Ralph Steadman A Comprehensive Guide for Collectors

[Second Edition, May 2019]

Compiled by Scott M. Burns

Armadillo & Dicker Books www.burnsbizarre.com

“When you try to say something in pictures, it gains a dimension that language can’t match. I like that.” --Ralph Steadman, 2013

This guide assembles information from more than 30 years of dealer catalogs, auction records, other published checklists and bibliographies, and online marketplaces such as EBay, AbeBooks.com, and ViaLibri.net. The first two sections – books that Ralph wrote or illustrated -- are complete, including all foreign editions. The remaining sections are representative selections -- though still quite comprehensive.

I have omitted commercial products unless they were "done to spec." That is, if Ralph designed a mug, t-shirt, or other object for a specific client or to commemorate a special event it may be here. Commercial products that simply use or appropriate one of Ralph's images, whether officially licensed or not, are omitted.

If you discover any errors, or think I have omitted something that should be here, please drop me a line at [email protected]. Several fellow collectors and dealers did so after the first iteration of this list and I trust they will do so again. Special thanks to Wade Hughan, Daniel Wirt, Ed Smith, David Smith, and Richard Ford .

All measurements are approximate; last updated May 20, 2019.

Index

1. Books Written and illustrated by Ralph Steadman 3 2. Other books illustrated by RS 11 3. Contributions to anthologies and other collected works 19 4. Book Covers and Dust jackets 24 5. Representative magazine appearances 29 6. Album and CD/DVD covers and liners 46 7. Entertainment posters, handbills, & programs 52 8. Limited edition posters and prints 57 9. Exhibition posters and catalogs 66 10. Book promotion posters and flyers 71 11. Miscellaneous posters and flyers 73 12. Oddbins: catalogs, prints & ephemera 79 13. Other advertising and promotional ephemera 85 14. Calendars 91 15. Miscellaneous Postcards 92 16. Steam Press & Turret Bookshop publications 96 17. Miscellaneous ephemera 100 18. Reference materials 106

Copyright Scott M. Burns, 2013, 2019. Use of this guide is licensed under a "Creative Commons Attribution-ShareAlike 4.0 International License." Translation: you are free to download, print, and share this guide for personal use provided you retain this copyright and license information on all copies made. Commercial sale is expressly prohibited.

For further info, visit https://creativecommons.org/licenses/by-nc-sa/4.0/

Ralph Steadman: A Comprehensive Guide for the Collector 2 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

1. Books WRITTEN AND ILLUSTRATED BY Ralph Steadman.

(By Year of Publication; First editions for each country only; later editions are shown only if new material was added or there was a significant change in cover design.)

Ralph Steadman’s Jelly Book. London: Dennis Dobson, 1967. Illustrated boards in d/w. The unofficial story of how Jelly (Jell-O) is produced -- from tree to factory. "Inside, jelly inspectors sort out the good jelly from the bad. The bad is used to stuff pillows and mattresses." Steadman’s first children’s book, and his first appearance as both writer and illustrator.

-----. NY: Scroll Press, 1970. (U.S.)

-----. C’era una volta un albero di marmellata. Milano: Emmed Edizioni, 1967. (Italy)

The Little Red Computer. London: Dennis Dobson, 1969. Small 4to, red cloth in illustrated d/w. One of the first children’s books using a personal computer as its theme. Also published in blue cloth; the publishing priority between the two versions has not been established.

-----. NY: McGraw Hill, 1969. Green cloth, d/w. (U.S.)

-----. NY: McGraw-Hill Films, 1973. 35 mm filmstrip; 40 frames, with audio cassette and teacher’s guide.

-----. Steam Press/Petro III Graphics/Sylph Publications. Maidstone/Lexington/Tucson, 2004. Reissued in a smaller chapbook size as Sylph Chapbook Number 5. Fifty signed and numbered copies. Quarter-bound in red cloth with illustrated paper front cover. A special edition of 10 copies was issued in full red cloth and clamshell box with a silkscreen print of one of the illustrations laid in.

-----. Die Klein Rooi Rekenaar. Kaapstad (South Africa): Nasionale Boekhandel Beperk, 1968. First edition in Afrikaans. Similar in format to the UK edition.

-----. Der kleine rote Computer, Monchaltorf (Switzerland): Nord-Sud Verlag, 1969. First edition in German. Similar in format to the UK edition.

Still Life with Raspberry, or the Bumper Book of Ralph Steadman. London: Rapp & Whiting, 1969. 4to, brown cloth in illustrated d/w. Steadman’s first anthology. Cartoons, caricatures, and illustrations from Private Eye, Punch, The Daily Telegraph and other English periodicals –with some previously unpublished drawings as well. The spine lettering on most copies is gilt; there are variants with red lettering. Priority not established.

-----. The first fifty copies were hand-numbered and inscribed by Steadman with an original inked sketch unique to each copy.

-----. One copy with a rejected prototype dustwrapper has appeared on the market. The jacket is red with white flaps and contains a self-portrait by Steadman with his face in the shape of a book. This original design was used as a promotional insert for the book in the June 20, 1969 issue of Private Eye. (#196) The insert is four pages, red glossy exterior and white interior. The interior carries Ralph’s personal message to subscribers: “If you can pay £2-10-0 for 24 lousy copies of PRIVATE EYE so that you may see my cartoons, then you must have been living for the moment when you can actually possess 144 pages of them, pure and undiluted, free from seas of heavy incumbent editorial

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matter, away from the asinine world of “Spiggy”, “Lunchtime”, Mrs. Wilson and the rest, and into the hard, cold world we adults inhabit – but in the comfort of your favorite armchair, of course for only £3-30-0, including postage. Yours truly, Ralph STEADman." The book was published six days later on June 26, 1969 so it was apparently a prompt redesign decision. The insert was included only in issues mailed to subscribers.

Dogs Bodies. London: Abelard-Schuman, 1970. 8vo, stapled wrappers. Caricatures of dogs and their human companions.

-----. NY: Paddington Press, 1977. (U.S.)

----- Chiens. Paris: Mentha, 1990. (France)

----- Benet I Vadret. Hafted: Askelund & Hagglund. 1983. (Sweden)

-----. A Leg in the Wind and Other Canine Curses. London: Arrow Books Ltd., 1982. Trade paperback. An expanded edition of Dogs Bodies.

-----. No Good Dogs. NY: Perigree Books, 1983. Trade paperback. U.S. edition of A Leg in the Wind.

-----. Near the Bone. London: Arrow, 1990. Trade paperback. It expands again, with new drawings as well as a new title and cover design.

-----. The Dog’s Body Portfolio. (Lexington, KY): Petro III Graphics, 1970/2000. Small 4to, rust-colored cloth portfolio with ribbon-tie. Ralph decided to do something with the remaindered copies he had. A collectors’ portfolio containing a signed copy of the first edition (Abelard-Schuman, 1970), plus a two-color signed and numbered silkscreen print entitled “Ink Hound.” Limited to 100 sets, 70 of which were signed and numbered by Steadman on a loose limitation sheet and another 30 copies marked as artist’s proofs.

Zwei Esel und eine Brucke (Two Donkeys and a Bridge). Monchaltorf (Switzerland): Nord-Sud Verlag, 1972. 4to, illustrated boards. Two boys live across the river from each other. Their fathers help facilitate the building of a bridge built on the principles of friendship, goodwill and understanding. All goes well, until some prize vegetables go missing.

-----. The Bridge. London: Collins, 1972. (UK)

-----. The Bridge. Cleveland (OH): Collins & World, 1972. (U.S.)

-----. El Puente. Valladolid/Minon, [1975]. (Spain)

-----. The Bridge. Old Greenwich (CT): Listening Library, 1976. Filmstrip, 35mm with cassette and teachers guide. Part of a series of four filmstrips entitled Children in Other Lands.

-----. Two Donkeys and a Bridge. London, Andersen Press/Australia, Hutchinson Group, 1983. Revised edition. (UK/Australia)

Ralph Steadman’s Bumper to Bumper Book for Children. London: Abelard-Schuman, 1972. Oblong 8vo, illustrated boards. Children’s games and puzzles -- entertainment for long automobile trips (but with Steadman’s own diabolic approach.)

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-----. London: Piccolo Press [Pan Books], 1973. Softcover edition.

America. San Francisco: Straight Arrow, 1974. 4to, black cloth in illustrated d/w. Introduction by Hunter S. Thompson. Steadman’s first U.S. anthology. Most of the artwork is from previous magazine appearances, notably Rolling Stone, but some of the drawings are published here for the first time.

-----. NY: Random House, 1977. First softcover edition.

-----. Seattle: Fantagraphic Books, 1990. Oblong, small 4to. Reissued in both hardcover and softcover trade editions, with a numbered hardcover edition limited to 500 copies signed by Steadman. The orientation has been changed from portrait mode to landscape; also a new cover design.

Blumen Für Den Mond (Flowers for the Moon.) Möntchaltorf (Switz): Nord-Sud Bilderbuch, 1974. 4to, illustrated boards. Another children’s book featuring the “little red computer” – this time on a trip to the moon.

-----. Flowers for the Moon. London: Andersen Press, 1983. (UK)

-----. Flowers for the Moon. Steam Press/Petro III Graphics/Sylph Publications. Maidstone/Lexington/Tucson, 2004. Reissued in a miniature format (12mo) as Sylph Chapbook Number 6. Fifty numbered copies signed by Steadman. Quarter-bound in gray Asahi cloth with illustrated board front cover. Another 10 copies were housed in custom clamshell box with an original four color signed silkscreen print "Technicolor Moon".

Cherrywood Cannon [based on a story by Dimitri Sidjanski]. 4to, illustrated boards in d/w. NY & London: Paddington Press, 1978. An anti-war allegory about a people so obsessed with hatred that they destroy themselves by the very weapon they create. The only noticeable difference between the U.S. and UK editions is the price denomination on the d/w.

Sigmund Freud. London and NY: Paddington Press, 1979. 4to, brown boards in illustrated d/w. Steadman’s own take on a biography of the good doctor. He transforms every major event in Freud's life into a "joking situation" based on the techniques discussed in Freud's book “Jokes and Their Relation to the Unconscious.” The only apparent difference between the U.S. and U.K. editions is the price denomination inside the d/w.

-----. Limited edition of 98 signed and numbered copies. Gilded white cloth and slipcase – no d/w.

-----. Paris: Aubier, 1980. (France)

-----. NY: Touchstone/Simon & Schuster, 1980. (U.S.) Softcover edition.

-----. Amsterdam: Wouter Wagner B.V., 1980. (Netherlands)

-----. Hamburg: Rowohlt, 1981. (Germany)

-----. Harmonsworth, Middlesex: Penguin, 1982. First UK softcover.

-----. NY: Firefly Books, 1991. (U.S.) Reissued in a smaller size; softcover. Ralph Steadman: A Comprehensive Guide for the Collector 5 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

-----. Barcelona: Libros del Zorro Rojo, 2016. Translation by Marcial Souto.

I, Leonardo. London: Jonathan Cape, 1983. 4to, hardcover in d/w. Steadman's recreation of the life and world of Leonardo da Vinci. One of Steadman’s most acclaimed books; it was the first recipient of the W. H. Smith Illustration Award in 1987.

-----. NY: Summit Books, 1983. (U.S.) Simultaneously published in both hard and softcover.

-----. London: Pan Books, 1988. First UK softcover edition.

-----. Moi, Leonardo de Vinci. Paris: Aubier, 1983. (France)

-----. Ich, Leonardo. Hildesheim: Gersternberg, 1986. (Germany)

-----. Yo Leonardo. Barcelona: Libros del Zorro Rojo, 2018.

Between the Eyes. London: Jonathan Cape, 1984. 4to, blue cloth in illustrated d/w. A kaleidoscopic look at the world through the artist’s eyes. Associated with a twenty-five-year retrospective exhibition held at Royal Festival Hall, London. Profusely illustrated in color and b/w; autobiographical text. Issued in both hardcover and softcover.

-----. NY: Summit Books, 1984. (U.S.) Softcover only.

-----. L’arme a l’oeil. Paris: Aubier, 1984. (France)

That’s My Dad! London: Andersen Press, 1986. 8vo, illustrated boards. Enormous ears, hundreds of teeth, spikey whiskers, dozens of huge feet -- this is a child’s view of his Dad. Winner of the Critici in Erba Prize, Bologna Book Fair, awarded by a jury consisting largely of children between the ages of 8-11.

-----. Enfield, N.S.W. Royal Blind Society, 1988 (Braille)

-----. C’est Mon Papa. (Paris): Aubier/Flammarion, 1986. (France)

-----. Este es mi Padre. Barcelona: Aileron, 1987. (Spain)

-----. Das ist Papa. Buxtehude: Verl an d. Este, 1987. (Germany)

-----. Det Ir Min Far. Gyldendal, 1988. (Norway)

-----. Wo de Tien Cai Lao ba. (Phonetic spelling) Taibei shi: Ge lin wen hua shi ye you xian gong si: Fa xing zhe Mai tian chu ban you xian gong si, 1994. (China)

Paranoids; From Socrates to Joan Collins. London: Harrap, 1986. Small 4to, softcover. Color polaroid photographs of world celebrities, living and dead. Steadman alters the photos before they have finished developing, creating original caricatures. With essays by Steadman on the subjects of paranoia and the art of caricature. “In the summer of 1980 on holiday in Turkey, in the heat of the sun, Ralph discovered the malleability of the polaroid before it set and thereby began distorting and remolding the faces of the rich and famous. It was a new form of caricature and one

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that forced an instant reaction from the artist with little time to consider the final image before it irrevocably set under its plastic barrier. Thus was Paranoids born…”

-----. Hamburg: Zinnober Verlag, 1988. (Germany)

Scar Strangled Banger. London: Harrap, 1987. Small 4to, hardcover in d/w. Another portrait of American politics and culture, focusing on the Watergate years, Nixon, Vietnam, Reagan, and a country where "even God can be acquired with a credit card."

-----. Topsfield, MA: Salem House, 1987. (U.S.)

The Big I Am. London: Jonathan Cape, 1988. 4to, hardcover in illustrated d/w. God conducts a "journey into uncharted territory" from pre-history through the twentieth century.

-----. NY: Summit Books, 1988. (U.S.)

-----. Dieu! Paris: Aubier, 1988. (France)

-----. Geschafft! Hildescheim: Gerstenberg, 1988. (Germany)

No Room to Swing a Cat. London/Sydney: Anderson Press, 1989. Illustrated boards. Children’s book about a boy whose room was so cluttered with toys that there was no room to swing a cat.

-----. Seattle: Fantagraphic Books, 1989. (U.S.)

-----. London: Red Fox, 1991. (UK) Softcover edition.

-----. M’n kamer is te KLEIN! Heemstede: Big Balloon, 1995. (Netherlands)

Tales of the Weirrd/A Visual Extravaganza of Thaumaturgic Accounts and quite exquisitely twisted portrayals of nature’s eccentrics.... London: Jonathan Cape, 1990. Folio, softcover. An account of some of the 19th century’s more unusual people -- fire-eaters, the man who ate rocks, etc. Most of the illustrations and accompanying essays were first published in the British literary magazine Ambit.

The Grapes of Ralph. London: Ebury Press, 1992. 4to, hardcover in illustrated d/w. An illustrated history of wine with a tour of some Ralph’s favorite vineyards around the world. Derived from Ralph’s decade-long association with the UK liquor distributor, "Oddbins." Winner of the Glenfiddich Food & Drink award.

-----. NY: Harcourt Brace & Co., 1992. (U.S.)

Still Life With Bottle/Whisky According to Ralph Steadman. London: Ebury Press, 1994. 4to maroon cloth in illustrated d/w. A follow-up to The Grapes of Ralph. An illustrated history of whisky and a tour of some of the world’s finest distilleries. Also based upon Steadman’s commercial work for "Oddbins.”

-----. NY: Harcourt, Brace & Co., 1997. (U.S.)

Teddy, Where Are You? London: Anderson Press, 1994. 8vo, illustrated boards. Children’s book about the search for a child's lost teddy bear. Ralph Steadman: A Comprehensive Guide for the Collector 7 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

-----. !Osito! Donde estas? Mexico: Fondo de Cultura Economica, 1994. (Mexico)

-----. Weisst du, wo die Teddys sind. Hamburg: Verlag Carlsen Hamburg, 1994. (Germany)

-----. Le Nounour Sont Eternels. Jeunesse: Seuil Jeunesse, 1994. [France]

-----. Teddy Waar Ben Je? Heemsede: Big Ballon-Heemstede, 1995. [Netherlands]

Jones of Colorado. London: Ebury Press, 1995. 12mo, hardcover in illustrated d/w. Hunter Thompson’s cat -- a sketchbook and memoir.

-----. The Book of Jones/A Tribute to the Mercurial, Manic, and Utterly Seductive Cat. NY: Harcourt, Brace & Co., 1997. (U.S.)

Gonzo the Art. London: Weidenfeld & Nicholson, 1998. A thirty-year retrospective, much of the artwork published in book form for the first time. This was the most comprehensive of Ralph’s several anthologies and retrospectives, but he was quite unhappy with the quality of the reproduction -- “seen better printing in a seed catalogue!”

-----. NY: Harcourt & Brace, 1998. (U.S.)

My After-Dinner Speech. London: White Stone Publishing, 1998. 4 ½ x 7” pamphlet, 20 pages bound in purple wrappers. Steadman’s address to the Lewis Carroll Society for the society's Centenary Dinner at Christchurch, Oxford, January 14, 1998. With original-two page illustration. Not stated or numbered, but approximately 400 copies printed. little.com. London: Anderson Press, 2000. Illustrated boards. A children's story about the 'dot' inside your computer. After you have powered off, it takes the opportunity to visit its friend the Duchess of Amalfi.

-----. Limited edition of 300 signed and numbered copies, bound in illustrated cloth instead of boards, with a clear acrylic d/w and a blue paper slipcase. Another 100 copies were reserved for the artist’s use.

-----. Kleiner.com. Hildescheim: Gersternberg, 2001. (Germany)

-----. Petit.com. Paris: Seuil, 2000. [France]

-----. Punto.com. Barcelona: Serres, 2001. (Spain)

-----. Kleine.nl. Uitgeverij Hillen BV: Amsterdam, 2001 (Netherlands)

Doodaaa/the Balletic Art of Gavin Twinge. London/NY: Bloomsbury, 2002. 8vo, hardcover in d/w. The 'triography’ of Steadman's alter ego, the fictional Gavin Twingge -- “last remnant of a domestic engineering dynasty, founder of the Doodaaa school and pioneer of Barcode Art.”

-----. 180 copies were numbered and signed for presentation.

-----. Dudá/el arte Baletico de Gavin Twinge. Barcelona: Papel de Liar, 2008. (Spain)

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Joe Meets the Aliens. (Steadman, Ralph and Anna.) Tucson: Sylph Publications, 2002. Sylph Chapbook, No. 2. Anna and Ralph observe Joe Petro’s alien experiences on their shared trip to Las Vegas and Area 51 in the summer of 2001. Desert photographs and Steadman drawings. Limited to 60 signed and numbered copies. 43 copies numbered, 7 copies bound with an original drawing and slipcase, and 10 copies numbered I-X with an original drawing and clamshell box.

The Prints of Ralph. Small 8vo. Tucson: Sylph Publications, 2003. Half-bound in blue cloth with illustrated boards, titles to spine in silver on black leather ground. The silkscreen collaborations of Ralph and Colonel Joe Parker III between 1994 and 2000 are chronicled in text form from the diary of Ralph’s wife Anna Steadman. Includes color illustrations and photographs. Limited to 50 numbered copies signed by Anna Steadman, Ralph Steadman and Joe Petro III.

Red Shark. (Tucson) Sylph Publications 2003. Sylph Chapbook, No. 3. A tale about Hunter Thompson's restored 1970’s Chevrolet, nicknamed Red Shark. Illustrated with photographs and Steadman drawings, with a brief introduction by Kurt Vonnegut. In three states: Edition limited to 100 numbered and signed copies, cloth spine with marbled paper boards; and twenty-six lettered copies, the first eleven of which include an additional self-portrait by Vonnegut and a full-page drawing of Hunter Thompson by Steadman.

Untrodden Grapes. NY/London: Harcourt Mifflin Harcourt, 2005. 4to, hardcover in d/w. A sequel to the Grapes of Ralph -- another illustrated history of wine and tour of the vineyards and wines of the world.

The Joke’s Over/Bruised Memories, Gonzo, Hunter S. Thompson, and Me. NY: Harcourt, 2006. 8vo, hardcover in d/w. A memoir of his collaboration and friendship with Thompson. Profusely illustrated, including some drawings and plates published here for the first time.

-----. London: William Heinemann, 2006. (UK)

Garibaldi’s Biscuits. London: Andersen Press, 2008. Small 4to, illustrated boards. Another children’s book, this time about how the world-famous Bourbon and Garibaldi brand biscuits (cookies) were born.

-----. NY: Marshall Cavendish, 2009. (U.S.)

The Ralph Steadman Book of Dogs. London: Atlantic Books, 2010. 8vo, illustrated boards in d/w. “To do another book about dogs in the wake of my three other books about dogs is, I am aware, a trifle excessive.” Nevertheless….

-----. NY: Houghton Mifflin Harcourt, 2010. (U.S.)

The Ralph Steadman Book of Cats. London: Atlantic Books, 2012. 8vo, illustrated boards. A companion to his 2010 work on dogs. Many drawings previously published, but some appear here for the first time.

-----. NY: Houghton Mifflin Harcourt, 2012. (U.S.)

Extinct Boids. London: Bloomsbury Books, 2012. 4to, orange cloth in illustrated d/w. Co-author Ceri Levy asked Ralph to contribute a drawing of an extinct bird for an exhibition Levy was preparing -- Ghosts of Gone Birds. Ralph agreed – and then got carried away. He spent a year

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drawing more than a hundred interpretations of both real and imaginary birds. Ralph’s full-color drawings are accompanied by Levi’s running commentary based on their emails, diaries, and phone conversations.

-----. Limited edition of 150 copies. Blue cloth, in a blue clamshell presentation box; signed by both Steadman and Levy. Accompanied by a signed 11”x16” glicee print of one of the drawings, “Black Mambo”.

Proud Too Be Weirrd. Los Angeles: Ammo Books, LLC, 2013. Large 4to, red boards with title in Steadman's script stamped into the front cover. Published in shrink-wrap with a full-page flyer laid in describing the contents and reproducing several of the images. More than 400 pages of text with reproductions of hundreds of his works in color and b/w.

-----. Limited edition of 1,000 signed and numbered copies with an enclosed print of a New York street scene. Red cloth instead of boards and housed in a printed cardboard box. Some copies, possibly a binding overrun, were released as unnumbered trade copies but without the box and added print.

Nextinction. London: Bloomsbury Natural History, 2015. 4to, illustrated cloth and d/w. 224 pp. Sequel to Extinct Boids with Ceri Levy again as co-author. This time, the focus is not on the birds that are gone, but on the ones that there is still time left to save. Full-page full color illustrations of the 192 birds on the ICUN Red List of endangered species with commentary by Levy.

Critical Critters. London: Bloomsbury Natural History, 2017. 4to, illustrated cloth and d/w. Uniform in format with Extinct Boids and Nextinction, Critical Critters is the third volume in this trilogy of books dedicated to extinct and critically endangered animals.

Again! London: Bloomsbury Publishing, 2018. Oblong 8vo, illustrated boards. 32 pp. Children's Book. A look at the contortions a grandparent goes through to please a grandchild.

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2. Other Books ILLUSTRATED by Ralph Steadman (By Year of Publication)

Carrickford, Richard. This Is Television. London: Frederick Muller, 1958. Small 4to, hardcover in d/w. Steadman’s first book appearance. An example of his early commercial artwork – mostly technical illustrations but several cartoons as well. "It was a commission I got by accident. I had a small studio space in London, when I worked for Kemsley Newspapers. The office belonged to Alex Harrison, a literary agent. One of his authors was Richard Carrington, a TV producer. He asked me if I could have a shot at illuminating his breathless prose. I managed to get some humour into it, but as can be seen, I was still an amateur, and a student of London College of Printing & Graphic Arts. I can’t remember what I was paid for the job – maybe £5 or £10. I was happy just to try." [RS, 2001]

Dickens, Frank. Fly Away Peter. London: Dennis Dobson, 1963. Steadman’s first children’s book. Very difficult to find in this first edition; Dobson reprinted the book in 1967.

-----. NY: Scroll Press,1970. (U.S.)

-----. Adele die Giraffe. Parabel Verlag, 1970. (Germany)

Damjan, Mischa. Das Eichorn and das Nashornchen. (The Big Squirrel and the Little Rhinocerous.). Nord Sud Verlag, Switzerland, 1964.

-----. Munich: Parabel Verlag, 1965. (Germany)

-----. The Big Squirrel and the Little Rhinoceros. London: Dobson Books, 1965. (UK)

-----. NY: W.W. Norton, 1965. (U.S.)

-----. La Ardilla y el Rinoceronte. Madrid: Brugeuera, 1965. (Spain)

Ashford, Daisy and Angela. Love and Marriage/Three Stories. London, Rupert Hart- Davis, 1965. 12mo, hardcover in illustrated d/w.

-----. Liebe und Ehe. Frankfurt: insel Verlag, 1967. (Germany)

-----. Love and Marriage. Oxford/NY: Oxford University Press, 1982. (U.S.) Softcover.

Ashford, Daisy. Where Love Lies Deepest. London: Rupert Hart-Davis Ltd., 1966. 12mo, hardcover in illustrated d/w.

-----. Wo Lieb am tiefsten liegt. Frankfurt: Insel Verlag, 1969.

Ali, Tariq (ed.) The Thoughts of Chairman Harold. London: Gnome Press, 1967. Softcover, 24mo. Quotations from Prime Minister Harold Wilson, in a miniature format mimicking Chairman Mao’s ‘little red book.’

Stow, Randolph. Midnite/The Story of a Wild Colonial Boy. London: MacDonald, 1967. 8vo, blue boards in illustrated d/w.

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-----. Melbourne/Canberra/Sydney, F.W. Chesire, 1967. (Australia)

-----. London: Puffin, 1983. Paperback edition.

-----. London: Bodley Head, 1984. Revised edition. Text and d/w redesigned for this edition; with added illustrations.

Damjan, Mischa [Pseud. of Dimitri Sidjanski). Der Kleine Prinz und Sein Kater. (The Little Prince and the Tiger Cat) Monchaltdorf (Switz.): Nord-Sud Verlag, 1967. Small 4to, illustrated boards. A children’s book about the introduction of cats into Japan in the year 777.

-----. Little Prince and the Tiger Cat, The. London: Dobson Books, 1968. 4to, illustrated boards in d/w. (UK)

-----. Little Prince and the Tiger Cat, The. NY: McGraw-Hill Book Co., 1968. Illustrated boards in d/w. (US)

-----. Le chat e le petit Prince. Paris: Editions la Guilde du Livre, 1968. [France]

Carroll, Lewis. Alice in Wonderland. Dobson, 1967. 4to, cloth. A contemporary treatment by Steadman, who also wrote the introduction. Winner of the Francis Williams Memorial Bequest for the best-illustrated book of the previous five years.

-----. NY: Clarkson N. Potter, 1973. (U.S.) Published in both hardcover and softcover.

-----. Alice Nel Paese Della Meraviglie. Milan: Milano Libri Edizioni, 1973. (Italy)

-----. NY: Firefly Books, 2003. Revised edition, containing the added drawings and revisions that were first published Steadman’s 1986 anthology, The Complete Alice.

Saint, Fiona. The Yellow Flowers. London: Dobson, 1968. Small 4to, illustrated boards in d/w. Fiona Saint was the six-year-old winner of a London Sun newspaper competition for children’s essays.

----- NY: McGraw-Hill Book Co., 1968. (U.S.)

Damjan, Mischa. Die Falschen Flamingos. (The False Flamingos ) Zurich: Nord-Sud Verlag, 1967. Steadman's second children’s book with Damjan. A stork is unhappy with her lot and is determined to become a flamingo.

-----. The False Flamingos. London: Dobson, 1968. 4to, rust colored boards in d/w. (UK)

-----. NY: Scroll Press, 1970. Illustrated boards, no d/w. (U.S.)

Ingrams, Richard. The Tale of Driver Grope. London: Dobson, 1969. 4to, illustrated boards in d/w. Another children’s book -- Driver Grope and his steam engine.

-----. Das Marchen vom Lokfuhrer Grope. Munich: Parabel, 1974. (Germany)

Damjan, Mischa. Zwei Katzen in Amerika. (Two Cats in America) Monchaltorf (Switz): Nord-Sud Verlag, 1970. A mythological story of how cats were first introduced into America. Ralph Steadman: A Comprehensive Guide for the Collector 12 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

-----. Two Cats in America. London: Longman Young Books, 1970. 4to, illustrated boards in d/w. (UK)

-----. Da Katterna Kom Till Amerika. Carlsen, 1970. [Netherlands]

-----. Deux Chats en Amerique Paris: Editions Hatier, 1974. (France)

Palmer, Tony. Born Under a Bad Sign. London: William Kimber, 1970. 8vo, black cloth in d/w. A critical history of contemporary rock music. Steadman contributes portraits of a dozen rock stars. Departing from his usual freehand style, each portrait consists of a photomontage -- showing the influence of one of Steadman’s artistic influences, dada artist and publisher John Heartsfield.

-----. Signed, limited edition. London/Maidstone/Lexington/Tucson: Isolde Films/Steam Press/Petro III Graphics/Sylph Publications, 2004. Large 8vo, ¾ cloth with marbled paper binding and leather spine panel. 126 copies were issued, 26 with a matching clamshell box containing a signed numbered print by Steadman and a colored frontispiece laid in. Signed by Steadman and Palmer.

-----. Gonzo Multimedia, 2015. Softcover. [French language edition.]

Thompson, Hunter. Fear and Loathing in Las Vegas. NY: Random House, 1971. 8vo, boards in d/w. What more need be said?

-----. London: Allison & Busby, 1973. (UK)

-----. Angst en Walging in Las Vegas. Amsterdam:Uetgeverij De Bezige Bij, 1974. Softcover (Netherlands)

-----. Frygt og Lede i Las Vegas. Copenhagen: Samierens Bogklub, 1998. [Belgium]

Carroll, Lewis. Through the Looking Glass and What Alice Found There. London: MacGibbon & Kee, 1972. Small 4to, black cloth in illustrated d/w. The second of his three Alice books.

-----. Alice Through the Looking Glass. NY: Clarkson N. Potter, 1973. Hard and softcover formats.

Deverson, Jane. Night Edge. Dorset: Bettiscombe Press, 1972. 12mo, softcover.

