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Rückzugsorte Des Erzählens
Otium Studien zur Theorie und Kulturgeschichte der Muße Herausgegeben von Elisabeth Cheauré, Gregor Dobler, Monika Fludernik, Hans W. Hubert und Peter Philipp Riedl Beirat Barbara Beßlich, Christine Engel, Udo Friedrich, Ina Habermann, Richard Hunter, Irmela von der Lühe, Ulrich Pfisterer, Gérard Raulet, Gerd Spittler, Sabine Volk-Birke 7 Anna Karina Sennefelder Rückzugsorte des Erzählens Muße als Modus autobiographischer Selbstreflexion Mohr Siebeck Anna Karina Sennefelder, geboren 1985; Studium der Germanistik und Romanistik an der Albert-Ludwigs-Universität Freiburg; Staatsexamen für das Lehramt an Gymnasien (2012); Wissenschaftliche Mitarbeiterin und Doktorandin im SFB 1015 »Muße« im Teilprojekt C2 von Prof. Dr. Thomas Klinkert und Prof. Dr. Dieter Martin (2013–2016); Promotion zum Dr. phil. (2017); seit 2017 Koordination des Integrierten Graduiertenkollegs im SFB 1015 »Muße« und verantwortlich für die Gleichstellungsmaßnahmen im SFB. Diese Publikation entstand im Rahmen des Sonderforschungsbereichs 1015 »Muße« (Teil- projekt C2: Stillgestellte Zeit und Rückzugsräume des Erzählens) und wurde durch die Deutsche- Forschungsgemeinschaft (DFG) gefördert. e-ISBN PDF 978-3-16-155666-1 (DOI 10.1628/978-3-16-155666-1) ISBN 978-3-16-155665-4 ISSN 2367-2072 (Otium) Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen National- biblio graphie; detaillierte bibliographische Daten sind im Internet über http://dnb.dnb.de ab- rufbar. © 2018 Mohr Siebeck Tübingen. www.mohr.de Dieses Werk ist seit 04/2020 lizenziert unter der Lizenz „Creative Commons Namensnennung – Nicht kommerziell – Keine Bearbeitungen 4.0 International“ (CC BY- NC-ND 4.0). Eine vollständige Version des Lizenztextes findet sich unter: https:// creativecommons.org/licenses/by-nc-nd/4.0/deed.de Das Buch wurde von Martin Fischer in Tübingen aus der Minion gesetzt und von Hubert & Co. -
The Dakota Fairy Tales of L. Frank Baum
Copyright © 2000 by the South Dakota State Historical Society. All Rights Reserved. The Dakota Fairy Tales of La Frank Baum Mark I. West L, Frank Baum lived in Aberdeen, South Dakota, from Sep- tember 1888 until April 1891. During this period, he ran a store called Baum's Bazaar for a little over a year, and when that enterprise failed, he tried his hand at publishing a weekly newspaper named the Aberdeen Saturday Pioneer. Baum man- aged to keep the paper going until March 1891, but in the end, it, too, proved to be a financial failure. Feeling defeated, Baum left Aberdeen that April and moved to Chicago, where he even- tually achieved fame as a children's author. Even though Baum had little success as an Aberdeen businessman, the experiences he gained while living on the Dakota prairie provided him with material and insights that he would later draw upon in his sto- ries. The literary critics and biographers who have studied Baum are not in complete agreement as to how his Dakota years influenced his writings. Some critics argue that the opening scenes in The Wonderful Wizard of Oz (1900), which Baum places in Kansas, are really set in South Dakota. Michael Patrick Hearn takes this position in The Annotated Wizard ofOz, stat- ing that these scenes "are largely Baum's recollections of the great gray prairie of the Dakota Territory (now South Dakota)."' The historian Nancy Tystad Koupal takes a somewhat different 1. Hearn, Introduction, Notes, and Bibliography to Tbe Annotated Wizard of Oz York: Clarkson N. -
Master List of Games This Is a List of Every Game on a Fully Loaded SKG Retro Box, and Which System(S) They Appear On
