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Matthew D. Eagle Art Director / Generalist TD
Matthew D. Eagle Art Director / Generalist TD Address: 2310 9th St. N. Apt 302 Arlington VA, USA 22201 Phone: 1.704.737.0504 Email: [email protected] Website: www.matteagle.com Objective: To demonstrate leadership as well as technical proficiency in the 3D animation and visual effects field. ________________________________________________________ Education North Carolina State University (2007- 2009) Masters of Art and Design for 3D Animation and Mixed Media University of North Carolina at Chapel Hill (2000 - 2004) B.A. in Advertising - School of Journalism and Mass Communication B.A. in Psychology Software Expert: Maya, After Effects, MEL Scripting, Mental Ray, Qube!, Photoshop Intermediate: Python, Nuke, Unity, Zbrush Work Experience Owner/Creative Director - EagleEye Studios (January 2014 - Present) Design, develop and deliver 3D animation and VFX graphics for television production to companies such as National Geographic, Discovery, Smithsonian Channel and History Channel Manage a team of freelance artists to complete projects on time and under budget Develop budgets and production schedules Lead 3D Generalist and VFX Artist – Department of Defense (Jan 2012-Present) Team lead responsible for creating classified simulations and advanced animations for various intelligence agencies. Successful in enhancing our production pipeline by implementing a layer-based rendering solution for compositing. Created and implemented multiple MEL scripts to automate arduous artist tasks, increasing productivity and elevating the final look of various productions. Hiring manager for new talent in our department. 3D Visualization Specialist – AECOM (Part-time freelance March 2012 – June 2013) Responsible for overseeing overall visual quality of animations and visualizations for presentation purposes. Create advanced, highly polished 3D animation fly-throughs of environment and freight rail project builds. -
Beat the Heat
To celebrate the opening of our newest location in Huntsville, Wright Hearing Center wants to extend our grand openImagineing sales zooming to all of our in offices! With onunmatched a single conversationdiscounts and incomparablein a service,noisy restaraunt let us show you why we are continually ranked the best of the best! Introducing the Zoom Revolution – amazing hearing technology designed to do what your own ears can’t. Open 5 Days a week Knowledgeable specialists Full Service Staff on duty daily The most advanced hearing Lifetime free adjustments andwww.annistonstar.com/tv cleanings technologyWANTED onBeat the market the 37 People To Try TVstar New TechnologyHeat September 26 - October 2, 2014 DVOTEDO #1YOUTHANK YOUH FORAVE LETTING US 2ND YEAR IN A ROW SERVE YOU FOR 15 YEARS! HEARINGLeft to Right: A IDS? We will take them inHEATING on trade & AIR for• Toddsome Wright, that NBC will-HISCONDITIONING zoom through• Dr. Valerie background Miller, Au. D.,CCC- Anoise. Celebrating• Tristan 15 yearsArgo, in Business.Consultant Established 1999 2014 1st Place Owner:• Katrina Wayne Mizzell McSpadden,DeKalb ABCFor -County HISall of your central • Josh Wright, NBC-HISheating and air [email protected] • Julie Humphrey,2013 ABC 1st-HISconditioning Place needs READERS’ Etowah & Calhoun CHOICE!256-835-0509• Matt Wright, • OXFORD ABCCounties-HIS ALABAMA FREE• Mary 3 year Ann warranty. Gieger, ABC FREE-HIS 3 years of batteries with hearing instrument purchase. GADSDEN: ALBERTVILLE: 6273 Hwy 431 Albertville, AL 35950 (256) 849-2611 110 Riley Street FORT PAYNE: 1949 Gault Ave. N Fort Payne, AL 35967 (256) 273-4525 OXFORD: 1990 US Hwy 78 E - Oxford, AL 36201 - (256) 330-0422 Gadsden, AL 35901 PELL CITY: Dr. -