-----. NY: Viking Press, 1974. (U.S.)

Thompson, Hunter. Fear and Loathing on the Campaign Trail. SF: Straight Arrow Books, 1973. 8vo, cloth in d/w. The jacket is in two states: the first issue d/w has a white border around the rear panel photo and $6.95 price on the front flap; the second issue has no border and the price is $7.95.

-----. London: Allison & Busby, 1974. (UK)

Ralph Steadman: A Comprehensive Guide for the Collector 13 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

O’Brien, Flann (Myles na Gopaleen). The Poor Mouth (An Beal Bocht)/ A Bad Story about the Hard Life. London: Bernard Jacobson Ltd in association with Hart-Davis, McGibbon, 1973. 8vo, green cloth in d/w.

-----. Limited edition of 130 copies bound in coarse buckram with calligraphic inked-titles in Steadman’s hand on the front cover. Original numbered lithograph of the book's first illustration laid in. (Some copies may have been released without the lithograph.)

-----. NY: Viking, 1974. 8vo cloth in d/w. (US)

-----. London: Pan-Picador, 1975. Trade paperback; full color cover illustration.

------. Das Barmen: Eine arge Geschichte vom harten Leben. Frankfurt am Main: Suhrkamp, 1977. [German]

-----. Le Pleure-misere ou la Riste Hisotire d’une Vie de Chien. Paris: Le Tout Sur Le Tout, 1984. (France)

-----. Klagomunnen. En vrång historia om det hårda livet. Ellerströms, Lund 1994. [Sweden]

-----. Irischer Lebenslauf. Frankfurt: Suhrkamp Taschenbuch, 2003. 12 mo., trade paperback; includes reproduction of title page and all illustrations from English edition. (Germany)

Letts, John. A Little Treasury of Limericks Fair and Foul. Andre Deutsch, 1973. 12mo, cloth in illustrated d/w.

-----. Fawcett Publications, 1975. “Gold Medal” paperback. Revised edition.

Baumann, Kurt. Der Schlafhund und der Wachund. Monchaltorf (Switz): Nord-Sud Verlag, 1972. A tale of two dogs and a plague of mice.

-----. Dozy and Hawkeye. London: Hutchinson Junior Books Ltd, 1974. 4to, illustrated boards.

-----. (Japanese Characters) Tokyo, 1978. [Japan]

Carroll, Lewis. The Hunting of the Snark; An Agony in Eight Fits. London: Michael Dempsey / Studio Vista, 1975. 4to, brown cloth in d/w. The Centenary Edition, with Ralph providing the introduction as well as the artwork. 150 copies were issued with a signed etching of the first illustration.

-----. NY: Clarkson Potter, 1976. Softcover. (U.S.)

Stone, Bernard. Emergency Mouse. A Story. London: Anderson Press, 1978. Illustrated boards. Steadman's first "Mouse" book – a resounding success.

-----. Melbourne: Anderson and Hutchinson, 1978. (Australia)

-----. Englewood Cliffs (NJ): Prentice Hall, 1978. (US)

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-----. De Muis in het ziekenhuis. Amsterdam: in de vertaling van Tillymarijn Mengelberg, 1978. (Netherlands)

-----. Souris en Blanc. Paris: Les Editions de la Marelle, 1978. (France)

-----. Olycksmus. Malmo (Switz): Berghs Forlag AB, 1978. (Switzerland)

-----. Operacion Raton. Mexico: Fondo de Cultura Economica, 1993. (Mexico)

-----. Prontotopo Soccorso: Conegliano: Quadragono S.D., 1978. (Italy)

-----. Was Macht Die Maus Im Krakenhaus? Ein Flugge-Buch Im Hoch-Hoch-Verlag, Dusseldorf, 1979. (German)

Carroll, Lewis. The Wasp in a Wig: NY: Clarkson N. Potter. 1978. 8vo, brown boards in d/w. Introduction and notes by Martin Gardner. A lost Alice chapter, first published by the Lewis Carroll Society in an edition of 750 copies [without illustrations.] Three b/w illustrations by Steadman were added for this trade edition.

Stone, Bernard. Inspector Mouse. London/Melbourne: Andersen Press /Hutchinson of Australia, 1980. Steadman's second "Mouse" book. Silver Pencil Award (Holland) for children's book illustrations, 1982. In illustrated boards (no dust jacket issued.) Twenty-five numbered copies were issued in a slipcase decorated and signed by Steadman.

-----. NY: Holt, Rinehart & Winston, 1980. With d/w. (U.S.)

-----. Touchez pas au Roquefort. Paris, Editions Gallimard, 1980. (France)

-----. Ein Fall fur Inspecktor Mauserich. Dusseldorfund Wien, 1981. (Germany)

-----. Inspekteur Kaasjager. Baarn: Hans Elzenga, 1982. (Netherlands)

-----. Inspector Raton. Madrid, Ediciones Altea, 1985. (Spain)

-----. ha-Mefakeah Akhbara. Yerushalayim, Keter, 1985. (Israel)

-----. Kommissarie Mus. Malmo, Bergh, 1980. (Swedish)

Mitchell, Adrian. For Beauty Douglas/Adrian Mitchell’s Collected Poems 1953-1979. London: Allison & Busby, 1982. 8vo, hardcover in d/w.

Thompson, Hunter. The Curse of Lono. NY: Bantam Books, 1983. 8vo, trade paperback. The Curse of Lono is to Hawaii what Fear and Loathing is to Las Vegas: the personal journey becomes more important than the event.

-----. London: Pan-Picador, 1983. (UK)

-----. Koln: Taschen Verlag, 2005. Republished in a larger hardcover format with several added illustrations. This trade edition is in dustjacket. A limited edition of 1000 copies, each numbered and signed by both Thompson and Steadman was also published. The limited edition is somewhat larger than the trade edition (11”x17”) and is housed in a cloth slipcase and printed cardboard

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shipping box . Several unnumbered artist’s proofs, retained by Ralph for presentation, have appeared on the market.

-----. Same; Taschen, 2014. A new hardcover trade edition; smaller format: 8vo, illustrated boards, ¼ cloth. 208 pp.

Stone, Bernard. Quasimodo Mouse . London/Melbourne: Andersen Press / Hutchinson of Australia: 1984. 8vo, illustrated boards. This third ‘mouse’ book received the Vlag em Wimpel award for best illustrated children's book. (Awarded in 1992 by the Foundation for the Collective Promotion of the Dutch Book.) Also issued in softcover format, but under the “Beaver” imprint.

-----. Quasimodo Maus. Stuttgart, 1985. (Germany)

Mankowitz, Wolf. The Devil in Texas. London: Robert Royce, 1984. 8vo, boards in illustrated d/w. A novel about a Hungarian vampire family that emigrates to Texas.

Stevenson, R.L. Treasure Island. London: Harrap, 1985. Small 4to, cloth in d/w. Steadman’s illustrations in glorious color with several double-page spreads. Inexplicably, never published in the U.S.

-----. Deluxe edition; black leatherette with gilt titles on front cover and limited to 250 numbered sets in black cardboard slipcase.

-----. L’ile au Tresor. Paris: Aubier, 1985. (France)

-----. Die Schatzinsel. Hamburg: Reinbek bei Hamburg, 1986. (Germany)

-----. Isla del Tesoro, La. Libros del Zorro Rojo, 2011. [Spain]

Carroll, Lewis. The Complete Alice, and The Hunting of the Snark. Topsfield, MA: Salem House, 1986. 4to, cloth in illustrated d/w. Contents: Alice's Adventures in Wonderland, Through the Looking Glass, The Hunting of the Snark. With several added illustrations not found in the previous individual editions and many for the first time in color.

-----. Alice: Alice im Wunderland, Alice hinter den Spiegeln, Die Jagd nach dem Schnark. Hamburg, 1986. (Germany)

-----. Tout Alice, et La Chasse au Snark. Paris: Aubier, 1986. (France)

Martin, Augustine (ed.) Friendship: 12 Masterpieces of Short Fiction. London: Ryan Publishing Co., 1990. 8vo. Simultaneously issued in cloth with d/w and in softcover. A collection of stories published to draw attention to the plight of hostages being held in Beirut, Lebanon. Contributors include Martin Amis, Roald Dahl, William Golding, Primo Levi and others. Illustrated throughout by Steadman.

The Wine Buyer’s Record Book. London: Ebury Press, 1994. A book for recording one’s thoughts and comments about personal wine selections. Cover, interior illustrations, and calligraphy by Steadman.

-----. Wine Appreciation Guild, 1998. (U.S.)

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Orwell, George. Animal Farm. London: Seckler and Warburg, 1995. 8vo, red cloth in illustrated d/w. Includes Orwell’s unpublished preface to the first edition and his famous preface to the 1947 Ukrainian edition in which he explained how escaping the communist purges in Spain taught him "how easily totalitarian propaganda can control the opinion of enlightened people in democratic countries".

-----. NY: Harcourt & Brace, 1995. (US)

-----. Dierenboerderij. Amsterdam: Uitgeverij de Arbeiderspers (Worker’s Press), 1996. [Netherlands] Similar to U.S. edition, but with new calligraphy by Steadman.

-----. Ḥaṿat ha-ḥayot: agadah. Tel Aviv: ʻAm ʻOved, 2001. Variant cover and calligraphy in Hebrew [Israel]

-----. Rebellion in el Granja. Barcelona: Libros Del Zorro Rojo, 2010. [Spain]

Mitchell, Adrian. Heart on the Left. Poems 1953-1984. London: Bloodaxe Books, 1997. 8vo, trade paperback.

Mitchell, Adrian. Who Killed Dylan Thomas? Swansea (UK): Ty Lien Publications; 1998. Large folio, softcover. A lecture first presented by Mitchell on June 22, 1995 at the Dylan Thomas Centre during the “UK Year of Literature.” Steadman illustrates each page with line drawings. Limited to 700 copies, with approximately 150 copies signed by Steadman. (The limitation is not noted).

Dahl, Roald. The Mildenhall Treasure. London: Jonathan Cape, 2000.

-----. Alfred A. Knopf, 2000. (U.S.)

-----. Le Tresor de Mildenhall. N.p. Gallimard Jeunesse, 2000. (France)

-----. De Schat van Mildenhall. Baarn: De Fontein, 2000. Illustrated boards. [Dutch]

Wirt (Daniel P. ed.) Justice, Equality, World Peace vs. the State of Texas Mind. Houston: Boojum and Snark Books, [2000]. 8-1/2x11" printed wrappers, hand-sewn binding. Several brief essays critical of the Death Penalty, accompanied by a list of the last meal requests for 233 Texas death row inmates. Eleven previously unpublished drawings, several in color. Limited to 100 copies.

Wirt, Daniel P. (ed.); Letters to the Editor of the Annals of Internal Medicine, regarding an editorial: Global Economic Sanctions are a Form of Siege Warfare, with Disastrous Public Health Effects. Boojum and Snark Books; Houston; 2000. Printed/illustrated wrappers, 8-1/2” x 11”, 40 pp. In January 2000, a prestigious medical journal, the Annals of Internal Medicine, published an editorial by Secretary of State Madeline Albright regarding economic sanctions against Iraq -- purporting to speak to public health issues, but actually a work of political propaganda. The editor, Dr. Frank Davidoff, refused to publish any responses to the editorial, including the one now published in this tract, written by several public health experts critical of the United Nations’ oil-for-food policy. Nine illustrations and a personal note by Steadman. Limited to 700 copies, 200 of which were signed by Steadman and all of the authors.

Self, Will. Feeding Frenzy. London: Viking Press, 2001. The humorist’s third collection of Ralph Steadman: A Comprehensive Guide for the Collector 17 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

writings from the Observer. Hardcover in d/w.

Kerr, Gordon. You Can't Get to East Kilbride From Here: Poems 1968-2003. Steam Press, 2003. 12mo, half-bound in dark blue and black mohair Ashanti cloth with illustrated paper front cover. Friends for years, Gordon Kerr and Ralph Steadman collaborate to produce Kerr's first book of poetry. Limited to 50 copies, signed by both and ten lettered copies in a clamshell box with a silkscreen print entitled "An Evening With Ted Hughes".]

Bierce, Ambrose. Devil’s Dictionary. London: Bloomsbury, 2003. 12mo, hardcover in d/w. A satirical dictionary first published in 1906 from newspaper columns. Color drawing of Devil on cover by Steadman and b & w drawings throughout.

-----. Diccionario del Diablo. Barcelona: Libros del Zorro Rojo, 2017.

Thompson, Hunter S. Fire in the Nuts. Gonzo International/Steam Press/Petro III Graphics/Sylph Publications/Wood Creek/Loose Valley/Blue Grass/High Desert, 2004. 51 pp. 12mo, 1/2 cloth over color illustrated boards. Signed by Thompson and Steadman; limited to 150 copies. A chapbook containing a previously unpublished story by Thompson with thirteen illustrations by Steadman. Also a lettered edition of 26 copies: quarter bound in red silk, illustrated paper covers, morocco label on spine. Housed in a black silk case and signed by both on a limitation leaf -- with an original two colour silkscreen print.

Bradbury, Ray. Fahrenheit 451. Los Angeles: Graham Press, 2005. 50th-anniversary edition, featuring a new introduction by Bradbury. 451 copies – Numbers 1 through 150 bound in quarter leather with slipcase, and 151-451 in red cloth and an illustrated d/w only. Another 52 doubled- lettered copies were issued in a special binding and clamshell box, with a signed print laid in. All copies were to be signed by both Bradbury and Steadman but several unsigned cloth copies have appeared on the market.

Self, Will. Psycho Geography. London: Bloomsbury, 2007. 8vo, hardcover in d/w. An anthology of fifty short essays and accompanying color illustrations from their weekly collaboration ‘Psychogeography” published in London’s Sunday Independent newspaper/magazine between 2003-2007.

-----. Bloomsbury USA, 2007. (U.S.)

Mitchell, Adrian. Tell Me Lies/Poems 2005-2008. Highgreen/Tarset [UK]: Bloodaxe Books, 2009. 8vo, trade paperback. A posthumous collection of some of Mitchell’s last poems. Many of the illustrations were first published in other venues.

Self, Will. Psycho Too. London/New York: Bloomsbury, 2010. 8vo, cloth in d/w. Another collection of essays and color illustrations from their weekly ‘Psychogeography” collaboration – bringing the anthology through 2009.

Rothblatt, Martine. Virtually Human / The Promise and the Peril of Digital Immortality. NY: St. Martins Press, 2014. 8vo, cloth. The sociological and technological underpinnings of social media and ‘cyberconsciousness’. With seven previously published b/w illustrations by Steadman.

Ralph Steadman: A Comprehensive Guide for the Collector 18 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

3. CONTRIBUTIONS to anthologies and other collected works (By year of Publication)

Pick of Punch. London: Arthur Barker Limited, 1962. Large 4to, hardcover in d/w. Anthology from Punch magazine. Steadman contributed six cartoons.

British Cartoonists Album. London: Panther Books, 1964. Small 4to, trade paperback. Prepared under the auspices of the British Cartoonists Club, a brilliant selection of Britain’s leading cartoonists. Contains three cartoons by Steadman.

A Big Bowl of Punch. (Cole, William, ed.) NY: Simon & Schuster 1964. Small 4to, boards in d/w. Stories, essays, and cartoons from the British weekly. Several Steadman cartoons and illustrations.

The Penguin Private Eye. London, Penguin 1965. Small 4to, softcover. Articles and cartoons from the British news and review.

Lord Gnome. Private Eyewash. Macdonald, 1968. Paperback original. Another anthology from Private Eye magazine. Several of Steadman’s single panel cartoons and illustrations.

Naked Emperor – Anthology of International Political Satire. Western Publishing Company, Inc., 1970. Quarto, hardcover with d/w. Steadman contributed “Hogarth 65”, “New London Cries” and “Reformed Church” b & w cartoons in chapter dedicated to Private Eye.

Aldridge, Alan. The Beatles Illustrated Lyrics: 2. Delacorte, New York, 1971. Small 4to, hardcover in d/w. One contribution by Steadman.

Mann, Patricia. 150 Careers in Advertising: with equal opportunity for men and women. London: Longman Young, 1971. Published for the Women’s Advertising Club of London; several Steadman cartoons.

(Bradbury, Oliver; ed.) Ten Good Poems. Norfolk [UK]: e.g. Publications, Norwich School of Art, 1972. Small 4to, white cloth. Poetry by W.H. Auden, Charles Causley, Lawrence Durrell, Ted Hughes, Ted Joans, Christopher Logue, W.S. Merwin, Louis Simpson, J. Wain, and Eric White. Each poem illustrated by a different artist. Steadman collaborates with Lawrence Durrell's poem "Last Heard of." Limited to an edition of 100 copies.

Milligan’s Ark . (Spike Milligan and Jack Hobbs, eds.) London: Margaret and Jack Hobbs, 1971. 8vo decorated boards, d/w. Published to raise funds for the Wildlife Youth Service, an English wildlife conservation organization. Approximately 90 politicians, artists, writers, film personalities and other public figures contributed drawings or short poems. All royalties from the book were donated to the fund; the original drawings were also auctioned. Steadman contributed a 2-page drawing shown on pp 29-30. Other contributors include Ronald Searle, Lawrence Durrell, Terri Gilliam, Robert Graves, Thor Heyerdahl, John Lennon, Yoko Ono, Peter Sellers, and Elizabeth Taylor.

Smokestack El Ropo's Bedside Reader. San Francisco: Straight Arrow Books, 1971. 8vo, trade paperback. An anthology of writings from Rolling Stone magazine. Included is an excerpt from 'Fear and Loathing in Las Vegas’ with several of Steadman's b&w illustrations.

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-----. London: Charisma, 1973. (UK)

Salisbury, Harrison & Schneiddrman, David. The Indignant Years/Art and Articles from Op-Ed Page of the New York Times. NY: Crown/Arno Press 1973.

(Private Eye Productions Ltd) Bumper Book of Boobs. London: Private Eye Productions Ltd/Deutsch, 1973.

Golden Treasure (Reading Unlimited, Level 11) NY: Scott, Foresman and Company, 1976. Softcover. An elementary school reader, with “Marvelous Machines” -- excerpts from The Little Red Computer.

Rutland Dirty Weekend Book. London: Eyre Methuen Limited, 1976. Softcover. Produced by Eric Idle of Monty Python fame and related to his BBC sketch comedy show “Rutland Weekend Television” [1975-1976]. Two Steadman illustrations for “Fear and Loathing in Leicestershire,” a 3- page satire of articles from “Rolling Stone” -- printed on newsprint and bound into the book.

(Private Eye Productions Ltd) Private Eye’s Romantic England – and Other Unlikely Stories. London: Weidenfield &Nicolson, 1983.

Hudson, Derek. Lewis Carroll: An Illustrated Biography. New York: Clarkson N. Potter, Inc., 1977. Small 4to, hardcover in d/w. Includes illustrations by Tenniel, Steadman, Rackham and many other illustrators of the past century.

Shut UP! Cartoons for Amnesty. Hamburg: Verlag Gergard Stalling, 1977. Text in English, French, and German. A fundraiser for Amnesty International with cartoons from a wide variety of international artists.

-----. Albin Michel, Paris. (France)

Putney Poets. Putney: Columbine Press, (1977). Single sheet of tan paper, French folded to produce 4 pages; cover illustration by Steadman of a red double decker bus; three poems on the other pages. Limited to 200 copies. The first 75 copies were numbered and signed by Steadman and three of the included poets.

-----. Trade edition, green wrappers; without the cover illustration.

The Literary Dog. (Maloney, William E. and J.C. Suares, eds.) NY: Berkley Windover Books/Push Pin Press, (1978). Essays in praise of dogs by famous authors. Illustrations taken from old paintings and engravings, plus newer works by such modern masters as Seymour Chwast, Milton Glaser, and Steadman

Portfolio Poets Putney. Putney [UK]: Portfolio Press, 1978. 8vo, stapled wrappers. 8 pp. Seventeen poems by nine poets including Allan Burgis, Jeffrey Stark, Richard Freeman. Cover and frontispiece by Steadman.

Artists Xmas Cards/A Collection of Original Holiday Greetings (Steven Heller, ed.) NY: A&W Publishers, 1979. 8vo, cloth in d/w. Steadman contributes one of his personal Christmas cards to the anthology.

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Thompson, Hunter S. The Great Shark Hunt, Strange Tales from a Strange Time/Gonzo Papers Vol. 1. New York: Summit Books, 1979. 8vo, cloth in d/w. A collection of HST essays, contains several previously published illustrations.

-----. London: Pan-Picador, 1980. 1st UK ed.; trade paperback.

European Illustration. Fourth Annual 1977/78. London: European Illustration Books, 1978. Contains seven contributions by Ralph Steadman (some of which were commissioned by Playboy, Barclays and Rolling Stone but not published.)

-----. Sixth Annual 1979/80. Zurich: Polygon Publishing Limited, 1979. 4to, cloth in d/w. The dustwrapper is a full color illustration of Ian Smith, prime minister of Rhodesia with a revolver aimed at his head (originally drawn to accompany a magazine article for Weekend magazine 12/2/78). This illustration is also repeated in the text, with 3 others.

-----. Seventh Annual 1980/1981. NY: Harry Abrams, 1982. Several interior illustrations.

-----. Eighth Annual 1981/1982. NY: Harry Abrams, 1982. Several interior illustrations.

-----. Tenth Annual 1983/1984. NY: Harry Abrams, 1984. Several interior illustrations.

The Art of Radio Times/The First Sixty Years. (Driver, David ed.) BBC, London, 1981. 4to, cloth in d/w. Magazine artwork from the 1920s to 1970s. Includes interviews with some of the principal artists, including Steadman; Bill Tidy; Val Biro; Edward Ardizzone; Gerald Scarfe.

Lord Longford's Book of Accidents & Misfortunes or - Hello Michel Foot! London: Sidgwick & Jackson Limited, 1982. 12mo, pictorial boards. Humorous anecdotes of injury and worse by distinguished contributors. Misfortunes ranging from the Archbishop of Canterbury's war wound and Robert Morley's broken bones to Henry Kissinger's heart condition. An eclectic little tome, all royalties donated to the International Spinal Research Trust. Illustrated throughout by Paul Watkins, with a single b/w cartoon by Steadman. Not much of Ralph here, but he still gained an individual credit on the copyright page.

The Private Eye Story. London: Andre Deutsch, 1982. Small 4to, hardcover in d/w. The first twenty-one years of the British satirical magazine. Several Steadman cartoons.

-----. London: Fontana Paperbacks, 1983. Softcover ed.

The Big One. (Suzannah York and Bill Bachle, eds.) London: Methuen Paperbacks, 1984. Trade paperback. Original sketches, poems, cartoons and songs on the theme of peace. Steadman contributes an original cartoon ‘The Square Egg’ depicting the dove of peace. Outside cover and 4- page interior color foldout by Gerald Scarfe.

Women Against Pit Closures. London: Pluto Press, 1985. Trade paperback. This collection reproduces the work of 28 cartoonists in support for the striking miners. Contributors include Steve Bell, Ralph Steadman, Kipper Williams, Phil Evans, Leo Baxendale, Ken Pyne, David Austin, Martin Honeysett

The Flying Trunk and Other Stories from Hans Andersen. Retold by Naomi Lewis. London: Andersen Press, 1986. 8vo, illustrated boards. Thirteen tales from Andersen retold by Lewis and illustrated by 13 different international artists. Commemorating the tenth anniversary of

Ralph Steadman: A Comprehensive Guide for the Collector 21 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

the Andersen Press. Royalties from the book were donated to Animal Aid and the Save the Children Fund. Two Steadman illustrations for “The Little Match Girl”.

-----. NY: Prentice Hall, 1987. (US)

-----. According to Bernard Stone, a specially bound limited edition signed by all of the contributors was to be published as well. I have been unable to confirm if this occurred; no copies have appeared on the market.

The Great Games Book / 14 Brilliant Board Games. London: A & C Black, 1985. 4to, hardcover in dustjacket. “Fourteen ingenious and fiendishly clever board games created by a galaxy of today’s best illustrators." Steadman’s two-page contribution is "Don’t Do That!" a "wicked" roll- the-dice game in which you "start off by being boringly good and gradually you become ecstatically horrible -- otherwise you won’t win..."

-----. New Zealand: Random House, 1985.

-----. The Fantastic Book of Board Games. NY: St. Martins Press, 1988. 4to, illustrated Boards. [U.S. edition]

Save the Earth. (Porrit, Jonathan, ed.) London: Dorling Kindersley, 1991. 4to, hardcover. Foreword by the Prince of Wales, introduced by David Attenborough. Profusely illustrated in color and boasting a host of contributors including William Golding, Carl Sagan, Robert Redford, Douglas Adams, Ralph Steadman, Satish Kumar, John Fowles, Yehudi Menuhin, Paul McCartney, Desmond Tutu, L Van der Post, Gerald Durrell, Henry Cartier Bresson,etc.

Heroes and Villains: An Anthology of Animosity and Admiration. London: Gollancz, 1994. Contains a Steadman illustration for an article on "Franz Anton Mesmer”

Dahl, Roald. The Roald Dahl Treasury. NY: Viking, 1997. Anthology of tales and poetry by the famed English storyteller -- most illustrated by Quentin Blake but with a short remembrance by Steadman ("The Hut") and illustrated with three of his color drawings.

Political Cartoons of 1998. (Newton, Jane, ed.) Kent [UK]: Centre for the Study of Cartoons and Caricature, University of Kent at Canterbury, 1998. 4to softcover. 116 cartoons by 25 artists.

Rolling Stone - The Complete Covers 1967-1997. (George-Warren, Holly, ed.) NY: Harry N. Abrams, Inc., 1998. 4to, hardcover in d/w.

Modern Fiction and Art Prints By Contemporary Authors. (Sadinskky, Rachael, ed.) University of Kentucky Art Museum, Lexington Kentucky, 1999. Trade paperback. Essays by Ralph Steadman and Kurt Vonnegut. An exhibition catalogue.

Tales from Bleeding Heart Yard. Stories about Stanley Lawrence. [by Stanley Lawrence with contributions from others, including Steadman]. Derby Dale: Fleece Press, 2000. Reminiscences and stories about S.T.E. Lawrence, the woodcut artist and boxwood block maker. Limited to 270 copies. 4to cloth with wood veneer paper covered boards. 52 pp. Steadman contributes memories but no artwork.

Stabbed in the Front/Post-war General Elections through Political Cartoons. (Alan Mumford, ed.) Canterbury: Centre for the Study of Cartoons and Caricature, University of Kent at Canterbury, 2001. 4to, softcover A view of the English general elections since 1945 through the eyes Ralph Steadman: A Comprehensive Guide for the Collector 22 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

of Britain's leading political cartoonists. Wraparound color cover by Steadman and four interior b&w cartoons.

Drawing the Line. Fantagraphics Books, 2005. Softcover. Reprints interviews of several artists from past issues of Comics Journal magazine. Steadman's profusely illustrated entry is “Into the Gentle Darkness” from issue number 131. 55-pages

Kurt Vonnegut’s Apocalypse Blues. Ann Arbor: State Street Press, 2007. Softcover. Advance Reading Copy for an overview of Vonnegut’s career that was to have been published in August 2007. The book was never released. Colored wrappers, 96 pp. with 16 b&w drawings by Vonnegut and a frontispiece by Ralph.

Gonzo – Pictorial Biography of Hunter Thompson. Ammo Books, LLC, 2007. Large quarto with photos, quotes, and biographical notes. Several Steadman illustrations. Illustrated boards, no dustjacket.

Likenesses. With the Sitters Writing About One Another. Manchester and Glasgow: Lintott Press, 2010. Oblong folio, illustrated with black and white photos by Judith Aronson, black covers and slipcase. Limited to 66 copies. A collection of photographs -- Steadman and other subjects write about each other. Other include Seamus Heaney, Salman Rushdie, Geoffrey Hill, Derek Walcott

Artists Against the War. (Steven Brodner, ed.) NY: Underwood Books, 2011. Cloth in d/w. Artwork by Steadman, Brodner, Edward Sorel, Wendy Popp, Burt Silverman, and Milton Glaser.

All the Art That’s Fit to Print (And Some That Wasn’t): Inside the New York Times Op-Ed Page. Kraus, Jerelle. New York: Columbia University Press, 2012. 4to cloth in d/w. Steadman provides the Foreword and a number of cartoons and drawings.

The Art of Controversy/Political Cartoons and Their Enduring Power. (Victor Navasky, ed.) NY: Random House, 2013. Hardcover in d/w. 256 pp.

[Gilbertson, Rebekah] Handlines. 45 Famous Hands in Support of a Worldwide Ban on Anti-Personnel Landmines. London: Rebekah Gilbertson, 1998. Quarto. Black wrappers, titles to front cover and spine in red and white. An edition of 50 copies. Each page illustrated with a hand print, foot print or drawing by each of the contributors, who also signed on their respective pages. Steadman is joined by David Hockney, Gerald Scarfe, and forty-two other artists, writers, and musicians.

-----. London: Phaidon Press, 1998. Trade paperback.

Hinkle, Warren, et al. Who Killed Hunter S. Thompson? : An Inquiry into the Life & Death of the Master of Gonzo. San Francisco: Last Gasp of San Francisco, 2007. 8vo, hardcover and trade paperback. 520 pp. HST's closest friends and co-conspirators provide memories, appreciations, and observations. Includes several of his writings, transcripts of his rants, and illustrations and text by Steadman.

Ralph Steadman: A Comprehensive Guide for the Collector 23 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

4. Book Covers and Dust Jackets (By year of Publication)

Stern, Richard G. Golk. London: Penguin Books, 1963. Paperback.

Mander, John. Great Britain, or Little England? London: Penguin Books, 1963. Paperback.

Griffin, Gwyn. Sons of God. London: Penguin Books, 1964. Paperback.

Carson, Anthony. The Golden Kiss. London: Methuen, 1966. Dustjacket.

Young, B.A. Cabinet Pudding. London: Hamish Hamilton, 1967. Dustjacket. A novel with a marijuana smoking West Indian Prime Minister of Great Britain as the main protagonist.

Lindt, Jacov. Ergo. London: Methuen, 1967. Dustjacket.

Kingston, Jeremy. Love Among the Unicorns. London: Constable, 1968. Dustjacket.

Belting, Natalia. King Solomon's Cat - folk tales from around the world. London: Rapp & Whiting, 1969. Dustjacket.

Coren, Alan. All Except the Bastard. London: Gollancz, 1969. Dustjacket.

Jones, Roger. A Hard Day at the Holy Office. London: W. H. Allen, London, 1970. Dustjacket.

