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3. Anthologies and Anthologists 87 Derives Its Epigrams from the Anthology of Cephalas, Was Compiled During the Reign of Leo VI (886–912)14

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3. Anthologies and Anthologists 87 Derives Its Epigrams from the Anthology of Cephalas, Was Compiled During the Reign of Leo VI (886–912)14 Chapter Three ANTHOLOGIES AND ANTHOLOGISTS Between c. 850 and 950 many Byzantine intellectuals, among them bril- liant scholars such as Leo the Philosopher, devoted themselves wholeheartedly to the study of ancient, late antique and contemporary poetry. These hundred years of Byzantine scholarship resulted in the compilation of two major anthologies: the Palatine Anthology (compiled shortly after 944) and the Anthologia Barberina (c. 919). The latter is a collection of Byzantine anacreon- tics and alphabets, which can be found in Barb. gr. 310 (see below, pp. 123– 128). The former is essentially a copy of an earlier anthology of epigrams put together by Constantine Cephalas at the end of the ninth century. The anthol- ogy of Cephalas is not preserved, but we can reconstruct its structure in broad outline with the help of various collections of epigrams that derive from it, either directly or indirectly. Of these collections the Palatine Anthology is by far the most important because it closely resembles the original anthology of Cephalas. The Palatine manuscript1 was written by six different scribes2. These six hands can be divided into two groups: B1, B2 and B3, and J, A1 and A2, respectively. Both groups of hands can be dated approximately to the second quarter of the tenth century: scribes B to c. 920–930, scribes J and A to c. 940– 9503. The oldest part of the manuscript, copied by scribes B1, B2 and B3, compris- es the epigrams starting from AP IX, 563 to the end of AP XIV (pp. 453–642), 1 After the Napoleonic wars the Palatine manuscript, with the exception of its last 100- odd pages, was sent back to Heidelberg (Pal. gr. 23); the remainder stayed in Paris (Par. Suppl. gr. 384). For the curious wanderings of the Palatine manuscript, see CAMERON 1993: 178–201. 2 For a thorough description of the manuscript, see J. IRIGOIN, Annuaire de l’ École Pratique des Hautes Études,1975–76. Sect. IV. Sciences Historiques et Philologiques, 281– 295. 3 Thus IRIGOIN (see footnote above), 283–284, and A. DILLER, in: Scripta Turyniana, ed. J. HELLER. Urbana 1974, 520–521. M.L. AGATI, BollClass, t.s., 5 (1984) 42–59, dates both sets of hands a few decades later: scribes B about 940–950 and scribes J and A about 960–970. CAMERON 1993: 99–108 suggests that the two groups of scribes, albeit working in different scriptoria, cooperated in a joint venture under the guidance of the chief editor J; this theory has been refuted by J.-L. VAN DIETEN, BZ 86–87 (1994) 342–362. 84 Part One: Texts and Contexts as well as AP XV, 28–40 (pp. 705–706 and 693–695). Since the outside leaves of the last quaternion, no. 44 (pp. 691–706), were accidentally folded wrong during binding, the original order of the epigrams is as follows: AP XV, 40 and 28–39. The rest of the manuscript (pp. 1–452, 643–692 and 696–704) was written by J, A1 and A2. It contains the first four books of Cephalas’ anthology: AP V, VI, VII and IX, 1–562, plus the introduction to it, AP IV4. It also contains AP VIII (Gregory of Nazianzos’ epitaphs), a book that does not belong to the original Cephalas, but was added to it in the early tenth century5. Before and after the anthology of Cephalas we find various long poems and collections of epigrams. The poems at the beginning of the Palatine manuscript are the following: Nonnos’ Paraphrase of the Gospel according to John (no longer extant due to the loss of seven quires), Paul the Silentiary’s Ekphrasis of the Hagia Sophia and of its Ambo, various dogmatic poems by Gregory of Nazianzos, a collection of Christian epigrams (AP I), Christodoros of Thebes’ Ekphrasis of the Statues in the Zeuxippos (AP II), and a collection of inscriptions found in a temple at Kyzikos (AP III). At the end of the manuscript, after pp. 453–642 written by scribes B, we again find a hotchpotch of various poems: John of Gaza’s Ekphrasis of the World Map in the Winter Baths of Gaza, a collection of epigrams (AP XV, 1–20 and 23), the Hellenistic Technopaegnia (AP XV, 21–22 and 24–27), and the Anacreontea. Then we have the last quaternion (no. 44), the first pages of which were copied by scribe B3; on the remaining pages scribe J copied various poems by Gregory of Nazianzos. There can be little doubt that scribe J is the final redactor of the manu- script. Scribe J supplements lacunas, adds lemmata and ascriptions, and at- tempts to unite the various parts of the manuscript so that the seams do not show. In his magnificent book on the Greek Anthology, Alan Cameron con- vincingly