The Midlands Essential Entertainment Guide
Staffordshire Cover - July.qxp_Mids Cover - August 23/06/2014 16:43 Page 1 STAFFORDSHIRE WHAT’S ON WHAT’S STAFFORDSHIRE THE MIDLANDS ESSENTIAL ENTERTAINMENT GUIDE STAFFORDSHIRE ISSUE 343 JULY 2014 JULY ’ Whatwww.whatsonlive.co.uk sOnISSUE 343 JULY 2014 ROBBIE WILLIAMS SWINGS INTO BRUM RHYS DARBY return of the Kiwi comedian PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART THE GRUFFALO journey through the deep dark wood in Stafford... FUSE FESTIVAL showcasing the region’s @WHATSONSTAFFS WWW.WHATSONLIVE.CO.UK @WHATSONSTAFFS talent at Beacon Park Antiques For Everyone (FP-July).qxp_Layout 1 23/06/2014 14:00 Page 1 Contents- Region two - July.qxp_Layout 1 23/06/2014 12:42 Page 1 June 2014 Editor: Davina Evans INSIDE: [email protected] 01743 281708 Editorial Assistants: Ellie Goulding Brian O’Faolain [email protected] joins line-up for 01743 281701 Wireless Festival p45 Lauren Foster [email protected] 01743 281707 Adrian Parker [email protected] 01743 281714 Sales & Marketing: Jon Cartwright [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 Subscriptions: Adrian Parker [email protected] 01743 281714 Scooby-Doo Managing Director: spooky things a-happening Paul Oliver [email protected] in Wolverhampton p27 01743 281711 Publisher and CEO: Martin Monahan [email protected] 01743 281710 Graphic Designers: Lisa Wassell Chris Atherton Accounts Administrator Julia Perry Wicked - the award-winning musical -
The Pacific Coast and the Casual Labor Economy, 1919-1933
© Copyright 2015 Alexander James Morrow i Laboring for the Day: The Pacific Coast and the Casual Labor Economy, 1919-1933 Alexander James Morrow A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: James N. Gregory, Chair Moon-Ho Jung Ileana Rodriguez Silva Program Authorized to Offer Degree: Department of History ii University of Washington Abstract Laboring for the Day: The Pacific Coast and the Casual Labor Economy, 1919-1933 Alexander James Morrow Chair of the Supervisory Committee: Professor James Gregory Department of History This dissertation explores the economic and cultural (re)definition of labor and laborers. It traces the growing reliance upon contingent work as the foundation for industrial capitalism along the Pacific Coast; the shaping of urban space according to the demands of workers and capital; the formation of a working class subject through the discourse and social practices of both laborers and intellectuals; and workers’ struggles to improve their circumstances in the face of coercive and onerous conditions. Woven together, these strands reveal the consequences of a regional economy built upon contingent and migratory forms of labor. This workforce was hardly new to the American West, but the Pacific Coast’s reliance upon contingent labor reached its apogee after World War I, drawing hundreds of thousands of young men through far flung circuits of migration that stretched across the Pacific and into Latin America, transforming its largest urban centers and working class demography in the process. The presence of this substantial workforce (itinerant, unattached, and racially heterogeneous) was out step with the expectations of the modern American worker (stable, married, and white), and became the warrant for social investigators, employers, the state, and other workers to sharpen the lines of solidarity and exclusion. -
Video Name Track Track Location Date Year DVD # Classics #4001