Master List of Games This is a list of every game on a fully loaded SKG Retro Box, and which system(s) they appear on. Keep in mind that the same game on different systems may be vastly different in graphics and game play. In rare cases, such as Aladdin for the Sega Genesis and Super Nintendo, it may be a completely different game. System Abbreviations: • GB = Game Boy • GBC = Game Boy Color • GBA = Game Boy Advance • GG = Sega Game Gear • N64 = Nintendo 64 • NES = Nintendo Entertainment System • SMS = Sega Master System • SNES = Super Nintendo • TG16 = TurboGrafx16 1. '88 Games ( Arcade) 2. 007: Everything or Nothing (GBA) 3. 007: NightFire (GBA) 4. 007: The World Is Not Enough (N64, GBC) 5. 10 Pin Bowling (GBC) 6. 10-Yard Fight (NES) 7. 102 Dalmatians - Puppies to the Rescue (GBC) 8. 1080° Snowboarding (N64) 9. 1941: Counter Attack ( Arcade, TG16) 10. 1942 (NES, Arcade, GBC) 11. 1943: Kai (TG16) 12. 1943: The Battle of Midway (NES, Arcade) 13. 1944: The Loop Master ( Arcade) 14. 1999: Hore, Mitakotoka! Seikimatsu (NES) 15. 19XX: The War Against Destiny ( Arcade) 16. 2 on 2 Open Ice Challenge ( Arcade) 17. 2010: The Graphic Action Game (Colecovision) 18. 2020 Super Baseball ( Arcade, SNES) 19. 21-Emon (TG16) 20. 3 Choume no Tama: Tama and Friends: 3 Choume Obake Panic!! (GB) 21. 3 Count Bout ( Arcade) 22. 3 Ninjas Kick Back (SNES, Genesis, Sega CD) 23. 3-D Tic-Tac-Toe (Atari 2600) 24. 3-D Ultra Pinball: Thrillride (GBC) 25. 3-D WorldRunner (NES) 26. 3D Asteroids (Atari 7800) 27. -
Master List of Games This Is a List of Every Game on a Fully Loaded SKG Retro Box, and Which System(S) They Appear On
Master List of Games This is a list of every game on a fully loaded SKG Retro Box, and which system(s) they appear on. Keep in mind that the same game on different systems may be vastly different in graphics and game play. In rare cases, such as Aladdin for the Sega Genesis and Super Nintendo, it may be a completely different game. System Abbreviations: • GB = Game Boy • GBC = Game Boy Color • GBA = Game Boy Advance • GG = Sega Game Gear • N64 = Nintendo 64 • NES = Nintendo Entertainment System • SMS = Sega Master System • SNES = Super Nintendo • TG16 = TurboGrafx16 1. '88 Games (Arcade) 2. 007: Everything or Nothing (GBA) 3. 007: NightFire (GBA) 4. 007: The World Is Not Enough (N64, GBC) 5. 10 Pin Bowling (GBC) 6. 10-Yard Fight (NES) 7. 102 Dalmatians - Puppies to the Rescue (GBC) 8. 1080° Snowboarding (N64) 9. 1941: Counter Attack (TG16, Arcade) 10. 1942 (NES, Arcade, GBC) 11. 1942 (Revision B) (Arcade) 12. 1943 Kai: Midway Kaisen (Japan) (Arcade) 13. 1943: Kai (TG16) 14. 1943: The Battle of Midway (NES, Arcade) 15. 1944: The Loop Master (Arcade) 16. 1999: Hore, Mitakotoka! Seikimatsu (NES) 17. 19XX: The War Against Destiny (Arcade) 18. 2 on 2 Open Ice Challenge (Arcade) 19. 2010: The Graphic Action Game (Colecovision) 20. 2020 Super Baseball (SNES, Arcade) 21. 21-Emon (TG16) 22. 3 Choume no Tama: Tama and Friends: 3 Choume Obake Panic!! (GB) 23. 3 Count Bout (Arcade) 24. 3 Ninjas Kick Back (SNES, Genesis, Sega CD) 25. 3-D Tic-Tac-Toe (Atari 2600) 26. 3-D Ultra Pinball: Thrillride (GBC) 27. -
The Dwarfing of Men in Victorian Fairy-Tale Literature Heather Victoria Vermeulen
University of Richmond UR Scholarship Repository Honors Theses Student Research 4-1-2007 The dwarfing of men in Victorian fairy-tale literature Heather Victoria Vermeulen Follow this and additional works at: http://scholarship.richmond.edu/honors-theses Recommended Citation Vermeulen, Heather Victoria, "The dwarfing of men in Victorian fairy-tale literature" (2007). Honors Theses. Paper 199. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. The Dwarfing of Men in Victorian Fairy-Tale Literature Heather Victoria Vermeulen Honors Thesis Department of English University of Richmond Dr. Elisabeth Rose Gruner, Thesis Director Spring 2007 The signatures below certify that with this essay Heather Victoria Vermeulen has satisfied the thesis requirement for Honors in English. = J (dr. Thomas ~onfi~lib,outsfhe departmental reader) 4</ (Dr. Te I Givens, honors coordinator) The Dwarfing ofMen in Victorian Fai~y-TaleLiterature Heather Victoria Vermeulen I. Introduction: The Dwarfing of Men in Victorian Fairy-Tale Literature 11. Dwarfs in the Grirnm Brothers' Tales: Establishing a (Grimm) Precedent 111. Christina Rossetti's "Goblin Market": Dwarfing, Defeating, and 17 Banishing Men IV. George MacDonald's The Princess and the Goblin: Masculinity 30 as Immaturity V. Juliana Horatia Ewing's "Amelia and the Dwarfs": -