Smyth, Alan (ed.) The London Symphony Orchestra/To Speak for Ourselves. London: Kimber London, 1970. Dustjacket.

Halloran, James D. et al. Demonstrations and Communication/A Case Study. London: Penguin Books. 1970. Paperback.

Hayter, Teresa. Aid as Imperialism. Middlesex (UK): Penguin Books, 1971. Paperback.

Macbeth, George. The Orlando Poems. London: MacMillan, 1971. 8vo, trade paperback.

Bell, Gwen & Taqueline Tyrwhitt. Human Identity in the Urban Environment. London: Penguin Pelican, 1972. Paperback.

Patten, Brian & Pat Krett, ed. The House that Jack Built/Poems for Shelter. London: Allen & Unwin, 1973. Dustjacket.

Dummet, Ann. A Portrait of English Racism. London: Penguin Books, 1973. Paperback.

O’Brien, Flann. Stories and Plays: London, Hart-Davis, MacGibbon, 1973. Dustjacket.

Young, Elizabeth. A Farewell to Arms Control? Pelican Books, 1973. Paperback.

First, Ruth. The South African Connection : Western Investment in Apartheid. London: Penguin, 1973. Paperback.

Ralph Steadman: A Comprehensive Guide for the Collector 24 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

O’Brien, Flann. The Third Policeman: London: Picador, 1974. Trade paperback.

Heller, Robert. The Common Haire. Weidenfeld & Nicolson, 1974. Dustjacket.

Fornari, Franco. The Psychoanalysis of War. Garden City NY: Anchor Books, 1974. Paperback.

Heller, Robert. The Common Millionaire. London: Weidenfeld & Nicholson, 1974. Dustjacket.

Hamilton, Willie. My Queen and I. London: Quartet Books, 1975. Dustjacket.

Cohen, Stanley & Taylor, Laurie. Escape Attempts/The Theory and practice of Resistance to Everyday Life. London: Penguin/Pelican Books, 1976. Paperback.

O’Brien, Flann. (Myles na Gopaleen) The Dalkey Archive. London: Picador, 1976. Trade paperback.

O’Brien, Flann. The Best of Myles/A Selection from ‘Cruskeen Lawn.” London: Picador, 1977. Trade paperback.

Ewart, Gavin. All my Little Ones/The Shortest Poems of Gavin Ewart. London: Anvil Press Poetry, 1978. 8vo, softbound with wraparound cover illustration by Steadman. Also issued in hardcover without the illustration.

Barker, Sebastian. Who is Eddie Linden? Jay Landesman, 1979. Dustjacket..

Berger, Peter L. Facing Up to Modernity. London: Penguin Books, 1979. Paperback.

Chapman, Leslie. Your Disobedient Servant/The Continuing Story of Whitehall’s Overspending. London: Penguin Books, 1979. Paperback.

MacSweeney, David. So Why Do You Kill Me? UK: Eoten Press, 1980. Trade paperback. Limited edition of 750 copies.

Gardner, James. Elephants in the Attic. Orbis, 1983. Dustjacket. Foreword also by Steadman.

Ashford, Daisy. The Hangman's Daughter and Other Stories Oxford: Oxford University Press, 1983. Trade paperback.

Thornton, E. M. Freud & Cocaine – The Freudian Fallacy. London: Blond & Briggs, 1983. Octavo, hardbound. Steadman illustration of Freud sitting in chair clutching his groin.

Taylor, Laurie. In the Underworld. London: Unwin Paperbacks, 1984. Trade paperback.

Harsent, David. Mister Punch. London: Oxford University Press, 1984. Trade paperback.

Meades, Jonathan. Filthy English. London: Jonathan Cape, 1984. Dustjacket.

Brecht, Bertolt (and Kureishi, Hanif). Mother Courage and Her Children London: Royal Shakespeare Company, 1984. Illustrated wrappers.

Ralph Steadman: A Comprehensive Guide for the Collector 25 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Sykes, Greta; Mercer, Helen; Woolf, Jan. Deadly Persuasion/Teaching the Cold War/A Study of School History Books. Teaching the Cold War Study Group; 1985. Stapled wrappers.

Black, David. The Plague Years: The Chronicle of Aids: The Epidemic of Our Times. London: Picador, 1986. Trade paperback.

Singer, Mark. Funny Money. London: Picador, 1986. Trade paperback.

Al-udhari, Abdullah. Modern Poetry of the Arab World. Penguin, 1986. Paperback original.

Taylor, Laurie. Professor Lapping Sends His Apologies. Trentham Books, 1986. Trade paperback.

Voinovich, Vladimir. Moscow 2042. London: Jonathan Cape, 1987. Dustjacket.

MacMillan, Ian. Proud Monster. London: Bodley Head, 1988. Dustjacket.

De Crescenzo, Luciano. Thus Spake Bellavista. London: Picador, 1988. Dustjacket.

De Crescenzo, Luciano. The History of Greek Philosophy - The Pre-Socratics. London: Picador, 1989. Dustjacket; cartoons and “text illuminations” throughout.

Moye, Catherine. Asleep at the Wheel. London: The Bodley Head, 1989. Dustjacket, as well as b/w chapter headpieces. Gay, Peter. Reading Freud. Princeton: Yale University Press, 1990. Trade paperback. Dolphin, Johnny. Journey Around an Extraordinary Planet. Oracle [AZ]: Synergistic Press, 1990. Wrappers.

Hotchner, A. E. Blown Away/The Rolling Stones and the Death of the Sixties. London: Simon & Schuster, London, 1990. Dustjacket.

Lawson, Mark. Bloody Margaret/Three Political Fantasies. London: Pan/Picador, 1991. Dustjacket.

Mitchell, Adrian. Adrian Mitchell's Greatest Hits. London: Bloodaxe Books, 1991. Trade paperback.

Queenan, Joe. The Rise of Dan Quayle in America and the Decline and Fall of Practically Everything Else. London: Picador, 1992. Paperback.

Rees, Roland. Fringe First/Pioneers of Fringe Theatre on Record. London: Oberon, 1992. Paperback.

Perry, Paul. Fear and Loathing/The Strange and Terrible Saga of Hunter S. Thompson. Thunder’s Mouth Press, 1992. Dustjacket.

Bywater, Michael. The Chronicles of Bargepole/The Man Who Wouldn’t be Gagged. London: Picador, 1992. Paperback. Ralph Steadman: A Comprehensive Guide for the Collector 26 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Loftus, Simon. Pulign-Montrachet/Journal of a Village in Burgundy. NY: Alfred A. Knopf, 1993. Dustjacket.

(Smith, Ken & Benson, Judi, eds.) Klaonica/Poems for Bosnia. London: Bloodaxe Books, 1993. Trade paperback.

Richler, Daniel. Kicking Tomorrow. Picador, 1993. Trade paperback.

Cook, D. Patients’ Choice. London: Hodder & Stoughton, 1993. Trade paperback.

Frewin, Charles & Lubner, Derek. The Bookshops of London. Surrey: Two Heads Publishing, 1993. Trade paperback.

Drawing Blood/Cartoons for Amnesty International. Grub Street, 1994. Trade paperback.

Sugarman, Danny. Wonderland Avenue/Tales of Glamour and Excess. London: Sidgwick & Jackson, 1989. Hardcover with Steadman dustjacket and lettering on title page and chapter headings.

-----. London: Abacus, 1994. Trade paperback.

Book ‘Im!/70 Years on the Game/A Tribute to Bernard Stone from His Many Friends. London: Friends of Bernard Stone, 1994. Softcover.

Kennelly, Brendan. Poetry My Arse. London: Bloodaxe Books, 1995. 8vo, published simultaneously in hardback and softcover, with front cover illustration by Steadman.

Taylor, Laurie. Guide to Higher Education. Butterworth, 1995. [UK] paperback.

Rees, Roland. Fringe First/Pioneers of Fringe Theater on Record. London: Oberon Books, Ltd., 1996. Trade paperback.

Forrester, John. Dispatches from the Freud Wars/Psychoanalysis and its Passions. Harvard University Press, 1997. Hardcover and trade paperback.

Crews, Harry. Where Does One Go When There’s No Place Left to Go? Los Angeles: Blood & Guts Press/Vagabond Bookstore, 1998.. Black and white d/w design by Steadman. Edition limited to 400 numbered copies, signed by Crews. An edition of 26 lettered copies was also published.

Parfitt, Patty. Laughing All Over the World/My Life Married to Status Quo. London: Blake Publishing, 1998. Trade paperback.

(New Statesman) Ouch! The Best of the New Statesman International Cartoon Competition. London: 1998. Softcover.

Katz, Donald. The Valley of the Fallen and Other Places. NY: AtRandom.com, 2001. Trade paperback.

Bartholomew, W. E. Charles Bowden: A Descriptive Bibliography 1962 – 2000. Tucson: Sylph Publications, 2001. A limited lettered edition of 26 copies includes a color illustration by Steadman, "Dead Cactus," mounted on the front cover. Ralph Steadman: A Comprehensive Guide for the Collector 27 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

McClanahan, Ed. A Foreign Correspondence. Tuscon [AZ]: Sylph Publications, 2002. ‘Sylph Chapbook No. 1”. Decorated boards. Steadman contributes characteristically splashed calligraphy for the front cover and title page. Edition limited to 26 lettered copies.

Charles Bowden/A Descriptive Bibliography 1962-2000. Tucson: Sylph Publications, 2001. Soft cover. A 248 page illustrated descriptive bibliography. 100 numbered copies in wrappers.

O’Brien, Flann. The Various Lives of Keats and Chapman and The Brother. London: Scribner/Townhouse, 2003. Trade paperback.

Crouse, Timothy. The Boys on the Bus. Random House, 2003. Trade paperback.

Mitchell, Adrian. The Shadow Knows. Poems 2000-2004. London: Bloodaxe Books, 2004. 8vo, trade paperback. Cover. Cannadine, David. Admiral Lord Nelson, Context and Legacy. Houndmills, Basingstoke: Palgrave Macmillan, 2005. 8vo, dustjacket illustrated with color caricature of Admiral Nelson, same image used for British Maritime Museum exhibit, 1995. Thompson, Anita. The Gonzo Way/A Celebration of Dr. Hunter Thompson. Golden [Colo]: Fulcrum Publishing, 2007. 8vo, illustrated boards. Cover calligraphy and endpaper design. McClanahan, Ed. O The Clear Moment. Berkeley: Counterpoint, 2008. Dustjacket.

Benjamin, Walter. The Work of Art in the Age of its Technological Reproducibility and Other Writings on Media. Harvard University Press, 2008. Trade paperback.

Kass, Jeff. Columbine: a True Crime Story: A Victim, the Killers and the Nation’s Search for Answers. Denver: Ghost Road Press, 2009. Softcover.

Folsom, Tom. Hopper / A Savage American Dream. It Books, 2013. Softcover.

Bourdain, Anthony. Appetites. A Cookbook. NY: Ecco, 2016. 1st ed., small 4to, cloth. 290 pp. Front cover illustration and calligraphy.

-----. London: Bloomsbury Publishing, 2016, Similar to US edition, except portrait printed directly onto smooth boards.

Ralph Steadman: A Comprehensive Guide for the Collector 28 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

5. Representative MAGAZINE APPEARANCES This is a representative selection of cover appearances, interviews, feature articles, and other items of special interest. Ralph has produced thousands of individual cartoons and spot illustrations for a wide variety of newspapers and periodicals.

Ambit. UK. Literary quarterly.

Ralph was a regular contributor between 1976-1987. In addition to periodic spot illustrations, he illustrated biographical sketches about some of the 19th century’s more unusual people -- fire-eaters, the man who ate rocks, etc. These were later collected and published in book form (Tales of the Weirrd (1990)).

Cover appearances: Issues 54, 71, 84, 87, 88, 89, 106, 111, 113, 154, 176

Aquarius UK. Poetry and fiction; edited by Eddie Linden between 1969-1993.

Number 5, 1972. Cover illustration. Number 13/14, 1981/1982: The Canadian Issue. Cover illustration.

Architect’s Journal. U.K.

Oct 16, 2008. “London is a Frankenstein City” Ralph’s cover illustration launched the magazine’s competition to design an entrance to London. The winning entry was a monumental gateway built from stacked Routemaster buses.

Argonaut U.S. San Francisco literary review. Originally published between 1877 and 1956, the magazine was revived by publisher Warren Hinckle III (Ramparts/Scanlan’s Magazine) in 1991.

New Series, No. 1, Spring 1993. Several color illustrations accompany a short selection of ramblings by Hunter S. Thompson.

New Series, No. 2, Fall 1993. Text and Illustrations for 20-page article about wine tasting in the Napa Valley.

Art Quarterly UK. Official publication of the National Art Collections Foundation, Britain's leading independent art charity.

Summer, 1998. Steadman is one of four artists asked to discuss their favorite 20th century works of art. Exceptional color cover.

Arts Review UK. Fine arts periodical.

Dec 23, 1983. An illustrated review of Steadman’s I, Leonardo exhibition at Royal Festival Hall.

Aspen Daily News.

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July 21, 2007. “The Gonzo Edition”, Anita Thompson as guest editor. Steadman illustration on front cover and an article on “Satire as Social Art” inside. Other articles on the Gonzo legacy by a variety of contributors, published t coincide with the Hunter S. Thompson Symposium at the Aspen Institute

Baseline International Typographics Journal Esselte Letraset Ltd., London

1990 - Issue 12 - St Brides Issue. 48 pages, color & b/w illustrations. Articles include 'Desert Island Type', written and illustrated by Steadman, and Will Eisner by Will Eisner.

BBC Video World

Vol 3 issue 11 May 1991 – cover illustration of the Mona Lisa

Beer/the Magazine U.S. The title says it all.

Summer 1996. Illustrated feature on Steadman's beer label designs for the Flying Dog Brewpub (Colorado, USA). An accompanying article discusses the State of Colorado’s initial censorship of his first label for the brewery (Road Dog Ale; 'Good Beer/No Shit'.)

Bent UK

No. 1. (undated) “Steadman’s Popes.” The cover illustration is a Dutch Master caricature, drawn by "Eyck van Steadman".

Big Issue Magazine Uk weekly magazine of popular culture and entertainment.

No. 1105, June 2-8, 2014. Cover illustration “Another Fine Mess!!!” and featured interview “Ink was the Drug for Me…”

Bizarre Magazine British "Adult fetish" magazine.

October 2006. “Weird and Twisted Life.” 6-page article about Hunter S. Truman written and illustrated by Steadman.

The Black Dwarf UK. Left wing political newspaper published between 1968-1972 by a socialist collective. It is often identified with Tariq Ali who edited and published the newspaper until 1970, when the editorial board split between Leninist and non-Leninist currents. Ralph’s cartoons were a prominent feature during its first two years.

November 26 1969. Cover illustration of Harold Wilson and Richard Nixon.

Books and Bookmen UK. Book trade publication; the English equivalent of Editor and Publisher.

February 1967. Two-page article featuring cartoons and illustrations from previously published works; self-portrait. “Ralph Steadman’s next main work is his series of illustrations for Alice in Wonderland.”

Ralph Steadman: A Comprehensive Guide for the Collector 30 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

British Philatelic Bulletin.

February 1986. Cover features Steadman's designs for four postage stamps commemorating the return of Halley's Comet.

California Lawyer U.S. Official publication of the California State Bar.

October 1997. Cover and interior illustrations for the feature article "I’m O.J. You’re O.J." about the impact of the O.J. Simpson trial on the American legal system. Honored as "Best Cover" by the Western Publications Association and by the Society of Publication Designers.

Churchill Downs magazine. Cover illustration for the April 2019 Kentucky Derby.

Coast Magazine Beverly Hills, CA. Volume 14, No. 5. 1973. “Villain on the Beat” color illustrations on cover and table of contents, article with 4 pages of cartoons on pages 40-43 relating to Los Angeles Police Department.

Comics Journal U.S. American periodical devoted to news and reviews of comics, strips, graphic novels; especially noted for in-depth interviews and analysis.

No. 127 (Feb 1989) Brief essay by Steadman: “Cartoonists’ Wonderland”

No. 131 (Sep 1989) “Into the Gentle Darkness of Ralph Steadman.” Cover illustration and a 55-page interview; profusely illustrated with drawings and photos.

No. 291 (July, 2008) Editor Gary Groth and Ralph discuss Hunter S. Thompson.

No. 299. (Aug 2009) Bob Levin, author of The Pirates and the Mouse [The Disney Corporation vs. the Air Pirates], tracks down lost or unpublished comic strips by 190 of the world’s most important cartoonists, including Steadman.

Nov 2004. Drawing the Line. A special, oversized issue reprinting previously published interviews with Steadman, David Levine, Edward Sorel, and Jules Feiffer. Some new material is added.

Contact/The San Francisco Collection of New Writing, Art and Ideas U.S.

December 1962. Vol. 3, No. 5. Two cartoons; Wise men on a camel “Follow That Star” on page 7 and a child shooting a missile on page 102; these may be Steadman’s first published appearances in the U.S.

July 1963. Vol. 4, No. 1. A single cartoon on p. 66.

Creative Review [UK]

Vol.2 No.9; June 1982 Cover illustration "Hitting the Wall" and again on page 10. Ralph Steadman: A Comprehensive Guide for the Collector 31 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Cycle World Magazine. U. S. Motorcycle Magazine.

Volume 34, No. 3. “Song of the Sausage Creature”. 4 page article by Hunter Thompson reviewing the Ducati 900SS motorcycle with two-page illustration by Steadman.

Designer UK. Design magazine published by the Surrey Institute of Art & Design

May, 1978. Cover illustration accompanies a feature story on the commitment of London’s Victoria & Albert Museum to contemporary collecting.

Dirty Derby Lexington KY; a community oriented magazine. "Gutter owned and basement operated."

Issue No. 3 (2015) Cover illustration.

Du Germany. Art and cultural affairs monthly.

July, 1991. “Die Gezeichnete Stadt.” A major feature on the city of Berlin written and illustrated by Steadman. Includes fourteen full-page illustrations.

The Economist UK news weekly.

September 28-October 4 ,1996. "With an exhibition entitled 'Private Eye Times' opening at the National Portrait Gallery in London on October 4th, we asked Ralph Steadman to write about caricaturists who were as savage in Georgian times as he is today".

Esquire U. S. Men’s lifestyle and Health Magazine

November 1, 2006. “Man at His Best” article about Hunter Thompson, with illustrations by Steadman, including Rolling Stone covers.

Exquisite Corpse Avant-Garde Journal of Letters and Life edited by Andrei Codrescu and published by the University of Central Arkansas

Annual Issue #1, 2009. Cover illustration by Steadman of human skeletal form with mechanical additions standing next to human figure with open hand next to smaller figure.

Fifth Column, The. Literary newsletter published by humorist Donald Carroll.

Issue #1. February, 1970. Cover illustration.

Firsts US. Monthly periodical for collectors of first edition modern literature.

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April 1998. Feature article on collecting Ralph Steadman by John Dinsmore, who published the first authorized bibliography of Ralph’s work in 1996. With an illustrated checklist.

Gadfly U.S. monthly devoted to alternative music and culture.

June 1998. 2-page interview with Ralph about Hunter S. Thompson. Cover illustration.

Graphis. Switz. Bimonthly review of Graphic Art and Design.

No. 166. Illustrated biographical feature. No. 230, March/April 1984. Illustrated Feature article on I, Leonardo.

The Guardian (Weekend) UK. Weekly newspaper supplement. Ralph has been a periodic contributor for several decades.

July 25, 1998. “The Guerrilla Art of Ralph Steadman”. Cover illustration and feature article about his recent publication of Gonzo the Art.

February 22, 2005. “Gonzo Life - Tribute to Hunter Thompson”. 2 page tribute by RS with color illustration

High life UK. In-flight magazine for British Airways.

April-May 2002. Steadman provides the artwork for “Psychogeography”, the first two installments of a periodic feature written by British humorist Will Self. Their collaboration continued in The Independent newspaper, and was later collected into two anthologies: Psychogeography (2008) and Psychogeography 2 (2009).

High Times U.S. monthly devoted to the horticulture, consumption, and legalization of marijuana.

No. 71, July 1981. Illustrations for William Burroughs’ "Cities of the Red Night."

How U.S. Professional monthly for graphic designers.

Jan/Feb 1989. Cover and illustrated feature on Steadman’s dustjacket design for "Wonderland Ave", Danny Sugarman’s nonfiction expose of the music industry.

Illustrators UK. The official newsletter of the Association of Illustrators

No. 30, Jan-Feb 1980. “Violence Issue.” Cover illustration and feature article on Steadman.

The Image UK. Art and photography.

No. 8, 1972. 6-page article “Ralph Steadman/Hired Pen” with seven b/w illustrations. Ralph Steadman: A Comprehensive Guide for the Collector 33 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

The Independent Magazine UK. Weekly newspaper supplement.

Ralph has been a regular contributor for several decades, including:

Ralph's Grosz Misdemeanors. 16 Mar 1997. Two page drawing "The Grosz Bone Fight." Brief article by Steadman concerning the exhibition "The Berlin of George Grosz" at the Royal Academy. Grosz is one of Ralph’s favorite artists and a major influence on his work.

The Sunday Review/The Independent on Sunday. 12 Oct 2002. "One More for the Road" -- Featuring the trip of the Steadman clan to Las Vegas for the wedding of Steadman's daughter, Sadie. Stapled wrappers, 13"x11", 78 pp. The article about Steadman on pp. 10-16; color illustrations including a full-page illustration on the front cover, "Limm, the Gambling Fly on a winning streak at the Heart of the American Dream".

The Sunday Review/The Independent on Sunday. 31 Oct 2004. Cover illustration and three color drawings inside for “Day of Reckoning.” Hunter S Thompson explains why a George Bush victory will signal the death of the American dream.

Remembrance of Hunter Thompson. 22 February 2005. Two-page remembrance of Hunter Thompson by Steadman with illustrations, obituary in same issue.

The Africa Issue; 1 Jun 2005. A special issue on Africa; cover illustration and numerous color drawings inside.

Fear and Loathing with Hunter S Thompson. Sep 30, 2006. A brief memoir following Thompson’s death.

Ink UK. Alternative weekly tabloid newspaper.

No. 15: Aug 7, 1971. Cover illustration “Oz Not Guilty.” OZ was a British underground newspaper published between 1967-73. In 1971, three of its editors were found guilty on charges of obscenity and sentenced to harsh jail terms. The convictions caused a storm of controversy – Ink suspended publication with this issue. The OZ convictions were reversed on appeal

Inkspot. Australia. Quarterly Journal of the Australian Cartoonists Society.

No. 58, Autumn 2009. Cover illustration and featured interview.

Insight University of Sussex Union, Brighton - Student published magazine on world affairs

No 3: Nationalism. Cover illustration and one interior cartoon. The issue is dated Autumn 1968.

Jamming! London, punk-rock fan magazine published between 1977-1986.

No. 26, March 1985. “Ralph Steadman Between the Eyes”. Three page interview with color illustrations photos. Ralph Steadman: A Comprehensive Guide for the Collector 34 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Journal of the Writing Equipment Society U.S. Quarterly magazine devoted to the collecting of pens, pencils and other writing paraphernalia.

No. 59, August 2000. Cover illustration.

Juxtapos U.S. monthly journal of graphic art, design, and music.

Winter 1995. Short profile, with illustrations. “It’s an Elegant Mess You’ve Gotten Us Into Ralph Steadman”

April 2013. Cover illustration and feature article on Ralph and his collaborations with Hunter S. Thompson.

Kotori Magazine

Issue 8, 2006. Cover illustration.

Kotorimagazine.com. An online forum for progressive art, music, and culture.

Jan 23, 2011 “Writing for the Sake of It: Smoking, the Ultimate Red Herring” Feb 2, 2011 “Bad Craziness, Bite the Bullet” A poem, looking back on Gonzo Mar 16, 2011 “Writing for the Sake of It: The Book of Clever Bastards” Apr 16, 2011 “Writing for the Sake of It: The Parthenon Marbles, As Far as I Know”

Le Fou. Revue d’art et d’humeur France. Review of art and humor.

March 1978. ‘Plastic Surgery.’ Cover illustration and four pages of artwork.

Lewis Carroll Society of Japan Japan. Journal of the Society

No. 3. November 1998 “Ralph Steadman and Lewis Carroll Centenary Commemorations.” Reprint separately printed, 20 page article by Mikiko Chimori in Japanese and English with photographs of Steadman at Centenary Commemorations

Linus Italy. Monthly review of comics and comic literature. Ralph appeared in several issues during the late 1960’s and, for a time, was listed as one of its art directors.

April 1969. “Theo.” A 4-page comic strip.

London Times Magazine UK. Weekly newspaper supplement.

Feb 12, 1995. “A Day in the Life of Ralph Steadman.”

Los Angeles City Beat.

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Dec 28. 2006. Cover illustration for “He Was Wrong/Hunter S. Thompson’s Adventures in the Afterlife.”

Mail Night and Day [Supplement to the Daily Mail newspaper]

Oct 1996, Cover illustration for The Legend Of Hunter S Thompson

Melody Makers Magazine.

Dec 23, 1978. Steadman drawing of Elvis Presley on the front cover "All This and Heaven Too, An Entertainment by Allan Jones"; double-page b/w illustration "For the ecstatic pleasure they gave to millions".

Mermaid Magazine.

1965. Volume 35, no. 2. Cover illustration and article about Steadman.

Modern Painters: A Quarterly Journal of the Fine Arts U.S.

Volume 2 Number 1, Spring 1989. Steadman discusses the art of cartooning.

New Departures UK. Poetry, art, fiction, and music.

No. 15, 1983. Full page illustration of “droopy, punished, and shadow or skeletal side of Jesus in our time” on page 45. Photo of Steadman on cover.

New Fiction Society. UK.

Issues 1 & 2; October 1974, January 1975. Portraits of British Writers Angus Wilson and Iris Murdoch. Tabloid format.

New Musical Express (NME) UK. The music weekly.

Sept 16, 1967 No. 1079. ¾-page comic strip on front cover.

August 1980. The Jam – cover illustration

March 14, 1987. U2 on the cover. One-page interview with Steadman by William Leith

New Scientist UK

Jun 1976, #1003. Habitat, Bird Song, Tactical Missles. Cover illustration.

Jan 79. “Expanding Human Knowledge”. Cover illustration.

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New Statesman UK. Weekly journal of politics and cultural affairs. Ralph has been a regular contributor for more than three decades.

Cover illustrations:

Sep 5, 1980 “Ronald Reagan – Candidate of the Lunatic Right” May 14, 1982 "Power and sovereignty". Sep 17, 1982 “War Games”. Jan 21, 1983 “Falkland casualties” Mar, 1 1991 “Lines of Peace.”

1997: After a long hiatus, Ralph reappeared with a series of new covers and interior illustrations. Jan: 24; Feb: 14, 21, 28; Mar: 7, 14, 21, 27; Apr: 4, 11, 18, 25; May 9, Jun 6.

"Ten years ago Britain's greatest cartoonist vowed he would not draw politicians. But you can't keep an angry man down and Steadman will be offering NS readers his unique vision each week between now and the election. In his introductory statement, Steadman says, ‘...Since 1987 I have refused to draw politicians... I turned away, leaving them to their Latex lookalikes that rendered their unspeakable antics a cozy entertainment in every living room throughout the land... Their authority is a mask of violence. They have disrupted communities, created new ones in limbo, caused unemployment by transforming economics into a weapon against the human workforce, discouraged and dismembered our welfare systems and our culture and learned to lie with eloquent ease. It is now respectable to cheat and win. Personal gain at any cost is progress and a job for life is as desperate as a back-street abortion... And by the way, I still refuse to draw politicians' faces, but I am quite happy to draw their legs.’”

Jan 1, 2012. President Newt [Gingrich]. Cover. Dec 3 2015. Cover April 10 2016. Cover

New Yorker U.S. News, commentary, fiction, poetry, and CARTOONS!

2000-2013. Periodic spot and full-page illustrations accompany book reviews and personality profiles. “For some reason, they want mostly animals.” – RS.

Jan 10, 2000. “Gods Drawing Board”, 2-page sketchbook of unlikely creatures. Feb 17-24, 2003. “Midtown Traffic”, 5-page color portfolio.

New York Times Magazine U.S. Sunday magazine supplement.

Oct 9, 1983. Feature article: “Leonardo a la Steadman” Nov 1, 1992. “92 Follies”; Cover illustration and feature on the 1992 presidential election.

Now Magazine Toronto alternative news and entertainment newspaper.

Dec 26, 2013. Cover illustration “Rob Ford Thinking Big” of Toronto mayor Rob Ford with facial Ralph Steadman: A Comprehensive Guide for the Collector 37 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

features of a pig, and one-page article.

Jan 21, 2014. Cover illustration: 2013 / The Year in Review

Observer Magazine London newspaper - Sunday magazine supplement

June 5, 1988. Cover illustration and feature article “Cabinet of the Mind” with cartoons satirizing the British Cabinet.

Oui International montly magazine “for the man of the world” with articles on lifestyle, entertainment, and soft porn

July 1976. “Wickedest One-Third Mile in the World. Cartoonist Ralph Steadman Takes a Stroll Down Hamburg’s Notorious Reeperbahn.” Pgs 87-93, B & W drawings of prostitutes and clients with emphasis on seamy and exploitive aspect of the sex trade.

Out U.S. monthly. Gay and lesbian fashion, lifestyle, entertainment and politics.

August 1996. Illustration for "Ralph Reed: Antichrist or Revolutionary Reformer"; political feature concerning an outspoken member of the religious right.

Outside U.S. monthly devoted to outdoor lifestyle, sports, and adventure-travel.

October, 2006. Feature article; Hunter S. Thompson and Aspen, Colo.

Oz Magazine UK; music, culture, politics. [1967-1973]

No. 42, May-June 1972. Back cover full-page illustration “How You Gonna Crucify A Child”, cartoon of the dead body of a Vietnamese child nailed to a cross.

Modern Painters U.S. monthly.

Spring, 1989. “Cartooning as an Art”

Paris Review NY Literary Quarterly

Fall 2000. Volume 42, No. 156. Cover illustration of Hunter Thompson . Issue includes interview of Thompson and an article by him.

Penthouse U.S. Men’s lifestyle, fashion, gadgets, and soft-porn.

September 1972 “Power Play . . .Inquest” by Gore Vidal illustrated by Steadman.