proved that scribe J is none other than the famous tenth-century poet, Constantine the Rhodian, and demonstrated that the Palatine Anthology was compiled not long after 9446. The so-called Corrector examined the manu- script after it had already been executed, and made a great number of excellent corrections, for which he used an apograph of Cephalas’ anthology made by 4 Incidentally, this also explains the scholion attached to AP IV, 1, stating that the anthology of Cephalas was divided into four categories ™n t/ parönti ptykt5ù: namely, erotic, anathematic, sepulchral and epideictic (=AP V, VI, VII and IXa). By this, scribe J simply means to say that the present volume, copied by himself and scribes A, contains only these four categories. The scholion does not apply to the rest of Cephalas’ anthol- ogy, which was copied by scribes B. 5 See CAMERON 1993: 145–146. 6 CAMERON 1993: 108–116 and 300–307. See also P. ORSINI, BollGrott 54 (2000) 425–435, who, for no good reason, questions the validity of Cameron’s arguments. Anthologies and Anthologists 85 Michael Chartophylax7. On various pages of the Palatine manuscript we also detect a number of additional epigrams copied by a twelfth-century scribe, Sp. The structure of the Palatine manuscript is fairly complex. It is reasonable to assume that the manuscript copied by scribes B did not only contain AP IX, 563 – AP XIV and XV, 28–40, but also the preceding books of Cephalas’ anthology. For one reason or another Constantine the Rhodian (scribe J) had obtained only the second part of the B manuscript and, desiring to have the whole Cephalas, ordered scribes A to copy the rest under his guidance. This they did with the utmost diligence. For reasons unknown to us, Constantine the Rhodian separated the last few pages from the rest of the B manuscript by inserting three new quaternions (41–43) containing John of Gaza’s Ekphrasis, the Technopaegnia and the Anacreontea. And since there were still a few pages left blank between the Ekphrasis and the Technopaegnia, he filled these spare pages (pp. 664–668) with various epigrams. Constantine placed the last few pages of the B manuscript at the very end, after quaternions 41–43. These pages originally formed a ternion. Constantine turned it into a quaternion and copied some poems by Gregory of Nazianzos on the pages left blank by scribe B3 and on the pages he had added himself. Although we are greatly indebted to Constantine the Rhodian for his editorial work on the Palatine manuscript, it cannot be denied that Constan- tine was sometimes a somewhat sloppy editor. On the last pages of the manu- script Constantine copied 68 epigrams by Gregory of Nazianzos, apparently unaware of the fact that these same epigrams could be found in AP VIII, a book copied by his fellow scribe A1. Only when the manuscript was already finished and he had begun checking the work of his fellow scribes, did he notice the duplication8. Constantine’s negligence shows most clearly at AP IX, 583– 584, where he failed to notice a major lacuna. If Constantine had checked other manuscripts of Cephalas’ anthology, he could easily have spotted the lacuna, but for one reason or another he did not closely examine the B manuscript in his possession. The exemplar used by scribes B must have missed three or four quaternions between AP IX, 583 and 584 containing some 450 epigrams on works of art. Most of these epigrams can be found in the Planudean Anthology (printed as book XVI, the “Appendix Planudea” (APl 32–387), in modern editions of the Greek Anthology), a few in the so-called syllogae minores, and some others in the Palatine manuscript itself as additions by the twelfth- century scribe Sp (for instance, AP IX, 823–827 and XV, 41–51). The manu- script that scribes B used did not only lack a considerable amount of epigrams, but also a title and a prooemium separating the epideictic epigrams (AP IXa 7 CAMERON 1993: 116–120. 8 CAMERON 1993: 107–108. 86 Part One: Texts and Contexts = AP IX, 1–583) from the epigrams on works of art (AP IXb = APl 32–387 + some epigrams in the syllogae minores and the additions of Sp + AP IX, 584– 822)9. ** * Constantine Cephalas Little is known about Constantine Cephalas. In sources other than the Palatine manuscript he is mentioned only once: as protopapas at the Byzantine court in 91710. The scholia in the Palatine manuscript unfortunately do not supply us with much valuable information about his person or his activities, except for an intriguing note of the Corrector at AP VII, 429: “Cephalas propounded (proeb1leto) this epigram in the school of the New Church in the time of Gregory the Headmaster of blessed memory”. The scholion informs us that Cephalas used to teach at the school of the New Church and that he once lectured on AP VII, 429, a pröblhma that his students had to solve11.
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