Video Name Track Track Location Date Year DVD # Classics #4001 Watkins Glen Watkins Glen, NY D-0001 Victory Circle #4012, WG 1951 Watkins Glen Watkins Glen, NY D-0002 1959 Sports Car Grand Prix Weekend 1959 D-0003 A Gullwing at Twilight 1959 D-0004 At the IMRRC The Legacy of Briggs Cunningham Jr. 1959 D-0005 Legendary Bill Milliken talks about "Butterball" Nov 6,2004 1959 D-0006 50 Years of Formula 1 On-Board 1959 D-0007 WG: The Street Years Watkins Glen Watkins Glen, NY 1948 D-0008 25 Years at Speed: The Watkins Glen Story Watkins Glen Watkins Glen, NY 1972 D-0009 Saratoga Automobile Museum An Evening with Carroll Shelby D-0010 WG 50th Anniversary, Allard Reunion Watkins Glen, NY D-0011 Saturday Afternoon at IMRRC w/ Denise McCluggage Watkins Glen Watkins Glen October 1, 2005 2005 D-0012 Watkins Glen Grand Prix Festival Watkins Glen 2005 D-0013 1952 Watkins Glen Grand Prix Weekend Watkins Glen 1952 D-0014 1951-54 Watkins Glen Grand Prix Weekend Watkins Glen Watkins Glen 1951-54 D-0015 Watkins Glen Grand Prix Weekend 1952 Watkins Glen Watkins Glen 1952 D-0016 Ralph E. Miller Collection Watkins Glen Grand Prix 1949 Watkins Glen 1949 D-0017 Saturday Aternoon at the IMRRC, Lost Race Circuits Watkins Glen Watkins Glen 2006 D-0018 2005 The Legends Speeak Formula One past present & future 2005 D-0019 2005 Concours d'Elegance 2005 D-0020 2005 Watkins Glen Grand Prix Festival, Smalleys Garage 2005 D-0021 2005 US Vintange Grand Prix of Watkins Glen Q&A w/ Vic Elford 2005 D-0022 IMRRC proudly recognizes James Scaptura Watkins Glen 2005 D-0023 Saturday -
DANIEL Mckeown DIRECTOR of PHOTOGRAPHY
DANIEL McKEOWN DIRECTOR OF PHOTOGRAPHY FEATURES Director of Photography, C’est la Vie, Director – Anna Condo 2014 Director of Photography, Armenia Commedia, Director - Anna Condo 2013 Director of Photography, Almost in Love, Director – Sam Neave 2010 Director of Photography, First Person Singular, Director – Sam Neave 2009 Director of Photography, Komatsugawa 75, Director – Yoshiaki Naito/Daniel McKeown 2003 Director of Photography, Cry Funny Happy, Director – Sam Neave 2003 DOCUMENTARIES Director of Photography, Road to Mercedes, NBCSN, Director – Matt Bennett 2014 Director of Photography, Driving America, NATGEO, EP – Matt Bennett 2014 Director of Photography, Deadliest Catch: The Bait, Discovery Channel, Dir. – Matt Bennett 2013-2014 Director of Photography, Road to Ferrari, NBCSN, Director – Matt Bennett 2013 Director of Photography, Ultimate Factories: The Assembly Line, NATGEO, Dir. – Russell Pflueger 2013 Director of Photography, Lost Magic: Decoded, History Channel, Director – Robert Palumbo 2012 Director of Photography, Deadliest Catch: Revelations, Discovery Channel, Dir. – Matt Bennett 2012 Director of Photography, Bering Sea Gold: After the Dredge, Discover Channel, Dir. – Matt Bennett 2012 Director of Photography, Storage Wars Unlocked, A&E, Director – Matt Bennett 2011 Director of Photography, Mad Scientists, National Geographic, EP – Matt Bennett 2011 Director of Photography, After the Catch, Discovery Channel, Director – Matt Bennett 2007-2011 Director of Photography, Reagan, History Channel, Director – Robert Palumbo 2011 -
God Loves Uganda | the Hooping Life | Tim’S Vermeer | the Address | Life According to Sam | the Story of the Jews Scene & He D
July-August 2014 VOL. 29 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 4 IN THIS ISSUE God Loves Uganda | The Hooping Life | Tim’s Vermeer | The Address | Life According to Sam | The Story of the Jews scene & he d LET BAKER & TAYLOR’S SCENE & HEARD TEAM HELP MAKE BUILDING AND MAINTAINING YOUR A/V COLLECTION EASIER WITH OUR PROFESSIONAL DIGITAL MEDIA PROCESSING (DMP) SERVICES! DMP off s a v iety of key benefi ts and feat es including: ■ Digitally reproduced original cover artwork ■ Personalized library contact information ■ Detailed content checklists and messaging ■ Circulation-tough polyvinyl CD and DVD cases ■ Single, double, multiple and locking security cases available ■ Large assortment of customized, embedded labels — genre, spine and more! To learn about DMP and other A/V products and services, contact your Sales Consultant today to discuss a custom-tailored solution for all your needs! 