Ralph Steadman: A Comprehensive Guide for the Collector 38 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Periodic feature article illustrations, 1979-81, including:

November 1979 “Sigmund Freud” featuring text and illustrations from Steadman’s book December 1979 “The Sleazing of America” June 1980 “Big Oil, Big Banks, Big Trouble” September 1980 “Boxing as Political Theater” with two-page color illustration of John Tate and Gerrie Coetzee in boxing ring with onlookers at beginning of article by Joe Flaherty. March 1981 "The Arrogance of Architecture.” Feature Illustrations. June 1981/July 81. Illustrations for two-part series "The President's Men", an article on Alexander Haig, James Watt and James Edwards.

Playboy U.S. Men’s lifestyle, journalism, fiction, cartoons. Oh…and nude women. Periodic feature article illustrations,, including:

May 1988. A 4-page review of "Scar Strangled Banger" by Hunter Thompson, with illustrations.

May 2005 “Dr. Hunter S. Thompson's Rules for Living Like a Southern Gentleman"

September 2006 “Smashing Windows – An Epistolary Lesson in Raising Sons and Making Art” Illustrated article written with Hunter Thompson

Poetry U.S. monthly, published by the Poetry Foundation

October 2007. Cover illustration.

Private Eye UK. The famed fortnightly of topical satire.

1962-1969. Ralph was a regular contributor, beginning with a 2-page spread in issue 11, May 1962.

June 20, 1969 (#196) This issue contains a 4-page promotional insert for Ralph’s first anthology Still Life With Raspberry. The insert is four pages, red glossy exterior and white interior. The same design was used as a prototype dustjacket for the book but was later rejected. Page 1 is a self- portrait with Steadman's face in the shape of a book. The interior carries Ralph’s personal message to subscribers: “If you can pay L2-10-0 for 24 lousy copies of PRIVATE EYE so that you may see my cartoons, then you must have been living for the moment when you can actually possess 144 pages of them, pure and undiluted, free from seas of heavy incumbent editorial matter, away from the asinine world of “Spiggy”, “Lunchtime”, Mrs. Wilson and the rest, and into the hard, cold world we adults inhabit – but in the comfort of your favourite armchair, of course for only L3-300, including postage. Yours truly, Ralph STEADman.” The insert was included only in issues mailed to subscribers. Only one copy of the book with this prototype dustjacket has appeared on the market.

#252 -- August 1971: Cover illustration.

Progressive U.S. Monthly review of political and cultural affairs

December 1986. Cover illustration "Let’s Call it Quits"-- E.P.Thompson on the Cold War May 1994 “My Eye” - a tribute to Sarajevo’s children.

Ralph Steadman: A Comprehensive Guide for the Collector 39 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

January 1999. Cover illustration for the magazine’s 90th anniversary issue.

Punch UK. Weekly topical satire, fiction, and reviews.

1961-1966. Ralph was a regular contributor. In addition to illustration and spot drawings, this period demonstrates his early work as a gag cartoonist.

Cover Illustrations: 1961: Apr 5, Nov 8, Dec 20 1962: Jul 25, Oct 10 1963: Oct 30 1964: Jan 29, Apr 29, Dec 2 1965: Mar 17, Sep 22

Later covers: Jan 20, 1970; July 17, 1991 (150th Anniversary Edition)

Radio Times UK: BBC Publications: weekly radio listings and features.

Periodic illustrations during the 1970’s, including:

June 11-17, 1977. Cover illustration and 5-page illustrated article on the Jubilee centennial cricket match featuring the touring Australian team.

Red Mole British newspaper published by Relgocrest Ltd., London, 1970-1973. Trotskyist paper of the International Marxist Group, British Section, which developed out of the “Black Dwarf” and then became the “Red Weekly.” Edited by Tariq Ali, et al.

1970: April issue, Vol. 1 No. 3. Steadman cover, large b &w cartoon of Harold Wilson with political issues written on his teeth, with red background

Rocky Mountain Magazine U.S.

November 1979. Feature article by Steven Heller, "Bold Ink", compares the artwork of Ralph Steadman, Brad Holland and Alan E. Cober.

Rolling Stone U.S. biweekly review of the music and entertainment industry, popular culture, politics, and a “national affairs desk” featuring H.S.Thompson.

A long run between 1971 and 1978. Most of the following issues contain one or more cartoons or spot illustrations; some include only Ralph’s "Gardening Notes" column that was rarely illustrated. Many issues have illustrated feature articles, including several collaborations with Hunter S. Thompson. Five cover appearances, including 1972’s legendary “Fear and Loathing in Las Vegas” issues (95 & 96).

81: 04.29.71 95: 11.11.71 (Cover) 94: 10.28.71 96: 11.25.71 (Cover) Ralph Steadman: A Comprehensive Guide for the Collector 40 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

99: 01.06.72 143: 09.17.73 101: 02.03.72 144: 09.27.73 (Cover) 103: 03.02.72 145: 11.11.73 104: 03.16.72 146: 10.25.73 107: 04.27.72 148: 11.22.73 110: 06.08.72 149: 12.06.73 112: 07.06.72 150: 12.20.73 113: 08.20.72 151: 01.03.74 115: 08.17.72 (Cover) 154: 12.15.74 118: 09.28.72 (Cover) 158: 04.11.74 120: 10.26.72 162: 06.06.74 121: 11.09.72 164: 07.04.74 123: 12.07.72 167: 08.15.74 124: 12.21.72 169: 09.12.74 125: 01.04.73 170: 09.26.74 126: 01.18.73 171: 10.10.74 127: 02.01.73 172: 10.24.74 128: 02.15.73 196: 09.25.75 129: 03.01.73 209: 03.25.76 130: 03.15.73 210: 04.08.76 131: 03.29.73 214: 06.03.76 132: 04.12.73 221: 09.09.76 133: 04.26.73 223: 10.07.76 134: 05.10.73 255: 12.29.77 135: 05.24.73 264: 04.04.78 136: 07.07.73 267: 06.15.78 137: 06.21.73 280: 12.14.78 138: 07.05.73 318: 05.29.80 139: 07.19.73 581: 06.28.90 140: 08/02.73 605: 05.30.91 141: 08.16.73 142. 08.30.73

Steadman and publisher Jann Wenner had a falling out and there have been only occasional appearances since 1978, with only two cover appearances.

622: Jan 23, 1992. (Cover; Fear and Loathing in Elko)

970: March 25, 2005 Tribute to Hunter Thompson

Running U.S. Sports and outdoor monthly

April 1981. Cover feature: “The Charge of the Weird Brigade” by Dr. Hunter S. Thompson.

The Running Man U.S. Running Man Publications

Vol 1 No 1 – 1968. Pictorial wrappers. Number 1 of only 3 issues published. Cover and Illustrations by Steadman. Articles by Stokely Carmichael, Patrick Leigh Fermor, Yannis Ritsos and others. Ralph Steadman: A Comprehensive Guide for the Collector 41 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Scanlan's Monthly. U.S. Social and Political Commentary. (1970-71)

Until 1970, Ralph’s exposure stateside was as an illustrator of children’s books – the U.S. had not yet felt the sardonic social and political barbs he had been publishing in Britain for more than a decade. Warren Hinkle III’s short-lived successor to Ramparts magazine changed all that. Ralph’s infamous collaboration with Dr. Hunter S. Thompson in Scanlan’s No. 4 (“The Kentucky Derby is Decadent and Depraved”) brought fame to both and crowned the birth of Gonzo. It also inspired Rolling Stone magazine to pair the two later for an article on the 1971 Mint 400 automobile race in Las Vegas. The result was Fear and Loathing in Las Vegas. The rest, as they say, is history….

No. 1, March 1970. Two small illustrations (Black Man’s Burden). Vol No. 4, June 1970. “The Kentucky Derby is Decadent and Depraved” w/Hunter S. Thompson. Also, an unsigned interior illustration. No. 5, July 1970. Several interior illustrations No. 6, August 1970. One cartoon p. 68 No. 7, September 1970. One cartoon p. 3

Shortlist. British weekly magazine “For men with more than one thing on their minds.”

No. 200, November 3, 2011. Steadman cover illustration of Johnny Depp riding motorcycle with Hunter Thompson in sidecar. Interview with Johnny Depp on pages 40-45 about his relationship with Hunter Thompson and his film career.

The Staff U.S. Los Angeles weekly tabloid newspaper.

Jul 21-27, 1972. Ralph’s cover illustration from Fear and Loathing in Las Vegas is used as a full page cover illustration for the article 'Fear and Loathing in Beverly Hills', an interview with Hunter S. Thompson.

Stop Smiling U.S. Arts and Culture.

Issue 22, 2005. “An Oral History of Hunter S. Thompson” features a short memorial by Steadman and another dozen of Thompson’s colleagues. Illustrated with seven full-color Steadman portraits of Thompson.

Student. UK. Richard Branson (Virgin Airlines) started his first business venture in 1967 when he quit school at the age of 16 to start this magazine, intending it to become a voice for young activists. Although he published articles and interviews from such notables as Jean-Paul Sartre, James Baldwin, Alice Walker, and Robert Graves, the magazine was not successful. To stem financial losses, he decided to run house advertisements selling records through the mail at discounted prices. The magazine eventually folded, but the record business became the foundation of his subsequent empire.

No. 1, 1967. Includes a 7-page feature on the Dutch Provo’s with a double-page collage by Steadman. (The Provos were a counterculture movement that mixed anarchy and humor to provoke authorities

Ralph Steadman: A Comprehensive Guide for the Collector 42 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

into making violent responses to their non-violent actions. The goal was to shatter the complacency and expose the self-righteousness of officialdom.)

No. 3, 1968. A caricature illustration of Adolf Hitler.

Swill UK. A 16-page scathing satire of Conservative party politics and electioneering.

Vol. 1 No. 1. [1964] 8.5”x11”, stapled wrappers. Anti-Tory cartoons, parodies and jokes, centered around the British general election of 1964, narrowly won by Harold Wilson’s Labour Party. Edited by Patrick Allen and Ralph Steadman; drawings by Steadman and Gerald Scarfe; text by Allen. Cover illustration by Scarfe. The only issue published.

Swing 51

No. 10 (1985) “Ralph Steadman” interview, with illustrations. Also reviews of Between the Eyes and The Curse of Lono.

Target/Political Cartoon Quarterly U.S. Quarterly review of the field, featuring a different artist with each issue

No. 7, Spring 1983. "Fear and Loathing on the Drawing Board". Feature article on Steadman, illustrated with several of his cartoons. The cover artwork, which shows Ralph slashing maniacally at his drawing table is by Bill Watterson, creator of Calvin & Hobbes.

Telegraph Sunday Magazine. UK. Weekly supplement to the London newspaper

Periodic appearances for more than three decades, including the following feature articles:

March 10, 1967. Paris Fashion Show.

November 3, 1972. “Alice – Through Ralph Steadman’s Looking Glass.” Cover illustration and 4- page article.

Sept 4, 1977. "A Wasp in A Wig/The Missing Chapter from Alice." First appearance of Steadman’s illustrations for the lost episode of Alice in Wonderland. Full color cover and three interior illustrations. Later reprinted as a cover illustration for Smithsonian Magazine, December 1977. May 14, 1978. “An Artist’s Eye on Israel”

Sept 23 1979. Cover illustration and illustrated feature article 'Facets of Freud'; 7 pages discussing Steadman's latest work.

Aug 9, 1981. Ralph Steadman’s Personal Guide to the World of Surfing. Cover illustration; 6 pages of text, two double page color illustrations, fourteen smaller color illustrations.

Nov 6, 1983. “How I Became Leonardo da Vinci”. Seven-page article with eleven illustrations.

Aug 26 1984. “Ralph Steadman: In Search of Vultures.” Front cover color illustration. 7 pp. color illustrated article on Steadman's fascinating portraits of vultures. The original drawings were on display in his Exhibition 'Between the Eyes'. Ralph Steadman: A Comprehensive Guide for the Collector 43 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

20 Oct 2013: 3 page interview, illustrated. “Ralph Steadman / Drawn His Way”

Time Out. UK. Weekly entertainment listings, features, and reviews.

No. 150 / January 5-11. Cover Illustration: A Fanfare for Europe October 27-November 2, 1978. Cover illustration “The Spirit of Gonzo.” Also, two interior illustrations.

January 29-February 4, 1982. (#597) Cover illustration “Fear and Loathing in SW11.” Feature article by Steadman: “Taxi to the Suburbs-No Room at the Inn. A Savage Encounter on a Stairway in the Dark. Terror Hitches a Lift on the Battersea Park Road.” (Ralph goes in search of Hunter S.Thompson for the UK premier of a theatrical production of Fear and Loathing in Las Vegas.) Also, a full-page cartoon ‘Nixon Pisses Blood’.

The Curse of Lono. Four-part book serialization in issues 715-718, May 3, 1984 through May 30, 1984. This is the first UK publication of Lono; the book was not released in Britain until June 5. An abridged serialization, Steadman’s drawings are only in b/w except for a full-color cover illustration for the first installment, issue no. 715.

No. 150 Jan 5-11 2015. Cover illustration - "Brexit"

TR UK, a quarterly journal of Arabic poetry in English translation

Vol 1. No. 3, 1976. London: TR Press. Cover illustration. The artwork was also used as a poster to illustrate the poem Conversation Between an Ear of Corn and a Jerusalem Rose Thorn by Samish Al-Qasim.

Vanity Fair U.S. Monthly. Fashion, culture, entertainment, and politics

June 2004. Hunter S. Thompson’s “A Case of Colorado Justice.” 12-page feature on Thompson’s plea for the innocence of a young woman dubiously convicted of murder.

Viz. UK. Monthly; comic art and humor.

Issue No. 5, 1979. The Visual Arts Fashion Photography Issue. Cover illustration.

Vogue U.S. June 1969. “Making Fun of Themselves.” A feature on caricaturists David Levine, Alan Aldridge, Ralph Steadman.

Whisky Magazine. U.S. Quarterly.

Issue 6, Oct. 1999. Feature article “Ralph Steadman on Drawing and the Dram” and cover illustration.

Ralph Steadman: A Comprehensive Guide for the Collector 44 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Woody Creeker. Local news magazine; published at Owl Farm [Colorado], edited by HST’s wife Anita Thompson.

Spring 2008. Column by RS, “The People’s Art” with two illustrations.

Democratic Convention Issue, 2008. Cover illustration and column: “Obscenely Rich and Having a Nice Day”, with three illustrations.

World Art Quarterly. U.S.

April, 1995. "Blood and Ink! Ralph Steadman Splatters Orwell"

Wow/The Best of What’s on Where. UK monthly. Activity listings for Medway, Maidstone, and beyond.

June, 2013. Cover illustration. Announcement of the Best of …Art competition for 2013, featuring RS as judge and the Ralph Steadman Scholarship, co-sponsored with the University of Kent School of Arts.

YourflESh Quarterly. U.S.

No. 35, May 1997. Cover illustration for feature article on George Orwell and “Animal Farm,” with a 14-page illustrated interview.

Zoom Portfolio.– Le Magazine de l’image. French photography and cinema.

No. 25, June/July 1974. Ralph visits the Cannes festival.

Other UK and US magazines and journals known to have RS cartoons or spot illustrations:

Aspect, Daily Mail, Daily Mirror, The Director, Discover, Esquire, Gay News, GQ, Guardian, Illustrated London News, Illustrators, Information Research Magazine, J.D. Journal, Knave, Los Angeles Times, Management Today, Maxim, Men’s Journal, New Society, Observer (London), Radio 3 Magazine, The Rebel, Saturday Night (Toronto), Scotland on Sunday Magazine, Scotsman, South, Tatler, Town

Ralph Steadman: A Comprehensive Guide for the Collector 45 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

6. Album and CD/DVD COVERS and LINERS (By year of first release)

Elmo Hope Sextet. Informal Jazz. Esquire Records 32-039, 1956. 12” LP. Cover design for the UK release of the album depicts cartoon images of men in various positions reclining in chairs lettered with names of musicians.

Miles Davis, Stan Getz, Gerry Mulligan, et al. Conception. Esquire Records 32-052, 1957. 12” LP. Steadman designed cover in red, blue and yellow of abstract geometrical drawings.

Mose Allison Trio. Back Country Suite for Piano, Bass, and Drums. Esquire Records 32- 051, 1957. 12” LP Cover design for UK release of album with drawing of piano and stool in Victorian style. Steadman signs with middle initial.

Gil Evans. Gill Evans & Ten.. Esquire Records 32-070, 1957. 12” LP Cover design for UK release of album with drawing of mask of human face. Unsigned on cover but Steadman is credited on jacket.

Phil Woods, Gene Quill, Sahib Shihab, Hal Stein. 4 Altos. Esquire Records 32-074, 1957. 12” LP. Steadman designed cover with 4 green birds perching on line passing across light colored (possibly peach) cover. Steadman signs with middle initial and middle name written below initial.

Conception / Stan Getz, Zoot Sims, Lee Konitz, Miles Davis, Sonny Rollins, Gerry Mulligan. Esquire Records 32-052, 1957. 12” LP Cover design.

4 Altos / Phil Woods, Gene Quill, Sahib Shihab, Hal Stein. Esquire Records 32-074, 1957. 12” LP Cover design.

Gene Ammons All Stars. Funky. Esquire Records 32-077, 1957. 12” LP. Cover design for the UK release of the album depicts a man carrying a lion fish. The U.S. version (Prestige) has a different sleeve. One of Steadman’s earliest commercial works.

Marching with Happy Wanderers. Esquire Records 32-044, 1958. 12” LP. Cover design for the UK release of the album depicts a drumer marching while beating large drum with line of marching soldiers in red tunics following.

John Coltrane with the Red Garland Trio. Soultrane. Esquire Records, 32-089. 1958.

Happy Wanderers Plus One. Dozen Evergreens from 1919 to 1930. Esquire Records 32- 081, 1959. 12” LP. Cover design for the UK release of the album depicts marching band members drawn from green triangles holding instruments and titles in squares with scrolled sides.

Brian Auger and the Trinity/Julie Driscoll. Streetnoise. Atco SD 2-701, 1969. 12” LP. Double gatefold cover and interior artwork.

Paul Brett. Earth Birth – First Twelve String Guitar Suite. RCA Limited, London, PL 25080. 1977. 12 “ LP with cover designed by Steadman in tones of red with splatter and images of hand and finger. Steadman also credited for Executive Production.

Alex Korner. Beirut b/w Mean Fool. Charisma Records CB412. 1984. 7" 45 rpm in plain white sleeve. A limited edition, accompanied by a 14"x21" poster illustrated by Steadman, folded to the 7” disc size.

Ralph Steadman: A Comprehensive Guide for the Collector 46 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Paul Brett. Phoenix Future. Phoenix Future, Creative Cooperative. PF 001, 1975. 12” LP. Individually numbered private pressing. Front cover illustration of a phoenix arising from a flower. Quite scarce.

Fisher-Z. Remember Russia. United Artists Records, 1979. Picture sleeve for 7” 45 rpm. B/W illustration of a man on crutches with legs being amputated by machinery gears.

T.V. Smith's Explorers. Tomahawk Cruise b/w See Europe. Big Beat Records, 1980. Picture sleeve for 7” 45 rpm.

The Who. Happy Jack b/w I’ve Been Away. Polydor (UK), PD9182. 1966. 45 rpm picture sleeve.

-----. Decca (US) 32114.

Ambrosia: Road Island. Warner Bros. Records BSK3638, 1982. 12” LP. Cover, sleeve, and label. [The album was also released as a picture disk, using the cover artwork in both 12" and 7" EP formats.)

-----. Audiophile Promotional ELP. Same illustration on cream-colored jacket but with only four of the songs that were on the full album.

-----. How Can You Love Me/Fool Like Me. 7” single from the album, distributed in the UK by WEA Records. Picture disc in clear plastic sleeve.

John Arlott Talks Cricket. Charisma [CAS1157), 1982. 12” LP. Also issued as cassette inside illustrated cardboard box with three 5½ x 8” postcards of C. B. Fry, Hobbs and Sutcliffe, and Jim Laker. [CASMX 1157], 1982

Peter O'Sullevan Talks Turf. Charisma/Virgin Records, 1983. Spoken word cassette together with three 5"x7" prints by Steadman. Illustrated box. Reissued in CD format.

Fact 89. Co-release by Factory and Ikon F.C.L., 1983. VHS tape of various comedy sketches performed by John Howie recorded at Carlton Studios, Edinburgh. Steadman cover art on VHS box and on VHS tape label.

The Last Nightingale. London: Recommended Records, 1984. A 12", 45 rpm compilation to benefit the Miners' Strike Fund. Tracks by Lindsay Cooper, Chris Cutler, Robert Wyatt, Adrian Mitchell, and Henry Cow. First pressing of 2500 copies. Sleeve design by Steadman.

Alex Korner. Juvenile Delinquent. Virgin Records CAS 1165, 1984. 12” LP.

Beaver Harris/Don Pullen. 360° Experience. Shemp Records, HWSI 2701, 1984.

Artists for Animals/Abuse. Slip Records (UK), 1985. 12” LP sleeve design of a polecat in a snare. A collaboration by nine different musicians/bands with all profits donated to the Animal Liberation Front. Songs by the Style Council, Anne Clarke, Kevin Hewick, Robert Wyatt, Madness, Attrition, Durutti Column, and Ralph Steadman himself.

Soundtrack: Withnail and I. LP Soundtrack: Avan-Guard (UK), 1986. LP: SBL 12007.

Ralph Steadman: A Comprehensive Guide for the Collector 47 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

-----. DRG (UK), 1987. LP: SBL 12590; CD: CDSBL 12590. DVD released in 2001 by Criterion Films.

-----. VHS box label for “Tenth Anniversary Edition, 1986. Color label, 8 x 10”

The Crazy Never Die. Mitchell Bros. Film Group, 1988. VHS tape storage box.

-----. Mitchell Bros. Film Group, 2005. DVD reissue with Steadman illustrations on both the case and DVD.

Ola and Elefriends. Let Me Live. Endangered Species Records. 1989. 7 inch square black paper cover for 45 rpm record with the head of an elephant with raised trunk and title in red lettering by Steadman.

Nils Lofgren: Crooked Line. Rykodisc RCD 10238, 1992. LP sleeve and CD jewelcase

Exodus: Exodus. Capitol Records C2-96676, 1992. CD liner and outer sleeve. 24”x24” display poster.

Morgan Fisher: Miniatures. Pipe, PIPE 2, 1980. 12” LP with cover illustration of profile of human head in b & w with red ear.

-----. Voiceprint / Blueprint BP159. CD reissue with new artwork, 1994. CD liner.

Nils Lofgren: Child Could Tell. Essential ESS X 2018, 1992. CD cover.

Stanshall, Vivian. Sir Henry at Ndidi's Kraal. Demon Records, 1994. 12" LP.

Frank Zappa: Have I Offended Someone? Rykodisk RCD 10577, 1996. CD liner. The artwork uses one of the original illustrations for Tony Palmer’s book "Born Under a Bad Sign".

Hunter S. Thompson: Fear and Loathing in Las Vegas. Margaritaville Records, 1996. CD liner. A spoken word performance of the book, featuring Harry Dean Stanton, Jimmy Buffett, Joan Cusack, Buck Henry, George Segal, Jann Wenner and others, with musical additions.

-----. Promotional edition, with orange label on CD case and CD with illustration

Closed on Account of Rabies/Poems and Tales of Edgar Allen Poe. Polygram Records 5364804, 1997. Paper cover for a box of 2 cassette tapes issued as set.

-----. Mercury 314536 480-2, 1997. CD liner.

Remington/Balm of Gilead. No label credit, [1997]. Single piece of folded stiff black paper serves as the sleeve for a 7” vinyl record, with lettering and three distorted photographs by Steadman in the style of Paranoids glued to the front, and a drawing inside. Illustrated paper insert with list of tracks by the two bands, images, and credits, including credit to Steadman for cover art.

Doctor of Divinity VHS tape. Cartoon of HST with Sherrif’s badge and wearing blue jacket, dated 1997. Printed on paper label with VHS cassette, may be bootleg publication

Ralph Steadman: A Comprehensive Guide for the Collector 48 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Johnson Brothers: Tastes Like Chicken. Biggs Johnson and the Johnson Brothers, 2000. CD Cover art of elements of U.S. flag, with cartoons and lettering, signed on cover. Steadman credited in liner.

I Like It. CD liner and booklet. Steadman selects 16 of his favorite musical selections, including one of his own and another with Hunter Thompson. Cover portrait and numerous interior illustrations.

The Tonsils. Independent [UK] [2001]. 12” LP outer sleeve, label, and inner liner that opens to an 18”x12” poster.

Nils Lofgren: Break Away Angel. Vision Music 1009, 2001. CD liner.

Plague and the Moonflower. An oratoria by Richard Harvey with Libretto by Ralph Steadman. Altus Records, 1999. No. ALU0001. Harvey’s music with Steadman’s libretto and artwork. Steadman created the profusely illustrated CD booklet for this reissue; the opera was first published without artwork in 1989.

Love Underground, the Lobster, and Other Tales. The Mephisto Ensemble. Meridien Records, CDE94498, 2003. Includes “Love Underground”, an opera in miniature with libretto by Steadman, music by Richard Harvey. Cover illustration. First produced at the Norwich Festival, 1998.

Fear and Loathing in Las Vegas. Criterion Collection. N.d. 2-disc DVD of the 1998 film staring Johnny Depp and Benicio del Toro. Outer packaging copies Steadman’s design from the book’s original dust jacket. Disc 2 is a gallery of artwork from Ralph’s earlier Rolling Stone articles and from his proposed artwork for the film titles, which were not used in the film.

Gonzo/The Life and Work of Dr. Hunter S. Thompson. Magnolia Home, 10144. 2008. DVD documentary. Steadman calligraphy on cover and disc.

Exodus: Force of Habit. Caroline Records B00112 RCMGK, 2008. CD Cover illustration of a screaming bird.

Justin Kalk Orchestra. Blue Sky Traffic. FONQ Records, 2009. CD Cover illustration of “Stiff Neck Rocker” giraffes and another illustration inside the liner.

Slash/Deluxe Edition. Dick Hyad Record, 2010. Portrait design by Steadman is used for the cover of a three disc package of video and audio, a 12 panel booklet, limited edition guitar pick, tour poster, and T-shirt.

Oh, Pa/David Greenberger & Ralph Carney. PelPel Recordings, PP8707, 2011. Text, music and monologues. CD liner.

Dowie, John. An Arc of Hives. Boutique/LTM, 2012. CD liner for the British comedians remastered CD, containing tracks originally released between 1977 and 1981.

The Kentucky Derby is Decadent and Depraved. Paris Records, 2012. CD cover reproducing original drawing of a jockey on a horse with its owner holding the reins ... from the original story published in Scanlan’s magazine, 1970. Steadman is included among actors

Ralph Steadman: A Comprehensive Guide for the Collector 49 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

performing extracts from the magazine article text as well as contributing original artwork to the CD liner.

Justin Kalk Orchestra. Volcano. Superstar Records, 2014. Cover lettering by Steadman with the image of a heap of objects topped by an infant with outstretched arms. Album issued as 12” vinyl record in edition of 100 copies, as a CD in an edition of 200 copies.

-----. Poster of the cover art advertising a performance on April 3rd at Mercy Lounge. 11 x 17”. Limited to 50 copies signed by Justin Kalk.

Breaking Bad. Sony Pictures Home Entertainment, 2014. [BXSTV402TB]. A 'limited edition" boxed set of fifteen Blu-Ray discs housed in six 'steelbook' sleeves, one for each season. Each steelbook is decorated with a cover illustration by Steadman depicting one of six main characters, plus inner packaging designs and disc labels. " I watched the Breaking Bad whole series in two weeks and now suffer withdrawal symptoms. At first, I thought 'this series is going to be all about death and desecration,' but instead became a more complex landscape of human relationships. I hope I put something of these feelings into the portraits that I made of the characters, which were landscapes in themselves. An irony in the subject of crystal meth is how beautifully it resembles the desert sky." The Dutch first edition of the set predates the UK version by approximately two months. The Dutch discs were sold as a set inside an illustrated cardboard box. The UK versions were issued only as individual disc packages.

Man Who Woke Up in the Dark & Striped Paint. Pomona, CA: Philthy Phonographic Records, 2015. 45rpm record, 7”, issued in five editions: Ralph Steadman Library Test Pressing (15 copies); Custom Art Edition (20 unnumbered copies in sleeve with Steadman’s splatter signature illustration in two colors); Original Art Edition (25 copies, signed and numbered sleeve with Steadman splatter signature in black with cartoon in red), Steadman Platter Edition (75 copies in sleeve with illustration from I Leonardo); Ralph Red Edition (200 copies pressed in opaque red vinyl in same sleeve as Steadman Platter Edition). Two songs selected from a collection of songs recorded in 1984 to accompany publication of I Leonardo.

Safe/Do Something. Save the Children, nd. 45 rpm record, 7”. One side with “Safe” by Andy Fitt and the other side with “Do Something” by C. Panton, A. Butler, and M. Duff. Sleeve illustrated with black and white drawing with skeletons and dying figure in front of moon and “Is There Light at the End of Tunnel?” in Steadman script inside cartoon frame.

Furnaces. Ed Harcourt. Polydoor Records, UK, 2016. CD Sleeve with painting of flames in red, signed, and listing of tracks on reverse side in Steadman lettering. Promotional CD with 12 tracks, CD numbered and watermarked

-----. Limited edition poster with image from cover of CD. Numbered edition of 530, 16½ x 11½”, signed by Steadman in the printed image.

Joy Formidable. Hitch. Joy Formidable, Ltd., UK, 2016. CD Sleeve with title of album in red splatter lettering by Steadman over B & W photo.

-----. LP Vinyl release of same album. Joy Formidable, Ltd., UK, 2016. -----. Caroline, 2016. [US] Sleeve calligraphy and disc design. -----. Mini tour poster. 5¼ x 4”. Same illustration as cover of album with name of album in red splatter lettering by Steadman, with tour dates and info about purchasing tickets

Ralph Steadman: A Comprehensive Guide for the Collector 50 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Huncho Jack, Jack Huncho. Quavo and Travis Scott. Quality Control Music, 2017. Steadman cover for album. CDs with artwork printed on CD and as label for case were sold, either as promotional releases or as bootlegs.

Ralph Steadman: A Comprehensive Guide for the Collector 51 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

7. Entertainment POSTERS, FLYERs, and PROGRAMS (By title; all sizes are approximate)

Actor Aid presents Improvisation 85. Poster, 24”x18”. Twelve hours of non-stop improvised theatre to benefit famine relief in Africa. October 20th 1985. At the Donmar Warehouse, Covent Garden. Promotional flyer in two colors with this image was also distributed.

-----. Also issued in a limited edition of 65 signed and numbered copies.

Almonds and Raisins. Film Poster, 27”x40.” 1984.

The Almost Free Festival of Comedy. Program; 8-1/2”x11” stapled wrappers. University of Ulster, Theatre Studies Week, 1990. Cover illustration.