Select Bibliography
SELECT BIbLIOGRAPHY Aesop. Aesop’s Fables. With instructive morals and refections, abstracted from all party considerations, adapted to all capacities; and design’d to promote religion, morality, and universal benevolence (London: J. F. and C. Rivington, T. Longman, B. Law, W. Nicol, G. G. J. and J. Robinson, T. Cadell, R. Balwin, S. Hayes, W. Goldsmith, W. Lowndes, and Power and Co., ?1775). Aesop. Bewick’s Select Fables, In Three Parts (Newcastle: Thomas Saint, 1784). Aesop. Old Friends in a New Dress; or, Select Fables of Aesop, in verse (London: Darton & Harvey, 1809). Aikin, John, and Anna Laetitia Barbauld. Evenings at Home; or, the Juvenile Budget Opened. Consisting of a Variety of Miscellaneous Pieces, for the Instruction and Amusement of Young Persons (London: J. Johnson, 1792). Alberti, Samuel J. M. M. ‘The Museum Affect: Visiting Collections of Anatomy and Natural History’, in Aileen Fyfe and Bernard Lightman (eds), Science in the Marketplace: Nineteenth-Century Sites and Experiences (Chicago and London: The University of Chicago Press, 2007), pp. 371–403. Allen, David Elliston. The Naturalist in Britain: A Social History (Princeton: Princeton University Press, [1976] 1994). Allman, George James. ‘Critical Notes on the New Zealand Hydroida’, Proceedings of the New Zealand Institute, 8 (1875): 298–302. Allman, George James. ‘Description of Australian, Cape and other Hydroida, mostly new, from the collection of Miss H. Gatty’, Journal of the Linnean Society, 19 (1885): 132–61. © The Author(s), under exclusive license to Springer Nature 277 Switzerland AG 2021 L. Talairach, Animals, Museum Culture and Children’s Literature in Nineteenth-Century Britain, Palgrave Studies in Animals and Literature, https://doi.org/10.1007/978-3-030-72527-3 278 SELECT BIBLIOGRAPHY Allman, George James. -
Die Intellektuellen. Roman
Brigham Young University BYU ScholarsArchive Prose Fiction Sophie 1911 Die Intellektuellen. Roman Grete Meisel-Hess Follow this and additional works at: https://scholarsarchive.byu.edu/sophiefiction Part of the German Literature Commons BYU ScholarsArchive Citation Meisel-Hess, Grete, "Die Intellektuellen. Roman" (1911). Prose Fiction. 100. https://scholarsarchive.byu.edu/sophiefiction/100 This Article is brought to you for free and open access by the Sophie at BYU ScholarsArchive. It has been accepted for inclusion in Prose Fiction by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Grete Meisel-Hess Die Intellektuellen Roman Grete Meisel-Hess: Die Intellektuellen. Roman Erstdruck: Berlin (Oesterheld & Co.) 1911. Textgrundlage ist die Ausgabe: Grete Meisel-Hess: Die Intellektuellen. Roman, Berlin: Oesterheld & Co., 1911. Die Paginierung obiger Ausgabe wird hier als Marginalie zeilengenau mitgeführt. Inhalt 1. Kapitel. Die Verwandten ......................................................................... 4 2. Kapitel. Zwei Frauen .............................................................................. 47 3. Kapitel. Berlin ......................................................................................... 74 4. Kapitel. Menschen .................................................................................. 92 5. Kapitel. Versuche und Kämpfe .......................................................... 125 6. Kapitel. Finsternis ................................................................................ -
Durch Deutschland Und Die Welt Reisen