800-775-2600 x2050 [email protected] www.baker-taylor.com STAY CONNECTED: Spotlight Review God Loves Uganda streets, LGBT activists identified in newspa- HHH1/2 pers, and finally to a killing. Williams seems (2013) 83 min. DVD: to be everywhere with his camera (although $24.95. First Run he also makes assiduous use of archival and Publisher/Editor: Randy Pitman Features (avail. from other material): on buses with young Ameri- most distributors). Closed can ministers in Uganda, in parliamentary Associate Editor: Jazza Williams-Wood captioned. session, and at town hall-like meetings where Copy Editor: Kathleen L. Florio Stunning in its rev- gay pornography is shown (even to children) elations about the ways Editorial Assistant: Chris Pitman with the intent of fomenting intolerance. -
SAFARI Montage Core Content Package Highlights
SAFARI Montage Core Content Package Highlights A&E NETWORKS LLC is an award-winning global media content company that includes the television networks A&E®, HISTORY®, BIO.™, Military HISTORY™, Lifetime®, H2™, HISTORY en Español™, and more. HIGHLIGHTS: AMERICA: THE STORY OF US, HOW THE EARTH WAS MADE, MODERN MARVELS, A&E BIOGRAPHY AMBROSE VIDEO creates educational science and history content, along with other award-winning educational films that serve the diverse needs of schools and libraries. HIGHLIGHTS: BBC SHAKESPEARE (JULIUS CAESAR, MACBETH, A MIDSUMMER NIGHT’S DREAM, ROMEO AND JULIET), CLASSICAL EUROPEAN COMPOSERS, CORE BIOLOGY BBC ACTIVE, a joint-venture between Pearson Education and BBC Worldwide, aims to revolutionize learning through a range of different media to give people of all ages the opportunity to expand their lives and minds. HIGHLIGHTS: DIARY OF ANNE FRANK, HOW NATURE WORKS, SUEÑOS: WORLD SPANISH, A TALE OF TWO CITIES, WONDERS OF THE UNIVERSE DISNEY EDUCATIONAL PRODUCTIONS brings the famous Disney magic to a range of curriculum-based media learning products while helping educators maximize each program’s educational power with educators’ guides, student activities and other supplemental resources. HIGHLIGHTS: SCHOOLHOUSE ROCK, BILL NYE THE SCIENCE GUY, THE EYES OF NYE, DISNEYNATURE, BILL NYE’S SOLVING FOR X, THE SCIENCE OF DISNEY IMAGINEERING NATIONAL GEOGRAPHIC DIGITAL MEDIA distributes digital content globally to the education, mobile, video game, stock footage and broadband markets, and through nationalgeographic.com. HIGHLIGHTS: AMERICA’S WILD SPACES, GUNS, GERMS AND STEEL, GREAT MIGRATIONS, MEGASTRUCTURES, ULTIMATE FACTORIES PBS: SAFARI Montage is an authorized digital distributor of PBS’ library of full-length programs to K-12 schools nationwide, offering over 1,500 award-winning PBS programs. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros. -
Today's Television
54 TV SATURDAY DECEMBER 5 2020 Start the day Zits Insanity Streak with a laugh Why does Wally wear stripes? Because he doesn’t want to be spotted. AfTer dinner, my wife asked if I could clear the Snake Tales Swamp table. I needed a running start, www snakecartoons.com but I made it. Today’s quiz 1. With regards to weather, 051220 what does the Beaufort scale measure? 2. Which two greenhouse gases are the primary T oday’S TeleViSion emissions causing man- nine SeVen abc SbS Ten made climate change? 6.00 Easy Eats. 7.00 Weekend 6.00 NBC Today. 7.00 Weekend 6.00 Rage. (PG) 7.00 Weekend 6.00 WorldWatch. 10.30 6.00 Morning Programs. 7.30 Today. 10.00 Today Extra: Sunrise. 10.00 The Morning Breakfast. 10.00 Rage. (PG) Motorcycle Racing. Australian WhichCar. (PG) 8.00 What’s 3. Which atmospheric layer Saturday. (PG) Show: Weekend. (PG) 12.00 ABC News At Noon. 12.30 Superbike Championship. Round Up Down Under. 8.30 All 4 12.00 Award Winning 12.00 RSPCA Animal Reef Live. (R) 2. 1.30 WorldWatch. 2.00 PBS Adventure. (PGl) 9.30 St10. (PG) is below the stratosphere? Tasmania. Rescue. (PG, R) 1.30 The Sound. (PG, R) News. (US) 3.00 Destination 12.00 By Design Heroes. 12.30 12.30 Rebound. 1.00 The Healthy 12.30 Beat The Chasers. (R) 2.30 Dream Gardens. (R) Flavour China Bitesize. (R) 3.10 My Market Kitchen. 1.00 GCBC. 4. Dishui Lake is a circular Cooks. -