Arts Betrayed – Concert for Romania’s Children. 4 x 8” flyer, single sheet, printed in green and black, announced program includes extracts from “Plague and Moonflower.” Steadman calligraphy.

Beginning to End – Jack MacGrowan’s Samuel Beckett. Celtic Arts of Canada, St. Michael’s Theatre, Toronto, 1986. 23¼ x 16¾ color poster of actor on stage standing in spotlight, with name of show in large gold lettering by Steadman. Also limited edition of 50 copies signed and numbered by Steadman.

Bertolt Brecht/Mother Courage and Her Children. Posters, 20"x28 and 11”x16”. Royal Shakespeare Company, 1984.

-----. Programme, 8"x12”. stapled wrappers. Cover with calligraphy by Steadman, several illustrations with calligraphy inside.

Beirut. 60" x 40” Limited edition poster distributed with A 7” record by Alex Korner; album released by Charisma Records,

Biografilm Festival/Look Forward/ Bologna / 7-17 June 2013. Size unknown; red background with a portrait by Steadman and the legend "Who Me?, No!!! Why???" One of several posters for the festival, which featured the RS documentary "For No Good Reason". The legend is taken from Steadman's 1986 poem published by the Steam Press and originally illustrated by Carol Ann Duffy.

Black Nightingale - The True Story of Mary Seacole. Poster, 23”x16”. A play by Michael Bath; Dual Control Theatre Company, (1989). An 8 x 6” color flyer with the poster image in miniature was also distributed.

-----. 4-page program; several drawings and text headings.

Canterbury Festival, 1990. Poster, 16”x12”.

Ralph Steadman: A Comprehensive Guide for the Collector 52 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

-----. Souvenir Program. 12”x8”, 112 pages, glossy wrappers. Front cover and interior illustrations. One of the featured events was a production of The Plague and The Moonflower, a collaboration in words and music between Steadman and Richard Harvey. The program contains a synopsis of the production; no artwork. -----. Promotional brochure, 3”x7”; program entry with small illustration.

Nils Lofgren: Crooked Line. Rykodisc RCD 10238, 1992. 18”x24” display poster.

Fear and Loathing in Las Vegas. London: Gate at Latchmere Theatre, n.d. 22½ x 16” promotional poster with Bats Over Barstow image, printed mostly in shades of orange.

Fear and Loathing in Las Vegas. London: Fortune Theatre, Russell St., Convent Garden. 8 x 5” flyer with Bats Over Barstow illustration printed in blue, yellow, orange, and black on front, production details and booking application form on verso. Flann O’Brien’s Hard Life – or, Na Gopaleen’s Wake. London: Tricycle Theater, 2000. Program, 12 pp. Cover illustration.

Flann O'Brien's The Dalkey Archive. Hull Truck Theater Company. Studio Theater. 26-31 March 1978 The Floater. Cheaply made advertising poster for the production at the Latchmere Theatre, London, 1991. Black & white illustration of a humanoid butterfly, title in Steadman text. 16”x12”

For No Good Reason. Poster, 2014. 27 x 40”color poster featuring Steadman and Johnny Depp walking, with cartoons of two men and a dog and other images; names of film and participants in film are in Steadman lettering. Variations of this poster were created for releases of film outside Britain.

Frank Zappa: Have I Offended Someone? Rykodisk RCD 10577, 1996. 18"x18" display poster.

Fringe Benefit. A National Effort in Support of Comic Relief. 1995. sponsored by Time Out magazine. 59x42cm

Gary / A Sequel to Titus Andronicus. NY: Booth Theater. Opening date April 11, 2019 for a projected 22 week run. A comedy by Taylor Mack, starring Nathan Lane.

Gonzo/The Life and Work of Dr. Hunter S. Thompson, 2008. 39½ x 27" color poster promoting film of the same name, Steadman calligraphy.

The Government Inspector/by Nicolai Gogol. Poster, 20”x30”. Compass Theatre Company/Arts Council of Britain. [1987].

Grimaldi - a new Play by Michael Bath. Warehouse Theatre, Croydon. 25 Nov 7 Dec 1986. 64x45cm. Inspired by the Memoirs of Joseph by Chas Dickens

Grub Street Opera, The. by Henry Fielding. Magnificent Theatre Company/Theatre Royal, Bath. 3 Oct 1993 42cmx30cm

Henry VIII. Ralph Steadman: A Comprehensive Guide for the Collector 53 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Posters, 20"x30" and 11”x16”. Royal Shakespeare Company, 1983.

-----. Program, 8"x12”. 24 pages; stapled wrappers. All sketches, headpieces, tailpieces and calligraphy by Steadman.

How Pleasant to Meet Mr. Elliot. Poster, 16"x23". A Celebration of the Centenary of the Birth of T.S. Elliot. Queen Elizabeth Hall, 26 Oct 1988.

-----. Program. A single sheet folded to make a 4-page booklet. Cover illustration and text headings by Steadman.

Live in Person Dr. Hunter S. Thompson. Fear and Loathing – A Savage Journey to the Heart of the American Dream. Poster, 11 x 14”. Poster announcing appearance of HST at University of Nebraska Friday, March 16 (1990). Printed on light yellow paper featuring “Vintage Dr Gonzo image of HST and Steadman lettering with details of appearance. Sponsored by Duffy’s Cosmic Comics. Tickets also had Steadman lettering (perhaps imitation), 2 x 5½”.

Look Back in Anger. 6”x8” trifold card. Announcement and ticket application form. The Renaissance Theatre Company, June 11, 1989.

Macbeth. Posters, 20"x 29-1/2" and 11”x16”. Royal Shakespeare Company, 1982.

-----. Program. 8”x12”. Calligraphic cover, no artwork.

Manifest Destiny – Terrorist Opera Set to Storm Theatre World Poster, 11½ x 8¼”, Tricycle Theatre and Cinema (2004). Color poster with color illustration of prisoner behind bars with heart chained to bars, red lettering by Steadman. Performed at Tricycle Theatre on 27 June 2004 after premiere at Cockpit Theatre in 2003.

The Merchant of Venice. Poster, 20”x30”, Royal Shakespeare Company, 1992.

Notre Dame: A Musical Thriller. Theatre Flyer (1991). 12”x16”.

One Flew Over the Cuckoo’s Nest (Ken Kesey). Liverpool: Everyman Theater, (1975). 8 pp. program. Ralph designed the set for the play and the program reproduces his sketches.

The Pig & The Junkie. One sheet flyer, 12”x8” illustrated with small drawing of a pig and two flowers.

Plague and the Moonflower, The. Poster, 11”x17”. Canterbury Festival, October 1990. Flyer for Steadman’s music and art collaboration with composer Richard Harvey. Performed by Ben Kingsley and Ian Holm.

-----. 6”x9” illustrated card handbill.

Remember Russia. Ralph Steadman: A Comprehensive Guide for the Collector 54 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Display poster for the album by Fisher-Z. 22”x22”. (1978). Black and white illustration of a man being attacked by machine cogs.

“Scenes from a Marriage.” Program, 24 pp., stapled wrappers. Royal Shakespeare Company, 1985-6. Cover illustration, several interior illustrations and calligraphy.

-----. Poster, 20”x30”

The Secret Policeman’s Ball. 14 October 2006 Royal Albert Hall / Protect the Human /Amnesty International. 60 pp. program includes a 2-page color spread ‘peace keepers’ p. 20-21

Shrinking Man / David Glass Mime. Drill Hall Arts Centre, 1985.. Poster, 23-1/4”x16-1/2” and two-color flyers, 16”x13”, and 8 x 5¾” with promotional text on reverse [1985] Caricatures of actor David Glass for his one-man show of mime.

Sounds Unusual. Program, 6”x8-1/2” folded sheet to make a 4-page booklet. Program of events for the South Bank Centre’s presentation of the “First Great Festival of Sound.” Cover illustration and text headings.

Touchez Pas au Roquefort! La Tortue Magique Theatre (n.d.) Handbill for a marionette production based on Inspector Mouse, produced by a traveling French theater company. 9" x 4¾" flyer printed in color with characters from book. Undated but probably 1980-81; a recording of music from several of the company's shows was released in 1983.

Ubu. Music Theatre Wales, 1992. Advertising poster for the opera by Andrew Toovey, 16”x11”.

Verdi’s Nabucco at Castle Gardens Kent. Concert poster, 16½ x 11½ (1993). Color poster with cartoon of prisoners in chains and details of production of opera at Castle Gardens, Kent.

War Kills. 2003. One of a set of eight posters commissioned by the Stop the War Coalition in 2003 to protest Britain's involvement in the US led war in Iraq. A limited edition of 100; collage style poster with the words "war kills" echoing health warnings on cigarette packages.

Where the Buffalo Roam. Film poster, 20"x28". (1980) Caricature of HST as a buffalo superimposed over a spattered American flag.

-----. Music poster, 20”x30” (1980). For the soundtrack album with music by Neil Young. Same general design as the film poster.

-----. Film poster, 28”x41”. A photographic image of Bill Murray accompanied by a bat. Steadman contributes only the title calligraphy.

Where There’s a Will. Royal Shakespeare Company, Barbican Theater. 1985. Poster.

Widower’s Houses. Everyman Theatre, Liverpool. Undated, circa late 1960’s. Program with cover illustration of the cast and double-page spread of Steadman’s costume designs, based upon his illustrations for Love and Marriage by Daisy Ashford.

Withnail and I. Ralph Steadman: A Comprehensive Guide for the Collector 55 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

One-sheet poster for the 1987 British film. 30”x40”

Who? Me!! No!!! Why Not? Feb 4- Mar 18 2003. The Distillation Art Gallery, 1998. In conjunction with the publication of his book Doodaaa3. ;and Gallery @49 NY

Zimmerman Blues Magazine Presents Dylan Revisited 79. "Official Programme, Portland Hotel, Manchester, 27-29 July, 1979". Front cover illustration. Stapled wraps, 12 x 8 1/4 inches, unpaginated (16 pp.)

Ralph Steadman: A Comprehensive Guide for the Collector 56 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

8A. LIMITED Edition POSTERS and PRINTS Roughly, by year...

“Our Keen Young Trainee Hairdressers Will Satisfy Your Every Kink”. [1963?] 11½ x 8” etched image of splayed naked woman reclining on couch with suited man looking from a distance and another standing figure in the distance. Sheet size is 18 x 12”, fine paper. Apparently done for Mary Quant’s Ginger Group in Knightsbridge in the early sixties, signed in plate, no edition markings.

NIXON: "4 More Years Will Suit Us Just Fine, I Guess." [1972] Offset lithograph printed by Rolling Stone in an edition of 100 numbered copies. A man and woman in "Nixon" campaign hats in the foreground (she's saying, "4 more years will suit us just fine, I guess"), with Vietnam protestors huddled in tents under a convention center's palm trees in the background. According to Steadman, this was one of just a few images produced when he and Hunter Thompson were at the Republican convention in Miami and as far as he remembers, they were a "give-away." Black-and-white print, 29” x 22.5”.

White Rabbit. 1972, 24”x20”etching. Limited to 50 signed and numbered copies.

Through the Looking Glass and What Alice Found There. Four Etchings. London: Steam Press/Idea Books. 23"x31.5", An edition of 65 signed and numbered copies with the embossed seal of the Steam Press. Published to commemorate the centenary of the 1872 edition. The titles are: Through The Looking Glass, All the King’s Horses, Wool and Water, and Sunset. Auction records show other sizes of 16.5"x22" and 20"x24" and by another publisher Editions Alecto. I am certain that the publisher "Editions Alecto" is an error. The other two sizes may be erroneous listings, or may have been overruns or proof printings in other sizes.

The Hunting of the Snark; An Agony in Eight Fits/Six Etchings. London: White Ink, 1975. Six copper etchings and title page interleaved with archival tissue in black linen portfolio. 18”x12”. Limited to 65 signed and numbered sets.

Sigmund Freud. White Ink, Ltd., 1979. Seven 22-1/2”x30” silk-screened prints plus title and colophon pages. Limited to 98 signed and numbered sets, within a black cloth portfolio.

The Corpulent Lady. 1979. A series of five drawings, starting with the original concept and progressing through a series of ideas to the final illustration. A limited edition of 850 sets with the final drawing printed on hand-made paper, numbered and signed.

Shakespeare. 1980-83. Signed limited edition prints for the Royal Shakespeare Company.

Macbeth, 1982. 25"x35", heavy card stock. 100 copies Henry VIII. 1983., 25"x37", heavy card stock. 100 copies. King Lear. 1984. Etching and aquatint, printed in sepia, 12"x18". The image is of Lear and the fool on the edge of a cliff, edition of 250 signed and numbered copies with an additional page of text in Ralph’s script, both pages printed on heavy stock paper and placed inside chocolate brown folder with RSC logo. Printed by the White Ink Studios, with the text and original presentation sleeve. Some auction records misstate the year of publication as 1979.

Ralph Steadman: A Comprehensive Guide for the Collector 57 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

A Festival of Arabic Poetry. TR Press, 1981-82. Ralph designed three posters to help promote a Festival of Arabic Poetry. Each poster features the complete poem in Arabic with an English translation by Abdullah al-Udhari. Each limited to 100 signed and numbered copies.

-----. Adonis/A Mirror for the Twentieth Century. 27”x19”.

-----. The Minaret. 18”x23”. The artwork was later used for the cover of the paperback anthology Modern Poetry of the Arab World (Penguin, 1986)

-----. Conversation Between an Ear of Corn and a Jerusalem Rose Thorn. 16.5”x23”. An antiwar poem. The artwork was also used as the cover art for TR magazine, an English journal of Arabic poetry in translation.

Earth Poem. Poster, 27”x19”. Poetry by Mahmud Darwish, published in both Arabic and English translation by Abdullah al-Uhari. Color illustration is of a large screaming figure laying on a platform with a spray of blood coming from his mouth. Poem by Darwish has 24 lines and reads in part: "and they searched his chest / but could only find his heart / they searched his heart / but could only find his people."

Leonardo: drawing machine. Signed edition of 300 for the Royal Festival Hall, 1983.

Leonard and Michelangelo. Signed edition of 250, 1984.

Free John McCarthy Poster #1. 1986, 35 x 25”. Black image of rectangular cell with torso of person peering out from inside. Published in response by John McCarthy’s fiancé to help raise funds to help free John McCarthy, British journalist covering the crisis in Lebanon kidnapped by Islamic Jihad terrorist. Signed posters were issued in edition of 98 copies.

Free John McCarthy Poster #2. 1986, 35 x 25”. Black and white image of human torso with dark black arc representing screaming human face. Published in response by John McCarthy’s fiancé to help raise funds to help free John McCarthy, British journalist covering the crisis in Lebanon kidnapped by Islamic Jihad terrorist. Signed posters were issued in edition of 98 copies

Produce of a Civilized Society. 1987, 19”x25”. Published as a fundraiser for Homeless International; signed and numbered edition of 200 copies.

Suite from The Big I Am. 1988. Four lithographs utilizing selected illustrations from The Big I Am. Each 33"x23-1/2" on heavy rag stock. "Twentieth Century Man"; "The Alchemist"; "The Tribe"; "The Plague Bridge". The prints were issued in an edition of 150 copies with 100 numbered and signed for sale.

-----. Illustrated Prospectus. The October Gallery, 8-1/2”x11”.

Modern Fiction and Art/Prints by Contemporary Authors. Lexington: Petro III Graphics, 1999-2000. Exhibition catalog containing two signed silkscreen prints and a separate numbered colophon, published for the University of Kentucky Art Museum, Lexington. The two original color silkscreens are Red Shark by Steadman and Messenger by Kurt Vonnegut. Both are 12”x16-3/4”, housed in a black ribbon-tied portfolio. Limited to fifty sets, numbered and signed by Steadman, Kurt Vonnegut, and printmaker Joe Petro.

Ralph Steadman: A Comprehensive Guide for the Collector 58 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

STOP/Art Against War. London: The Stop the War Coalition, 2003. A limited edition of 100 copies. Set of eight unique, signed posters created for the Stop the War Coalition. The artists were: Peter Kennard, Martin Rowson, David Gentleman, Jamie Reid, Steve Bell, Ralph Steadman and Clifford Harper. Each poster measures approximately 17 inches by 24 inches.

Pax Brittanica: A Hellish Peace. London: Aquarium Gallery, 2004. The anti-war art exhibition, 16-Mar-17 Apr, 2004, included three contributions by Steadman and 26 other drawings by 22 other artists. 9-1/4"x12-3/4" in black portfolio box. 29 limited signed prints, on various media, by the twenty-three artists in the exhibition. Steadman also designed the cloth label affixed to the box. Limited to 100 sets. Virtually all of the other artists were young, including Banksy. As one of two "senior" artists of the group [The other was Martin Rowson], and the only one with three images contributed, Ralph's participation was clearly an endorsement by the younger anti-war artists to his lifelong commitment to using very graphic and even violent art to pr0test war.

-----. Wall poster to accompany the exhibition. 16.5"x23.5". Limited to 100 signed copies, but subsequently reprinted for broader distribution.

Extinct Boid Series. London: Jealous Gallery, 2011 75x57 cm. Editions of 36. Published for a gallery exhibition to commemorate publication of his book coauthored with Cery Levy. Signed lower right in pencil, numbered lower left. With the Jealous Gallery blind stamp lower right. Giclee prints by archival inkjet on Somerset 300gsm paper.

The Great Disputed Double-Banded Argus. Liverpool Pigeon. New Zealand Moa. Pallas Cormorant Moor Pen and Needless Smut Laughing Owl St. Helena Giant Hoopoe Di Dodo Columbian Grebe Choiseul Crested Pigeon Guadalupe Carcara

These prints are still available through Steadman's own website but the size shown is slightly smaller, 52cmx72cm, and with two additional birds.

Martinique Amazonian Parrot Jamaican Red Macaw

The Jokes Over Collection: Limited edition silkscreen prints, most single color but several two- and three-color prints. 2005- 2006. Sold through Ralph's websites. Approximate size [inches], edition size

Vintage Save Journey, 22x30, 100 Old Blue Eye, 15x22, 250 Lizard Lounge Vegas, 22x30, 250 Midget Bad Craziness, 5x11, 700 Going Home, 22x30, 36 Hunter in Straight Jacket, 22x30, 250 Up, Up and Up Yours, 22x30, 250 Ralph Steadman: A Comprehensive Guide for the Collector 59 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Gonzo Guilt, 22x24, 250 Splattered Guilt, 22x30, 25 Let's Party, 22x30, 250 Aspen Nights, 22x30, 25 Spirit of Gonzo 22x30 250 City of Refuge, 22x30, 250 Lono's Fighting Chair, 22x30, 250 Hunter S. Thompson, Twisted Meat Artist, 15x22, 250 Mean Mouse, 15x22, 180 Albert's Old Lady, 22x26.5 250

Gonzo Art Limited edition silkscreen prints, most single color but several two- and four-color prints. 2010. Still available on Ralph's websites

Hunter S. Thompson in the Red Shark driving through the desert 13x22 300 Barstow City Limits 9x11 800 The Brain of Hunter S. Thompson 11x15 800 The Kentucky Derby is Decadent and Depraved 22x30 77 The Curse of Lono 22x30 77 Lizard Lounge Vegas 22x30 250 [2006] similar to the Petro print but in b/w only Midget Bad Craziness 5x11 2005

Animal Behaviorist Prints Fictional creatures; eight different one color silk screen prints, 2010. 11"x15", 60 signed and numbered copies.

Simboculus noop (Luserphile) and Bullimpompus torquonlinus (Pronkmoker) Penipulus nipt [Roonsplat] Oorkimum doot [Dutch Lap) Lupodopterus Limeylarca [FlapWink] Eudocima bunkidea [Slob Toad] Doinkzimpinum polowallot [TeethNeed] Scontolus bunk [Shog] Tursiops lupinus [Grunt Slob]

Wine Prints Approximate size, edition size

Chateau Chateau White 1984 31.5x47.25, 75 Chateau Chateau Red 1976 31.5x47.25, 75 Vintage Syrah 22x30, 10 Syrah Sirrah! 22x30, 40 Vintage Cardinal Zin 22x30, 10

Cabinet of the Mind. Series of six signed inkjet prints in a limited edition of 18 sets on 400 gsm Bockingham Mould Made paper. 43"x38". Produced in collaboration with Peacock Visual Arts, Aberdeen, 1990.

www.Steadmanclassics.com

In 2016 Ralph started selling custom prints [i.e. print on demand] through an authorized agent in Kent -- Andrews Imaging. These are giclée prints on Platinum Matt 29gsm paper and signed by

Ralph Steadman: A Comprehensive Guide for the Collector 60 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Ralph; available in multiple sizes. Approximately 150 images are displayed on the website, but the list changes periodically.

Ralph Steadman: A Comprehensive Guide for the Collector 61 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

8B. Limited Edition Prints (PETRO III Graphics)

Limited edition posters and prints published in collaboration with Joe Petro, Petro III Graphics, Lexington KY. Some of the images are original; other’s were previously published but were redrawn or enhanced with additional colors.

Bats Over Barstow. 1994. 40”x26”, five-color silkscreen adaption of the illustration Steadman drew for the cover and title page in Fear and Loathing in Las Vegas. Edition size: 77.

-----. Printed in white on black arches paper, in an edition of 20.

Bub. 1994. 22" x 30". Nine-color silkscreen based on Steadman’s image of Petro’s parrot attacking a tennis ball. Edition size: 50.

-----. Another version printed in eight-colors on Black Arches Cover paper was produced in an edition of 20.

Vintage Dr. Gonzo. 1995. 16-1/2”x19””. Four color screen-print caricature of HST. The image is from Fear and Loathing in Las Vegas (1972), p. 79. This print was done to commemorate the 25th anniversary of Ralph’s collaboration with HST at the May 1979 Kentucky Derby. Edition size: 500.

The Sheriff. 1995. 30”x40”. This image is the first art collaboration between Ralph and HST. A previously unpublished image based upon Thompson’s publicity picture while campaigning for sheriff of Aspen. Each print was signed by both. Edition size: 77

Lizard Lounge. 1997. 50”x38" Nine-color silkscreen of one of the illustrations in Fear and Loathing in Las Vegas, pages 30-31. Edition size: 77

-----. Alternate version printed in black and red only. Edition size: 4

-----. Alternate version printed in black and white only. Edition size: 13

Hunter S. Thompson. 1997. 38”x50”. Five-color silkscreen portrait of HST in black, with hand- applied watercolor and ink unique to each print. Edition size: 7

Patriotic Primate. 1997. 50”x38. Three-color silkscreen with hand-applied color pencil. The image is one of HST originally drawn for a Thompson article in Time magazine, but not used. Each print is unique with hand-applied colored pencil. Edition size: 9.

Positive Primate. 1997. 22"x30" one-color silkscreen version of one of the single images in Patriotic Primate. Edition size: 30.

Negative Primate. 1997. 22"x30" one-color silkscreen; a reverse image of Positive Primate. Edition size: 30.

Red Primate and White Primate. 1997. 30"x44"" one-color silkscreens on black arches cover stock; a reverse image of Positive Primate. Edition size: 10 white, 3 red.

The King. 1999. 22" x 30". Five-color silkscreen of Elvis Pressley, dating from 1969. Edition Size: 4. Ralph Steadman: A Comprehensive Guide for the Collector 62 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Lost Chapter. 2000. 15”x22” Five color silkscreen of HST. The image was originally drawn for Fear and Loathing in Las Vegas but was not used. The illustration was eventually published in Gonzo the Art (1998). Edition size: 53

Lono’s Marlin Mask. 2000. 30”x22". Four-color silkscreen of images originally done for the cover of The Curse of Lono. Edition Size: 77.

Kentucky Derby 1970. 2000. 30”x22”. Five-color silkscreen print. The image was first published in Scanlan’s magazine, Vol. 1 No. 4 (June 1970) – the first collaboration between HST and Ralph: The Kentucky Derby is Decadent and Depraved. The edition included a three-color silkscreened broadside recounting the event in Steadman’s script. Edition Size: 77.

Lousy Lizard Lounger. 2000. 11”x15”. Two-color silkscreen; previously unpublished image, but in the style of Fear and Loathing in Las Vegas. Edition size: 49

Desk Clerk, Moray Eel, Las Vegas. 2000. 22”x15”. Three-color silkscreen of one of the images drawn for Fear and Loathing in Las Vegas but not used. Edition size: 50

Cardinal Zin. 2000. 22”x30” Five color silkscreen of the label design drawn by Ralph for the Bonny Doon Vineyard in 1995. Edition of 40.

Syrah Sirrah. 2000. 22"x30". Four-color silkscreen print of the label design of Bonny Doon’s Domaine des Blagueurs in 1996. Edition Size: 40.

Schlumphen Man. 2000. 22”x30”. Black and white image; previously unpublished but in the style of Fear and Loathing in Las Vegas. Edition size 24.

William Shakespeare. 2000. 40"x30-3/4". Silkscreen print. Edition Size: 50.

T.S. Elliot. 2000. 38-1/2" x 28-1/2". Silkscreen print. Edition Size: 30.

Modern Fiction and Art Prints By Contemporary Authors. Portfolio with a print by Steadman (Red Shark) and another by Kurt Vonnegut (Messenger). With a signed copy of the catalog for the exhibition of the same name at the University of Kentucky Art Museum, Lexington Kentucky, 1999. Edition size: 50

Going Home. (Dr. Hunter S. Thompson Gonzo Memorial Fist.) 2005 Screen print on white Rising Stonehenge deckle edge paper. Sheet size: 76 x 56 cm. Edition of 36. Signed in pencil lower right by Ralph Steadman, numbered lower left. Hand printed for the occasion of the first memorial for HST held at at the Jerome Hotel Ball Room in 2005.

Lono’s Fighting Chair. Screen print on white Rising Stonehenge deckle edge paper. Sheet size: 56 x 76 cm. Edition of 250. Signed in pencil lower right by Ralph Steadman, numbered lower left.

Up Up and Up Yours. 2006. Three color screen-print. 22”x30” An image of Hunter S. Thompson as a bird.

Spirit of Gonzo. 2006. 12”x15”. Edition of 250.

The Brain of Hunter Thompson. 2010. 12”x15”. Edition of 800, signed and numbered.

Ralph Steadman: A Comprehensive Guide for the Collector 63 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Old Blue Eyes. Two colour screen-print on white Rising Stonehenge deckle edge paper. Sheet size: 37 x 55 cm. Edition of 250. Signed in pencil lower right by Ralph Steadman, numbered lower left.

Catalog of Ralph Steadman Limited Edition Silkscreens. Joe Petro III, 1999. 8-1/2"x 11", stapled single sheets printed in color. 16 pp., plus several single sheets of other items Petro carried in stock.

A Savage Journey To The Heart Of The American Dream. 2017. 30"x42" 150 copies, signed by Steadman in red ink and highlighted with his trademark "splat of ink" in ultramarine.

Dog Portrait Series. 2010, 15"x22". Each limited to 60 signed and numbered copies. Sadie 2 Poopsie. Jackson Karl, Sadie & Bicker

Sadie 15x22 30 [2004]

Aspen Nights, Let's Party. 2006. 56 x 76 cm. Screen-print on deckle edge paper. Artist's proof and the edition of 25. Signed in pencil lower right.

Gonzo Guernica. 2013 Screen-print in black on 320 gsm White Coventry 100% cotton paper. Sheet sizes: Left & right sheets 124.6 x 96.5 cm. Middle sheet: 124.6 x 78.1 cm. Total size: 373.8 x 271.1 cm. Edition of 59. Signed in pencil lower right and numbered on the middle sheet.

8C. Limited Edition Steel Plate ETCHINGS

In the early 1990’s, Ralph created a series of steel plate etchings of writers -- printed at Peacock Visual Arts, Aberdeen. Various sizes ranging from 21”x16” to 30x22”, limited to 20 signed copies each. Some of these are still available for purchase at his website.

Anais Nin Collette Dostoevsky Dylan Thomas Emile Zola Franz Kafka George Bernard Shaw George Orwell H L Mencken Hugh McDiarmid James Joyce Joseph Conrad Marcel Proust Oscar Wilde Robert Burns Robert Graves Samuel Beckett 1, 2 & 3 Ralph Steadman: A Comprehensive Guide for the Collector 64 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Thomas Hardy Virginia Woolf. 1, 2, & 3. T.S. Elliot William Burroughs 1 & 2.

Ralph Steadman: A Comprehensive Guide for the Collector 65 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

9. EXHIBITION POSTERS, CATALOGS. By Year of Publication

Image Reality and Super Reality/Prints Bought for the Arts Council Collection. Arts Council, London, 1973. Annotated catalogue of twenty-one original prints. Ring Bound /Card Covers. Steadman is one of several artists represented in the collection.

Ralph Steadman Prints at the Freud Museum. Freud Museum, London, (1974). 8 ¼ x 11¾” single sheet with notice that Museum will be open on May 7th for Freud’s birthday and that limited edition prints will be on exhibit and for sale at £1,850. Reverse side shows images of each print with description.

Published and Unpublished Work by Ralph Steadman and John Vernon Lord. Brighton Polytechnic, 1976. 8”x22” one sheet flyer folded to 8”x4”. Introduction to the exhibition by Eric Idle, five examples of RS drawings.

The Show/Ralph Steadman/15 Years of Drawings. At the National Theatre, London, Feb 21-Apr 16, 1977. 18”x26” poster and 4"x6" four-page folded- card invitation.

Ralph Steadman/Sigmund Freud and a touch of Flann O’Brien. Exhibition catalog and 12”x17” poster; Ulster Museum Botanic Gardens, Belfast. 14 Nov-18 Jan (1980-81).

Ralph Steadman/Between the Eyes. An Exhibition of Original Works. Royal Festival Hall/August 29-September 30 [1984]. 20”x30” poster and 5.5”x8.25” card announcement.

Treasure Island / Order Form. Two-sided order form. 9¼ x 7”. Front reproduces the cover illustration. Verso in two states, one with general order form, the other with details for ordering from Hatchards Booksellers. 1985.

UK in LA. Wall poster commissioned for the UK in LA exhibition (1987), a celebration of English arts and design, Los Angeles. 18.25"x24.5". Image of the British cross in red and blue; no text

-----. Ralph Steadman UK/LA Celebration Pacific Design Center, Los Angeles. Tuesday, April 12 (1987). Postcard invitation.

-----. Brochure, sheet folded to achieve 12 pages, 9 x 4” with listing of all participants, including Steadman talk on April 12th.

Alice and the Paranoids. 20"x30" poster. An exhibition of paintings and Polaroid photos from his new books The Complete Alice and Paranoids. 16 Oct - 30 Nov (1986). Royal Festival Hall, London.