Wortschatz • Reisen • Eine Reise buchen • Unterbringungsmöglichkeiten • Transportmittel • Reiseziele • Auf einer Reise • Strandurlaub • Sehenswürdigkeiten und Aktivitäten • Wie war dein Urlaub? • Ausgewählte trennbare Verben • Ausgewählte untrennbare Verben • Über das Wetter sprechen • Aussprache • Kapitel 6: Auslautverhärtung and a helpful guide to recognizing German/English Cognates Grammatik Focus • Cases: Der Dativ • Irregular Verbs: gefallen • Irregular Verbs: geben • Conversational Past of separable prefix verbs • Conversational Past of DURCH DEUTSCHLAND inseparable prefix verbs Recommended • Verbs: Das Perfekt – UND DIE WELT REISEN Einführung Von der Reiseplanung bis hin zum Reisebericht geht in diesem Kapitel alles ums Reisen und um das Reisewetter! Verhexte (magical) Schlösser in Heidelberg, Kneipen in Amsterdam, verlassene (abandoned) Schönheiten, bizarre Mitbringsel, Reiseberichte, leckere Schokoladentorten, Inselstädte und mehr erwarten Sie! Videos Nach dem Einführungsvideo geht es an die Materialien. Sprache im Kontext 6 • Kerstens Flitterwochen 1. Arbeiten Sie mit den Interviews der deutschen Muttersprachler und den • Christines letzte Reise Interviews der Amerikaner. • Mario in Skandinavien 2. Erweitern Sie Ihren Wortschatz. • Josh reist nach Amsterdam 3. Lernen Sie mit den Videos „Sprache im Kontext“ Vokabeln und Ausdrücke im • Ein Wochenende in kulturellen Kontext kennen. Schottland 4. Wenden Sie grammatische Strukturen aus Grimm Grammar besser an. 5. Trainieren Sie Ihre Aussprache. 6. Vervollständigen Sie WebQuests. -
Catalogue 14
CATALOGUE 14 CATALOGUE 14 4 E. Holly St., Suite 217, Pasadena, Ca 91103 · Tel. (626) 297-7700 · [email protected] www.WhitmoreRareBooks.com Books may be reserved by email: [email protected] and by phone: (626) 297-7700 We welcome collectors and dealers to come visit our library by appointment at: 4 E. Holly St., Suite 217, Pasadena, Ca 91103 For our complete inventory, including many first editions, signed books and other rare items, please visit our website at: www.WhitmoreRareBooks.com Follow us on social media! @WRareBooks @whitmorerarebooks whitmorerarebooks Catalogue 14 1. Audubon, John James The Birds of America, From Drawings Made in the United States and Their Territories. New York & Philadelphia: J. J. Audubon & J. B. Chevalier (Printed by E. G. Dorsey), 1840 - 1844. First Octavo Edition. A Very Good+ to Near Fine set in a solid contemporary binding. Dark brown, half-morocco over marbled boards, matching marbled end-papers and page edges. Pages measure 252 x 165 mm. A few of the inner hinges just starting to split, but bindings are generally holding well. Expert repairs to the inner hinges of volumes 6 and 7; front end paper of volume 7 cracked and secured. Light scattered foxing on some of the tissue guards and pages adjacent to the plates, although the plates themselves do not seem to be affected and are all in lovely shape. Complete with all 500 plates, each with its original tissue guard. Half-titles in volumes 2 - 7. List of subscribers moved forward in volume one, found at the end of the other volumes. -
The History of British Women's Writing, 1830–1880, Volume
The History of British Women’s Writing, 1830–1880 The History of British Women’s Writing General Editors: Jennie Batchelor and Cora Kaplan Advisory Board: Isobel Armstrong, Rachel Bowlby, Helen Carr, Carolyn Dinshaw, Margaret Ezell, Margaret Ferguson, Isobel Grundy, and Felicity Nussbaum The History of British Women’s Writing is an innovative and ambitious monograph series that seeks both to synthesise the work of several generations of feminist schol- ars, and to advance new directions for the study of women’s writing. Volume edi- tors and contributors are leading scholars whose work collectively reflects the global excellence in this expanding field of study. It is envisaged that this series will be a key resource for specialist and non-specialist scholars and students alike. Titles include: Liz Herbert McAvoy and Diane Watt (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 700–1500 Volume One Caroline Bicks and Jennifer Summit (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1500–1610 Volume Two Mihoko Suzuki (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1610–1690 Volume Three Ros Ballaster (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1690–1750 Volume Four Jacqueline M. Labbe (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1750–1830 Volume Five Holly Laird (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1880–1920 Volume Seven Mary Joannou (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1920–1945 Volume Eight Claire Hanson and Susan Watkins (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1945–1975 Volume Nine Mary Eagleton and Emma Parker (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1880–1920 Volume Ten History of British Women’s Writing Series Standing Order ISBN 978-0-230-20079-1 hardback (outside North America only) You can receive future titles in this series as they are published by placing a standing order. -
