site, it opted instead for the Martyrs’ Memorial (1841, Sir George Gilbert Scott) in St Giles’ and a Martyrs’ aisle to St.
    [Show full text]
  • Award Steering Committee
    Aga Khan Award for Architecture 2 0 1 6 AWARD STEERING COMMITTEE His Highness the Aga Khan, Chairman. David Adjaye is founder and principal architect of Adjaye Associates, which was established in June 2000 and currently has offices in London, New York, and Accra. He was born in Tanzania in 1966. After gaining a Bachelor of Architecture from London South Bank University, he graduated with a master’s degree in architecture from the Royal College of Art in 1993, where he won the RIBA Bronze Medal. His completed works include: the Sugar Hill affordable housing project in Harlem, New York City (2015); two community libraries in Washington DC (2012); the Moscow School of Management SKOLKOVO (2010); The Nobel Peace Centre in Oslo (2005); the Museum of Contemporary Art in Denver (2007); and the Idea Stores (libraries) in London’s Tower Hamlets (2005). The practice is currently engaged in the Smithsonian Institution’s National Museum of African American History and Culture in Washington D.C, due to open in 2016. Mr. Adjaye’s belief in working together with partners has led to a number of notable collaborations on both building projects and exhibitions. His photographic survey of 52 cities across the continent of Africa, Urban Africa, exhibited at the Design Museum London (2010), has shifted the understanding of Africa’s metropolitan centres. His first midcareer retrospective exhibition, entitledMaking Place: The Architecture of David Adjaye, is currently running at the Art Institute of Chicago. Mr. Adjaye is currently the John C. Portman Design Critic in Architecture at Harvard University. He is a RIBA Chartered Member, an AIA Honorary Fellow, a Senior Fellow of the Design Futures Council and a Foreign Honorary Member of the American Academy of Arts and Letters.
    [Show full text]