-----. Exhibition announcement. At the South Bank Center, 1986. 5-7/8”x8-1/8” postcard.

Critical Lines. Ralph Steadman: A Comprehensive Guide for the Collector 66 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Talbot Rice Art Center. 18 Jan-8 Feb 1986. An exhibition by eight contemporary British illustrators including Steadman, Gerald Scarfe, Sue Coe and five others.

W. H. Smith Illustration Awards. Victoria and Albert Museum, National Museum of Art and Design, 15 Jul-Nov 1, 1987. 20"x30" poster, reproducing the cover of I, Leonardo, for which Steadman was judged the 'overall winner.'

Directors of Harrap Columbus Have the Pleasure of Inviting You to a Reception on Tuesday, 20 October [1987] at 7.00 pm. 8 x 5½” card invitation for reception for launch of Scar Strangled Banger with Steadman cartoon of bird and image of American flag.

Who! Me? NO! Why?! An Exhibition in the Gallery. Tricycle Gallery, Kilburn High Road.1988. 4"x8" handbill, printed two sides, illustration on frontis.

-----. Single page, tri-fold. Printed in dark blue, light green, and black with note regarding exhibition.

A God Send. Promised Land Productions, 1988. Card invitation for preview and book launch of The Big I Am at the October Gallery. Text in Steadman script; front cover illustration.

Big I Am, The. Jonathan Cape, 1988. 23 x 16½” poster, color image of exploding head promoting exhibition at October Gallery.

Visagen und Visionen/Karikaturen, Kritische Grafik, Illustrationen. Hannover: Wilhelm-Busch-Gesellschafe/Verlag, 1988. Hardcover (illustrated boards). 152-page catalog of an exhibition at the Wilhelm Busch Museum, Hanover, 31 July-2 October 1988 and at Munchner Stadtmuseum, Feb-Mar 1989. Text in German. Profusely illustrated with full-page color plates. An exceptional work.

-----. Invitation to the exhibition of Between the Eyes at the Wilhelm Busch Museum, October 1988. Folded card with insert. 4-1/8”x7”.

Red Alert. The October Gallery, Oct-Nov 1990. 9"x11" catalog, stapled wrappers. Graphics, collage, and sculpture.

-----. 9”x6” illustrated card invitation to the gallery reception.

A Commemorative Programme of the Gala Evening "Within the Temple Hall." Program; large stapled wrappers. Held at Middle Temple Hall in the City of London Sunday 29 April 1990 as a fundraiser to purchase the Musician’s Gallery in the reconstruction of the Shakespeare Globe Theatre. Steadman is one of several illustrators.

Premio Satira Politica - Fondazione Citta Forte de 1991. 1st ed., 8vo softcover. 203 pp. Catalog for the 19th edition of this annual exhibition at the Museum of Satire and Caricature -- Forte dei Marmi; 20 July - 22 Sept 1991. Cover and feature article on Steadman illustrated with two dozen b/w plates. Other articles on several Italian artists, the German humor magazine Simplicissimus, and animation by Bruno Bozzetto. Ralph Steadman: A Comprehensive Guide for the Collector 67 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

War Collage. The October Gallery, (1991). 8”x11” flyer for the gallery showing, ‘An Artist’s instinctive response to a War of Information.’

Ink & Drink. The Drawings of Ralph Steadman. Postcard invitation. May 16 1995. Seagram Museum Waterloo Ontario. 6”x4”

The Cutting Edge. Posters, 18”x30” and 40”x60” (1992) Barbicam Art Gallery (London) 13-18 October 1992.

Ci y Ddraig/Dragon Meat. Exhibition Catalog, (1994) Stapled wrappers, 8”x10”, 8 pp. Full color cover and several interior illustrations. Also includes a brief appreciation, biography and bibliography.

Multiple Fractures. Glossy card flyer for private viewing of etchings, silk-screens and lithographs. Cheltenham & Gloucester College of Higher Education, October 1984.

3eme Festival de la Caricature Politique a Epinal. Poster, 16"x23-1/2". Minestere de la Culture et de la Communication. Region de Lorraine. Fondation de l'Imagerie d'Epinal. 14-31 March 1988. Exhibition of political cartoons.

Edinburgh College of Art Exhibitions 1994. Poster, 23½ x 16½”. Color poster with image of man with wide brim hat and pipe, notes exhibit of Steadman wine and whisky drawings, the work of nine sculptors, and other exhibits, 14 August – 3 September.

Reception: Ralph STEADMAN/"A Snow-Hating Welschman in Aspen". Barney Wyckoff Gallery, Aspen Colorado. March 8, 1996. 5.5x7.5" card

The Pentagram Partners invite you to spend an evening with Ralph Steadman. Pentagram Design ltd., London, 22 Oct 1997. 4-1/4"x9" postcard with Steadman sketch and calligraphy on reverse.

Making a Mark. William Havu Gallery reception, Denver Colo., Aug 25, 2000. A group showing with a talk presented by Steadman. 6"x9" postcard with Steadman illustration on frontis.

Doodaa -- Publication Launch Party Invitation. Bloomsbury Publishing Plc, 2002. 8 x 5¾” invitation card to reception at October Gallery, London, 1st October [2000].

Private Eye/1961-2006. London: The Cartoon Museum, 2006. 4to, stapled wrappers. 44 pages. A selection from more than 50 Private Eye cartoonists to celebrate the 45th anniversary of the magazine. Exhibition 26 October 26-11 February 2007.

STEADman @77 Cartoon Museum, London. May 1-September 8, 2013. A major retrospective.

-----. Poster: 16-1/2”x23-1/2.” Original version showing exhibition closing date as July 21, 2013; revised version showing closing date as September 8, 2013.

Ralph Steadman: A Comprehensive Guide for the Collector 68 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

-----. Catalog: Softcover, 160 pp. Fully illustrated and annotated. Twelve page biography and introductory essays by Johnny Depp, Will Self, Martin Rowson.

-----. Promotional flyers: 6 x 8”, printed on both white and cream paper, with reduced image of exhibit poster.

-----. Same; 2016. Enlarged and updated to coincide with exhibitions sponsored by the Cartoon Art Museum (London) and the Society of Illustrators (New York). 12”x9”, 160 pp. Postcard announcement laid in.

Avec Nous, la lecture c'est par sorcier! Association de Librairies Specialises pour la Jeunesse. 20"x28" Exhibition poster with a color image from Treasure Island. Undated.

Critical Lines. Talbot Rice Art Center. 8”x9”, stapled wrappers. 12 pp. Undated. An exhibition by eight contemporary British illustrators including Steadman, Gerald Scarfe, Sue Coe and five others. Undated.

Galerie 39. Postcard announcement for an exhibition of works by Steadman and other British illustrators. Depicts a horse racing image by Steadman. Measures 4”x6”. Undated.

Ralph Steadman’s Dirty Postcard. Postcard announcing Steadman’s “Thirty Bob Sale”, a sale of rough sketches and other working ephemera. Ink drawing of a man stuffing drawings into the inside of raincoat. 4”x6”, Undated.

Ralph Steadman Print Exposition. Gallery Ten, Peacock Visual Arts Centre for Contemporary Art. [UK] 22 Mar 14-03 May 14. 11"x14". The exhibition went on tour and variants exist for different venues in the UK and U.S.

Ralph Steadman's Savage Journey - An Exhibition of Original Art from Fear and Loathing in Las Vegas. Haight Street Art Center, San Francisco. Mar 30-May 31, 2018. Poster and program.

Ralph Steadman - A Retrospective. Haight Street Art Center, San Francisco. Nov 6 2018-Jan 20, 2019. Poster, single sheet program, and postcard announcement for an exhibition of 108 original artworks. Accompanying the exhibition was an audio guide created by Audible and featuring Ralph, Anita O’Brien, the original curator of the show, and friend and fan Tim Robins. The audio guide available as a download for both iOS and Android devices. An illustrated card brochure for the audioguide was also available.

Ralph STEADman: A Retrospective. Winchester Discovery Centre. Exhibition of materials from Cartoon Museum of London, open 17 October 2015 – 17 January 2016. 8¼ x 6” handbill with Self Portrait on one side and details on the reverse.

----- Gonzo Sketch Night Flyer, September 22nd. 8 x 11½” flyer for event at which models dressed in costumes based on historic collaborations between the writer and artist.

----- For No Good Reason Screening, September 29th. 8 x 11½” flyer for screening of film.

Ralph Steadman: A Comprehensive Guide for the Collector 69 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

----- Can Art Affect Social Change? October 14th. 8 x 11½” flyer for talk by panel of artists talking about Steadman’s work led by Anita Kunz.

----- Exhibition advertisement, 7½ x 6” tri-fold brochure, printed in color with photo of Steadman, short biography, and “Ralph Steadman fine Merch” tag on back.

----- Exhibition flyer, 8¼ x 6”, with general images of exhibition with exhibit dates in San Francisco (closing date is mistakenly shown as 2020), Lexington, KY, and Eugene, OR. Sponsors shown UTHR, Steadman Art Collection, Flying Dog Brewery, and Audible.

----- Exhibition flyer, 4 x 6”, with general images of exhibition with exhibit dates in San Francisco, Lexington, KY, and Eugene, OR. Sponsors shown UTHR, Steadman Art Collection, Flying Dog Brewery, and Audible.

----- Audible guide flyer with info about audio guide to exhibition. 10 x 5” flyer with color images of details from items from exhibit on recto, information about how to download audio guide on verso, distributed at Haight Street Gallery.

Ralph STEADman: A Retrospective Catalog Trustees of the Cartoon Museum, London, 2016. Published to accompany exhibition at Society of Illustrators, New York: September 6 – October 22, 2016. Closely to London Cartoon Museum Catalog, with new cover and changes in pagination. 12” x 9”, 160 pp. Postcard announcement laid in.

Ralph Steadman: A Comprehensive Guide for the Collector 70 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

10. BOOK PROMOTION Posters and Counter Displays

There are probably many more; these are the ones that have appeared for sale in the secondary market. In no particular order.

Little Prince and the Tiger Cat. Display poster, 23¼” x 16½. 1976. Nord-Sud-Verlag . Color poster reproducing page with illustration with prince looking out of window.

Alice in Wonderland. Wall Poster, 26 x 18½ “. 1979 B & W image of “Wool and Water” printed on heavy paper stock.

Alice in Wonderland. Wall Poster, 26”x18”. 1982. Image of the White Rabbit holding a pocket watch.

L'Arme a L'Oeil . Wall Poster, 23 x 17”. 1984. Ambier. Poster promoting French edition of Between the Eyes with same image as UK edition.

That’s My Dad. Poster, 26½ x 19”. 1986. Published by the Andersen Press to advertise that the book had won the “Critici in erba” prize at the Bologna Book Fair. Printed in color with images of feet and three-panel illustration of the Dad.

The Rise of Dan Quayle in America and the Decline and Fall of Practically Everything Else. 14½” x 26”. 1992. Picador, Display poster reproducing book cover.

Animal Farm. Display poster, 12”x16". Harcourt Brace, 1994.

Animal Farm/All Animals Are Equal but Some Animals are More Equal Than Others. Display poster.14”x16”. Harcourt Brace, 1994.

Doodaa – Ralph Steadman’s (Auto)biography of Gavin Twinge. London: Bloomsbury, 2002. Stiff tan paper folded, resulting in 6 pages, 11½ x 8” promoting book with images from book and Steadman drawings and photos.

Fahrenheit 451 / Hell Hound. One of the images from the book; widely distributed online at sources ranging from Amazon, EBay, to Wal-Mart we aren't sure whether this is an authorized print or pirated. 34"x24"

Gonzo the Art/Meet Ralph Steadman. Display Poster, 11”x17”. Kentucky Theater, November 1 (1998). For a book signing and premiere showing of the film Fear and Loathing in Las Vegas.

Grapes of Ralph, The. Display poster, 13”x18". Harcourt Brace, 1996.

-----. Promotional “dummy” for the book. London: Ebury Press, 1992. Full-size dustjacket for book, including printing on inside flaps of wrapper, printed on hard clay-coated stock with Table of Contents and 7 sample pages of the book stapled inside.

Ralph Steadman: A Comprehensive Guide for the Collector 71 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Spider, The. Poster, 18”x12”. Jonathan Cape, 1997. Print shows a large spider travelling across the countryside. Promotion for the book The Roald Dahl Treasury.

I Leonardo. Wall poster. 23"x17", undated. Color illustration from I Leonardo.

Our Common Future? No!. Poster, 32½ x 23”, (1987?). Poster with human skeleton lying down, with man plowing earth and skyscrapers in background. Poster advertises the publication of the Brundtland Report and its Reader’s Guide

Quasimodo Mouse. Wall poster, 23"x17". Andersen Press, [1984]. Image of Quasimodo and bicycle atop a haystack, with an artist looking on.

-----. Later available from Ralph's website as an offset color lithograph on hand-made paper. 19"x27.5", signed and numbered in an edition of 150.

Still Life with Bottle. Display poste, 13"x18". Harcourt Brace, n.d. [1994].

Teddy. Display poster, 10”x12”. Graphique de France. 1994. For the French edition of the book “Where’s Teddy?”

The Little Match Girl. Wall poster, 13”x20”. From The Flying Trunk and Other Stories, Andersen Press, 1986. Published in aid of The Children's Fund.

Treasure Island. Wall poster. 19-1/2"x27-1/2". Harrap (1985).

Ralph Steadman: A Comprehensive Guide for the Collector 72 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

11. MISCELLANEOUS POSTERS, Programs and Handbills A representative selection. In no particular order.

Admiral Lord Nelson. Poster, 20”x28”. Commissioned for the Admiral Lord Nelson exhibition at the British [National] Maritime Museum, May 1995.

Barbaracastella. Poster, 30”x20”. (1968). Satiric political poster: “Who makes your breath turn green? Who battles with the evil Scanlon who aims to bring the world to a halt? Who is a woman of the 21st Century?" Black and white drawing of Barbara Castle, Labor Party MP, spruced up as 'Barbarella.'

The Barossa Valley Arm Wrestle. Poster, 16" by 12". (1989).

"The Beckett Actor/Jack MacGowran, Beginning to End". Flyer for Book Signing at the Turret Bookshop, October 13, 1988. 7"x11”.

Crazy Never Die, The. Mitchell Bros. Theatre. Poster, 20” x 13”. 1988. Color poster of the skeleton of Hunter S. Thompson in a casket holding a bottle promoting the film . A promotional black t-shirt was also released with the same image.

Chelsea Arts Club Ball. Postcard, 5.25 x 7”. Cartoon of a woman in black bustier and knee high boots and a naked man; printed on light blue heavy card stock. 1975.

Chelsea Arts Club 77th Ball Notecard printed on 8 x 11” light blue card stock, folded once, blank inside. Cover illustrated with a frog in formal dress strolling out of the Arts Club with a medieval castle and turrets in background. Undated, but circa 1970s.

Cheltenham Festival of Literature. Program, 6”x8”. Sponsored by the Daily Telegraph. Oct 7-16, 1994. Cover design and interior page numbering. The festival program lists four exhibitions featuring Steadman’s work, but no illustrations.

Computer Dealer was Having a Day. Star Micronics, U.K. Ltd. Advertising broadside. 7-1/2”x24”. 1985.

The Creative Ball/Save the Children Fund. Poster, 18”x24”. November 21, 1985.

The Days of the Sacred Cow are Numbered. Poster for the News on Sunday. 16’’ by 12’’. (1987) Illustrated with a drawing of gentlemen suckling at the udder of tired looking cow. The News on Sunday only ran for seven issues, consequently association items are uncommon.

Disneyland. 26"x19" b/w. Poster of Mickey, Minnie, Donald Duck, Goofy, Porky Pig with children. Undated. Ralph Steadman: A Comprehensive Guide for the Collector 73 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Edition/Manager: Magazine. Poster, 33”x23-1/2”. Undated. Black and white poster of a man in suit, bowler, briefcase and umbrella beginning to step down a corridor of corridors.

Fear and Loathing in Grand Forks – Hunter Thompson Questions and Answers. Poster measures 17 x 22 3/8” poster with image of drivers n car with cows in background based on Fear and Loathing in Las Vegas image, printed in pink, yellow, and orange. Promotion poster for Hunter Thompson appearance 9/21/1983 at Chester Fritz Auditorium, Grand Forks.

-----. Fear and Loathing in Tulane. Identical to poster above except that it promotes appearance of HST 4/10/1984 at McAlister Auditorium, Tulane University.

Fahrenheit 451. 24”x36”, 2011. Reproducing the cover art from Ralph’s version of the book published by Vagabond Books in 2003.

Gonzo the Art – Meet Ralph Steadman at Kentucky Theatre. Single Sheet, 8½ x 11 announcing Steadman book signing at Kentucky Theatre, Sunday, November 1st at noon. Signing followed by screening of “Fear and Loathing in Las Vegas” film. Distributed printed on bright yellow and white papers.

Guildford Lewis Carroll Centenary Festival. Programme of Events. Program, Stapled wrappers. 16pp. 7th-17th May, (1998). Text headings and illustrations.

Gulliver’s Travels – A Surf on the Wild Side. 11½ x 8” program for production by Theatr Clwyd Company of play by Humphrey Carpenter based on Swift’s book, 1995. Program with Steadman color cartoon on the cover and color and black and white illustrations insidethe program.

Havana Cigars. Poster, 30”x15”. (undated) Possibly a display poster for Oddbins.

Heavenly Bodies/Earthly Bodies/Goodwill to All Men. Poster, 19"x24". IBA Graphics Ltd, undated. Image of a group of emaciated people beneath a comet- lit night. Edition of 100 numbered and signed copies on hand-made paper.

Here Boy! Call for Entries- Good Dog! #46. New York: Society for Illustrators, 2003. 26½ x 19” color poster of flying mechanical bird playing trumpet, folded to achieve 6 pages on reverse side soliciting entries exhibition, with one b & w drawing by Steadman on one page

Hitting The Wall: A Study. Advertising poster, 18’’x19’’. Nike, 1980. Color illustration of a suffering, long distance runner.

I'm Afraid Ralph Steadman will be Signing Copies of his New Book "Between the Eyes" at the Learned Waterhole on 10 Oct 87. Poster, 16-1/2"x23-1/2".

I’m Just the Passenger. My Music Does the Driving. Poster, 13¾ x 18”. “Sony Mobile – Disturb the Peace” created by Sony for “XPLOD 2000” show in Las Vegas (2000). Color poster with man lying on front seat of car with sunglasses.

Ralph Steadman: A Comprehensive Guide for the Collector 74 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

INXS – Fear and Loathing Tour. Poster, 30”x40.” In their early days, the band INXS toured local pubs, clubs and small venues throughout Australia. This concert promotion poster is for a tour that took place circa 1981 on the north coast of New South Wales.

IPEX - 93 Breakfast - Messe/Dusseldorf/29 April 1990 [kFw Ipex Bank - Frankfurt]. International Project and Export Finance bank. "Welcome to the specialist financier for the German and European export industry." 33"x23" -- depicting forty-five polaroid photographic images similar to those in his book "Paranoids". Printed by Garden House Press.

Jack Davis Distinguished Visiting Artist Lecture. Poster, 18”x11”. University of Georgia, October 22, 1999.

Last Cuppa. Burford Pring, n.d. circa 1983. 20" x 25” black and white poster with photograph of Steadman carrying a cup of tea walking in front of an image of Leonardo’s “Last Supper." The image was previously published in the [London] “Times.”

London Marathon Urinal. Poster, with Nike Logo. 16”x22” (1983)

Mickey Mouse. N.p. n.d, circa 1970’s. 18-5/8”x27-1/2”, black and white. The illustration is from America (1974).

Mitchell Bros. O. D. Island Poster with Image of One-Man Band on a Small Island. 17” x 11”. c. 1981. Color poster issued in edition of 69 copies. A display poster for the Mitchell Bros. Theatre [San Francisco] with the same image used for band Ambrosia's Road Island LP cover.

Mr Fotherington Regularly Used to Get a Little Ruffled When He Had to Wait for His Printouts. 15½" x 6”, Star Micronomics U.K., Ltd., (1986). Advertising broadside with cartoon printed in blue and black of man exploding, with flying necktie. Includes space for the recipient to fill in his name and address to send in for more information.

News on Sunday/The Paper That Bites Back. Posters for the London newspaper.

----- Poster 16”x23”. Drawing of bird pulling at underground worm which is also coming up from underground and biting the backside of the bird, with bright pink border and “News on Sunday” masthead. (1987) ----- Poster 16”x23”. Drawing of rabbit being pulled out of top hat biting the hand of the magician, with bright pink border and “News on Sunday” masthead. (1987)

Only Arms We Need, The. Poster, 20”x16”. Anti-war poster featuring an illustration in black and white of a decapitated man. (1987)

Playback: for Greenpeace, Poster, 30"x20". Poem by David Harsent illustrated by Steadman with a picture of a hawk flying over a wolf's skeleton. Issued in a signed limited edition of 120 copies. (1987)

Poets Against the Bomb. Ralph Steadman: A Comprehensive Guide for the Collector 75 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

11”x17” wall poster and 6”x9” handbill. A reading at the Chelsea Old Town Hall, Chelsea. Wed. April 15, 1981.

Poytre Raedign. Poster, 20 x 15” printed on cream stock. Poster for reading at St. John’s Smith Square in aid of dyslexic children featuring several authors published by Steam Press, same design as souvenir brochure, September 30, 1973.

Rainforest Cricket Cup 1988. Poster, 23 x 16½”, 1988. Color poster of frowning cricketer standing in front of three very tall trees done for Austrailia’s toughest T20 cricket competion.

Ralph Steadman and the Lewis Carroll Connection. T. G. B. Productions for the Lewis Carroll Society, 1998. 8vo. 8 pages bound in blue wrappers with illustration of mouse by Steadman on the cover. Checklist of items related to Carroll illustrated by Steadman and press articles about these publications. Published as a keepsake by Selwyn Goodacre for the Lewis Carroll Centenary Dinner at Christ Chuch College, Oxford, on 14 January, 1998. Very good checklist of publications, prints, ephemera, and publications about Steadman’s editions of Lewis Carroll’s work.

-----. Cream colored sheet for event with portrait of Carroll fixed to sheet, 11½ x 8”

Reynard the Fox. Poster, 23”x18”. n.d. (1985). Edinburgh: Cephas Cellar, Shandwick Place.

-----. 12 x 8½” flyer printed in b&w. London: Young Vic Theatre. Miniature image of the poster -- used for the Edinburgh Festival production, with performance dates, ticket prices, and reviews of previous productions at Edinburgh Festival.

Road Island. 25” x 35” color poster reproducing the cover art for the LP by American rock band Ambrosia -- with a one-man band playing on small island.

Seasoned First-Nighters and a First-time Theatregoer. Wall poster, 33"x24". 1980.

Sharmanka. Wall poster, 23”x15”. North West Arts Board, 1995. For Eduard Gersudsky’s Amazing Theatre of Mechanical Sculpture showing at the city art galleries, Manchester.

There’s Nothing to Touch a Star Printer. 1985. Advertising broadside.

Thinking Man's Beer. 28"x19" Heavy stock. 10 different beer bottles, Dated 1990 (Provenance unknown but possibly produced for Oddbins. )

To Everybody Who Told Me I’d Go Nowhere in Life: I Can’t Hear You. Poster, 14 x 18” created by Sony for “XPLOD 2000” show in Las Vegas (2000). Color poster with face of driver with teeth stetched out away from face and bent glasses.

Winston Churchill. Undated. 23”x28”, illustration of Churchill with a rifle thrust into his back and the barrel emerging from his mouth, in place of his trademark cigar.

Winters End.

Ralph Steadman: A Comprehensive Guide for the Collector 76 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

----- Poster for the South Bank Centre’s celebration of the passing of winter and the coming of Spring, Jubilee Gardens, opening March 26, 1988. 30 x 40” color poster with color illustration and lettering in Steadman style.

----- Program of events for the South Bank Centre’s celebration of the passing of winter and the coming of Spring, Jubilee Gardens. Single 8-1/2x11 sheet tri-folded to brochure format. Cover illustration and text headings in Steadman script. Undated.

X My Arse. Poster, 24"x18". The Edgar Broughton Band Political Foundation (c.1970). Political satire with caricatures of Ted Heath and Harold Wilson as the cheeks of an ass.

Piccadilly Circus -- Statue of Eros -- Caricature from Time Out Magazine. 22" x 17.5". Black and white caricature first appearing in Time Out Magazine. A winged gargoyle standing atop a pedestal , holding the English pound sign and with the tip of a pyramidal building stuck in his ass. Undated, circa 1970’s.

Faster Faster! Until the Thrill of Speed Overcomes the Fear of Death. Poster. 17" x 11” N.d. Quotation by Hunter S. Thompson in red splatter lettering by Steadman. Published by Mitchell Brothers Theater, San Francisco.

Henry Enfield’s Guide to Opera. [1993] Pamphlet, single sheet in tri-fold to produce six pages measuring 8" x 11.75” with several color illustrations by Steadman. A promotional brochure for the 1993 BBC series, for which Steadman provided opening credits.

Verdi’s Nabucco at Castle Gardens Kent. Flyer, 6" x 8”. Dual Control Productions. 1993. Color flyer with cartoon of prisoners in chains and details of production of opera at Castle Gardens, Kent.

Youth Would Be an Ideal State. Poster, 22 x 33”. 2000. Color poster of human torso with exploding head.

Print of a Human Form Sculpture With Hand in Four Colors. 10" x 7” print on card stock with sculpture of female form crossed by a green and white hand .

Hunter on Ducati. Poster, 23½" x 16½” Essex-Dakar.org. N.d. Color image of HST riding a Ducati motorcycle, Reproduced from an image first published in Cycle World magazine.

Perseus and the Gorgon’s Head. Poster, 16 ½" x 11 ¾”. PuppetCraft Company, 2005. Color image of Perseus holding a Gorgon’s head -- used to promote Adrian Mitchell’s "PuppetCraft Company" production of the Greek legend with large scale puppets.

We Are Not Amused. Poster, 28" x 38”. RalphSteadman.com, 2012. Satirical drawing of British pound note with mustache added to the image of the Queen, changing the value from one pound to 94p.

Working Class Family. Poster, 23" x 17”. RalphSteadman.com, 2012. Satirical portrait of the Royal Family in sitting room with Prince Charles playing guitar in center front.

Ralph Steadman: A Comprehensive Guide for the Collector 77 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Duchamp in Herne Bay /n 1913-2013. Program for the Duchamp Centenary Celebration in Herne Bay, which recognized the famous Dadaist‘s connections to the Kent town. Steadman provided the cover illustration and donated a limited number of signed prints to the festival, which ran from July 31 to August 17, 2013.

Ralph Steadman: A Comprehensive Guide for the Collector 78 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

12. ODDBINS: CATALOGS, PRINTS, EPHEMERA

Oddbins was one of England’s largest wine and spirit retailers. Ralph illustrated quarterly catalogs and other promotional materials for nearly a dozen years during the 1980s-90s. Many of these illustrations were later used in his three books Still Life with Bottle, The Grapes of Ralph, and Untrodden Grapes.

a. Oddbins Lists (Tabloid sized catalogs, 8-16 pp., profusely illustrated.

Summer 1987 Chateau Whoopee Winter 1987 Good Wine Guide Winter 1988 Grape's Eye View Summer 1989 (No theme) Winter 1989 Porto Sandeman Summer 1990 The Religion of Wine Winter 1990 Turkey Buzzards/Sterling Winter 1991 The Grain of Truth Summer 1991 Sparkling Wines Summer 1992 A Whole New World Winter 1992 The Claret Drinker Spring/Summer 1993 Winter 1993 Champagne Impression Summer 1994 The Wines of Burgundy Winter 1994 (no theme) Summer 1995 (no theme) Autumn 1995 The Ultimate Wine Boar Winter 1995 Les Tosseurs Summer 1996 Roland Gessler Autumn 1996 Springbok Winter 1996 1997 Wine Guide Summer 1997 California Wine Guys Winter 1997 10 Years 22 Lists Summer 1998 (no theme)

b. The Specialist (various sizes, typically 6”x9” and 4-8 pp.)

29 Sept to 26 October 1997 (Spain) 24 Nov 1997- 25 Jan 1998 31 Mar to 27 Apr 1998 (South Africa) 28 April to 25 May 1997 (Champagne and Sparkling Wine) 26 May to 29 June 1997 (Champage & Sparkling Wine – Oddbins’ Summer of Fizz Continues) 30 June to 27 July 1997 (The Americas) 28 July to 31 August 1997 (New Wave Mediterranean) 1 September to 28 September 1997 (Wine Sale!) 27 October to 23 November 1997 (Australasian Wines) 24 Nov to 25 Jan 1998 (Christmas Offers)26 Jan to 22 Feb 1998 (Argentina) 23 Feb to 29 March 1998 (New World) 22 Mar to 9 May 1999 (Chile) 10 May to 17 Jun 1999 (Champagne)

Ralph Steadman: A Comprehensive Guide for the Collector 79 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

c. Other catalogs and lists:

Oddbins Islay/The Malts of Islay. (1991) 11”x8.5”, stapled wrappers. 16 pp. Cover illustration and eight interior full-page landscapes of several Islay distilleries. The drawings were later issued as limited edition prints.

Wine Merchant of the Year - 1995/96. 8.25"x11.5", 4 pp.

New World. (1996) 3”x7”, 4-page foldout flyer.

Wines from Spain/New Wave Mediterranean. 1996

The Catalyst. New Issue No. 1. Summer, 1997. 30-page catalog of wines and spirits, reprinting dozens of illustrations from prior catalogs as well as several new drawings.

Classic Wines of Bordeaux and Burgundy. 1999. 8”x8” booklet.

Dealirium. 1999. 8.5”x8.5”, 4-page booklet.

“Wine Relief.” n.d., 8”x8” brochure to raise money for ‘comic relief. Steadman’s long association with Oddbins may have been severed by the time this was published; it contains only previously published illustrations.

d. Posters

Beaujolias Villages Nouveau. (1987). Large poster announcing the arrival of ‘Beaujolias Nouveau.’ Features illustration of a Frenchman on a bicycle carrying wine bottles balanced on French bread. 29’’ by 19’’

No Doubt You’re all off to Oddbins. 1989. Frieze like poster measures 10’’ by 39.’’ An ink-splat Christmas party scene.

Fizz Culture. 1990. 28”x20”

The Devil Takes His Own. (1992) The Devil carrying a bottle of wine. 40"x24".

No Spain No Gain (1996) A bull with bunches of grapes hanging from its horns. 40"x28".