Social Status, Reputation, Financing, and Commitment∗
Social Status, Reputation, Financing, and Commitment∗ Preliminary and incomplete - Please do not make it available without the authors' permission Rog´erioMazaliy Jos´eA. Rodrigues-Netoz April 25, 2016 Abstract We develop a dynamic model of a horizontally differentiated product duopoly. The purpose is to investigate the relationship between the market niche each firm targets, the social status of its brand, its project financing and ownership structure. Firms' financial decisions can be used as signals of the social status of each firm’s brand name, and thus, the market niche that is targeted. We provide conditions under which a firm is not able to produce high status goods credibly, but by restricting its ability to adopt an industrial technology it may. A firm that produces high status goods may purposely restrict its own access to capital markets, remaining private, using this decision as a commitment device. In this case the firm has the credibility it needs to convince other parties that it will keep producing a high status good and not \invade" its rival's market niche. Following a stream of literature that started with Titman (1984) and Brander and Lewis (1986), the present paper provides a novel link between financial and capital markets: concerns with \brand reputation" regarding the social status of a firm’s products. Keywords: brand, competition, reputation, commitment, status, capital structure. JEL classification: G32, C78, L13, L15. ∗We thank Steffen Lippert, Simona Fabrizi, and seminar participants at the Australasian Economic Theory Workshop, Australian National University, University of Bras´ıliaand Catholic University of Bras´ıliafor helpful comments. All remaining errors are our own responsibility. -
Final Rounds
TVhome The Daily Home April 26 - May 2, 2015 Final Rounds The ever-smitten Eddie (Paul Schulze, left) is one of the few people who remain by Jackie’s (Edie Falco) side during her most troubled times on “Nurse 000208858R1 Jackie,” airing in its seventh and final season, Sundays at 8 p.m. on Showtime. The Future of Banking? We’ve Got A 167 Year Head Start. You can now deposit checks directly from your smartphone by using FNB’s Mobile App for iPhones and Android devices. No more hurrying to the bank; handle your deposits from virtually anywhere with the Mobile Remote Deposit option available in our Mobile App today. (256) 362-2334 | www.fnbtalladega.com Some products or services have a fee or require enrollment and approval. Some restrictions may apply. Please visit your nearest branch for details. 000209980r1 2 THE DAILY HOME / TV HOME Sun., April 26, 2015 — Sat., May 2, 2015 DISH AT&T DIRECTV CABLE CHARTER CHARTER PELL CITY PELL ANNISTON CABLE ONE CABLE TALLADEGA SYLACAUGA BIRMINGHAM BIRMINGHAM BIRMINGHAM CONVERSION CABLE COOSA SPORTS WBRC 6 6 7 7 6 6 6 6 AUTO RACING 7 p.m. ESPN New York Mets at New WBIQ 10 4 10 10 10 10 York Yankees (Live) Drag Racing WCIQ 7 10 4 Monday WVTM 13 13 5 5 13 13 13 13 Sunday 1 a.m. FOXSS Atlanta Braves at WTTO 21 8 9 9 8 21 21 21 1 p.m. ESPN2 O’Reilly Auto Parts Philadelphia Phillies (Replay) WUOA 23 14 6 6 23 23 23 NHRA Springnationals from 1:30 a.m.