Háskóli Íslands
Introduction .................................................................................... 2 Background and Criticism ............................................................ 5 The Books ......................................................................................12 The Movie ......................................................................................15 Winnie-the-Pooh and Friends .....................................................20 Conclusion .....................................................................................28 Works Cited ..................................................................................32 Gylfadóttir, 2 Introduction In the 1920s an English author by the name of A. A. Milne wrote two books about a bear named Winnie-the-Pooh and his friends. The former was called simply Winnie- the-Pooh (WP) and was published in 1926, and the second, The House at Pooh Corner (HPC), was published in 1928. The books contain a collection of stories that the author used to tell to his son before he went to bed in the evening and they came to be counted among the most widely known children‟s stories in literary history. Many consider the books about Winnie-the-Pooh some of the greatest literary works ever written for children. They have been lined up and compared with such classic masterpieces as Alice in Wonderland (1865) by Lewis Carroll and The Wind in the Willows (1908) by Kenneth Graham. How Milne uses poetry and prose together in his stories has earned him a place next to some of the great poets, such as E. Nesbit, Walter de la Mare and Robert Louis Stevenson (Greene). In my view, the author‟s basic purpose with writing the books was to make children, his son in particular, happy, and to give them a chance to enter an “enchanted place” (HPC 508). The books were not written to be a means of education or to be the source of constant in-depth analysis of over-zealous critics. -
Ralph Steadman
VISITING PROFESSIONAL BIOGRAPHY RALPH STEADMAN Ralph Steadman was born in 1936 in Wallasey, Cheshire. He began his career as a cartoonist satirising the British social and political scene of the 60s. In the 1970s, responding to what he called ‘the screaming lifestyle of America’ he teamed up with Hunter S. Thompson which resulted in his iconic drawings for Fear and Loathing in Las Vegas and collaborations ranging from The Kentucky Derby to The Curse of Lono. Many of his drawings were to be seen in Rolling Stone magazine and he produced his book of collected impressions of America in 1974. Over the years his work has appeared in many newspapers and magazines, from Punch and Private Eye in the early years to the New Statesman, The New Yorker and the Independent where he illustrated a series of weekly essays by Will Self called Psychogeography which resulted in two books. Early in his career he turned his creative energy to the literary classics, beginning with Alice in Wonderland and Alice Through the Looking Glass and then on to other works including Treasure Island, Animal Farm and Fahrenheit 451. He then turned to the lives of Sigmund Freud and Leonardo da Vinci reinterpreting their genius in both words and drawings. His book, The Big I Am, tells the story of mankind beginning with the creation. He wrote Doodaaa in 2002, partly satire and partly autobiography and The Joke’s Over, the account of his relationship with Hunter S. Thompson, in 2006. Much of the 1990s was spent travelling the vineyards and distilleries of the world for Oddbins, the wine merchant.