The Epicenter (1996) The proprietor of “The Epicenter Deli" standing outside his store in Olema, California -- on the San Andreas fault. 26"x38".

The Beers are Here. (1996) 27” round wall poster.

Grapes Eye View of Wine Taster. (1988) Print of a pen and ink drawing of the view from the bottom of a wine glass into the nostrils of a wine taster. The illustration is from “The Brutal Life History of a Grape” which appeared in Oddbins List, Winter 1988. 16”x14” on card stock.

Sandeman. (1988-89) Color print on card stock, 16”x14”. The Sandeman Port icon tight-rope walking.

Ralph Steadman: A Comprehensive Guide for the Collector 80 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Portuguese Wine Pickers. (1994), Color offset print on heavy stock. 11-3/14”x16-1/2”.

e. Limited Edition Prints

Series 1990: 12”x16,” 140# card stock.

Noble Rot Napa Valley Wine Tour Tasting The Monterey Vineyard with the Thieving Indigenous Grape Seagulls The Menace of the Italian Bread Stick Fanatics Buzzards Eye View of the Napa Valley The Great American Wine Slob Sienna Serego Alighiera Villa/Workman’s Last Supper Leonardo Da Vinci 1490 The Menace of Italian Bread Stick Fanatics Turkey Buzzards Over the Sterling Winery Roman Vineyards, Crema N.W. Italy

Distilled Life: A set of six A3 (12”x16”) prints illustrating some of Scotland’s distilleries. Undated, but drawings are taken from the Islay list (1991). Inside a corrugated cardboard mailing box with a label depicting each of the six images within.

Ardbeg Distillery, Islay Laphorig Distillery Strathisla Distillery, Keith Lagavulin Distillery, Islay Bunnahabhain Distillery, Islay Bowmore and Bowmore Distillery, Islay

Series 1997:

Two different sets of four prints each; the illustrations taken from various Oddbins Lists. Printed on A3 card stock with each set limited to 250 copies. Inside a corrugated cardboard mailing box with a label depicting each of the four images within.

Le Vrai Cepage Le Ballet des Vendangeurs Clovis After a hard day at the Chateau de Jau Winery crushing grapes A bench of Good Ole Boys, Roivesultas Cotes de Rousssilllon === Wine Boar Les Tosseurs, No. 1-4 Cuvee Isabel Untitled (Six imbibers)

Undated series: the Australia portfolio

Coonawarra East Ralph Steadman: A Comprehensive Guide for the Collector 81 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Coonawarra West Max Schubert Wine Maestro Magill Estate S. Australia Wine Emus The Barossa Valley Arm Wrestle Red Wine Bats over the Barossa Valley

f. Postcards

Turkey Buzzards over the Sterling Winery. 1990. Large format postcard, 6’’x 8’’. Color illustration of birds hovering over castle and surrounding area.

The Gonzalez Bypass. 1992. Large format postcard, 6’’x8’’. Color illustration of mice climbing ladder up the outside of a wine glass.

The Confrerie Des Chavaliers Du Tastevin Clos Vougeot. 1994. Large format postcard, 6’’x 8’’. Color illustration of wine tasting in the cathedral.

Others, apparently published between 1990 – 1994 in various sizes:

Chateau Margaux Approach. Wino Rhino Rique Whir Chateau Chateau Siena Bowmore and Bowmore Distillery [Noble Rot] The Confrerie des Chavaliers du Tastevin Bodegas Sherry Mice Déjà vu Café du Pont The Phantom Riddler Sayrad Family Barcelona Turkey Buzzards over the Sterling Winery Chateau Oddbins Bordeaux Style A Basque on his Ass on His Own – LaGuardia-Rioja Would you Care for a Wee Two Thousand Gallons

Henri Harlin Champagne. 1996. 6" x 8” color postcard featuring a champagne bottle with human head and top hat with color image of workers in the background. Two editions produced by Oddbins; one with an offer for a free bottle of champagne with a £100 purchase; the other with French text on verso promoting its store in Cité Europe, Calais, France.

End of the World vin Rouge. 1999 8-1/4" x 5-7/8".

le Vrai Cepage. 1999 8 1/4 x 5 7/8 inches. Cordon Rouge - Champagne bottle with its bubbles becoming dancers with human faces and bodies. 1999 8-1/4" x 5-7/8". Verso has information regarding the Oddbins store in Cité Europe, Calais, France.

A Basque on his Ass on His Own – LaGuardia-Rioja. 4" x 6” color postcard. Ralph Steadman: A Comprehensive Guide for the Collector 82 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Le Vrai Cepage Advertising Postcard. 1999. 4"x6” postcard with information on verso about the Oddbins store in Cité Europe, Calais, France. Also produced in the larger 8-1/4"x5-7/8".

“Fork-Stork-Man” Oddbins Corporate Business Inquiry Postcard. n.d., c. 1999. 4" x 6" color postcard. Verso has blank spaces for customer to supply contact information to Oddbins for follow up.

Smaller format postcards. 3.5" x 5.5”

Le Ballet des Vengeurs (Workers in the Vineyard) Blank on verso Chateau Margaux Approach. "Oddbins Delivers" Gift Despatch and telephone numbers on verso Wino Rhino. Two variants; one with “Oddbins Delivers Gift Despatch” and telephone numbers on verso, the other with Oddbins name and address on verso. Rique Wir from En Haut. Oddbins name and telephone numbers on verso.

g. Calendars

Calendar for 1988. 12"x24", spiral bound at top. Six bi-monthly pages with an illustration on each, plus cover illustration.

Calendar, 1990. 16-1/2"x12", spiral bound at top. Six bi-monthly pages, with an illustration on each, and a cover illustration.

h. Miscellaneous Ephemera

"A Basque on his ass on his own." 1992. 6"x9" handbill; tasting list on reverse.

Advertising Cards/Coasters: “The Beers are in Here.” 1996. Cardboard coasters; 6-1/2"x6- 1/2" in both square and round formats. Color illustration on obverse; advertising copy on reverse.

Bulletin No. 23. (1987) House newsletter illustrated with numerous line drawings and text headings by Steadman. Stapled 8-1/2”x11” sheets.

Cardboard wine box. n.d.(1997). 4"x13.5". Each side illustrated with an illustration of a wine tasting.

Mailing labels for company correspondence. Various sizes and designs.

Matchbox. 2"x2.5"

L’Alerte Rouge Wine Bottle Label. 1990. 5.5" x 3.5” wine label with image of a human head with horns.

Rhone Wine Advertising Brochure. 1996. 8.5" x 11” four page color pamphlet with advertisements for Rhone and other red wines with prices.

Ralph Steadman: A Comprehensive Guide for the Collector 83 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Oddbins Card Application Brochure. Single sheet folded to achieve 14 page accordion-fold pamphlet 8¼" x 4” including 4 full color illustrations and lettering by Steadman.

Oddbins Corporate Business Brochure. Single sheet of cream colored paper printed in red ink folded twice to make a tri-fold pamphlet describing services available to business accounts with a voucher to fill in contact information.

Oddbins Free Tasting Sip, sip, hooray! 1992. 8" x 5¾” single sheet of cream colored paper printed on both sides in red and black listing free tasting dates between 2nd May – 23rd May and featuring details on Bunnahabhain whisky on the verso.

Perspective - Annual Report Arthur Andersen 1991-92

Ralph Steadman: A Comprehensive Guide for the Collector 84 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

13. OTHER ADVERTISING AND PROMOTIONAL EPHEMERA

(Once again, a representative selection.)

a. Broadway Brewing/Flying Dog Brew Pub (Aspen/Denver, Colorado).

Bottle and Can Labels, Posters, Tap Handles, Decals, Pint Glasses, Signs and Carton Designs: Road Dog Ale. Ralph started his tenure with the Road Dog label in 1995, blessing it with a statement of fact on each bottle: "Good Beer, No Shit.” Under Colorado law, brewers cannot distribute beer within the state unless the label has been approved by the Colorado Division of Liquor. Road Dog’s label flunked because it contained the phrase ". . . no shit," which was deemed to be "obscene or profane in nature." After several merchants refused to carry the beer, and legal threats by the Liquor Board, the label was changed to read "No Censorship." In 1998, the American Civil Liberties Union (ACLU) of Colorado filed suit to challenge the censorship of the original label. Freedom prevailed. After winning a four-year court battle against the Liquor Board the original slogan was resurrected. Ralph has designed labels for most of the brewery’s products ever since.

3 Nails Ale Bloodline Blood Orange IPA Brewhouse Rarities Easy IPA Brewhouse Rarities Chipotle Dark Ale Doggie Style Classic Pale Ale (first version 4½ x 4, second version 6½ x 3½) Disobedience Abbey Dubble Dogtoberfest Marzen Double Dog Double Pale Ale Dragon Lady Easy Session India Pale Ale Flying Dog Ale. Garde Dog Biere de Garde Gonzo Imperial Porter Gonzo Imperial Porter, Barrel Aged Horn Dog Barley Wine In Heat Wheat Hefeweiszen International Arms Race Zero IBU IPA Kerberos Triple Kujo Imperial Coffee Stout K9 Cruiser Winter Ale (first version 4½ x 4, second version 6½ x 3½) Lucky SOB Irish Style Red Old Scratch Lager. (first version 4½ x 4, second version “Old Scratch Amber Lager” 6½ x 3½) Pearl Necklace Oyster Stout Pineapple Saison Raging Bitch Belgian-Style India Pale Ale Raging Bitch Belgian-Style India Pale Ale 20th Anniversary Bottle. Road Dog Scottish Ale (first version 4½ x 4 label says “Scottish Ale”) Road Dog Scottish Porter (later 6½ x 3½; label changes “Ale” to “Porter”) Saw Bones Secret Stash Harvest Ale Shock and Awe Single Hop Citra Imperial IPA Single Hop El Dorado Imperial IPA Snake Dog India Pale Ale. Ralph Steadman: A Comprehensive Guide for the Collector 85 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Steadman Belgian Style Dark Ale The Fear Imperial Pumpkin Ale/Tire Biter Ale (first version 4½ x 4, second version “Tire Biter Golden Ale” 6½ x 3½) The Truth Imperial India Pale Ale Under Dog Atlantic Lager Wild Dog Barrel-Aged Gonzo Imperial Porter Wildeman Farmhouse IPA Wild Dog Double Pale Ale Woody Creek Belgian Style White

Dracula. A limited run label created for the Colorado Ballet with performance dates from October 6-28, 2001.

Gonzo Imperial Porter Limited Edition Bottle. 2005. Edition of 1,000 bottles, 750ml, capped with twisted wire basket and cork, numbered and signed by Steadman. Label is larger but same artwork as 12 oz. bottle. Issued with certificate in red cardboard tube with printed label.

20th Anniversary Raging Bitch Pale Ale. 2011. 750ml, capped with twisted wire basket and cork, special label designed by Steadman.

T-shirts. Various label designs.

Gonzo Imperial Porter Hunter Thompson Memorial T-shirt. 2005. Tan color with same image as bottle label, and image of HST as skeleton on reverse. Sold to raise funds for the HST Memorial.

Baseball cap with Road Dog label design.

Cardboard coasters – 4”

Road Dog Scottish Ale – two versions, one with light colored circular border, the other dark, both have Flying Dog Doggie Style Logo on verso, with different lettering

Flying Dog Doggie Style – verso is Old Scratch Ale logo

Snake Dog – verso is blank

Old Scratch Ale - verso has “Free the Dogs! Chain the Humans” and photo of dog head

Tire Biter Ale – verso has Snake Dog India Pale Ale

Flying Dog Brewery, tan color with various cartoons related to other beers, text on verso with “After the Climb of a Lifetime, George Stranahan and Friends . . .”

Raging Bitch Belgian-Style IPA, curved edges, Flying Dog Brewery on verso with small logos

“When You Make a Mistake, Do It in Ink, Because It’s an Excuse to Do Something Else” attributed to Steadman on two-sided coaster in brown tones with Flying Dog Logo

Product Catalog/1996. Cover design. Ralph Steadman: A Comprehensive Guide for the Collector 86 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Poster: Imperial Porter, 18”x24”

Flying Dog Brewery Tap Handles, 13” black handles with label and metal wings extending from top

Flying Dog Classic Pale Ale

Flying Dog Gonzo Imperial Porter

Condom Covers.

Don’t Be a Boor When You Score. n.d. Condom housed in a matchbook style holder illustrated by Steadman with boar standing next to glass of wine and “Woody Creek Tavern” printed on flap.

For That Special Bitch. Condom housed in a matchbook style holder illustrated by Steadman with Flying Dog bat logo and “Don’t Forget to Put Your Dog On!” on flap. Verso has illustration of 8 bottles of Flying Dog “Litter of Ales.”

Do It Doggie Style Temporary Tattoo. 3 x 2” clear plastic temporary tattoo label of Steadman’s Flying Dog bat logo with and “Do it doggie style.” in red lettering. Instructions for application of tattoo printed on verso.

Refrigerator Magnet. 3¾” oval magnet printed with Steadman’s Flying Dog bat logo, dark blue background.

Cut the Leash Sticker 8"x 3” mustard yellow sticker with Steadman lettering in black and flying logo

Rider’s Jersey. Bright red bicycle rider’s jersey with logo with dog suspended from wings on back and front, three open pockets on back of jersey.

Flying Saucer Valentine’s Day Ceramic Mug. 2006. White ceramic mug, with Flying Dog logo on one side and “Bottoms Up” photo of couple on other side.

Flying Dog Brewery Metal Sign. 2006. 19½ x 8¾ metal sign with Flying Dog logo and Hunter Thompson quote “Good People Drink Good Beer.”

Flying Dog Wallet. Produced by Mindy’s Beer Gear, Vancouver, WA. 8¼ x 3½ sewn folded wallet with Flying Dog logo on outside under plastic covering.

Canvas Tote bag – “The Rebellious Tit – No More Succour only Suckers. 2008.

b. Bonny Doon Vineyard (Santa Cruz Ca.)

Bonny Doon Vineyard is a winery based in the city of Santa Cruz in the central coast of California. Started by Randall Graham in 1983, the winery was known for unusual varietal blends and artistic labels, including illustrations by Ralph and other artists. “Proposing

illustration ideas to Ralph Steadman is a lot like offering advice on characterization to Gustave Flaubert or offering to ‘punch up’ the plots of Tom Clancy.” Graham sold the label in ____.

Ralph Steadman: A Comprehensive Guide for the Collector 87 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Bottle labels; various vintages.

The Catalyst, red table wine, 1988. Label with bunch of grapes in man’s clenched fist, and Steadman lettering on separate label. Wine was sampled by Oddbins buying team during visit to Bonny Doon and purchased for sale in UK, and led to association between Bonny Doon and Steadman. First label designed by Steadman for Bonny Doon

1995-2008 Cardinal Zin Critique of Pure Riesling Domaine des Blagueurs Syrah-Sirrah Domaine des Blagueurs Grenache Village Madrian/Heart of Darkness Sirrah Syrah

T-shirts: Cardinal Zin labels on front and back. Madrian/Heart of Darkness

Posters. Cardinal Zin. 24”x36” Cardinal Zin. 27½ x 19” with text incorporating all seven deadly sins Grenache Village 15”x20” Domaine des Blagueurs Syrah. 19”x28

Howlbarino. Poster, 20”x28”. Bonny Doon Vineyard, 1992. A broadside parody of Allen Ginsburg’s Howl with a large illustration of a man on a donkey riding through a village street inside a wine bottle.

Refrigerator Magnets “Madiran/Heart of Darkness” A hand holding a cluster of grapes

Apron Domaine des Blagueurs Syrah-Sirrah. 2005. Image from bottle label of jester on a playing card printed on burgundy apron.

c. Hugel & Fils winery, Alsace France

Alsace Man with Corkscrew Wall and Counter Display, 10"x14" cardboard image of a vintner holding a bunch of grapes; an open corkscrew forms the brim of his hat and his nose. Circa 2002. Also produced as a 11”x16” countertop display. The image was later used on several of their bottle labels; e.g. 2007 Pinot Gris.

Poster. Rique Wihr from En Haut. Village pastoral scene with vines in foreground. 16"x24".

Poster. Hugel Winery, Rique Wihr. View of the winery and shop in the village. 18"x24".

d. Miscellaneous Ralph Steadman: A Comprehensive Guide for the Collector 88 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

[Frankfurt Bookfair] Advertising brochure for Abelard-Schuman, publishers. (1973) 6”x9”, 10-page accordion fold with a b&w drawing by Steadman on each of the interior pages. "Abelard-Schuman and Ralph Steadman wish you a successful Book Fair.” The accordion fold extends to 72”

Advertisement. Nike Shoes. 4-page insert to Newsweek and other national magazines (1991). Six artists were asked to illustrate some aspect of Nike shoes. Steadman’s contribution depicts a rabbit wearing Nike shoes preparing to blaze away. Also issued as a separate promotional piece, 15 x 12”, folded to 5 x 4” size. Full color illustration on one side, “Go” in Steadman lettering and Nike Air 180 advertising text printed in red on the reverse.

-----. A limited edition print was produced by Nike UK in an edition of 25 copies to commemorate the shoes relaunch in the early 2000's. Publishing data unavailable.

Ammo Books 2014. Magazine by Ammo Books featuring current publications, cover illustration and six page color illustrated advertisement for Proud Too Be Weirrd.

Commemorative Whiskey. The Macallan Private Eye. Macallan Distillery/Private Eye. N.d. (1996). a 70cl bottle of Speyside single malt whiskey, including the contents of one 35-year old cask, commissioned for the 35th anniversary of Private Eye magazine. The screen printed label illustrated by Steadman makes it one of the most sought-after Macallan collectibles. Limited to 5000 numbered bottles.

-----. 5cl miniature bottle, the same image but without any limitation statement. With a plain cardboard mailing tube..

Absolut Steadman. 1994. 8"x12" card reproducing Steadman's contribution to Absolut Vodka's long-running series of magazine advertisements featuring artistic renditions of their bottle. There are two variant images

More to Croydon Than Meets the Eye. Croydon College, 1989. Promotional material for a series of lectures entitled "Doin’ the Business in Croydon." Issued to promote a new advanced level graphics course at Croydon College. Steadman was a guest speaker. Full-color portfolio covers, interior calligraphy, and a poster measuring approx. 33" by 23".

Montes Vineyard Label and graphics for wines produced by gifted winemaker Aurelio Montes in the Apalta Valley, Chile.

-----. Montes Folly. Premium Syrah, 2000 et seq. Wine label; 8”x10” illustrated card brochure, cardboard advertising display rack and 22”x16” wall poster. Each year with a different scene.

-----. Montes Cherub/Rose of Syrah, 2009. Label design.

-----. Montes Twins/Malbec/Cabernet Sauvignon, 2011. Label design.

Modern Poetry of the Arab World. 1986. 10 x 7½” cream color single sheet folded once to achieve four page pamphlet printed in brown ink. Invitation to Turret Book Shop for reading and book signing by six poets on the occasion of the publication of the book. Steadman design for book reproduced on cover of invitation. Ralph Steadman: A Comprehensive Guide for the Collector 89 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Neck and Neck and Never Caught Up Album order cards. Postcard order form showing images of two record jackets designed by Steadman.

Poetry Menu Order Pamphlet. 1996. 4 x 5.5” pamphlet describing book series, cover illustration and lettering inside by Steadman.

Ralph Steadman Art Collection Business Card. 2016. 2¼ x 3¼ business card with color image of Vintage Dr Gonzo with info about Ralph Steadman websites. Distributed at Society of Illustrators Retrospective, 2016.

Sony Xplod Sound System, Y2K Promotional Brochures, Las Vegas 2000. Ten pages plus cover; 8 1/2 x 11 inch Promotional Brochures for the Sony Xplod Sound System displayed at the CES [Consumer Electronics Show], Las Vegas, January 2000. Issued with four different cover illustrations. "It's not my remote it's my detonator"; "Oh Yeah, your silence disturbs me" ; "My MP3s rip away the cobwebs of insanity"; "Elevate your music;..."One of the images was also used as a 14"x18" poster: "Sony Mobile - Disturb The Peace - "I Am Just The Passenger. My Music Does The Driving. One of the illustrations was also used as the sleeve for a CD with sound tests.

Who Killed Hunter Thompson Publication Announcement in Last Gasp Publishing Catalog. Last Gasp Publishing, 2017. Two-page advertisement in publisher’s catalog announcing book with reproduction of Steadman portrait of HST from cover of book.

Ralph Steadman: A Comprehensive Guide for the Collector 90 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

14. CALENDARS

Calendar for 1984. London: National Council for Civil Liberties, 1984. 12"x17", spiral bound. Published for the 50th anniversary of the NCCL, each of the 12 months is illustrated by a different artist. Steadman contributes the month of July.

The Animals: Calendar 1988. London: British Union for the Abolition of Vivisection, 1988. 9"x16" calendar, spiral bound. Issued to benefit the BUAV campaign for an end to the use of animals in experiments. Steadman contributes the month of February.

The 1989 Calendar for Loose Village, Kent. Spiral bound, 13 perforated sheets. Designed by RS, the front cover reproduces a photograph of the sign for the ‘Loose Bowls Club’, which has been doctored to read ‘Loose Bowels Club.’ Front cover text in Steadman script. Each month is headed by a color photograph of some of the more interesting inhabitants of the village, with short descriptions by Steadman. Some copies have a printed note from RS and the Loose Amenities Association apologizing for any unintended offense.

The Loose Junior County Primary School presents A Loose Village Calendar in aid of Save the Children with a little push from Ralph Steadman. Save the Children, 1990. 6"x9", spiral bound. Thirteen monthly sheets, each with a drawing by one of the primary school students. Steadman adds a "free month" at the end and provides the calligraphic covers.

The Progressive Hidden History of the United States/1995 Calendar. Progressive Magazine, 1995. 14"x11". Steadman contributes the month of April.

Loose 2012 Calendar. Published by the Loose-Amenities Association, 2012.10”x12”, spiral bound at top. 12 pages, each illustrated with a photograph of some of the residents of Loose Village (where Steadman lives) to which Steadman has superimposed his own artwork. Also front and back cover illustrations. Fine.

Ralph Steadman: A Comprehensive Guide for the Collector 91 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

15. Miscellaneous POSTCARDS Unless otherwise stated, cards are standard 6”x4” size

Museum of London, 1965. Beer Street (After Hogarth) Gin Lane (After Hogarth)

“Well alright – what’s on telly then! (1971). 8 x 5¼” b & w postcard with photo collage of men in business suits sitting around table facing front with exaggerated faces pasted on bodies. Part of “Culture Carriers Stamp Out Art” series done in 1971 by a group of artists including David Hockney, Allen Jones, Richard Hamilton, and Steadman to raise funds for postal workers who went on strike that year.

“I only did it for the money” (1971). 8 x 5¼” b & w postcard with progressive images of Mona Lisa disintegrating and “Death of Art” printed on front, and “Culture Carriers Stamp Out Art” printed on reverse. Another postcard in the “Culture Carriers Stamp Out Art” series.

Revelers in the Jaws of a shark. Black card with b/w drawing. Association of Illustrators, 1976.

Wool and Water. Looking Glass Card No. 1, 1979. One of the images from Through the Looking Glass. 5.5”x8”. Black and white drawing of Alice and sheep in rowing boat.

Inspector Mouse. Anderson Press, 1980. Promotional mailer for the book

Emergency Mouse. Bernard Stone, The Turret Bookshop. n.d., 4 x 6” color postcard, presumably a promotional mailer for the book.

Clouded Tiger Cards, 1982. RS20 Gerald Ford started life as a Watch repairer; RS21 Balcony Scene (A summer evening in a Dallas ghetto) RS22 Hot Rubber RS23 Howzat! A blood stained village cricket scene. RS24 Football Crazy RS25 Quasimodo Mouse RS26 Stand Up and Be Counted RS27 Drop dead RS28 Time is Money RS29 Up the High Street RS30 Hot and Sweaty (a sauna) RS31 Camel with Boob RS32 The Fall of Ali (Mohammed Ali leaning on the ropes) RS33 100 mph Balls. (A fiendish cricket game.) RS34 Pier Git RS35 Smell of the Orient

Moi, Leonard de Vinci. Aux Éditions Aubier, 1983. 5 x 7¼” Color postcard with image of Leornardo’s torso and head in orange, paint brushes in bottom right corner.

Ralph Steadman: A Comprehensive Guide for the Collector 92 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

O.K. Freeze. Clouded Tiger Cards, 1983. 4 x 6” B & W card with armed policeman standing over dead bleeding bodies; one policeman with bubble saying “O.K. Freeze!!)

Reagan’s Latest Close-up. Clouded Tiger Cards, 1983.

War on Want. London: Wow Campaigns, 1985. Set of four postcards representing each of the UK’s four major banks, their emblems artistically arranged by Steadman to depict their desire for profit.

Modern Poetry of the Arab World. 1986. Postcard invitation to a book signing.

Red Alert Exhibition at October Gallery. 1990. Postcard invitation.

Teddy! Where are you? Andersen Press, 1994. 4 x 6” Promotional postcard for book with color illustration of Teddy standing outside Manager’s office.

Shooting the Sheriff. Photograph of Joe Petro III and Hunter S. Thompson making art with a shotgun at Owl Farm, Woody Creek Co., May 1995. Ralph’s text scrawled across the front “Now Hold Still – Your Other Leg is a Bitch to Hit!” 3”x5”

I, Leonardo. 1998. 8"x6". Promotional mailer for the book.

Undated Cards:

Henry Lemoine: The Eccentric Bookseller & Author. Jonathan Cape, 1990. Promotional mailer for Tales of the Weirrd. Postcard with ink drawing. 6’’ by 8’’

Drawings from the ‘Poor Mouth’ by Flann O’Brien. Arts Council of Northern Ireland. Undated, 9.5”x7-1/2”. Three different designs from the book.

Galerie 39. Undated. Postcard announcement for an exhibition of works by Steadman and other British illustrators. Depicts a horseracing image by Steadman.

Peter O’Sullevan Talks Turf. Postcard order form for the album/CD. Order Card. Peter O’Sullevan Talks Turf. / “I gotta Record”/Prince Monolulu. Charisma Records. N.d. 5x6

______. 5 x 6” color postcard with image of brown horse with extended legs and order information on reverse.

______. 5 x 6” color postcard of Lester Piggott on horse with extended legs and order information on reverse.

______. 5 x 6” color postcard of Prince Monolulu and order information on reverse.

Quasimodo Mouse. 3"x5" Japanese postcard with illustration from Quasimodo Mouse.

Some Juliet Photograph Postcard – Artists’ Cards No. 118. 4 x 6” color postcard with photograph of large woman facing away from camera, topless, looking out over balcony.

Ken Smith Prisoner No. 2736196 Postcard. 4 X 6" postcard with b & w postcard with drawing of Ken Smith in cap. Ralph Steadman: A Comprehensive Guide for the Collector 93 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

I Am Not Like the Others. London: Cartoon Art Museum, 2013, 4 x 6” white postcard of raging rabbit printed in black with Steadman lettering, verso has Cartoon Museum logo.

Fear and Loathing in Las Vegas. London: Cartoon Art Museum, 2013, 4 x 6” white postcard of Thompson and companion looking backwards from car heading towards Las Vegas skyline, verso has Cartoon Museum logo.

Self-Portrait, 2006. London: Cartoon Art Museum, 2013, 4 x 6” white postcard with color self- portrait by Steadman dated 2006 with Hunter Thompson quote “Don’t Draw Ralph! It’s a Filthy Habit”, verso has Cartoon Museum logo.

Reagan’s Latest Close-Up, New Statesman, 7 March 1980. London: Cartoon Art Museum, 2013, 4 x 6” white postcard with Reagan with fangs embracing Statue of Liberty (same image 1983 Clouded Tiger card), verso has Cartoon Museum logo.

White Rabbit, Alice in Wonderland, 1967. London: Cartoon Art Museum, 2013, 4 x 6” white postcard with White Rabbit image, verso has Cartoon Museum logo.

Raging Bitch, 2009. London: Cartoon Art Museum, 2013, 4 x 6” postcard with wild dog with red and orange background, verso has Cartoon Museum logo.

Plague and the Moonflower and Steadman art show at Long Gallery, Kilkenny Castle. Kilkenny Arts Week Committee, 1995. 4 x 6” promotional card for opening of “Plague and the Moonflower” and show of Steadman paintings opening 19 August 1995. Color image of “Moonflower” on cover, text on verso.

Sigmund Freud At Desk with Man With Clasped Hands. 4¼ x 4¾” card with reproduction of illustration from Freud with Freud sitting at desk smoking a cigar in background and man in foreground standing wringing his hands. n. d. blank on verso.

Columbine: A True Crime Story. Ghost Road Press, (2009.) 4 x 6” color postcard reproducing illustration from cover of book on cover, verso has information about publication of book and publisher.

Nelson & Napoleon, 1995. Greenwich: National Maritime Museum, 2005. 4 x 6” color postcard reproducing image of Nelson commissioned for 1995 exhibition at National Maritime Museum, with full portrait of Nelson in uniform surrounded by adjectives of Nelson’s character in Steadman script.

Ralph Steadman/A Retrospective/Original Artwork for Flying Dog Brewery. A Set of nine cards issued by the Flying Dog Brewery in conjunction with Steadman’s retrospective showing at the Society of Illustrators, New York 2016.

Vote Through Your Teeth Magazine Political Graphics Exhibition. Survival Graphics Gallery, Madison Wisconsin. 1988. 8½ x 5½” postcard with Steadman b & w drawing of man swallowing American flag with another man behind saying “Leave a piece for me Brother!” Reverse has invitation to Election Night opening for graphics show with Steadman work included

Shooting the Sheriff. Photograph of Joe Petro III and Hunter S. Thompson making art with a shotgun at Owl Farm, Woody Creek Co., May 1995. Ralph’s text scrawled across the front “Now Hold Still – Your Other Leg is a Bitch to Hit!” 3”x5” Ralph Steadman: A Comprehensive Guide for the Collector 94 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Burroughs Gang. Photograph of Joe Petro III, William Burroughs, and Steadman holding guns while making art in Lawrence Kansas, May 1995. Steadman lettering in red across front.

Lizard Lounge. 1997. Promotional color postcard for nine color silkscreen published by Petro III Graphics.

Drawings from the ‘Poor Mouth’ by Flann O’Brien. Arts Council of Northern Ireland. Undated. Four different designs from the book. ______. 9.5 x 7-1/2”. B & W image of working men sitting on wall, wealthy men and women on platform, men sitting in horse cart. ______. 6 x 8” B & W image of man pushing pig through the front door of a cottage. ______. 6 x 8” B & W image of fox standing behind tree with lightning strike. ______. 6 x 8” B & W image of man sitting before a fire in a cottage with a woman churning butter.

Little.com. Andersen Press, n.d. 4 x 6” color postcard with image of walking bird and note “Now in paperback” printed on verso

Ralph Steadman/A Retrospective New York: Society of Illustrators, 2016. 4 x 6” color postcards of Steadman images, each one has details of Society of Illustrators retrospective on reverse. Set of 6

Ralph Steadman/A Retropsective/Original Artwork for Flying Dog Brewery Postcard Set. 4 x 6” color postcards with various images from brewery labels issued by the Flying Dog Brewery in conjunction with Steadman’s retrospective exhibit at Cartoon Art Museum, London, 2013. Set of 9

Flying Dog Label Postcard Pack. Pack of 20 color postcards with bottle labels, 4 x 6”, bound in color printed cover wrapped around front, back, and over spine. Reverse of each card has Flying Dog lettering, with Maryland corporate address, and quote by Hunter Thompson printed in bottom right corner.

Critical Critters Promotional Postcard. London: Bloomsbury Plc, 2017. 4 x 6” color postcard with image of Tarzan’s Chameleon on obverse and info about book and 25% discount promotional code on reverse with small image of cover.

Critical Critters card promoting 24 signed limited edition prints. London: Bloomsbury Plc, 2017. 3¼ x 2 1/4” card printed in black and red promoting 24 signed limited edition prints for sale online at goldmarkart.com.

Ralph Steadman: A Comprehensive Guide for the Collector 95 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

16. STEAM PRESS & TURRET BOOKSHOP PUBLICATIONS

Haiku. Steam Press 1970. Designed and printed by Steadman on a brown paper bag. 6 signed copies only. Purportedly, the first publication of the Steam Press.

Joans, Ted. Santa Claws. Turret Press, 1970. 7-1/2”x10", 4 pp. folded card. A large format Christmas card with the author’s poem on the inside and a collage of Santa Claus by RS on the cover.

______. Variant printing with poem and collage on facing pages inside card.

Causley, Charles. Timothy Winters. London: Turret Books, 1970. Musical score with a poem by Causley; Steadman cover. Limited to 100 copies.

Steam Press Portfolio No 1 1970-72. Limited edition of ten poetry broadsides, each illustrated by Steadman. Individually signed by the poet and Steadman. Limited to fifty copies; ten sets were published loose in portfolio as presentation copies [burgundy card portfolio tied with a silken cord and entitled First Folio #/10; the other copies were sold individually.] Various sizes.

No. 1: Deverson, Jane. A Silly Thing to Do. No. 2: Spender, Stephen. Descartes. No. 3: Hodgkins, Allan. No Invader. No. 4: Lucie-Smith, Edward: The Rhino No. 5: Crossley-Holland, Kevin: More than I am. No. 6: Lawson, Virginia. Behind His Mask. No. 7: Logue, Christopher. For Talitha 1941-1971. No. 8: Hughes, Ted. In the Little Girl’s Angel Gaze. [An additional140 unnumbered copies of this broadside were distributed by Steadman and Hughes. Some were signed by both; some signed by Steadman or Hughes alone. [See Keith Sagar & Sephen Tabor: Ted Hughes; A Bibliography 1946-1980. Entry A34] No. 9 Fuller, John. Boys in a Pie. No. 10: Patten, Brian. And Sometimes it Happens.

Lawson, Virginia. Stand Still and Knock on Wood. Turret Bookshop, London, 1972. Broadside folded twice. Approximately 11.5" x 16.25". New Year's greeting from Turret Bookshop with a photograph taken by Steadman.

Lucie-Smith, Edward. Two Poems of Night. London: Turret Press, 1972. 10"x8", Wrappers. 2 pp., illustrated foldover card with cover illustration by Steadman. A Christmas keepsake. Limited to 1000 copies, the first 100 of which were signed by Steadman and Lucie-Smith.

Plath, Sylvia. Clocks Cry. London: Steam Press, 1973. Single sheet folded into 6 pp., 31 cm.

Steam Press Portfolio 2.

Ralph Steadman: A Comprehensive Guide for the Collector 96 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

London: Steam Press, 1974. Quarto, loose signatures laid into a clamshell box of blue cloth over boards. The text block is comprised of a title and colophon leaf, with six printed and folded broadsides. Limited to 50 sets, with each broadside numbered and signed by the authors (excepting Sylvia Plath) and Steadman. Overruns of several of the individual 11”x17” prints were offered for sale individually.

Andrews, Lyman. Narcissus Redivivus. Benveniste, Asa. Blockmaker’s Black. Durrell, Lawrence. Grey Penitents. Fainlight, Ruth. Pigeons at Villa . Plath, Silvia. To Eva Descending the Stair Sillitoe, Alan. Somme.

Steam Press Portfolio # 3. London: Steam Press, 1976. Portfolio of seven individual broadsides in a black cardboard portfolio. The third and final set of this series. Limited to fifty numbered sets signed by RS and each of the poets. Adcock, Fleur. Immigrant. Butler, Bill. Go to the Bridge Railings Wave Goodbye & Jump Deverson, Jane. Obsession. Harsent, David. Leap Off the City Skyline. Henri, Adrian. Morning Song. McGough, Roger. Tiger Dreams. Mellor, Douglas. The Farm Hand Climed Upon the Horse.

Merton Dyslexic Association. Souvenier Brochure: A Poytre Raedign. London: Turret Press, 1973. 8vo stapled wrappers. Steadman cover illustration for a programmed- poetry reading in aid of dyslexic children, September 30, 1973. Contributors include most of the Turret Books/Steam Press crowd: Hughes, Everson, Lucie-Smith. Limited to 1000 copies.

Lucie-Smith, Edward. The Rabbit. London: Turret Books & Steam Press, 1973. 8vo stapled wrappers. 8pp. A Christmas greeting, published in an edition of 1000 copies. Illustrated by Steadman with drawings of rabbits on three of the eight pages. 100 copies were signed.

The Hunting of the Snark. 9”x12” trifold order card for the six etchings limited edition portfolio.

Harsent, David. Leap off the City Skyline. Steam Press, 1976. Broadside measuring approx. 11”x18”. Poem by David Harsent with illustration by Steadman.

Ted Hughes. The Threshold. London: Steam Press, 1979. Limited to 100 copies, signed by Steadman and Hughes. Black boards in acetate d/w. Only the first 50 numbered copies were for sale. These copies were for Ralph and bear the Steam Press blind stamp. The remaining 50 “author’s copies” were unsigned and without the blind stamp.

-----. Steam Press, Kent, 2004. 25th Anniversary edition - made from the remainder of the original lithographed sheets. Limited to 75 copies. Steadman signed this edition with a scrap of his drawing board backing paper collaged to the title page and his hand-decorated endpapers. Ralph Steadman: A Comprehensive Guide for the Collector 97 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Smith, Edward-Lucie. A Fromage for 1981. London: Turret Books, 1981. 4”x6” folded card with a 9-line poem, “A note on Mice” and b/w facing illustration by Steadman.

Sillitoe, Alan. Israel; Poems on a Hebrew Theme. London: Steam Press, 1981. 2 vols. Limited to 98 copies signed by Sillitoe and Steadman. Vol. 1 poems by Sillitoe; Vol. 2 sketches by RS of Israeli people, landscapes and street scenes. Both volumes bound into an outer cover that folds open with volume one opening from right to left and volume two left to right. In blue publisher’s slipcase.

Who? Me? No! Why? London: Steam Press, 1986. 8vo, stapled wrappers. A four-page, 25-line poem by Steadman illustrated by Carol Ann Duffy. Limited to 500 copies, signed by Duffy.

Fainlight, Ruth (ed.) Harry Fainlight/Selected Poems. London: Turret Books, 1986. Limited to 1000 copies. Steadman d/w design for the second volume in the Therpewin Poetry Series. Introduction by Ruth Fainlight, Memoir by Allen Ginsberg, and a Poem by Ted Hughes

Benson, Judi. Somewhere Else/ Poems by Judi Benson. London, Turret Books, 1990. 12mo, softcover booklet. Limited to 1000 copies; Frontispiece drawing by Ralph Steadman. Cloth edition, limited to 100 copies signed by Benson.

Friends, Echoes. Bernard Stone, Turret Bookshop, 1990. Poem written and signed by Steadman on 13 inch piece of parchment-like paper glued inside cover made from single sheet of green paper folded once lengthwise to achieve 8½ x 6” folder with drawing Carol Anne Duffy printed on cover.

Fear and Loathing in Las Vegas. Steam Press 1991. A 44-line poem by Steadman printed as a 4-page, 5”x8” card. Color front cover containing the infamous Fear and Loathing cover drawing, with a black and white desert landscape inside.

Ralph Steadman's Royal Series. Queen and Corgi. Postcard. Steam Press, n.d. 7-1/2"x5-1/2". 20 one-inch square drawings of the queen on the obverse. Charlie’s Angels. Postcard. Steam Press, n.d. 7-1/2"x5-1/2". 16 one-inch square poses of Prince Charles.

Bookmarks. London: Turret Books, n.d. Portraits of employees and customers of the bookshop. 2.5”x9.5” Bookworm No. 9 Mei (Black on magenta cardstock) Bookworm No. 10 Rachael (Black and red on white cardstock. Bookworm No. 11, Emily (Black on white stock) Bookworm No. 12, Jack MacGowan (Black on white stock) Bookwork, No. 13; Sadie watching Phantom of the Opera. Black on white. Bookwork, No. 15, Mum (Black on white stock) Bookworm No. 16, Georgina (Black on rose stock) Bookworm No. 17, Abner (Blue on yellow stock) Bookworm No. 18, Octavia (Orange on yellow stock) Ralph Steadman: A Comprehensive Guide for the Collector 98 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Bookworm No. 19, Pauline (Black and red on white stock) Bookworm No. 20, Ann (Black and red on white stock)

Prospecti. Bernard Stone: Turret Bookshop/Steam Press. Folded letterpress sheets or cards announcing forthcoming works.

Inspector Mouse Quasimodo Mouse Israel/Poems on Hebrew Themes Sigmund Freud Portfolio Hunting of the Snark Portfolio. Threshold

Sigmund Freud Portfolio Coming Soon! Steam Press, 1973. 12 x 8” broadside printed by letterpress on fine paper with watermark in the image of a frame with “Coming Soon” and details of publication details provided.

The American Dream / Fear and Loathing. Steam Press, 1991. Single sheet approx.. 11.5”x8.5” designed to fold into 4-p card format -- with Steadman’s poem ‘The American Dream’ commemorating the 20th anniversary of ‘Fear and Loathing in Las Vegas.” The iconic F&L illustration in color on the front.

To the Creative Spirit in All of Us! Steam Press, n.d. [1992] One sheet folded to make four 5"x8" pages. White card stock with Steadman's color illustration on the front panel, blank inside second panel, "To The Creative Spirit in All of Us!" in Steadman's distinctive hand on the third panel, and the Steam Press logo on the final panel.

Throw These Away in the Morning. n.d. Single sheet of stiff card folded once to result in four pages with illustration of nude female pubic area printed in orange and brown with two holly leaves at lower right corner. 50 copies numbered inside embossed Steam Press seal and signed by Adrian Henri and Steadman.

Mouse Badges (buttons). Bernard Stone, proprietor of Turret Books, produced a series of badges (called “buttons” in the US) featuring laminated details of pages from the “Mouse” books he wrote and Steadman illustrated. A full set appears to be comprised of 18 badges.

Ralph Steadman: A Comprehensive Guide for the Collector 99 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

17. MISCELLANEOUS EPHEMERA (IN NO PARTICULAR ORDER)

Art Catalog 1. Eliot Books, Tucson AZ, Spring 2001. 8vo, stapled wrappers. 32 pp. Catalog of art prints produced by Steadman between July 1994 and January 2001, during his trips to the U.S. and to the studio of silkscreen artist Joe Petro III. 24 color images of prints that are available for sale.

A Very Much Tragic and Pathetic Appeal. A collection of cartoons, jokes, and essays published for the 1979 Imperial College Rag. The annual RAG is the main charitable outlet of Imperial College Union, raising money for a variety of national and international charities. Among the biggest event is the annual London Raid, when Imperial students flood out over London, completing insane challenges while conducting pub crawls and collecting money from an unsuspecting public. “Some say that RAG stands for 'Raising And Giving', which sums up our aims perfectly, but some claim that RAG actually stands for such diverse things as 'Revolting Arse Gases', 'Radical Action Group' or 'Resplendent Astute Gnus' .” Steadman contributes a cartoon and a one- page ‘appreciation’ as well as the cover art, which is reproduced from “Dog’s Bodies.”

[Heald, Tim. Ed.] The Best After Dinner Speeches. London: The Folio Society, 2003. 4to cloth, in slipcase. After dinner speeches by dozens of literary celebrities, from Chaucer to Steadman. Illustrations by Paul Cox; none by Ralph.

Catalog. Harcourt Brace & Company: Adult Hardcover Books: Spring-Summer 1996. 8- 1/2”x7-1/2” brochure announcing forthcoming books. The front cover reproduces one of the color illustrations from Animal Farm, with a two-page illustrated announcement inside.

Charity Auction for the Benefit of the Roald Dahl Foundation. Sotheby's; London; 1997. Sotheby's auction catalogue. Cover by Steadman ("Miss Spider and the Hut”) and four pages describing Ralph’s contribution to the Roald Dahl Treasury.

Chelsea Arts Club Annual Dinner Alternative Menu. N.d. (1970’s) Menu with heading and text in Steadman script. Illustrated with a drawing of a man who is about to be sick, the menu is written on his overcoat Card stock, 10”x8”. Invitation: Chelsea Arts Club 77th Ball. 5”x8”, 4 pp. folded card. Pale blue exterior, blank interior. N.d. [1985?] Fine.

Christmas Cards

Merry Christmas from Bernard Stone and Ralph Steadman. Undated, 4”x6”, silver with red calligraphy and a thumbnail cartoon.

Xmas the…Undated, 9-1/2”x9”-1/2 trifold paper. Large red X and image of the Steam Press icon.

Handmade family card, 3"x5" with photograph of paper maché artwork by Anna Steadman on frontis. Undated.

Handmade family card, [1994]. 7"x5-1/2" with photo of paper maché artwork by Anna Steadman on frontis.

Notecard with figures with large eyes created from ink blots holding wine glasses dancing around Christmas tree. Drawing dated 1989.

Ralph Steadman: A Comprehensive Guide for the Collector 100 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Xmas, 2003. Handmade family card with photograph of pastel artwork “Summer at Old Loose Court” by Anna Steadman.

Merry Christmas from the Erawan Hotel, Bangkok, Thailand. Single sheet folded once to achieve 4 pages , 9 x 4”. Front image has cartoons by Steadman of Hunter Thompson on crutches with cast and figure running away on image of blue airmail envelope addressed to Dr. Hunter Thompson with Steadman’s signature. 24 line poem inside printed in black and green and credited to Steadman, Stone, and Thompson. Undated as a card, but the artwork drawn in 1981.

Christmas Card, with poem by Adrian Harris. Steam Press, n.d. Single folded sheet, poem to front cover printed black, with decoration by Ralph Steadman..Number 10 (X) of 50 cards, numbered and signed by Steadman, who designed the card, and signed by Adrian Harris, who composed the poem.

Christmas Card with color illustration from I Leonardo, 1983. University of Kent Centre for the Study of Cartoons and Caricature. 5"x7"

Little Red Xmas Card Unexpurgated. 7 x 6” card, folded once, card with single fold printed on red paper with logo of Steam press on cover and “Knickers” in holograph with Steadman’s signature.

Covent Garden Carrot. Nos. 1 & 2. Dawes Press, n.d. (Circa 1980). Satirical broadsides featuring Inspector Mouse, illustrated with drawings. Issue 1 is 14”x10”,; issue 2 is 12”x9”.

The Full and True Text of a Notorious, Remarkable and Visionary Speech Made By John, Viscount Amberley, Earl Russell, on the 18th of July 1978 at 9.8pm in the House of Lords London: Open Head Press, n.d. (1978) Small pamphlet, in card covers with a RS illustration on the front and inside. The speech is printed on an attached, eight-page foldout, with a photograph of the author at the end. This is the full text of the speech, which questioned the nature of the law and of law-breakers.

Homeless International. Set of eight 6"x8" prints on the subject of poverty and the plight of the homeless. Produced for the UK charity “Homeless International” n.d. [1987]

-----. Three of the prints were produced in larger format, 19”x25”, in an edition limited to 75 sets. ‘Urban Scene', 'Stand Up and Be Counted' and 'Christmas Dinner 1930'.

Insight and Outlook/Views of British Design/36th International Design Conference in Aspen. June 15-20, 1986. Cover design for program book is identical to UK in LA. 8”x5”.

-----. Postcard invitation: The Main Tent. 7”x5”

-----. Small wall poster, 8-1/2”x11” cardstock.

Leviathan. BBC News, N.d. 8”x5” glossy card flyer promoting the networks news feature program. The April 14, 1999 episode included a feature on Ralph’s visit to the Paris World Exhibition.

Linden, Eddie. The Miner. London: Dawes Press Limited, (n.d.) Single broadside poem by Linden entitled The Miner (for my father) with Steadman illustration. 11-1/2” x 17" Ralph Steadman: A Comprehensive Guide for the Collector 101 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Mile High Shirts Catalog/Gonzo/Art to Wear. 8-page illustrated catalog of authorized T- shirts and other items. RS cover artwork.

Mousepad. Little.com. Anderson Press, 2000. A promotional mousepad distributed at the American Bookseller Association’s annual book fair to promote the upcoming publication. The pad surface reproduces the dustjacket illustration.

Postage Stamps: Halley’s Comet Commemorative Issue. 1986. United Kingdom, Royal Mail. Set of Four: 17p, 22p, 31p, 34p. Each stamp measures 3 cm by 4 cm. In 5"x8" postal presentation folder with descriptive text about the comet.

-----. Set of four postcards each reproducing one of the stamp images. Each 4”x6” card has the corresponding stamp affixed and is addressed and canceled on the first day of issue, 18 Feb 1986.

-----. 4½ x 8¼” First day cover (envelope) with commemorative label printed at bottom left corner, inside envelope is a card describing Halley’s Comet and these stamps and a British Philatelic Bureau advertisement pamphlet featuring this issue.

Poetry Menu Award Winners, The. Manchester, 1996. Cover illustration for fold-over card invitation to the the National Poetry competition awards ceremony.

Postage Stamp: Charlie Chaplin, 1999 Royal Mail (UK) “Chaplin's Genius”, 64p, with a portrait of the actor by Steadman. The Plague And The Moonflower. Libretto. Maidstone: Steadman and I, Leonardo Productions, 1989. Libretto of an opera written by Steadman for the 1989 Exeter Festival, with music by Richard Harvey. Self-published photocopy in plastic strip binding.

Rock Around the Clock. N.d. Paper sampler issued by the Domtar paper company, France. Six 8.5”x11” sheets in die cut portfolio. Six artists, including Steadman, provide illustrations with a Rock and Roll theme in this portfolio promoting the company’s ‘Concerto’ line of specialty papers.

Saxon Gold Ultra Ribbed Condom. n.d. Housed in a matchbook style holder illustrated by Steadman.

The Shelf Life of Bernard Stone. London: Lawrence Brough, 1993. A tribute to Bernard Stone issued to celebrate the opening of his Covent Garden shop. Cover illustration.

Ten Days in the Lives of the AOI Annual & Exhibition Organizers: The Expurgated Version (1979). One double-sided sheet with an illustration by Steadman concerning an injunction obtained against the publication of the book ‘The Best of British Illustrators.”

Trunkline: Issue 2. Elefriends, 1989. 4to. Stapled wrappers. Newsletter by the Elephant Protection Group. Cover illustration.

Universal Declaration of Human Rights. A small pamphlet published by Waterstone’s (Books) and The Medical Foundation for the Care of Victims of Torture to celebrate the fiftieth anniversary of the Universal Declaration of Human Rights. 3”x5” illustrated wrappers, 1998. 24pp.

Ralph Steadman: A Comprehensive Guide for the Collector 102 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Contains the text of the United Nations declaration with an introductory essay by Steadman, who also contributed the front cover and five inside drawings.

Where the Buffalo Roam/A Movie Based on the Twisted Legend of Dr. Hunter S. Thompson. Press kit for the Bill Murray film, 1980. Contains fifteen glossy stills, numerous pages of publicity and advance sheets. Portfolio cover by Steadman duplicates the film poster design.

Post Office Designers and Art Directors Awards Program. 1982, Published by General Post Office. Four page program and menu measuring 5.75 x 8.25” for awards luncheon with self portrait of Steadman sitting in wheelchair.

Royal Wedding Commemorative Coffee Mug. 2011. Portrait of balding man with frown against a blue background printed on 3½” high coffee mug created by Steadman to commemorate royal wedding of Prince William.

Royal Wedding Commemorative Tea Towel. 2011. Drawing of brown dog with long pointed nose and human features on its face, with lettered legend. 20 x 30”. Created by Steadman to commemorate royal wedding of Prince William.

Democracy Coffee Mug. RalphSteadman.com. 2012. 3½” high white coffee mug with color image of drawing of unspecific animal with open mouth and exaggerated teeth and “Democracy” in lettering by Steadman.

Cufflinks. Published by RalphSteadman.com.

Gonzo Guilt. 2012. ¾” Silver cufflinks with image of head of Hunter Thompson with horns and smoking cigarette in holder. Presented in blue canvas case.

Let’s Party. 2012. ¾” Silver cufflinks with image of skull wearing hat over red background. Presented in black case with silver lettering.

I Am Not Like the Others. 2012. ¾” Silver cufflinks with image of barking rabbit skull and “I Am Not Like the Others” printed in Steadman script. Presented in case.

Neckties. Published by RalphSteadman.com.

Bats Over Barstow Image. Ralph Fancy Goods, 2006.. Sky blue necktie with Bats Over Barstow image with red car and Las Vegas high rise buildings in background.

Gonzo Guilt. 2012. Silver necktie with image of head of Hunter Thompson with horns and “Gonzo Guilt” printed in circle. Presented in black round box with image repeated in silver.

Hunt T-Shirt. Black Coffee Roasting Company, 2013. Drawing of deer originally drawn for Alice in Wonderland but not used with Steadman lettering. Image also printed paper bags in which coffee is sold.

Henry Boxer Business Card. 20th Century Paintings & Drawings, 1990. 3 x 4” white business card with name in Steadman lettering, engraved.

Nelson & Napoleon Exhibition. Greenwich: National Maritime Museum, 2005. Exhibition on the occasion of 200th anniversary of Battle of Trafalgar. Exhibition featured Steadman image of Ralph Steadman: A Comprehensive Guide for the Collector 103 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

Nelson in full uniform surrounded by adjectives of Nelson’s character in Steadman script, previously used by the Museum as part of another exhibition in 1995. Items sold by the Museum featuring this Steadman image included:

Coffee mug, 3¼” high white mug with image.

Cufflinks presented in stainless steel case.

Necktie presented in white paper sleeve.

Refrigerator magnet, 3 x 2”.

Notecard, 4¾ x 4¾” (published by Plum Associates).

T-Shirt, white shirt with image printed on front.

Tea Towel

Notebook, 6 x 8.5” blank book with image on cover.

Shot glass, clear with image on side.

Gelaskins for iPod Nano

Lizard Lounge. GelaSkins, Inc., 2007. 3¾ x 3½ color image on adhesive sheet to be affixed to iPod Nano.

Dr Gonzo. GelaSkins, Inc., 2007. 3¾ x 3½ color image on adhesive sheet to be affixed to iPod Nano.

Tablecloth of Utelements Periodic Table. United Therapeutics Corporation, 2013. 48 x 72” white tablecloth with cartoons and lettering in design resembling scientific periodic table with color cartoons around the border. Each box portrays some aspect of the corporation's mission and goals. E.g. Cu (Culture), Bp (Business Plan), No (No Patient Left Behind.) Most of the images appear to be taken from previously published drawings; some -- including all of the calligraphy -- is new here. Distributed to shareholders at the company’s 2014 annual shareholders’ meeting.

Apron. “Ok! Let’s Party”, Ralph’s Fancy Goods, 2009. Featuring a caricature of HST, dated 1996, previously used for the cover of Jokes Over, printed on burgundy red cloth.

Commemorative Mug - Rose Theatre, Kingston [UK] - 2004 Season. 5.5". Designed by Steadman with the image of a "Red Trousered Blobtail" and produced by Mclaggan Smith Mugs to commemorate the theater's 2004 season.

Burlap Tote Bag. Large burlap tote bag "Hand Bag" with Ralph's signature; sold from his website.

Annual Report, 1989, Moat Housing Society and Bailey Housing Association, Sevenoaks, Kent. Cover illustration.

Ralph Steadman: A Comprehensive Guide for the Collector 104 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

VINTAGE DR GONZO: Bronze Sculpture. Tucson: Furtherrr, 2015. 50 copies, numbered and signed by Steadman in the bronze. Approximately 22 inches high, 34 inches wide and 26 inches long, including wood base.. The sculpture made its premiere in London during Steadman's "Printin' Backwuds" show at Lazarides Editions.

Doggy Bag. White paper bag, 9½ x 7” with cartoon images of a dog looking back at his backside and another dog sniffing another dog with “Doggy Bag” in Steadman script.

Whoopee Sketchbook. Spiral bound sketchbook, 11¾ x 8¼” with Steadman inkblot illustration with tail and roller skates, color endpapers with various Steadman images and “Pink Pig” cartoons, pages are blank pages of fine paper.

Ralph STEADman Retrospective. Produced in connection with Exhibition at Society of Illustrators, New York: September 6 – October 22, 2016 ----- Self Portrait T-shirt, Grey t-shirt with self portrait of Steadman in color with bent eyeglasses, tied with silver ribbon and tag with “Ralph Steadman Fine Merchandise” ----- Self Portrait T-shirt, Grey t-shirt with Vintage Dr Gonzo image in color, tied with silver ribbon and tag with “Ralph Steadman Fine Merchandise ----- Raging Bitch (Flying Dog Brewery) T-shirt ----- Harold Wilson Tote Bag. 14½ x 12” white tote bag with B & W illustration of Harold Wilson inside circle based on Leonardo da Vinci image. ----- White Rabbit Tote Bag. White tote bag with B & W illustration of White Rabbit image. ----- White Rabbit Pillow. ----- Paranoids Pillow ----- Cats Pillow ----- Plague and the Moonflower Pillow ----- Exhibition T-shirt with image from F & L in Las Vegas on front and Steadman quote “The only thing of value is the thing you cannot say” on reverse, light blue/grey. Available at Haight Street Art Center, San Francisco.

Ralph Steadman: A Comprehensive Guide for the Collector 105 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

18. REFERENCE

Book form only; Ralph and his work have been featured in a wide variety of magazine articles, television and radio interviews, and film – including the recently released full-length documentary “For No Good Reason” (www.fornogoodreasonmovie.com.)

A Little Light Friction. (Hennessy, Val, ed. ) London: Harrap, 1989. 282 pp. A collection of interviews by English journalist, book-reviewer, and critic Val Hennessy. Includes a four-page interview with Steadman shortly after his publication of A Leg in the Wind. No artwork.

Artists of the Page; Interviews with Children’s’ Book Illustrators. (Marantz, Silvia and Kenneth, eds.) Jefferson NC: McFarland, 1992. Steadman interview p 219-226.

The Complete Book of Caricature (Bob Staake, ed.) NY: North Light Books, 1991. Steadman interview, selected drawings.

The Dictionary of British Book Illustrators and Caricaturists/1800-1914. (House, Simon; ed.) Suffolk [UK]: Antique Collectors Club, 1981. Revised edition, first published in 1978. 520 pp. An encyclopedic dictionary of more than 2500 British book artists and periodicals, accompanied by more than 200 pages of essays tracing the development and scope of 19th century illustration. Brief entry on Steadman.

Man Bites Man/Two Decades of Drawings & Cartoons by 22 Comic & Satiric Artists 1960 to 1980. (Steven Heller, ed.) NY: A & W Publishers, 1981. A chapter on Steadman, pp.194- 203, with one page of background information, followed by selected drawings.

Masters of Caricature (William Feaver, ed.) NY: Alfred A. Knopf, 1981. Biographical entry and several illustrations.

Modern European Children's Book Illustrators. (Moderne Kinderbuch Illustratoren Europas) (Rawennoff, O. Bozejovsky V.; eds.) Bohem's Artists, Zurich, 1982. Lavishly illustrated in color with examples of each artists' work. This is the English language edition.

Ralph Steadman Bibliography. Lexington, KY: John Dinsmore, 1996. 36pp. unbound wrappers. Detailed checklist, published on Steadman’s 60th birthday, May 15. Trade edition of 150 copies and a signed deluxe edition of 15 copies in stitched folio covers, with handmade end papers and a photographic plate of one of Steadman’s Oddbins drawings.

Ralph Steadman/Writers Talk/Ideas of Our Time. VHS Videotaped documentary. ICA Video, The Roland Collection. 1979. 50 minutes. From the series “Writers in Conversation.” Segments on “Using Satire in Pictures”, “The Process of Drawing”, “Learning Perspective”, Extending the Parameters of Cartooning”, Motives for writing Sigmund Freud”, “Drawing caricatures.”

The Savage Mirror/The Art of Contemporary Caricature (Steven Heller, ed.) Watson- Guptill Publications, 1992. Biographical entry and selections.

Ultimate Catalog/of Everything that is Noble and Enriching in this Fallen World (plus a lot of Scrofulcus Comic Books! Fantagraphic Books, 1997. 6”x11”, stapled wrappers. One of the comic distributor’s semiannual catalogs - featuring several of Ralph’s books on pp. 2-3, and a cover illustration from Animal Farm with Steadman’s calligraphic additions. Ralph Steadman: A Comprehensive Guide for the Collector 106 © Scott Burns/Armadillo & Dicker Books, 2013, 2019

World Encyclopaedia of Cartoons (Maurice Horn, ed.) NY: Chelsea House, 1980. Biographical entry with an example of one of his cartoons.

For No Good Reason. Film released by Sony Pictures Classics in Blu-Ray and DVD format in case with cover illustration reproducing film poster image of Steadman and Johnny Depp walking, with cartoons of two men and a dog and other images; names of film and participants in film are in Steadman lettering. “An interesting look at the work of Steadman, whose grotesque, ink-splattered art provided the ideal complement to Thomson’s gonzo writing.” – Gary Thompson, Philadelphia Daily News

Ralph Steadman: A Comprehensive Guide for the Collector 107 © Scott Burns/Armadillo & Dicker Books, 2013, 2019